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The story of a devastating flood is a notable aspect in several existant Mesopotamian mythic compositions. From the early second millennium BC, the
Sumerian King List notes that a flood separates antedeluvian dynasties from a longer list of dynasties, the first after the flood being Kish. After Kish, kingship
was transferred to Uruk where figures well known from Mesopotamian literature include Gilgamesh as king.
Another second century story, the Akadian epic of Atrahasis, also features a great flood. In this epic, the great god Enlil, plots to eliminate humans, who were
so noisy a creation that Enlil could not sleep. After using various unsuccessful means of plagues and pestilence, Enlil decides on a flood. Enki, the god of
fresh water, secretly reveals Enlil's plan to Atrahasis, the king, who saves his family, as well as animals and birds. They survive seven days and nights of
flooding in a reed boat coated with pitch, and finally make offerings to the gods once beached, a key element in the stories.
In the Sumerian flood story, preserved on the Nippur Tablet dated to the late 17th century BC, the god Enki reveals the gods' plan to eradicate the human race
with a flood to Ziusudra and urges him to build a boat. Again the flood lasts for seven days and nights after which Ziusudra emerges from his boat and offers
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sacrifices in return for which the pantheon grant Ziusudra life like a god's.
The story of the flood in the Gilgamesh Epic (Tablet XI), known from first millennium copies, is probably derived from Atrahasis. In seeking to learn the
secrets of eternal life, Gilgamesh, king of Uruk, seeks out Utnapishtim, the only human to have lived forever. In telling Gilgamesh how he achieved eternal
life, Utnapishtim relates a secret story of the flood. Again, the great gods decide to destroy humans with a flood, the plans are revealed to Utnapishtim, and he
is told to build a great vessel. For six days and nights the fury rages on, subsiding on the seventh day when Utnapishtim comes out to release a dove and then
a swallow, both of which return, having found no place to rest. Three days later he sends out a raven, which does not return, so Utnapishtim then offers
sacrifice, which pleases the gods, who make Utnapishtim and his wife immortal.
The Biblical flood story (Genesis 5: 28 - 9:17) was likely derived, directly or indirectly, from the Gilgamesh version. And the story of the flood was carried
down in later Jewish, Christian, and even Muslim traditions, where it occurs in the Koran (Sura 11: 25-48).
Now the archeologist, C. Leonard Woolley began digging into a early level at the site of Ur in 1928-29 and made a remarkable discovery. Nearly 4 meters of
mud covered earlier layers of painted pottery of the Ubaid period, the earliest known phase of occupation in southern Mesopotamia. He quickly associated the
strata with the flood known from the Sumerian King List, the Akkadian Epic of Atrahasis, the Sumerian flood story, and the Epic of Gilgamesh, the likely
source for the Biblical flood narrative. However, other evidence of flooding at a later date was also found at Kish. In reassessing the evidence for Wolley's
sensational flood, others argued that neither the Ur flood, dating as it did to a remote prehistoric period, nor the upper Kish flood, so late in time, could be the
source of the Mesopotamian narratives. Rather, they appear to be a natural consequence peculiar to the flat plains of Mesopotamia.
But new evidence points to a deluge from the Black Sea. Geologists Pitman and Ryan of Columbia University have investigated the possibility of a largescale prehistoric flood originating in the Strait of Bosporus, a narrow channel of water that connects the Black Sea to the Mediterranean.
Pitman and Ryan hypothesized that melting ice from an interglacial period could have swollen the Mediterranean beyond its limits which have tried to relieve
pressure on its northeastern shore by expanding into the Black Sea. Now, because of glaciation, geologists recognize that the Black Sea has fluctuated many
times over millions of years from a saltwater sea to an isolated freshwater lake marking alternate episodes connection and quarrantine from the
Mediterranean.
What Ryan and Pitman were looking for was recently found from sediments showing a uniform layer of saltwater shellfish overlaying freshwater mollusks
testifying to a massive inflow, turning the Black Sea from fresh to saltwater in a single human lifetime. The Mediterranean ripped through the Strait of
Bosporus some 7,500 years ago, arriving with more than the force of Victoria Falls, innundating the settlements surrounding the once placid lake with an
inexorable rise of the water, by half a meter a day, slowly turning fresh water to brine. Near the Bosporus source, people would have witnessed an awesome
cataract fleeing before a stunning rush of waters. The north shore exodus would send its diaspora into and across Europe, while many southern refugees
would come finally to the land between the rivers and tell of the boat that had saved them. Is this rebirth of a whole sea the source of the deluge tales of
Mesopotamia? Perhaps these tales were also recorded in the ancient legends from the sky, from those pictoral mnemonics we call the Constellations.
