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FictionwritingmodeWikipedia,thefreeencyclopedia

Fictionwritingmode
FromWikipedia,thefreeencyclopedia

Afictionwritingmodeisamannerofwritingwithitsownsetofconventionsregardinghow,when,andwhereitshouldbeused.
Fictionisaformofnarrative,oneofthefourrhetoricalmodesofdiscourse.Fictionwritingalsohasdistinctformsofexpression,ormodes,eachwithits
ownpurposesandconventions.Currently,thereisnoconsensuswithinthewritingcommunityregardingthenumberandcompositionoffictionwriting
modesandtheiruses.Somewritingmodessuggestedincludeaction,dialogue,thoughts,summary,scene,description,background,expositionand
transition.[1][2][3]

Contents
1Narration
2Description
3Exposition
4Summarization
5Introspection
6Recollection
7Sensation
8Emotion
9Action
10Transition
11Seealso
12Footnotes
13References

Narration
Mainarticle:Narration

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Asafictionwritingmode,narrationishowthenarratorcommunicatesdirectlytothereader.Thiscontrastswiththeuseoftheterm"narration"asa
rhetoricalmodeofdiscourse,whereithasabroadermeaningwhichencompassesallwrittenfiction.

Description
Descriptionisthefictionwritingmodefortransmittingamentalimageoftheparticularsofastory.Togetherwithdialogue,narration,exposition,and
summarization,descriptionisoneofthemostwidelyrecognizedofthefictionwritingmodes.Descriptionismorethantheamassingofdetails,itis
bringingascenetolifebycarefullychoosingandarrangingwordsandphrasestoproducethedesiredeffect.[4]

Exposition
Mainarticle:Exposition(literarytechnique)
Broadlydefined,expositionisoneoffourrhetoricalmodesofdiscourse.Withinthecontextoffictionwritingmodes,expositionisusedtoconvey
information.Expositionmaybeusedtoadddramatoastory,buttoomuchexpositionatonetimemayslowthepaceofthestory.[5]

Summarization
Summarization,ornarrativesummary,condenseseventstoconvey,ratherthantoshow,whathappenswithinastory.[6]The"tell"intheaxiom"Show,
don'ttell"isoftenintheformofsummarization.Summarizationmaybeusedto:
connectpartsofastory
reportdetailsoflessimportantevents
skipeventsthatareirrelevanttotheplot
conveyanemotionalstateoveranextendedperiodoftime[7]
varytherhythmandtextureofthewriting[8]
Themainadvantageofsummaryisthatittakesuplessspacethanotherfictionwritingmodes.[9]Effectiveuseofsummarizationrequiresabalance
betweenshowingandtelling,actionandsummary,withrhythm,paceandtoneplayingarole.[10]

Introspection
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Mainarticle:Introspection
Introspection(alsoreferredtoasinternaldialogue,interiormonologue,orselftalk)isthefictionwritingmodeusedtoconveythethoughtsofa
character,allowingtheexpressionofnormallyunexpressedthoughts.[11]Introspectionmayalsobeusedto:
enhanceastorybyallowingthecharacter'sthoughtstodeepencharacterisation
increasetension
widenthescopeofastory[12]
playacriticalroleinbothsceneandsequel[13]

Recollection
Recollectionisthefictionwritingmodewherebyacharacterremembersadetailorevent.Itplaysavitalroleinconveyingbackstorybyallowingwriters
toconveyinformationfromearlierinthestoryorfrombeforethebeginningofthestory.Althoughrecollectionisnotwidelyrecognizedasadistinct
modeoffictionwriting,itisacommontool.Recollectioncouldbeconsideredasubsetofintrospection,butitsroleindevelopingbackstoryseparatesit
fromtheotherthoughtsofacharacter.Effectivepresentationofrecollectionhasitsownuniqueissuesandchallenges.Forexample,timingarecollection
toavoidimplausibleseemingmemories(suchaswhenacharactermustmakeakeydecision)canbedifficult,andshouldbepromptedbyarecentplot
event.[14]

Sensation
Sensationisusedtoportrayacharacter'sperceptions.Itcanhelpdrawthereaderinbyconveyingtheactualsensationsofthingscomprisingthestory,
breathinglifeintoitsphysicalworld.[15][16]Sincethereaderhasexperiencedonlyaportionofthesensationsexperiencedbythecharacter,theauthor
aimstoeitherprovokerecallfromthereader,orconveytheexperience,[17]drawingthereaderinandmaintaininginterestinthestory.[18]

Emotion
Thefictionwritingmodeofemotionconveysthefeelingsofthecharacter,andisavitalcomponentofcreativewriting.[19]Connectingthecharacterto
hisownemotionsallowstheauthortoconnectwiththereaderonanemotionallevel.[20][21]

Action
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Actionisthedemonstrationofeventsastheyarehappeninginastory,[22][23]andmayhelpreadersfeelasiftheywereparticipatingintheplot.[24]

Transition
Transitionsinfictionarewords,phrases,sentences,paragraphs,orpunctuationthatmaybeusedtosignalvariouschangesinastory,includingchanges
intime,location,pointofviewcharacter,mood,tone,emotion,andpace.[25][26]

Seealso
Writing
Style
Exposition
Narrativemode
Rhetoricalmode

Footnotes
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.

