Professional Documents
Culture Documents
Wang Zichu
PART I
The Jin Hou Su Bells are a bell set of the Marquis
Su of the State of Jin, and they consist of 14 bells
which were uncovered by robbers in tomb no. 8 of
the Tianma-Qucun [2] ruins in the south-west of
the village of Beizhao [3], Qucun Town [4], Quwo
County, Shanxi Province on 31 August, 1992.
They were smuggled to Hong Kong together with
a dozen bronzes from the same tomb and were
finally purchased and recovered by the Shanghai
Museum on 22 December, 1992. The serial numbers of the bells are now 7362773640.
Since October 1992, the Archaeology Department of Beijing University and the Shanxi
Provincial Archaeological Research Institute
have jointly launched rescue excavations at the
Tianma-Qucun ruins and have confirmed that
this is the tomb of the Marquis of the State of Jin
during the period from King Mu [5] to King
Xuan [6], that is to say from the middle to the late
Western Zhou Dynasty (11 th cent. BC to 771
BC). Tomb no. 8 (I11M8) is the largest of five big
tombs excavated at that time. Although it had
been robbed in the past, a total of 239 gold, copper, jade, ivory and pottery wares were
unearthed. Major finds include one Ding [7] (a
three or four legged cauldron for cooking or
holding meat or fish) of the Marquis Su of the
State of Jin, two Gui [8] (a deep circular vessel
with two or four handles) of the Marquis Yu [9],
three Zun [10] (a cup for holding wine) in the
shape of a rabbit, a set of 15 gold ribbon ornaments and a large quantity of jade ornaments.
Also two bells were found. These are of dark
brown and yellowish green colour, almost free of
corrosion and their shape and bodies are almost
the same as the group in the Shanghai Museum
nos. 73631-73640. The height of bell no. I11M8:33
is 25.9 cm and there are seven inscriptions on the
body which read: with long life and a lot of
descendants. The height of I11M8:32 is 22.3 cm
and there are four inscriptions which read: may
the bell be preserved for ever. This inscription is
consistent with that on Shanghai 76340. These two
PART II
Ma Chengyuan [12] has made a study of the 355
inscriptions on the Su bells. The Jin Hou Su mentioned is the Marquis Xian Su of the State of Jin
[13]. The statement that King Zhouli [14] led Jin
Hou Su to go on a successful punitive expedition
against the tribes in the east is the most important
Western Zhou inscription found in the last 50
years. It shows that King Zhouli reigned for 37
years, and not 23 as had previously been thought.
The inscriptions also show that The Record of
History [15] incorrectly records the sequence of
the Jin family in the Western Zhou: Jin Hou Su
did not live in the reign of Zhouxuan [16] but of
Zhouli [17]. In the 33 rd year of his reign (846
BC), the war was started on the lunar 8th of January, tribes in the east were defeated in lunar
March and rewards were given to Marquis Su in
lunar June. The war lasted half a year. The
inscriptions were made shortly afterwards, but
were the bells made at the same time? I present
evidence here to show that in fact the bells were
made much earlier.
The numbers in square brackets represent Chinese characters (see list below).
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Wang Zichu
TYPE I (FIG. 2)
This consists of 73627 and 73628. They are the two
biggest of the group. The Yong are elliptical with a
small taper varying between 0.4 and 0.7 cm from
the top to the bottom. The Yong is hollow and
joins into the body of the bell. There is a Xuan [22]
but no Wo [23] (suspension hook). The top of the
Yong [25] is open and so there is no Heng [24].
There is an interior lip [26] of triangular section at
the Mouth [27]. The tops of the Mei [28] are ball
shaped. The Mei, Zhuan [29] and Zheng [30] are
separated by a circle pattern and there are cloud
patterns formed by thin protruding lines on the
Gu [31], Zhuan and Xuan [32]. The Wu [33] is
undecorated; there are inscriptions on the Zheng
[34] and on the right side of the Xian [35].
TYPE II (FIG. 3)
This consists of 73629 and 73630. The patterns on
the Yong, the interior lip [36], the area carrying
inscriptions and the body of the bell are almost the
same as those on Type I. The difference is that
there is a Wo on the Xuan; there are patterns on
the Wu and the heads of the Mei are flat.
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Wang Zichu
PART III
Since the finding of the bells of the Marquis Yi of
the state of Zeng, the question of the tuning of
Chinese bells has attracted much attention (see
also the contribution of Wu Zhao in this publication). My ideas on the influence of the sound ridge
and tuning slots on bell intonation have been published in the excavation report on the Zhaoqing
Tomb [114] in Taiyuan City of Shanxi Province
(Cultural Relics Publishing House).
The two tone function of Chinese bells is
mainly governed by its bi-convex body shape
(Hewa) [115]. This shape was initially established
in Shang Nao [116]. It set a higher technological
requirement for the craftsmen and was more difficult to achieve, so the tuning after the bell was cast
became more important. Tuning was done by filing the interior of the bell. As well as adjusting the
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PART IV
Of these 16 bells 73629 is dumb, but the rest can
be played fairly well. The twelve Type III bells in
particular have good sound quality. A bird pattern
is found on the front and on the Right Gu [154] of
each of the bells and this is the striking point for
the two tones. The Side Gu [155] tone is a clear
minor third above that of the Mid-gu [156] and it
is a much better quality sound than that produced
by striking other parts of the bell. The sound here
is not disturbed by that of the Mid-gu. This indicates that the craftsmen producing these bells had
grasped the design and casting techniques necessary for producing these two sounds. The sound
quality on Type I and II bells is not so good nor is
the balance between the two sounds. Just like their
structural characteristics and their methods of tuning, the acoustical properties are in a transitional
period.
The visual and sound laboratory of my institute made the measurements and produced the
formal report (see Table 2). The size and pitches of
bells 73631 and 73632 are similar, so also 73633
and 73634; 73635, 73636, 73637 and 73638. Adding
the two bells from the excavation, 73639 and
I11M8:33 and 73640 and M8:32 make similar pairs.
The bells can be divided into two groups of similar
pitch each of eight bells. Ma Chengyuan also
divided the bells into two groups according to
their inscriptions and these groupings are in agreement. Thus when the bells were inscribed the two
groups were not mixed.
Table 2 gives measured frequencies and pitches
derived assuming the standard a is 440 herz with
smaller intervals given in cents (1200 cents to an
octave). In Table 3 the pitches are also given (in
Chinese) transposed down 40 cents which is taken
as the standard of Gong [157]. The tuning is poor.
There are five possible reasons: 1. Indifferent standards of the makers; 2. Pitch perception does not
exactly follow measured frequency. For example
in piano tuning a musician prefers the octaves to
be spread. This might explain why the intervals
between the two tones are larger than a minor
third. This is a characteristic of bells of the pre-
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LIST OF CHARACTERS
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