Professional Documents
Culture Documents
Exam 1 Review
Personology (Version 1)
-resurrecting the personology approach: all issues to be studied in context of exploring
individual lives, personal worlds, histories in depth
-mutual investigators using different methods
-collaborative integration of findings
-not based on quantitative but descriptive and interpretive
Personology (Version 2)
o Henry Murray – The Harvard Clinic – 1988-1962
o The method of the intensive in depth study of single case study
o The study of personal worlds
Personology (Version 3)
Personology is characterized by its methods, specific to a specific human being – in
depth exploration of a person‘s life, their personal world.
Personology not based on quantitative methods, but is descriptive, interpretive, and
intellectual.
The “diagnostic council” in personlogical studies (Version 1)
-Murray was involved in writing psychological narratives. Insisted that narratives be
written as part of a join venture with input from a team of researches that constituted what
became know as a ―diagnostic council‖
-more than one person doing an in-depth case study on an individual
-you combine… everyone‘s knowledge since…. One person can have a different
interpretation
-Murray‘s diagnostic council: members were charged with the task of studying case
materials and arriving at a consensus regarding critical components of a person‘s life
The “diagnostic council” in personlogical studies (Version 2)
Murray was involved in writing psychological biographies. He insisted that these narratives be
written as a joint venture with input from a team of researchers that constituted a ―diagnostic
council‖ in order to control for a very serious problems in writing psychobiographies. The
problem is that it is often impossible to ―disentangle the psyche of the psychobiographer from
the major issues he or she identifies in another person‖. People are inclined to see in others
things that have more bearing on themselves than the person being scrutinized.
The diagnostic council served as Murray‘s safeguard against the projection of the researcher‘s
lives on their subjects. Group discussions counterbalanced the effects of projective tendencies
and allowed the group to come to a consensus about the major themes of a person‘s life.
Behaviorism (Version 1)
-Atwood‘s definition is that you take all of the thoughts, feelings, emotions out of psychology
and then you get behaviorism
-Watson is the father of Behaviorism
-Behaviorism wanted to model the great sciences, so it used Stimulus – response as its atoms
-also called the learning perspectie, is a philosophy of psychology based on the propostion that
all things which organisms do – including acting, thinking, and feeling – can and should be
regarded as behaviors.
-seeks to understand human behavior.
-they don‘t believe in anything that can not be observed pretty much.
-Skinner is popular here, too!
-BEHAVIORISM is when the whole concept of man as an experiencing subject is eliminated.
Peter Pan, born from Barrie‘s desire for eternal childhood, free to enact the script of wanting
and resisting maternal care, an asexual figure playing his emotional tag game, seeking and
being repelled by intimacy, free to fly away and be sad and lonely…‖ (86).
―A critical event…that assured the survival and contributed to the actions of Peter Pan, was the
death of Margaret Ogilvy.‖ (87).
J. M. Barrie, Peter Pan, the tragedy of Barrie’s early family (Version 3)
- J.M. Barrie’s brother died when he was young, which affected his mother
greatly.
- After the death, his mother was unable to smile, causing Barrie to spend a
lot of time trying desperately to cheer her up.
- He tried many times to ‘become’ his brother by rehearsing acting as he did,
to try and fool his mother into thinking she still had her son.
- His mother wanted to have a son who was a writer, so Barrie decided to
write
- Peter Pan developed out of the situation with his brother, in that his
mother always viewed his as a boy, one that would never grow older.
- Peter Pan’s story symbolized Barrie’s wanting to be with his ‘old mother’
again and to have her smile.
- Because Barrie remembered a happier childhood, before his mother
became depressed, he also longed never to grow up and to remain that
little boy whose mother was happy.
The meaning of fantasies of flight in relation to early bonds to the mother (Version 1)
-A fantasy of flight, in relation to the mother, means people who have had dreams about
flying are in distress. They want to return to a more peaceful time. Usually that means in
your mothers arms.
-usually, something happens to the mother which disturbed these boys lives.
-flying takes them away form this place and comforts them.
-OR George said it could mean reaching for some goal … perhaps for Barrie… reaching to
make his mother smile.
-have in common the fact that they were placed into these situations, like Barrie didn‘t
choose to have his brother die and his mom got depressed.
The meaning of fantasies of flight in relation to early bonds to the mother (Version 2)
o People who have dreams about flying are distressed; they want to return to a
more peaceful time, usually that means into a mother‘s arms
o Typically, something has happened to the mother, which disturbs the child‘s life
o Flying takes them away from this place and comforts them OR it could mean
reaching for some goal
The meaning of fantasies of flight in relation to early bonds to the mother (Version 3)
- In the purest sense, a fantasy of flight is the longing to be able to fly away
somewhere.
- In relation to early bonds with the mother, those who have these fantasies
are often suffering, wanting to fly and return to a time when they were safe
in their mother’s arms.
