The

Texas
Roadhouse
Written By
Steven Donnini and Lana McCauley

Copyright 2008
Donnini Studio

"Take This Job and Shove It"

1
Here "Texas rednecks" humorously entertain people about
modern life as seen through the eye's of Texas country
people. Their unique perspective is expressed through
country songs that are performed at the Roadhouse where the
owner, Johnnie Mack Cates, hangs out with his cronies every
night. They try to solve all of their problems while
running the Texas Roadhouse as their lives intertwine with
it's loyal audience of local people, who come to drink and
dance the night away.

Johnnie Mack is 6 foot or so and looks like he hasn't eaten

in weeks. His sense of humor is pure country redneck and
he's proud of it! When he was young, he went to Nashville
to try to make it as a songwriter and he became friends
with many people who are now big Stars. Frustrated he came
home to Collin County bought a small farm and the Texas
Roadhouse. Now, as a favor to him these big Stars come and
perform at his Texas Roadhouse.

Tater Digger is a 45 years old Collin County native, he has

a stout build, thick eye glasses, and a wide smile that are
his trademarks. A childhood friend of Johnnie Mack, he is
the business manager and transportation captain. Only
Johnnie Mack knows Tater's real name and he is sworn to
secrecy. He drives around in what everyone calls "The
Taterville Trolly," a 1972 R.V., used to transport the
bands around Dallas. It is Tater's pride and joy.

Betty, Barb, and Suzie are local trailer park women, a

little on the hefty side, who have had a tough time finding
men until they met Johnnie Mack. They don't mind sharing
him as friend and companion. For them the most exciting
time of the day is the evening when they can get dressed
up, put on too much make-up and go to the roadhouse to hang
out with Johnnie Mack.

Hondo is the 40 something Mexican American cook at the

roadhouse. He is new to this country and has not learned
how to speak English very well. Yet, he is very clever in
the way he discusses what he thinks and brings a fresh new
outsiders perspective to life here in America.

Daisy and Ruby are waitresses at the Texas Roadhouse. They

have lived in the area all their lives. They went to
school together and dated the same boys. Ruby now 35 years

2
old is married to Daisy's old high school sweetheart.
Daisy's husband was killed in a motorcycle accident.

Bear is a 35 year old auto mechanic that hangs around the

Roadhouse dispensing home remedies to anyone that will
listen, gives a back rub to whoever has a backache, they
buy him drinks in return.

TEXAS ROADHOUSE

"Take This Job and Shove It"

ACT ONE

FADE IN:

EXT. WIDE SHOT OF COUNTRY ROAD

(GOLDEN LIGHT OF THE AFTERNOON SUN STREAKS THROUGH TREES ON
THE SIDE OF THE ROAD AS THE "TATERVILLE TROLLEY" COMES INTO
FRAME. COUNTRY MUSIC UNDER AND GROWS LOUDER AS BUS GETS
CLOSER)

3
CUT TO WIDE SHOT OF BIRD'S EYE VIEW

INT. OF BUS

CLOSEUP OF JOHNNIE MACK

(HE IS SINGING AND PICKING ON HIS OLD GIBSON GUITAR)

CLOSEUP OF TATER DRIVING BUS

(HE IS LIP-SYNCING TO COUNTRY MUSIC)

INT. WIDE SHOT OF PEOPLE IN BUS

(TATER, BETTY, SUZIE AND JOHNNIE MACK)

CUT TO WIDE SHOT OF BUS

(BUS PULLS INTO PARKING LOT OF TEXAS ROADHOUSE)

DISSOLVE TO CLOSEUP OF BUS DOOR

(THEY RUSH OUT TRIPPING, LOG JAMMING AT DOOR PUSHING TO GET
OUT, FALLING TO THE GROUND. BETTY OVER 300 LBS. LANDS ON
TOP OF TATER WITH JOHNNIE MACK COMING OUT OF THE BUS LAST,
STEPPING OVER THEM ON THE GROUND)

CAMERA FOLLOWS
(JOHNNIE MACK TO DOOR OF THE ROADHOUSE AS HE STRAIGHTENS
THE POSTER OF THE STAR TO APPEAR THAT NIGHT)

(JOHNNIE LOOKS BACK AT ALL THE PEOPLE ON THE GROUND AND

SHAKES HIS HEAD IN WONDERMENT)

