Professional Documents
Culture Documents
Standley1991
NSC95-2413-H-133-006
20042004
IDEA IDEA
American Music Therapy Association AMTA, 2005 2007
AMTA 3,229
12% 19%
14%13%14% 18%
AMTA, 2007
2004
2004
2004
1950
1998 AMTA
de IEtoile, 2000
AMTA, 2007
Journal of Music Therapy, Music Therapy, Music Therapy
Perspectives, Journal of Research in Music Education
Groene & Pembrook, 2000Wheeler, 2000
Lacy & Hadsell, 2003Wyatt & Furioso, 2000
Wheeler, 2002
Standley1991
Music Therapy Activity Leadership Skills Training Program
1 2
1.
1-1
1-2
1-3
1-4
2.
(1)
keyboard(2)
1.01 3 12 (3)
S1 15
S2
13.5
S4
12
S5
13.5
S6 13
Standley1991
Standley Level
1
(1)(2)
2003Tawney &
Gast, 1984
A-B
.88 .92
5 2 7
1.02 4
1.02
()
Standley1991
115
1. 1.01 1.02
1.01 3
2. 1.02 4
6
()
Standley
2
()
2004
Standley
1.
2.
3.
4.
keyboard
Excel
Standley (1991)
12
1
2003Standley, 1991
Standley
2
/+11.55(16.6+6.5)/2=11.55
/+13.5(15.7+11.3)/2=13.5
/+15(17.4+12.6)/2=15
/+40.05
11.55+13.5+15=40.05
10
17.7
16.6
9.4
8.2
6.5
16.1
15.7
14.2
14.2
11.3
19.5
17.4
12.5
10.7
12.6
53.3
49.7
36.1
33.1
30.4
b B
c C C
b c
C
11
Standley1991
Standley
1991level
Level
1 Level 2Level 1
Level 2
A B F Level
1 G H Level 2
A
keyboard
autoharp
B A
12
C B
IIVV7
3/4 4/4 12
C D
13
IIVV7 8
2
3 64
Level 1 B F
15 Level 1
G H Level 2 Standley1991
song-writing
14
song-writing Song-writing
Level 2 B H
20 Level 1 Level 2
()
1 4 5
1
Standley1991
B +40.05
CD
E
F
G H
15
0%
2
41.17 43.35 Standley 2
16
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
17
A
C
D
E
B
1
2
3
4
5
4
4
4
3
4
( = ) ()()() ( = )
100%
100%
100%
100%
100%
F
6
3
( = )
100%
H
G
7
8
4
3
( = ) ()
100%
100%
224.45
269.47
40.69
41.16
85.78
129.80
171.63
324.31
40.14-41.1740.51-42.5483.92-87.95129.3-132.0170.9-171.71223.5-224.93268.94-270 323.6-325.56
2.03
4.03
2.70
+.81
1.43
1.06
1.96
1.03
B/A
C/B
D/C
E/D
F/E
G/F
H/G
(2:1)
(3:2)
(4:3)
(5:4)
(6:5)
(7:6)
(8:7)
(=) () () () () () () (=) (=) (=) (=) (=) (=) ()
18
55
50
45
40.62
41.17
42.27
42.22
41.46
42.3
41.9
43.35
40
35
30
25
20
15
10
C
()
3 6 7 3
+.60 7
Standley, 1991
B
+11.55C
FCDE
1GH
H
10%
Tawney & Gast, 1984 6
19
3 6
Standley1991
E
-.13
0% 1 Standley
2
4 B bC
c A B
H 13.03 Standley
2
20
120
A'
110
100
90
80
70
60
50
40
30
20
10
0
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
21
A
1
4
B
2
4
C
3
4
D
4
3
E
5
4
F
6
3
G
7
4
H
8
3
(=)
(=)
()
(=)
(=)
(=)
(=)
()
100%
100%
100%
100%
100%
100%
100%
100%
11.43
12.09
25.11
37.69
51.87
67.48
82.89
101.35
10.8512.02
11.1513.02
23.8426.38
34.7840.61
49.2554.48
64.1070.86
78.7487.04
96.25106.44
B/A
C/B
D/C
E/D
F/E
G/F
H/G
(2:1)
(3:2)
(4:3)
(5:4)
(6:5)
(7:6)
(8:7)
(=)
(=)
(=)
(=)
(=)
(=)
(=)
(=)
(=)
(=)
(=) ()
()
()
11.54-12.14 12.48-24.57 25.40-38.30 38.89-51.83 51.70-67.39 67.41-82.84 83.04-101.08
(.60)
(12.08)
(+12.90)
(+12.94)
(15.69)
(15.43)
(+18.04)
22
16
15.5
15
14.5
14
13.5
13
12.5
12
11.5
13.03
12.09
12.15
12.14
12.29
12.4
12.29
11.43
11
A
()
5 8 9 5
B
A -.57 9
Standley, 1991
B
+13.5 C
F DE
5 G H
H F
10%
23
58
Standley1991
E
-.04
0% 6
A C
EF
H 15.01 Standley
2
24
120
A'
110
100
90
80
70
60
50
40
30
20
10
0
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
25
B
2
4
A
1
4
C
3
4
D
4
3
E
5
4
F
6
3
G
7
4
H
8
3
(=)
(=)
(=)
(=)
()
(=)
100%
100%
100%
100%
100%
100%
100%
100%
14.37
13.6315.11
14.54
13.4115.68
30.80