- The flying itself can represent two things: either fleeing to a safer place or
being able to reach a goal (i.e. Barrie’s making his mother smile)
C.G. Jung’s early childhood history and the splitting of his selfhood into No. 1 and
No. 2 (Version 1)
-Jung had 2 personalities – he called them No. 1 and No. 2
-when he was 3, his mother was hospitalized. He couldn‘t love anyone since he didn‘t like
his mother being hospitalized. He felt abandoned.
-Carl‘s father was a pastor – His mom died and he developed a skin disease or something,
and he didn‘t like the fact that his mother wasn‘t there anymore.
-He didn‘t like the world love.
-He was charmed with the concept of mysticism
-No. 1 was responsible for coping with the realities of everyday life. It was the evolving
result of experiential learning required to get along with other people
-one personality was in the real world, and the other was the subconscious?
-Jung thought Peter was seeking to return to the source of his existence – his mom
-p.104 of Fantasies of Flight
-his solution to fill the void of not having his mother was to invent a new companion and
he called it the collective unconscious
-No. 2. – p.104 for concrete definition *
-it was connected to something much grander than any earthly attachments he had to
offer. Jung became a seeker for a better life. He called them the self and the Self.
-it was the collective unconscious.
-this is the source of energy that has no boundaries, a storehouse of inherited impersonal
memories forged by the collective experiences of humankind throughout all time)
C.G. Jung’s early childhood history and the splitting of his selfhood into No. 1 and
No. 2 (Version 2)
- When he was 3 years old, his mother was hospitalized, and later she died.
The absence of a mother figure disturbed Jung, and he had difficulty loving
people
- Developed the collective unconscious, which in a sense became a
companion, and replaced the loss he felt.
- Developed two personalities; calling them No. 1 and No. 2
No. 1 was the coping personality
Helped him get along with other people
No. 2 was the personality that went beyond human attachments.
This was the collective unconscious
Jung was always looking for bettering his life
This is where he stored impersonal memory and energy
Relation between the subjectivity and the validity of a theory of personality (Version
1)
-put subjectivity and the validity of any theory together
-the theories are supposed to be looked at objectively right, without bias
-but personality deals primarily with personal feelings
-everyone is different, so you have to be subjective, but if you put all those subjectivities
together you get a theory
-objectivity is really just a bunch of subjectie thoughts
-each thoer is based of subjective ideas – it‘s a consensus
-so the theory of personality is taking all the other theories and using them in concert,
subjectivtely
-validity – that no one theory of personality can‘t be valid since it can not apply to
everyone. Most persaonlity theories are specific to certain person or type of persons
-it‘s a clear break from behaviorist principles
-behaviorist is the total opposite of subjective, its altogether objective.
-Personality Theory – each theory of personality comprises a system of statements
regarding the meaning of being human in the world.
Freud’s feelings toward his mother, and their impact on his theory (Version 1)
-he adored her. ―the relationship between mother and son was the most perfect, free form of
ambivalence of all human relathionships.‖
-He feared losing her to his siblings-
-Atwood believes that he did anything to preserve an entirely positive and idealized image
of her, like blame the nursemaid for his neurotic suffering; yet he was torn because he said
that she betrayed his love by bringing another ―hateful intruder‖ into the world (a sibling).
Thus substituting his idealization of his mom for his wife Martha.
-his theory of psychogsexual development reflects a person‘s conflics and neurotic
difficulties from a reified, internal, biological factor – from a child‘s own instinctual drives
and drive energies (the concept of id)
-Oedipus Complex a concept used in psychoanalysis, is a child‘s unconscious desire for
the exclusive love of the parent of the opposite sex. This desire includes jealousy toward
the parent of the same sex and the unconscious wish for that parent‘s death.
-Freud used the term to describe the unconscious feelings of children of both sexes toward
their parents.
- Marshall Applewhite:
Started a new religion and was able to convince people that a
spaceship was going to be coming for them to take them away to a
better place
Convinced them to drink cyanide, in turn killing many people
Believed he was one of two witnesses and wanted to dismiss all
material things
- Larry Walker
Always had fantasies of flying and conjured up a plan to fulfill this
Decided to tie balloons to a lawn chair, and let it rise up, taking
provisions up with him and bringing a bebe gun to shoot the
balloons when he was ready to come down.
Originally did not want to go too high up, but he miscalculated how
many balloons were needed. In panic he lost the bebe gun.
Airplanes were calling into the control panel stating, ‘we have a man
in a lawn chair up here’.
- Similarities and Difference
Both had fantasies of flying due to wanting to find an escape in life,
and they both believed that their bodies were only ‘containers’ for
their souls
Their souls rejected their bodies, and only when they reached
heaven, could their souls become happy
Walker actually acted on his fantasy, whereas Applewhite only
fantasized about it
Perry Smith and the dream of the great parrot (Fantasies of Flight) (Version 1)
-after killing people in Kansas, he dreamt that there was a big bird that would carry him
away to paradise island which is full of fruits and happiness.