MUSIC FADES

FADE TO BLACK
(COMMERCIAL BREAK #1)

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INT. MED. WIDE SHOT OF TEXAS ROADHOUSE BAR
(TATER AT THE BAR, TATER IS COUNTING RECEIPTS FROM LUNCH
CROWD)

INT. WIDE SHOT OF RESTAURANT AREA

(RIGHT BEFORE DINNER, DAISY AND RUBY CLEANING OFF TABLES,
CLEANING GLASSES AND STRAIGHTENING CHAIRS)

INT. MED. SHOT OF FRONT DOOR

(JOHNNIE MACK WALKS IN)

CUT TO MED. WIDE SHOT FROM BAR

(TATER IS AT BAR COUNTING MONEY - JOHNNIE WALKS UP
UNNOTICED AND STANDS IN BACK GROUND BEHIND TATER)

TATER

(COUNTING MONEY) One hundred twenty, one

hundred, forty.

JOHNNIE

No, one hundred, twenty.

You counted that last twenty twice!

CLOSEUP OF TATER'S FACE

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(HE NERVOUSLY TURNS TO FACE JOHNNIE MACK SURPRISED)

TATER

Oh, hi Johnnie! (LAUGHS NERVOUSLY)

That goes to show you that you

can't have enough twenties!

JOHNNIE

Yeah Tater, you got a real knack for money!

CLOSEUP TATER'S LAP

(TATER DROPS MONEY INTO HIS LAP)

CLOSEUP OF JOHNNIE
(AS HE PUTS HIS HANDS ON HIS HEAD IN FRUSTRATION)

TATER

I've been up all night.

CLOSEUP JOHNNIE'S FACE

(HE'S LOOKING AT TATER)

JOHNNIE

You're up every night! I was too,

but I can still count!

TATER

(STAMMERING) Oh well, ah...

JOHNNIE

A well is a deep subject, too deep for your

shallow mind! You'd better double check it!

6
CLOSEUP OF JOHNNIE
(SHAKES HIS HEAD IN DISBELIEF)

MED SHOT OF BAR AREA

(RUBY COMES UP BEHIND JOHNNIE AND SLINGS HER ARM OVER HIS
SHOULDER)

RUBY

What's this about you being up all

night with all the girls in the trailer park?

JOHNNIE

(HOLDING HAND OVER HEART)

Well, with so many girls and so little

time, somebody's got to do it!

RUBY

(ROLLING HER EYES)

Right, it's your patriotic duty!

TATER

Yeah, Johnnie, were you able to keep

count last night! (LAUGHING)

(JOHNNIE TAKES OFF HIS HAT AND THRASHS TATER WITH IT)

CLOSEUP OF EXT. KITCHEN DOOR:

(HONDO NERVOUSLY STICKING HIS HEAD OUT OF DOOR)

HONDO
(MEAT CLEAVER IN HAND)

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 Where's the meat?

MED SHOT OF BAR AREA

(JOHNNIE WAVES HIS HAND AT HONDO)

JOHNNIE

Tater's in charge of that.

HONDO

She's explains everything!

(MUMBLING IN SPANISH TO HIMSELF- HE GOES BACK

INSIDE KITCHEN)

MED SHOT OF BAR AREA

TATER

When I was in the Army I could make steak from

shoe leather.

RUBY

Maybe that's why I've got some complaints

on the steaks! They've just been too tough!

JOHNNIE

I told you to stop buying that cheap beef!

EXTREME CLOSEUP OF TATER

(TATER ROLLS EYES AND LOOKS GUILTY)

MED. CLOSEUP OF RUBY

(SHE SMACKS GUM LOUDLY AND HAND ON HIP TURNS TO JOHNNIE TO
COMPLAIN ABOUT TATER)

RUBY

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 And speaking of complaints, I've got myself a

real problem here. Tater wants me to open up

on Saturday morning, but my roots are getting

roots. (POINTING TO HER HAIR)

And I just got to go to Loretta's Beauty Barn

first thing on Saturday mornin's.

CLOSEUP OF RUBY:

RUBY

And, another thing, if you don't get

me some help around here, I'm ah gonna quit!

MED SHOT OF BAR AREA:

(KITCHEN IN BACKGROUND)

TATER

(ACTING AS IF HE DID NOT HEAR A THING SHE SAID)

Hey, Ruby did we get that side of beef in this
morning?