Marshall,1998,p.14365(http://books.google.com/books?id=ziBORQpTMD0C&pg=PA143).
Morrell,2006,p.127(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA127).
Selgin,2007,p.38.
Polking,1990,p.106.
Kernen,1999,p.57.
Marshall,1998,p.1446(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA144).
Marshall,1998,p.145(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA145).
Browne,King&Booth,2004,p.12.
Selgin,2007,p.31.
Card,1999,p.1402(http://books.google.com/books?id=gNYtrafWhDwC&pg=PA140).
Browne,King&Booth,2004,p.117.
Kress,2003,p.38.
Bickham,1993,pp.1222(http://books.google.com/books?id=wzUoKvpA2UC&g=PA12),508(http://books.google.com/books?id=wzUoKvpA2UC&g=PA50)
Card,1999,p.113(http://books.google.com/books?id=gNYtrafWhDwC&pg=PA113).
Rozelle,2005,p.76(http://books.google.com/books?id=6O3CIkg9NDAC&pg=PA76).
Morrell,2006,p.172(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA172).
Rozelle,2005,p.86(http://books.google.com/books?id=6O3CIkg9NDAC&pg=PA86).
Morrell,2006,p.173(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA173).

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19.
20.
21.
22.
23.
24.
25.
26.

FictionwritingmodeWikipedia,thefreeencyclopedia

Reid,1994,p.105.
Kempton,2004,p.148(http://books.google.com/books?id=ayhE_0hlH34C&pg=PA148).
Card,1999,p.74(http://books.google.com/books?id=gNYtrafWhDwC&pg=PA74).
Marshall,1998,p.142(http://books.google.com/books?id=ziBORQpTMD0C&pg=PA142).
Morrell,2006,p.127(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA127).
Rosenfeld,2008,p.173.
Morrell,2006,p.2812(http://books.google.com/books?id=qhufPkfjmXgC&pg=PA2812).
Polking,1990,p.495.

References
Bickham,JM(1993).Scene&Structure.Writer'sDigestBooks.ISBN0898795516.
BrowneR,KingD&BoothG(2004).SelfeditingforFictionWriters:EditYourselfIntoPrint.NewYork:HarperResource.ISBN006054569
0.
Card,OS(1999).Characters&Viewpoint.Cincinnati,OH:Writer'sDigestBooks.ISBN0898793076.
Kempton,G(2004).Dialogue:TechniquesandExercisesforCraftingEffectiveDialogue.Cincinnati,OH:Writer'sDigestBooks.ISBN158297
2893.
Kernen,R(1999).BuildingBetterPlots.Cincinnati,OH:Writer'sDigestBooks.ISBN0898799031.
Kress,N(August2003)."Make'emthink".Writer'sDigest:38.
Marshall,E(1998).TheMarshallPlanforNovelWriting.Cincinnati,OH:Writer'sDigestBooks.ISBN1582970629.
Morrell,JP(2006).BetweentheLines:MastertheSubtleElementsofFictionWriting.Cincinnati,OH:Writer'sDigestBooks.ISBN978158297
3937.
Polking,K(1990).WritingAtoZ.Cincinnati,OH:Writer'sDigestBooks.ISBN0898794358.
Reid,MI(1994).TheWritersDigestGuidetoGoodWriting.Cincinnati,OH:Writer'sDigestBooks.ISBN0898796407.
Rosenfeld,JE(2008).MakeaScene:CraftingaPowerfulStoryOneSceneataTime.Cincinnati,OH:Writer'sDigestBooks.ISBN978158297
4798.
Rozelle,R(2005).WriteGreatFiction:Description&Setting.Cincinnati,OH:Writer'sDigestBooks.ISBN158297327X.
Selgin,P(2007).ByCunning&Craft:SoundAdviceandPracticalWisdomforfictionwriters.Cincinnati,OH:Writer'sDigestBooks.ISBN978
1582974910.
Retrievedfrom"https://en.wikipedia.org/w/index.php?title=Fictionwriting_mode&oldid=626925272"
Categories: Rhetoric Narratology Writing Style(fiction) Fictionwritingmode
Thispagewaslastmodifiedon24September2014,at18:07.
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