Perry Smith and the dream of the great parrot (Fantasies of Flight) (Version 2)
- Perry Smith dreamt of a great parrot that picked him up and carried him
away to a paradise island filled with fruits and happiness. This was after
the fact that in Kansas he has killed people.
Skinner’s “dark year” of depression and its relation to his behaviorism (Version 1)
-Skinner had a dream to be an author but his parents only offered him support for 1 year and if
he didn‘t write something worthy he would have to find another career. When he sat down to
write, he had absolutely nothing to say.
-Skinner‘s Dark Year – Elms shattering depression burial of feelings and embracing the
study of behavioral phenomena
-He ended up doing behaviorism…. Well operant conditioning to be exact
Watson’s getting fired from Johns Hopkins for the “sin” of adultery (version 1)
-He went to John Hopkins and only got the job because there was a scandal: the Baldwin
was caught in a raid at a ―colored brothel‖ ad excused from the department
-Rosalie Raynor was his lab assistant during the Little Alert experiment with whom he had
a passionate sexual love affair
-Watson was a married man with children, an authority figure in Baltimore and the families
were closely acquainted. Through exposure and letters, he was fired from John‘s Hopkins
Creelan’s view of the Little Albert experiment and what it symbolized (Version 1)
-He sees Christian symbols of guilt and a lot of religious symbols from Watson‘s early
childhood. Watson is supposedly acting like a Christ-like figure.
-Adultery like that is a sin that virtually guarantees everlasting damnation. Watson must have
had some twinges of guilt about his feelings.
-The Albert experiment is an enactment of a scene of guilt and also redemption
-Watson named the child Albert because the ―clang‖ for his uncle (attack on the authority –
flinging te horrible curse of that religion back at its central representative of the family)
-The clang symbolizes angry punishing protestant g-d coming down at sinner (the baby was on
the threshold of committing the sin that will violate G-d‘s standard for what human behavior
should be)
-Another interpretation was that he named the child Albert B. Watson‘s mothe‘s brother,
Albert Broadhaus, was the high priest of the SB church. He sees it as revenge against the
church which crushed him as a child.
Creelan’s view of the Little Albert experiment and what it symbolized (Version 2)
o The Little Albert experiment had a lot of basis in Watson‘s religious upbringing
o The subject of fear held a personal importance for Watson
o Symbols:
―Reward‖ and ―Punishment‖ – like the rewards and punishments
discussed in the Puritan religion and in the Bible. God would reward or
punish (promises salvation, threatens death, etc.)
―Loud Sounds‖ – ―the Word of God‖/Covenant, warning against sin
Iron bar used to make the sound – ―rod‖ referred to throughout the Old
Testament
Rat – sinner/ flesh of children
Rat = flesh
o Playing with the rat symbolizes sexual
desires/masturbation - sin
―Albert B.‖ – the name of the minister in his town that he was named
after (John Albert Broadus)
Enmeshed in Watson‘s personal and moral identity
Fascination with animals – Watson‘s role of the devil
Dream interpretation
-The function of dreams is to prepare sleep when a stimulus such as external (noise),
internal (the feeling to urinate), or psyche (anxiety) threatens to wake us up.
-Dreams are usually trigerred by events of the previous dal.
-All dreams fulfill a wish (or attempt to)
-Free Association on the dream images in therapy provides clues to the latent content.
-Theory of dreamworks, are the ―mechanisms‖ that transform latent content into manifest
content of the dream.
-Thoughts feelings disturbance of sleep censoring, disguising manifest
(obvious, clear)
-impressions, memories, conscious and unconscious
Types of dreams
Condensation – multiple elements ―condense‖ two or more thoughts
Displacement – shifting the affect toward or about someone or something to a different
object
Verbal metaphor – when something metaphorical manifests literally
Representation by the opposite – when intense love manifests as murderous intent.
Reversal of Revelation – when intentions and emotions are swapped. Your intentions
are reflected to the other person.
Latent dream thoughts vs manifest dream contents
-Latent meaning behind the story
-Manifest actual story
sources of dreams
-dreams are triggered from by events from previous day
wish fulfillment theory of dreams
-they attempt to fill wishes
-the ―mechanisms‖ that transform latent content into manifest content of dream.
Examination dreams and flying dreams according to Freud
-Freud considers ―typical dreams‖
-Dreamer sees himself back at school taking an exam
-Dreamer is embarrassed to seem himself as an adult among much younger fellow students
and obligated to retake an exam that he already passed a long time ago
-He said that those anxious exam dreams you have that you‘re not going to pass a test….
Only happen to people who‘ve managed to pass exams in the past, not people who flunked
-He said those anxiety dreams about failing happen with takss you‘ve had success with
before.
dream work and the mechanisms of condensation and displacement = censorship
-Condensation – when two ore more dream elements condense into one (two friends into
mom, example)
-Displacement – shifting the affect toward or about someone/something to a different
object (kicking your dog when you actually want to kick your mom)
-Verbal metaphor –when something metaphorical manifests literally
-Representation by the opposite – when thoughts you have are reversed but with
emotions or objects.