RUBY

(LOOKING AT JOHNNIE AND STOMPS HER FOOT)

(LOUDLY) See!!!

(LOOKS AT TATER) You didn't hear a word I

said! (STORMS OFF MAD)

MED SHOT OF KITCHEN DOOR

(HONDO EXITS KITCHEN AND JOINS GROUP AT BAR)

HONDO

Someones say "Yes?"

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 JOHNNIE

No, Hondo, nobody said yes.

HONDO

(HONDO SCRATCHES HIS HEAD AND LOOKS PUZZLED)

Me no gots it!

TATER

Hondo, go check on the meat.

JOHNNIE

No, Hondo you don't get it.

HONDO

What, me no gets no beefs?

JOHNNIE

Never mind! (HOLDING HIS HEAD)

TATER

Hondo, just go check if the meats ah been

delivered.

HONDO

(WAVING KNIFE SPEAKING IN BROKEN ENGLISH)

Everybody tells me... yes beefs's in,

then no beefs, only Hondo this, Hondo

that... Hondo, Hondo, Hondo!

Me changes me name!

WIDE SHOT OF BAR AREA

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(WILLY JOINS GROUP AT BAR)

WILLY

Tater tells me it's my turn to clean the

bathrooms. It's Hondo's turn.

MED EXT. SHOT OF KITCHEN DOOR

(HONDO IS WAVING KNIFE, CROWD LOOKS WARILY AT KNIFE MOVING
FROM SIDE TO SIDE AS HE POINTS IT AT THEM)

HONDO

Looks, me tolds you, Hondo this, Hondo that.

MED CLOSEUP OF JOHNNIE MACK

(JOHNNIE PUTS HIS HANDS IN THE AIR)

JOHNNIE

Alright! We can kill each other later, we've

got a big night coming up. So, Hondo, back to

the kitchen. Ruby, back to the register

and Tater, stay with me.

WIDE SHOT OF CROWD

(CROWD DISPERSES, GRUMBLING)

JOHNNIE

A manager is like a sargent in the army. He's

gotta keep the troops workin' together.

TATER

Does that mean I've got to let Ruby get her

roots fixed?

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CLOSEUP OF JOHNNIE

JOHNNIE

Yeah, and don't let Hondo change his name.

It's hard enough gettin' his attention as it

is.

MED WIDE SHOT OF RESTAURANT

(JOHNNIE PAYCHECK ENTERS ROADHOUSE FRONT DOOR AND IS
GREETED BY RUBY WITH A HUG)

PAYCHECK

How's it goin' Ruby, dear?

RUBY

Oh, Johnnie, I'm so tried of doing all the work

around here I'm a fixin' to quit. Be a

sweetheart would ya and sing "Take This Job And

Shove It" for me?

PAYCHECK

It'd be ma pleasure, darlin'.

(JOHNNIE MACK STROLLS UP AND HUGS JOHNNIE PAYCHECK)

JOHNNIE MACK

Heah, ol' buddy, it sure is good ta see ya

again, it's been longer than a coon's age.

PAYCHECK

It sure has! How the heck have ya been?

12
 JOHNNIE MACK (CONT.)

Oh, I can't complain, more women than I can

handle, so it can't be all that bad!

PAYCHECK

Well, ya better not loose that Ruby, she's a

real jewel!

JOHNNIE MACK

Yeah, she is! She helps me keep this place

running! I sure appreciate ya coming and

singing here at ma Roadhouse for me good buddy,

I know you're busy and all.

PAYCHECK

I'm never to busy for old friends and I'll do

anything to help 'em out.

JOHNNIE MACK

Well, you sure have. I'm expectin' a big crowd

tonight, everybody in town's been talking about

you bein' here!

PAYCHECK

That's great! I'd better go check out the

setup. I'll talk at ya later.

JOHNNIE MACK

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 (PATS HIM ON THE BACK)
Okay, good buddy, if ya need anything just

holler!

(LATER THAT EVENING WIDE SHOT OF SUN GOING DOWN)

COMMERCIAL BREAK #2

MED SHOT OF INT. KITCHEN

(TATER ENTERS LOOKING FOR SOMETHING TO EAT, HONDO IS
CHOPPING ONIONS WITH A BIG KNIFE, RUBY'S YELLING ORDERS
INTO THE KITCHEN WINDOW)

CLOSEUP OF HONDO
(HONDO THROWING THINGS AROUND THE KITCHEN)

MED SHOT OF HONDO

(TATER ENTERS AND WALKS UP TO HONDO)

TATER

Hondo, what's up?

