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City marketing and place branding

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The role of culture and creativity in urban policies and regeneration


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City 9(2): 225-246.
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Studies 42(5/6): 1-28.
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Griffiths, R. (2006), City Culture Discourses: Evidence from the Competition to Select the European Capital of
Culture 2008, European Planning Studies, Vol. 14, No. 4.
Griffiths, R. et al. (2003) 'Capitalising on culture: cities and the changing landscape of cultural policy', Policy and
Politics 31(2): 153-169.
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International Journal of Cultural Policy, 13(4): 349-370.
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2010).
Hoffman, L. M. 2003 'The marketing of diversity in the inner city: Tourism and regulation in Harlem',
International Journal of Urban and Regional Research 27(2): 286.
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International Journal of Cultural Policy (2004) Special issue: Urban Space and the Uses of Culture, Vol. 10, No.
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Directions for the Growth of Cities and Regions, 29(3).
Kaltmeier, O. (ed.) (2011) Selling EthniCity. Urban Cultural Politics in the Americas. Ashgate.
Kanai, M. and Ortega-Alcazar, I. (2009), The Prospects for Progressive Culture-Led Urban Regeneration in Latin
America: Cases from Mexico City and Buenos Aires, International Journal of Urban and Regional Research,
33(2), pp. 483-501.
Knox, P. (2010) Cities and design, London: Routledge.
Landry, C. (2000), The creative city: a toolkit for urban innovators, London: Earthscan.
Landry, C. (2006) The Art of City Making, London: Earthscan.
Law, C. (2002) Urban Tourism. The Visitor Economy and the Growth Of Large Cities. London / New York:
Continuum
Ley, D. (2003) Artists, aetheticisation and the field of gentrification, Urban Studies 40.12, 2527--44.
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University of Minnesota Press.

Mikunda, C. (2004) Brand lands, hot spots and cool spaces: welcome to the third place and the total marketing
experience, London: Kogan Page.
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42, No. 5/6, 10011023.
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Mooney, G. (2004) Cultural policy as urban transformation? Critical reflections on Glasgow, European City of
Culture 1990, Local economy, 19(4): 327-40.
Nobili, V. (2005) The role of European capital of Culture events within Genoa's and Liverpool branding and
positioning efforts, Place Branding, 1(3): 316-328.
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the 21st century, Bournes Green: Comedia.
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Page, S. C. and Hall, M. C. (2003) Managing Urban Tourism, London: Prentice Hall
Plaza, B. (2000) Evaluating the influence of a large cultural artifact in the attraction of tourism - The Guggenheim
Museum Bilbao case, Urban Affairs Review, 36(2): 264-274.
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Routledge.
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Servon, L. J. (2002), 'Selling the Lower East Side: culture, real estate, and resistance in New York City',
International Journal of Urban and Regional Research 26(3): 643-644.
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Urban Studies (2005) Special issue: cultural-led urban regeneration, Urban Studies 42(5-6).
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The creative class debate


Atkinson, R. and Easthope, H. (2009) The consequences of the creative class: the pursuit of creativity strategies
in Australia's cities, International Journal of Urban and Regional Research, 33(1): 6479.
Clifton, N. (2008): The creative class in the UK: an initial analysis, Geogr. Ann. B 90 (1): 6382.
DeFazio, K. (2002), Transnational Urbanism and the Imperatives of Capital: A Review of The Rise of the
Creative Class, in Red Critique, at http://www.redcritique.org/JulyAugust02/transnationalurbanism.htm
Donegan, M. et al (2008) Which indicators explain metropolitan economic performance best? Traditional or
creative class?, Journal of the American Planning Association, 74(2): 180-95.
Evans, G. (2009) Creative Cities, Creative Spaces and Urban Policy, Urban Studies, 46(5&6): 10031040.
Florida, R. (2005), Cities and the creative class, New York; London: Routledge.