-Reversal of relation – when thoughts you have are reversed but with people (you like
your neighbor but you dream that they like you)
William Blake and his paintings that forecast the destructiveness of the Newtonian-
Galilean worldview (Version 1)
o Portrait of Urizen
―Ur‖ – means ―original form‖
―Rizen‖ – weird spelling of ―reason‖
Meaning – ―original primal emergence of reason‖
o Man was given by God the gift of reason
o Newtonian world view take reason to an ―evil‖ level
Urizen has fallen out of heaven into water and is half submerged
Human beings submerged into a world of materialism
o ―Newton‖ Underwater
Has a compass – measuring the earth
At bottom of ocean, completely submerged into materialism
o Son of Urizen (Los) and Los‘ Son (Orc)
Orc is shackled to rocks, Los is distressed/crying
Symbolizes chains of causality – we are all trapped to cause and
effect
o ―Urizen-like‖ Character
Also shackled – lack of freedom
** ALL PAINTINGS ARE METAPHORS OF OBJECTIFICATION
People are just things with no ethical concerns involved
The symbolic significance of Seligman's learned helplessness experiments and the
trauma experience underlying Zimbardo's prison experiment. (Version 1)
-learned helplessness is the idea that even if you have the opportunity to help yourself you
don‘t because past experiences have made you feel as if there is no solution.
-Guantanamo
-experiments exposing screaming babies to horrible noises; shocking dogs – science, used
to the benefit of national security.
- that we are doing learned helplessness on the prisoners through torture
-learned helplessness is the conditioning procedure in which an organism stops
responding to inescapable aversive stimuli because they have ―learned‖ their actions do not
control the environment
-Seligman had a father who had a stroke that left him helpless… eventually he made the
dogs in his experiment helpless.
The symbolic significance of Seligman's learned helplessness experiments (Version 2)
squeeze the mice and then plop them in the water and measure
the time until they drowned
Produce animal analog of human despair in white lab coat --> fancy
scientists with external observations
Quantify learning capability with dogs that shocked and cannot escape and
those dogs that can
Learned helpness – idea that even you have the opportunity to help
yourself you don’t because past experiences have made you feel as if there
is no solution
Symbolism: Seligman had a father who had a stroke that left him helpless
which made animals helpless by running these tests
Symbols (images in dreams always meaning the same thing according to Freud) in
dreams (Version 1)
The images in dreams always mean a sexual symbol or a reference to the
genitals
Phenomenology
Attempts to establish itself as a descriptive science of the primordial phenomena of human
consciousness
Husserl (1931)- goal of this – systematic characterization of transcendental subjectivity,
that is of the invariant structures of consciousness that constitute the ultimate conditions of
the possibility of all conscious experience
The phenomenological reduction- entails a graded series of alterations of perspective,
beginning from a naturalistic standpoint of consciousness of the world, passing through a
phase in which empirical consciousness itself (rather than empirical reality) becomes the
object of study, and eventuating in the disclosure of the unanalyzable pure essence which
invests the world with its meaning and validity: the transcendental ego
Central component of Husserlian reduction= bracketing- an intellectual operation through
which the phenomenologist frees himself from preconceptions and achieves the purity of
the transcendental perspective.
o Radical alteration of one‘s own position in relation to all those assumptions, beliefs,
and attitudes which in the natural standpoint are taken for granted
o Natural world as a series of empirical objects is bracketed, all implicit and explicit
assumptions concerning it are held in suspension, and the investigating
consciousness is refocused upon the pure essence of the concrete data of experience
per se
Lockean empiricism: an implicit mind-body dualism; an image of consciousness as a
quasi-spatial container; a view of man as the passive receptor of discrete, elementary
sensations from the world
Problem- can bracketing be carried out without becoming involved in a contradiction?