HONDO

My wife left me for another guy.

TATER

What? You've got six kids. What's going to

happen...

HONDO

(INTERRUPTS TATER) We split them down the

middle!(HE SAYS AS HE CHOPS WITH A KNIFE)

TATER

(DISBELIEVING) You mean, three for you and

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 three for her?

HONDO

Yeah, she'll be back.

TATER

Why?

HONDO

Because, she took the ones that bite!

(CONTINUES TO CHOP FOOD)

CLOSEUP OF DAISY IN KITCHEN WINDOW

DAISY

Hondo can't you go any faster? The customers

are circlin' me like hungry sharks.

CLOSEUP HONDO
(LOOKS UP)

HONDO

Faster Hondo, hurry Hondo. That's what my wife

use to say. Now she's back in Mexico.

DAISY

Does that mean I'm gonna end up in Mexico?

CLOSEUP TATER
(SHOVELS IN A PIECE OF PIE AND TALKS)

TATER

Daisy, it wouldn't hurt you to get a little

15
 culture.

DAISY

Is that what happened to you...

(IN AN EXAGGERATED SEXY VOICE)

DAISY

... because you are certainly one hunk of a

cultured man. (AS SHE SLINKS AND DISAPPEARS)

CLOSEUP HONDO
(PLACES DISH ON COUNTER)

HONDO

Tater, do you think Rosita will...

(LOOKS, TATER STUFFING PIE, IT'S ALL OVER HIS
FACE, HONDO STOPS TALKING; TATER LOOKS UP WONDERING
WHY HONDO HAS STOPPED TALKING)

HONDO

Do this. (MOVES HIS LIPS AROUND)

CLOSEUP OF TATER MOVING HIS LIPS AROUND

(KITCHEN WINDOW IN BACKGROUND WITH DAISY WAITING, SHE MOVES
HER LIPS AROUND LIKE HONDO AND TATER. TATER DOESN'T KNOW
HE HAS PIE ALL OVER HIS FACE. RUBY WALKS UP AND SEES THEM
ALL MAKING FACES AT EACH OTHER)

RUBY

Everybody hold that pose, I'm getting my

camera. (ROLLING EYES AND WALKING OFF)

HONDO

Well, do you think she'll come back?

16
 TATER

Not if she's smart. Your pie ain't all that

wonderful. (BRUSHING PIE OFF HIS FACE)

HONDO

Why you eats them? (TEASINGLY SHOOTS TATER A

NASTY LOOK AS HE RAISES HIS KNIFE IN THE AIR IN A
THREATING WAY)

TATER
(LAUGHS BACKING OFF OUT OF THE KITCHEN,
PRETENDING TO BE SCARED)
No, Hondo, don't!

INT WIDE SHOT OF KITCHEN DOOR

(JOHNNIE ENTERS CARRYING AN EMPTY FOOD TRAY AND RUNS INTO
TATER)

JOHNNIE MACK

(JOKINGLY) Hondo, I thought I told you not to

kill anymore of my employees!

(HONDO LOWERS KNIFE AND RETURNS TO COOKING)

CLOSEUP MED SHOT OF BAR AREA

(WHERE JOHNNIE AND TATER WALK OUT OF KITCHEN AND SET DOWN)

JOHNNIE MACK

Tater, I heard you got another speeding ticket

the other day.

TATER

Yeah, but that was a speed trap the Sheriff

caught me in.

17
 JOHNNIE

How's that?

TATER

Well, I was a showing this good looking darling

that lives over in Wylie how to drive and I was
a distracted, if you know what I mean.

(RAISING HIS EYEBROWS UP AND DOWN)

JOHNNIE

So, go on.

TATER

She was a setting in my lap and driving the

Trolley.

JOHNNIE

She's never been for a ride in the Taterville

Trolley?

TATER

Nope and everything was going great til I saw

the flashing lights and it startled me so much

that I pulled off into a parking lot and hit

the roof of the Holiday Inn.

JOHNNIE
That's reckless driving, not speeding.