29.2432.37
45.48
43.1747.78
58.97
56.0061.93
75.03
71.2678.80
89.72
85.2194.22
110.29
104.75115.84
() ()
9
B/A
C/B
D/C
E/D
F/E
G/F
H/G
(2:1)
(3:2)
(4:3)
(5:4)
(6:5)
(7:6)
(8:7)
(=) () () () () (=)
(=)
(=)
(=)
(=)
(=)
(=)
(=) ()
14.74-14.172 15.14-30.21 31.31-45.58 46.05-58.78 58.74-74.68 75.03-89.30 89.84-110.04
(-.57)
(15.07)
(+14.27)
(+12.73)
(15.94)
(14.27)
(+20.20)
26
16
15.36
15.5
15
14.5
14
13.5
13
12.5
12
14.37
15.28
14.53
14.54
14.43
14.72
15.01
11.5
11
A
()
7 10 11 7
B A -.73 11
B
Standley1991
B
+15 C
DEG
27
10%
Tawney & Gast, 1984 10
7 10
Standley
E
G
0% 7 8
F
H 15.31
, Standley 2
28
120
A'
110
100
90
80
70
60
50
40
30
20
10
0
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
29
10
A
1
B
2
C
3
D
4
E
5
F
6
G
7
H
8
(=)
(=)
(=)
100%
100%
(=)
100%
() () () ()
100%
100%
100%
100%
100%
14.82
14.54
29.88
45.43
60.04
81.07
93.89
110.35
14.0615.57
13.4215.66
28.3131.44
43.1247.75
57.0163.06
76.9985.15
89.1898.60
104.82115.88
11
B/A
C/B
D/C
E/D
F/E
G/F
H/G
(2:1)
(3:2)
(4:3)
(5:4)
(6:5)
(7:6)
(8:7)
() () () () () () () (=)
(=)
(=)
(=)
(=)
(=)
()
15.09-14.36 14.92-29.14 31.30-44.86 46.35-59.57 60.43-80.71 81.53-93.63 94.20-110.40
(-0.73)
(14.23)
(+13.56)
(+13.22)
(20.28)
(12.10)
(+16.20)
30
16
15.5
15
15.47
14.82
14.54
14.76
14.8
15.31
14.89
14.64
14.5
14
13.5
13
12.5
12
11.5
11
A
911131517
1012141618
() A B
A B
31
B A
1 911
131517 S1
S2 S4
S5 S6
1012141618
S2
S6 S1S5 S4
S2Mean44.18
B S1 S5 S6
A
S4
A
B
S1 S2
S6
S4
S5
061027B4/SA
32
S2 S4
S5
S1
S6
S4
R1 S2 S4
R1S1
R1 S6 S5
33
R1S4
061027B4/SA
() C
C 9111315
17 S1 S2
S6 S4 S5
1012141618
S2Mean = 46.19
S6 S5Mean =39.45
S5
S2
S1
S4
34
S5
R1
S1
R1
S1
S5
R1
061030C1/SA
S4
35
S5
S1
S6
S2( 061110C3/SA)
() D
D C
911131517
C
S1S2 S6 S4
S5
1012141618
S2 C Mean = 44.08
S5Mean =41.57
36
S2
S4
S6
S1
S5
061117D1/SA
R1
061117D1/SA
() E
E
37
911131517
S2 S1 S6
S4 S5
S5
Standley1991 101214
1618 S2Mean = 42.98 S4
R1
38
( 061201E1/SA)
() F
F
911131517
S1S2S4 S5 S6
1012141618
S2Mean44.07 S6Mean39.93
S6
() G
G
911131517
S1S2 S6
39
S6 S4
S5 1012
141618 S1
Mean42.73 S6
R1
S1 enjoy
R1
S2
R1
Leader
grounding
grounding
Leader
Leader
40
grounding
Grounding
Grounding 070423G1/SA
R1S1
070503G3/S1
R1S6
S6
S6
070503G3/S6
41
R1S2
S2 S6
grounding
070503G3/S2
R1S5
070503G3/S5
R1S4
070503G3/S4
() H
H song-writing
song-writing
91113
1517
1012141618
S2Mean45.53
C
Song-writing
42
R1Song Writing
Song Writing
Song Writing
R1 Song Writing
R1 Song Writing
Song Writing
Song Writing
070507H1/SA
song-writing
S5
OK
43
R1Song Writing S6 S2
S5
R1
S4
R1
070514
H2/SA
Song Writing
()
44
Standley1991 B F Level
1
G H Level 2
B H
911131517 S1S5 S6
S2 S4 F
Level 2 S1 S6 S2S4
S5 F
S
1
380
365
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
S1
45
S
1
47
45
43
42.65
43.41
43.41
42.82
42.3
41.07
44.06
42.73
41
39
37
35
A
10
S
2
380
365
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
S1
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
11 S2
46
S 47
2 45
43
46.19
44.18
45.53
44.08
42.86
44.07
42.98
42.69
41
39
37
35
A
12
S
4
380
365
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
S2
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
13 S4
47
S 47
4
45
42.12
43
41
39
38.93
40.02
40.71
42.3
42.93
40.72
37.19
37
35
A
14
S
5
380
365
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
