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In around 1765, the harpsichord was the main, indispensable keyboard instrument in
most concertos, and was therefore learnt widely. It was so popular because it was
ideally suited to playing the counterpoint and terraced dynamics that were
characteristic of the baroque period. However, in 30 years, from 1765 to 1795, the
harpsichord became less and less common, until it was all but obsolete. Taking its
place was the pianoforte, a hammer-action keyboard instrument that was invented by
Cristofori (although his pianos were still quite primitive in design, with thin steel
strings of low tensile strength, small tubular brass hammers and a build that was only
slightly more robust than a harpsichord). This change from harpsichord to pianoforte
was, of course, driven by new styles in musical compositions and performances, which
were developing into the style we now know as classical music. This new keyboard
music required, above all, expression. The pianoforte was able to perform
diminuendos and crescendos, or sudden accents then an arresting quietness. The
pianoforte was also found to be ideal for song accompaniments, as it had a sweet
tone to support a voice, and a dynamic flexibility that allowed it to follow whichever
instrument it was accompanying.
Ba
of
sic workings
a single string
in a
pianoforte:
When the key is pressed, the jack is pushed up, which then pushes the hammer up so it hits the string.
At the same time as the jack s moving up, the damper is lifted off the string, allowing the string to
make a noise when the hammer hits it.