TATER

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 Well it was both, but the sheriff felt sorry

for me.

JOHNNIE

I can see why.

TATER

Yeah I ended up not getting a ticket at all!

I sweet talked my way out of it.

JOHNNIE

(SUSPICIOUSLY)
Now how did ya do that? Tater, you're not all

that cute!

TATER

He loves Johnnie Paycheck. So, I gave em a

front row seat. Over yonder's him and his

wife.

CUT TO TABLE WITH THE SHERIFF

(SHERIFF AND WIFE WAVE AT TATER)
CUT BACK TO TATER AND JOHNNIE
(HE SMILES BIG AND WAVES BACK AT THEM)
(PAYCHECK WALKS UP TO TATER AND JOHNNIE)

PAYCHECK

How's it going Johnnie?

JOHNNIE

Just great Paycheck, you sure pulled in a big

crowd, everybody's been a hollering for ya.

19
CLOSEUP OF TATER AND JOHNNIE PAYCHECK

TATER

(PUTS HIS ARM AROUND PAYCHECK)

It's been a long time. We missed your face

around here.

PAYCHECK
(JOKINGLY PUNCHES TATER'S FAT BELLY)
Well, I ain't missed your ugly ol' gut at all!

How the heck ya been?

TATER

Good, good... I can't complain... oh I could

but it does no good! Nobody want's to hear it!

I'll check ya later.

(TATER WALKS OFF TO BAR WHERE A PIECE OF PIE
WAITS HIM)

CLOSEUP OF RUBY AND TATER

(TATER STARTS EATING PIE AND GETS CHOKED, RUBY SLAPS TATER
ON THE BACK, HE'S STILL CHOKING ON PIE AND HEADS TO THE
KITCHEN CHOKING)

MED SHOT OF JOHNNIE MACK AND PAYCHECK GREETING RUBY

PAYCHECK

You're always beautiful Ruby.

JOHNNIE

She sure is... I sure wish she wasn't married.

PAYCHECK

Johnnie Mack, you've got to take care of this

lovely lady and keep her happy.

20
 JOHNNIE

I'm a tryin'!

RUBY
(RAISING AN EYEBROW, SARCASTICLY)

He sure is trying! Huh!

JOHNNIE

Well... we better get this show on the road!

CUT TO WIDE SHOT

(JOHNNIE WALKS AWAY FROM RUBY AND PAYCHECK AND STEPS ON
STAGE)

JOHNNIE

Welcome to The Texas Roadhouse. We hope you

enjoy the show. I am proud to introduce an

old buddy of mine, Johnnie Paycheck.

MED SHOT OF STAGE

(CROWD ROARS AS JOHNNIE PAYCHECK TAKES THE STAGE)

CLOSEUP OF JOHNNIE PAYCHECK

PAYCHECK

It's good to be here. As ya'll know Johnnie

Mack and I go back a long ways, longer than I'd

care to say!

CUT TO WIDE SHOT OF CROWD LAUGHING

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CUT TO CLOSEUP OF JOHNNIE PAYCHECK

PAYCHECK

He's ma buddy so keep on comin' out here and

seein' him.

CUT TO CLOSEUP OF JOHNNIE MACK

(HE PROUDLY PUTS HIS HANDS IN HIS VEST)

PAYCHECK

My first number is dedicated to Ruby.

(BAND BEGINS TO PLAY, MUSIC UP "TAKE THIS JOB AND SHOVE IT")
CUT TO INT. KITCHEN
(RUBY IS IN FOOD WINDOW TALKING INTO THE KITCHEN)

RUBY

Okay now Hondo, these customers have already

chewed off all of the fingers on my left hand

and are now working on my right! (HOLDING UP

HER HAND WITH FINGERS FOLDED TO LOOK CHEWED
OFF)

CLOSEUP OF HONDO

HONDO

(JOKINGLY WITH A SERIOUS EXPRESSION) Oh my,

Ms. Ruby how you carry them foods tos 'em

now?

CLOSEUP OF TATER

TATER

She can carry the plates in 'er teeth.

(TATER LOOKS AT HONDO AND LAUGHS)

22
 RUBY

That's it, I quit!

RUBY TAKES OFF HER APRON AND THROWS IT AT TATER

TATER

You can't quit.

RUBY

And why not ya nasty ol' pole cat?