Look at the constellation Argo Navis, often shown in early representations as though atop a mountain. Coming from the vessel is the Centaur, half-man, halfbeast, sacrificing an animal upon the Altar (Ara). We see, too, the Water-Snake (Hydra), with a Raven (Corvus) eating its flesh. There can be little doubt that
here we have, in human imagination and pictured on the sky, a version of the story of the Great Flood. The picture is complete with the Milky Way seemingly
rising as smoke from the altar.
Consider the following quotation, with which many of us are familiar: "And Noah built an altar unto the Lord, and took of every clean beast and of every
clean fowl and offered burnt offerings at the altar... And God said "This is a token of the covenent which I make between me and you for perpetual
generations. I do set my bow in a cloud, and it shall be a token of a covenant between me and the earth."
Now, the Bow of Sagittarius is fixed pointing to one of the most obvious rifts in the Milky Way. Of course, this association of the Southern Constellations
with the Deluge story is not a new insight, for when the stars were mapped in the southern hemisphere by the Jesuit Lacaille, Columba the Dove was chosen
to complete the panel of constellations representing the myth.
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While Pitman and Ryan's core samples demonstrate a massive flood around 5600 B.C., their hypothesis that it was the same flood that gave rise to the
Biblical and Babylonian legends is in dispute by scientists who think that memory of the flood could not have survived intact through oral history for 2,500
years until writing was invented by the Sumerians in 3000 B.C.
But we have the Constellations, those visual mnemonics whose origins are indeed ancient. Perhaps we have here in these constellation names and placement
a faint memory of human witness and perhaps history. Did the constellations inspire the myth or did the myth inspire the constellations? Perhaps the latter is
the case, for what better way to aid the memory, and establish a truth-kernel, than to associate the constellation star-patterns with these ancient stories.
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Physics 90
Introduction to Astronomy
FALL TERM 2014
Current
Earth | Moon | Sun
SELECT
QUICK PICKS
OBSERVING SESSION
ArcheoAstronomy in the American SouthWest
EthnoAstronomy
Ancient Astronomy: The Antikythera Mechanism
Current Images of the
Sun
http://physics.stmarys-ca.edu/AstronomyPage_files/Astronomy_Index.html
Any Answers?
http://physics.stmarys-ca.edu/AstronomyPage_files/ArcheoAstronomy.html
Course Description
In both the classroom and in the field, this course will explore the cosmographic expression of the
Chaco Culture of the American Southwest. The Chaco society, a prehistoric Pueblo culture,
flourished between AD 950 and 1150 throughout the 80,000 km2 of the San Juan Basin of
northern New Mexico. Chaco Canyon was the center of this culture. Here the Chaco people
constructed multi-storied buildings containing 100 to 700 rooms. These structures are noted for
their planned, symmetric organization, massive core-veneer masonry construction and numerous
great kivas, the large ceremonial chambers of the prehistoric pueblo culture.
Astronomy played an important role in the Chaco culture. This is expressed in the cardinal
alignments of the major axes of several large ceremonial structures at or near the center of the
canyon, and in a complex set of solar and lunar markings on
Fajada Butte, at the south entrance of the canyon. In addition, many sites in the surrounding area,
in particular, Tsankawi, exhibit petroglyphs, stone circles and other alignments, astronomical
cave paintings, planetaria as well as a myriad of other astronomically related artifacts such as
solstice and equinox markings and shadowgraphs.
The intent of this course is to explore the ArchaeoAstronomy of these peoples by providing an
historical overview of the Pueblo culture, basic astronomical observations made by the
indigenous peoples, and visits to the important and relevant sites. Several days will be spent at
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the Tsankawi site calculating and observing solar-lunar alignments both in the traditional fashion
and with modern instruments.
The planned field trip will spend 14 days in New Mexico after a preliminary introduction on
campus. The field trip portion will set up a base camp at Ghost Ranch , an Educational Retreat
and Conference Center in the high desert, North of Santa Fe , New Mexico and proceed to visit
selected sites on a daily basis.
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planetarium site.
...
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and contemplation.
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...
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