Another problem in the concept of bracketing- cumulative effects of the phenomenologist‘s
life history
o Inescapable (nonbracketing) influences pose a danger to purity of investigations,
limiting their generality and validity
Husserlian program to describe transcendental subjectivity is accompanied by an implicit
goal of stepping outside the bounds of personal existence into an unconditioned realm of
pure objectivity on pure subjectivity
o Impossible
Tendency to always start over again with the uncontaminated facts= rules out any genuine
advance in its discoveries; the essence of the accumulation of scientific knowledge lies in
the testing, reformulating, and deepening of presuppositions regarding the material under
study
Earliest Experiences
First months of infancy= positive and undisturbed relationship with mother
11 months old, younger brother, Julius born—Freud reacted with jealousy and rage
19 months old- brother died- ―germ of self-approaches‖= Freud drew cause and effect
connection between his own jealous ill wishes and the brother‘s ‗disappearance‘
Arrival of younger sibling also experienced as betrayal by the mother and an infuriating
disappointment with her
Freud says early years are exclusively positive, picturing mother as an object of his sexual
feelings and love
Relationship between him and nurse= intense emotional ambivalence
She chided him for being incompetent and clumsy, encouraged him to steal money for her,
and generally gave him ―bad treatment‖
Freud states nurse gave him high opinion of his capacities, provided him with means of
living and surviving at an early age, took him to church
Nurse= surrogate mother, provided Freud with care when mother was busy bearing
children
Around the time of Anna‘s birth- critically important for development of Freud‘s
personality
o Infuriating rival for mother‘s love
o Nurse fired for stealing
o Disappearance of nurse= shattering and incomprehensible trauma for Freud and
became frightened of similar ―disappearance‖ of mother
Freud later envisioned the nurse‘s bad treatment of him as the prime cause of his
psychological difficulties
Vanishing of nurse was also a security-shattering loss of all those elements in their
relationship that he loved and needed
Intense separation anxiety presented in the early memory concerned a fear that his mother
had fallen victim to the terrible fate of the nurse- its unconscious meaning is that the
mother was in danger of being similarly shut away from the world and annihilated by
Freud‘s own hostile feelings toward her.
Freud perceived that any aspect of his affectivity- angry feelings- that disturbed the
perfection of the mother-son tie, was experienced by his mother as psychologically
damaging
o His rage= threat to his mother‘s existence
Central conflict in his emotional life= intense, possessive need for his mother‘s love and an
equally intense, magically potent hatred
Nurse=object of ambivalent feelings
Love/hate attitudes toward father
Relationship to nephew john= both positive and negative feelings; friend and enemy
Freud‘s childhood dream- contains expression of Freud‘s hostile feeling s toward his
mother and a depiction of their dangerous consequences
Two classes of dreams:
o Dreamer is emotionally unaffected
Have meaning other than the apparent one; conceal content in some other
wish
o Dreamer feels deeply pained by the death
Adult Relationships
Two most important relationships of Freud‘s young and middle adulthood were dominated
by his wish to restore and preserve the lost ideal union with his mother
o Wife Martha and mentor Wilhelm Fliess
Freud‘s attraction to the study of Nature as a beautiful and bountiful mother= expressed his
wish to find again the lost paradise of his earliest tie with his mother
Another context, Freud attributed his interest in medical studies to ―infantile curiosity‖ and
―overpowering need to understand something of the riddles of the world in which we
live…‖
o Riddle= unfathomable mother- showered him with adoration and then betrayed him
Freud hoped to refind early tie to his mother in nature and dreams and relationship with
Martha Bernays
o ―grand passion‖
o Freud wanted to mold her into his perfect image—connected with his intense
jealousy and possessiveness
Freud‘s need to mold Martha into an idealized image of perfection, a mother-surrogate who
loved him exclusively, with totally loyalty and devotion, stemmed from his unconscious
desire to prevent a repetition of the traumatic betrayals he had experienced with his actual
mother
o Sought to prevent the dreaded emergence of the split-off image of the gated mother
and of his own repressed rage at her
Jealous outbursts followed by self-reproaches= need to restore Martha‘s (i.e., mother‘s)
perfect image
Freud‘s assumption of blame, through an experimental translocation of the sources of
badness from Martha to himself, repeated, we believe, the mental operations by which, as a
child, he had saved and preserved the idealized image of his mother in the face of her
betrayals and of his own resulting ambivalence.
Wilhelm Fliess- became heir to the archaic idealizing needs and underlying unconscious
ambivalence conflict with Freud had formerly transferred from his mother to Martha
3 critical circumstances contributed to Freud‘s need to idealize Fliess:
o 1. Cardiac symptoms eventuated in Fliess becoming trusted physician, upon whom
he depended as a magician-healer
o 2. Freud beginning lonely excursions into dark and unexplored terrain of the
unconscious and increasingly felt a strong need for Fliess to fill the role of
perspective mentor
o 3. Freud‘s growing disillusionment with his former mentor, Joseph Breuer
Became dependent on him for work
Freud endowed him with unrealistically idealized attributes
With Fleiss, Freud strove to revive that early blissful union with the idealized maternal
object
Ambivalent conflict not far
o Always worried about Fliess‘s health
o Preoccupied with danger of a train accident whenever Fleiss went on a trip
o Terrifying thoughts of disaster when he did not hear from him at regular intervals
= reminiscent of crisis of separation anxiety with mother
Displacements and internalizations of blame (with Fleiss‘ surgery) through which Freud
sustained his aggrandized picture of Fleiss (another mother-surrogate) repeated the mental
operations through which he saved and protected his early idealized image of his mother
from contamination by disappointments in her and his resulting unconscious ambivalence
According to Freud, it is the insistent return of the repressed that can explain numerous
phenomena that are normally overlooked: not only our dreams but also what has come to be
called "Freudian slips" (parapraxes). According to Freud, there is a "psychology of errors"; that
slip of the tongue or that slip of the pen, "which have been put aside by the other sciences as
being too unimportant" become for Freud the clues to the secret functioning of the
unconscious. Indeed, he likens his endeavor to "a detective engaged in tracing a murder"
The function of dreams is to prepare sleep when a stimulus such as external (noise), internal
(the feeling to urinate) or psyche (anxiety)threatens to wake us up.