S4
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
15 S5
48
S 47
5 45
43
41
40.94
41.57
40.26
41.48
40.76
42.19
41.18
39.45
39
37
35
A
16
S
6
380
365
350
335
320
305
290
275
260
245
230
215
200
185
170
155
140
125
110
95
80
65
50
35
20
S5
A'
A'
1 3 5 7 9 11 13 15 17 19 21 23 25 27 29 31
17 S6
49
S 47
6
45
43
42.36
41.43
40.98
40.05
41
42.79
42.5
39.93
40.44
39
37
35
A
18
S6
()
1.
2.
50
FGH
3.
CFH
4.
EG
FH
()
S1 S2 AB
S4
51
S2 S1S5
S6
()
1. Standley1991
BCD
E F
2.
3.
52
4.
5.
6.
()
1.
Standley
2.
53
2007
2007
2004
2003
200795231-258
2004
200492229-262
1020051031Cheers2005
1031http://www.cheers.com.tw/default.asp
American Music Therapy Association (2005). AMTA member sourcebook 2005.
Silver Spring, MD: AMTA.
American Music Therapy Association (2007). AMTA member sourcebook 2007.
Silver Spring, MD: AMTA.
Boyle, M. E., & Krout, R. (1988). Music therapy clinical training manual. St. Louis,
MO: MMB Music.
54
55
1 Standley1991
56
2
___________________
/____________________
_________________________
_____________________________
1.0
80
80
80
___
[ ___ ___
]
___
___
___
___
1.3 ___ ___
___
(20%)
___
___
___
___
___
___
+ ___
= ___
___
+ ___
57
2.0
80
80
80
___
___
___
___
___
___
(+2)
+ ___
___
___
(+2)
___
(+2)
(
)
___
___
___
___
___
___
___
___
___
___
___
___
___
___
3.0
+ ___
= ___
(
(+2)
) (-2)
___
+ ___
+ ___
= ___
__________
58
3
1.01
1.
2.
1.
2.
3.
4.
1-2
3.0
12
1.02
1.
2.
1.
2.
3.
4.
5.
6.
7.
1-2
(IIVV7)
1. 3.0
12
2. 4.0
13
59
Abstract
Music Therapy has gained much attention from in-service teachers and
professionals of various areas in Taiwan in the past few years. When considering an
unbalance of the shortage of certificated music therapist and an overflow of qualified
teachers, the researcher intends to train pre-service special educators to obtain
knowledge and clinical experiences in Music Therapy so that students are capable of
competing with others for in full teacher positions or making a broader plan for
future career instead of being teachers, perhaps as a music therapist.
The researcher explored the effect of using a well-developed manual Music
Therapy Activity Leadership Skills Training Program that designed by Standley
(1991) to practice secondary expertise training plan for undergraduate students
majoring in Special Education. The program is a systematic, hierarchical approach.
The researcher took it into consideration and decided to conduct a changing criterion
design for data collection. The line graphs, visual analyses and bar graphs were
showed to demonstrate the personal, music, and group responses skills of the training
program. The results showed that the students didnt make a great improvement in
the beginning of the training. It explained a reasonable phenomenon that students
couldnt reach the goal in one step. However, students gradually showed
improvement after training. The scores were maintained very well on above the
criteria. The students also learned strategies to lead the group, create unique ideas,
and make an adjustment when encountered some difficulties. All in all, the students
have gradually possessed capabilities and characteristics to be a qualified music
therapist during the training.
Key words: music therapy, expertise training in special education
*
60