Grodach, C. (2011) Art spaces in community and economic development: Connections to neighborhoods, artists,
and the cultural economy, Journal of Planning Education and Research, 31(1), 74-85.
Houston, D. et al. (2008) Will attracting the "creative class" boost economic growth in old industrial regions? A
case study of Scotland, Geografiska Annaler, Series B, Volume 90, Issue 2, pages 133149.
Krtke, S. (2010) Creative cities and the rise of the dealer class. A critique of R. Floridas approach to urban
theory. International Journal of Urban and Regional Research 34.4, 835-53.
Krtke, S. (2011) The Creative Capital of Cities: Interactive Knowledge Creation and the Urbanization
Economies of Innovation. Oxford: Wiley-Blackwell.
Landry, C. (2000) The creative city: a toolkit for urban innovators. Earthscan, London.
Markusen, A. (2006) Urban development and the politics of a creative class: Evidence from a study of artists.
Environment and Planning A 38.10, 1921--40.
Montgomery, J. (2005) Beware the creative class. Creativity and wealth creation revisited. Local Economy 20.4,
337--43.
Peck, J. (2005) Struggling with the creative class. International Journal of Urban and Regional Research 29.4,
740--70.
Pratt, A. (2008) Creative cities: the cultural industries and the creative class, Geografiska Annaler, Series B,
Volume 90, Issue 2, pages 107117.
Ren, X. and Sun, M. (2011) Artistic Urbanization: Creative Industries and Creative Control in Beijing,
International Journal of Urban and Regional Research, Preview.
Reese, L., Faist, F. and Sands, G. (2010) Measuring The Creative Class: Do We Know It When We See It?,
Journal Of Urban Affairs, Volume 32, Number 3, pages 345366.

Olympic Games, mega-events and urban development


Andranovich, G., Burbank, M. J. and Heying, C. H. 2001 'Olympic cities: Lessons learned from mega-event
politics', Journal of Urban Affairs 23(2).
Broudehoux, A. M. (2007) Spectacular Beijing: the conspicuous construction of an Olympic metropolis, Journal
of Urban Affairs, 29(4), 383-399
Burbank, M.J. et al. (2002) 'Mega-events, urban development and public policy', The Review of Policy Research,
19(3): 179202.
Chalkley, B. and Essex, S. (1999), Urban development through hosting international events: a history of the
Olympic Games, Planning Perspectives, 14: 369394
Garca, B. (2004) Urban Regeneration, Arts Programming and Major events: Glasgow 1990, Sydney 2000 and
Barcelona 2004, International Journal of Cultural Policy, 10 (1), 103-118.
Gold, J. R. and Gold M. (eds) (2007) Olympic Cities. City Agendas, Planning, and the Worlds Games, 1896 to
2016, London: Routledge.
Hiller, H. (2000) Towards an urban sociology of mega events, Research in Urban Sociology, 5: 181-205.
Gold, J. and M. Gold (2008) Olympic cities: regeneration, city rebranding and changing urban agendas,
Geography Compass, 2(1): 300318.
Lenskyj, H. (2002) The best Olympics ever? The social impacts of Sydney 2000, NY: SUNY Press. Part of the
book available at Google Books:
Leonardsen, D. (2007) 'Planning of Mega Events: Experiences and Lessons', Planning Theory & Practice, 8:1, 11
30.
Page, S. and Connell, J. (eds) (2011) The Routledge Handbook of Events. London: Routledge.
Poynter, G. and MacRury, I. (2009) Olympic Cities: 2012 and the Remaking of London, London: Ashgate.

Raco, M. and Tunney, E. (2010) Visibilities and Invisibilities in Urban Development: Small Business
Communities and the London Olympics 2012, Urban Studies, 47(10), 2069-2091.
Roche, M. 1992 'Megaevents and Micromodernization - on the Sociology of the New Urban Tourism', British
Journal of Sociology 43(4): 563-600.
Roche, Maurice (2000) Mega-events and modernity: Olympics and expos in the growth of global culture, London:
Routledge.
Shin, H. B. (2009) Life in the shadow of mega-events: Beijing Summer Olympiad and its impact on housing,
Journal of Asian Public Policy, 2(2), 122-141.
Waitt, G. (2001) 'The Olympic spirit and civic boosterism: the Sydney 2000 Olympics', Tourism Geographies,
3(3), 249 - 278.
http://olympicstudies.uab.es/eng/ceo.asp
Centre of Olympic Studies, Autonomous University of Barcelona. Free lectures on various themes such as the
impacts of the Games on the Host cities; thematic dossiers; dozens of online reports, articles and studies on all
things Olympic.
http://www.gamesmonitor.org.uk/
Monitoring the community impacts of the London 2012 Olympic Games
http://ec.europa.eu/culture/our-programmes-and-actions/doc413_en.htm
European Capitals of Culture
http://www.efa-aef.org/efahome/efrp.cfm
European Festival Research Project (EFRP) - an international, interdisciplinary consortium, focused on the
dynamics of artistic festivals today and seeking to understand the current explosion of festivals and its
implications and perspectives.

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