Irma‘s Injection
when trying to distinguish why he exchanged her in the dream for her two unruly
friends, he says its because he wishes he could have exchanged them either because
intelligence
The analytical procedure suggested by Freud begins by examining "day residues,"
events that occur during the days preceding the dream and which, through association,
can clarify the dream episode and restore the identity of the protagonists.
The interpretation is guided by the assumption that the dream is the fulfillment of a
wish, in this case, the wish to ward off responsibility for the fault onto someone else
Latent - meaning behind the story
Manifest- actual story
Dreams are triggered from by events from previous day
The ―mechanisms‖ that transform latent content into manifest content of the dream.
Freud considers ―typical dreams‖- dreams about flying
Dreamer sees himself back at school taking an exam
Dreamer is embarrassed to see himself as an adult among much younger fellow
students and obligated to retake an exam that he already passed a long time ago
He said that those anxious exam dreams you have that you‘re not going to pass a
test…only happen to people who‘ve managed to pass exams in the past, not people who
flunked
He said those anxiety dreams about failing happen with tasks you‘ve had success with
before.
Lecture Notes
January 29 Lecture
Tomkins was the center, with Stolorow, Atwood, Carlson, Rosenberg, and Ogilvie all around
1. Continuous collaborative discussions and teaching
2. Intensive mutual analysis
3. Absence of criticism- everyone‘s a genius since critical evaluation kills creativity
An example: Tomkins showed a student an object (possibly from the Rorschach test)
The girl first showed through facial expressions that the object was bad (contempt)
Then Tomkins analyzed that the student said ―Yes‖ to the object, meaning she just
submitted to it (false smile)
Then Tomkins felt that through her expressions, the student showed a sort of self
depreciation, as if she hated herself (self hate, aggression against self)
February 2 Lecture
The bloody ending of the golden years at Livingston College (about 1979)
Attack by forces from outside- the controlling vision of psychology as a natural science
Attack by forces from within- jealousy, betrayal, accusations, trauma
February 9 Lecture
Positivism: ―all true observations are external to the observer‖ (the credo of 20th century psych)
Larry Schecter: all true statements not grounded in external data are worthless
(this statement is ironically self-cancelling since it is not supported by external data of its own)
On one end is theologism, then metaphysicism, then on the other end is positivism.
Under theologism is animism (worship of spirits), polytheism (worship of many gods),
monotheism (worship of one god)
February 12 Lecture
Positivism and behaviorism are both movements arising out of a personal context of struggle
against overwhelming religiosity
Psychology‘s atom? The basic unit would be the conditioned reflex, an elementary association
that forms between stimulus and response
The natural sciences (especially chemistry and the use of a periodic table of elements) were a
big inspiration for psychology
Watson had a fundamentalist Christian upbringing, he was promised his mom he would be a
minister
Fulman College -> Princeton Theological Seminary
When Watson‘s mother died, he became an atheist immediately
February 16 Lecture
Watson and Skinner both had domineering mothers and turned atheist after fundamentalism
Watson later turned to psychology and felt that behavior is controlled by its consequences
February 19 Lecture
February 23 Lecture
The greatest sin to them was subjective anthromorphism (attributing subjective, human
qualities to animals)
Real scientists such as Richard Feynman, a physicist, thought that psychology was a ―cargo-
cult science‖ meaning that psychologists were desperate to get attention from the scientists
they idolized
Consequences of Newtonian-Galilean:
1. Questions of method have priority over questions of substance
2. Quantitative, experimental approaches dominate over and displace
descriptive/interpretive approaches
3. Relentless trivialization, such as eyeblink, dog salivation, white rats
March 5 Lecture
William Blake (late 18th century, early 19th century)
o Hated Issac Newton and what he came to symbolize. He though it was evil
o Painter
o About his paintings:
1st painting: Urrizon is diving
2nd painting: Urrizon falling into waters of materialism
3rd painting: Newton under water measuring (like Watson measures)
4th painting: Los, son of Urrizon, is chained up. Orc is crying.
Symbolizes casualty and we are all trapped by this. Behavior is
controlled expressing the sadness we are all experiencing
5th painting: looks like Urrizon, ut no name, and he is shackled. Again,
we are shackled
o George Atwood thinks that Blake was a prophet
Phophecy: matter of turning into the undercurrents of an age; get
beneath the surface to see what‘s going on (according to Blake)
March 9 Lecture
Heidegger interrogates the mode of being that you and I exemplify: the human mode of being
He calls it ―Dasein‖, a German term meaning there-being existence
March 12 Lecture
-The function of dreams is to prepare sleep when a stimulus such as external (noise),
internal (the feeling to urinate) or psyche (anxiety) threatens to wake us up
-Dreams are usually triggered by events of the previous day
-All dreams fulfill a wish (or attempt to)
Wish fulfillment theory of dreams:
-They attempt to fill wishes
-The mechanisms that transform latent (meaning behind the story) content into manifest
(actual story) content of the dream
Sources of so-called anxiety dreams - aka nightmares, & their relation to the theory
that all dreams fulfill wishes.