(CUT TO MED. WIDE SHOT OF KITCHEN AREA)

(JOHNNIE MACK WALKS UP)

TATER

Cuz, I won't let ya!

RUBY

Well darlin', ya heard the man, you can take

this job and shove it.

CUT TO WIDE INT. SHOT OF KITCHEN

(RUBY IS STILL IN FOOD WINDOW JOHNNIE WALKS INTO KITCHEN)

JOHNNIE

Heah, heah whats goin' on here?

RUBY

Tater just broke this camel's back!

It's not enough that I do all the work 'round

here, but Hondo has no help, so the foods

comin' out slow and the customers are a

23
 houndin' me. And, on top of that Tater just

has no regard for ma feelin's!

JOHNNIE

Now, Ruby darlin', you really don't want to

leave me now right in the middle of my big

night with all these folks a waitin' on their

food. Please just finish up the night and then

we'll talk.

RUBY

Well... I'll work tonight but then that's it!

I won't wanna leave you in a fix, Johnnie.

(NODDING HER HEAD TOWARD TATER)

You keep that dirty ol' hound dog away from me!

Ya hear?

JOHNNIE

He'll leave you be.

(RUBY LEAVES WITH SEVERAL PLATES OF FOOD)

JOHNNIE

Tater, what the heck did ya say to Ruby?

TATER

Not much...

JOHNNIE

(ANGRILY)

24
 Well, it was enough! Now, you stay here

and help Hondo get the food out faster and

don't ya say another word to Ruby. Got it?

You've sure stirred up a mess a hornets!

CUT TO MED SHOT OF KITCHEN

(HONDO LOOKING ON CEILING AND ALL AROUND)

TATER

Come on Hondo, we go to get this food out

faster or Ruby might quit for good. What ya

lookin' for?

HONDO

Dem hornets you done stirred up.

TATER

That's just a figure of speech!

HONDO

Si, shes gots some figure. But where hornets?

TATER
(MOANS)

Oh..., never mind! We got to get this food out

or Johnnie might fire us!

HONDO

(LOOKING PUZZLED)
What? Johnnie builds fires to rid hornets?

25
 TATER

No, no, no!

HONDO

Me no gots!

TATER

No, Hondo, it's I don't get it.

HONDO

You toos? (SHRUGGING HIS SHOULDERS SMILING AND

PATTING TATER ON THE BACK)

TATER

Ohhh... (MOANING)

WIDE SHOT OF INT.

(EMPLOYEE'S CLEANING UP, BAND BREAKING DOWN SET)

MEDIUM CLOSEUP OF RUBY AT THE BAR

(SHE'S COUNTING HER TIPS AS JOHNNIE MACK WALKS UP)

JOHNNIE

Did you do good tonight?

RUBY

Yeah, better than I've ever done.

JOHNNIE

I wanted to talk to ya about quitting. Ruby,

darlin' I need ya here, you're the one that's

26
 able to keep this place a runnin'.

RUBY

It's about time you figured that one out!

JOHNNIE

It's been hard and Tater's about as considerate

as a warthog. It's been slim pickin's

around here and it looks like that's gonna

change. A few of ma old buddies are gonna be

coming and helping me get this place on it's

feet.

RUBY

Yeah, I did better tonight than I've ever done.

JOHNNIE

I realized when ya had Paycheck dedicate

that song for ya that we might jest loose ya.

Sometimes it takes a sledge hammer to get a

man's attention. Well, ya got it now...

Tommorrow I'll hire ya some help round here.

We did so good I can do that now.

(PAYCHECK WALKS UP AND HEARS JOHNNIE PLEADING WITH RUBY)

27
 JOHNNIE

Please don't leave.

PAYCHECK

Yeah, Ruby, Johnnie Mack needs ya, he's a good

ol' boy, just not too smart.

(PAYCHECK RUFFLES JOHNNIE MACK'S HAIR AFFECTIONATELY)

PAYCHECK

He doesn't realize that a woman needs time and

that a beautiful lady is worth waiting for.

RUBY

Well, since ya put it that way, it seems I

don't have a choice... but, I'll need Saturday

mornin's off to take care of my hairs.

JOHNNIE

What every ya need, darlin', just let me know.

(JOHNNIE AND RUBY BOTH STAND UP AND HUG EACH `

OTHER)

FADE TO BLACK

28