-3 factors that contribute to the result of anxiety dreams
-#1dream-work has not completely succeeded in making the wish fulfillment, leaving the
distressing affect left in the manifest dream
-#2 censorship at nighttime is greatly reduced, allowing evil wishes to be more active,
and later forming part of the anxiety dream
-#3the fulfillment of a wish can lead to an unpleasant outcome- a punishment to the wish
(i.e. the example of the male and female fairy tale and there punishment w/ the sausage)
Time, Death, Eternity: Imagining the Soul of Johann Sebastian Bach
-Bach played with number symbolism in his music; the number 14 was a representation of his
own name
>>when the letters BACH are replaced by their numerical positions in the alphabet
(2,1,3,8) the sum of them is 14
>>there are 14 notes in the fugue (mentioned below) --> a translation of the fugue into
its numerical and alphabetical equivalent is as if it‘s saying, ―Bach...Bach...Bach...etc‖
-Bach‘s music tends to be cyclical and repetitive, rather than linear and progressive --> the
music starts and ends in the middle with no clear origin, no intermediate section, and no
conclusion
>>in Atwood‘s mind --> circles and cycles repeating rather than a journey from point A
to B
-religious music in the Baroque period displays timeless, eternal quality, representing symbolic
materialization in sound of God‘s work creating the universe, the cosmic harmony of heaven
and earth
>>perhaps Bach‘s music is expressing his faith in God and a world possessing
transcendent perfection
-in his music, the musical heritage of many nations are darwn together
-Bach wrote for almost every musical instrument, and he draws on every musical form and
genre: vocal, instrumental, solo, choir, orchestra, opera, concerto, etc
-Bach‘s genius resided in ability to bring things together in new and dazzling combinations
-Atwood believes there are 2 kinds of genius: one devoted to extending and integrating all that
has come before; the other destroying existing structures and replacing them with new ones
>>if Bach exemplifies the first, then Picasso is the second
-genius that expresses itself by pulling elements together into new unities is guided mainly by
love; genius that leads revolutions and destroys the old is full of aggression and hate, even if
love is present
>>Eros in one case, Thanatos in the other
>>Bach --> a loving husband, worked to keep his family together, passed on to his
children his knowledge of music
>>Picasso --> destroyed the women of his life, injured and destroyed his children
-These are the two poles of creative genius; both poles are present in every act of creation, just
differeing in relative salience
-Bach --> always weaving and reweaving unities out of previously unconnected elements
>>but why?
-may be associated with fragmentation, a feeling of being in pieces or of the world having
disintegrated in some essential way
>>synthesizing trend in Bach‘s musical compositions would express underlying need to
heal his own fragmented selfhood and/or restore a shattered world its lost coherence
-Bach --> youngest child of eight; large extended family tracing several generations of
musicians
-he had 2 constant companions in his childhood: MUSIC and DEATH
-He lived in a lively house with 6 of his siblings, 2 orphaned cousins, and his fathers young
apprentices
-An important yearly event that influenced Bach --> reunions where members of the entire
family would gather together and spend a few days celebrating and making music
>>these times are imagined as filled with great joy
-However, a series of deaths in the family followed Bach during his childhood
-What is the experience of a child in the midst of such catastophe?
>>only facts during this time available are: school attendance and grades in the year
1694-1695, when he lost boty of his parents
>>absent 51.5 days, greater number of absences than any other year
>>grades, formerly top of the class, fell during this time
-A few months after death of father, J.S. Bach and his brother Johann Jacob went to live with
Johann Christoph in Ohrdruf
-Spent the next several years at the top of all his classes, performing at a level matching or
exceeding students older than him
-The Moonlight Robbery: a story from this time that will help us understand his continuing
struggle to master the tragic circumstances of his childhood and how these strugges became
reflected in his music
>>Bach had mastered all the pieces his brother had given him; however, his brother
possessed a book of clavier peices by the most famous masters of the day --> his
brother refused to let him use it
>>He would fetch the book at night and copy it by moonlight until his brother found
out and destroyed his copies
-How to interpret this story? --> perhaps by having all the music his brother possessed without
anything being left out, Bach was trying to give himself the basis for recreating the early
family reunions, where every kind of music was played, in which his early world was intact
>>in the aftermath of the family disaster, the one thing that survived was music
-An analogy between ―Moonlight Robbery‖ and Prometheus‘ stealing of fire from Zues and
giving it to the mortals
>>symbolizes child‘s appropriating parental power to itself and defining its own
independent identity, agency, and destiny
-the imagery of the story of the robbery in the night also embodies ancient archetype of the
prophet who copies and translate the sacred scrolls from the divine word to humanity
>>The Lutheran church in Bach‘s time --> God and music were big
An excerpt from the cantata: “Princess, Let a ray shoot out of the starry vaults of [Jerusalem].
And see with how much of a downpouring of tears we encircle your time of honor.‖
-This visualizes the Queen looking back at the world (sending a ray from the stars) and seeing
the grief of all that loved her. Even as she looks back, the world looks up towards her, vowing
to never forget her.
An excerpt from the cantata: ―So, Queen, you do not die, One knows, what one possesses in
you, posterity will not forget you, until this created world is one day destroyed.”
-The Queen pictured as a beloved mother to her followers looks back upon the world as she
stands upon the threshold of everlasting life
-Could this also symbolize Bach‘s mother and other loved ones approaching the gateway to
Heaven, but never quite passing in and disappearing?
>>Could they perceive his love for them, as the world of the living looks towards
Heaven and promises to hold the dear departed in its consciousness always
-By 1727, Bach has lost his first wife, his children, and all of his siblings
>>his whole life was a Trauer Ode, an ode to mourning the deaths that followed him
-Bach‘s life --> simultaneously one of never ending sorrow and ever renewed passionate
creation
-He was torn between the human and the deivine, between the eternal and temporal
>>found music as a way to express both of these
-This duality is reflected in the only recorded statement Bach made regarding the essential
purpose of music:
>> ―true music...[pursues] as its ultimate and final goal...the honor of God and the
recreation of the soul.‖
-If Bach was a divided soul with the rift being eternity on one‘s side and temporal world of
earthly life on the other, then his musical expression was the opposite -- embodying the
relationship between two (or more) voices that are independent in contour and rhythm, but
interdependent in harmony
-Many of his creations marked by the presence of two separate melodies, one following the
other, playing concurrently, interlacing, merging, separating, and alternating
>>representing in sound the duality of his inner nature
-the story uses the metaphor of marriage to represent the union of the souls of humanity (bride)
with Jesus (groom)
-In the biblical story, there is a great wedding to take place, but many people are sleeping as
the moment of the actual marriage approaches, so the call of sleepers to waken (Wachet auf!)
stands for a call to humanity to prepare for the Second Coming of the Lord and of Eternal
Salvation
-2 distinct parts that alternate and overlap:
>>the initial instrumental part calls to mind people and animals in motion -- dancing,
walking running, leaping, being on the earth
>>the other part is a Lutheran chorale, celebrating the glory of God, giving voice to
coming union with Jesus
-These 2 parts alternate, and then coincide, playing simultaneously, almost like a kiss at the
final moment of marriage, uniting Heaven and Earth, Jesus and the Soul of Humanity, blending
and unifying the Eternal and the Temporal
-this presents a similar structure in sound, where a dancelike melody is, after a short period,
joined by a vocal part addressing the glory of God
-The Goldberg variations are described as circular rather than linear in their organization -- it
begins and ends with the same piece of music, the aria
-Circularity suggests the possibility of the work being played around and around, forever,
which connotes the eternal world beyond time and space
they are fractal in structure, meaning that the same organizing patterns appear and reappear at
whatever level of analysis one chooses
-There is a sequence of 30 variations, organized in 10 sets of 3 variations each
>>triplets symbolize Holy Trinity
>>10 symbolzies the 10 Commandments
-It follows a common pattern: the first variations is a dance, the second a virtuosic piece, and
the third a canon
>>the dance concerned with bodily motion, symbolic of earthly life
>>virtuosic piece: involves rapid sequences of ascending and descending notes, can
look as transitional way stations on a journey depicted in sound
>>canons, involving a melody which follows itself, disrupt the linear pathway; points
to a world beyond time, such as Heaven
-Each triplet can be heard as depicting a journey from Eearth through a transition to Heaven
-The canons (9 of them, the 10th is a little different) are related to one another by changes in
keys in which they are played
>>No. 3 is played at the unison (repetitions of the melody are in the same key as the
original presentation of it)
>>No. 6 is played at the second, which means one key higher than the original
>>No. 9 is played at the third, which means 2 keys higher
>>etc until the 27th variation
-Visualizing this progression of canons, they undergo an ascension --> a ―Stairway to Heaven‖,
parallelling the movement taking place inside each triplet
-The final triplet does not present a canon --> Variation no. 30 is called a ―Quodlibet‖, a piece
of music derived from popular songs often sung at festivities, such as family reunions of
Bach‘s youth
>>is the ascent along the stairway representing a return to an idealized time of music
and joy before Bach‘s loss?
-Chaconne begins with a sequence of a few notes that present the primary theme of the piece in
four measures
>>then followed by a series of 60 variations on that theme, divided into two parts of 30
each
-Presentation of the theme begins at the beginning, middle (in between the 2 sets of 30), and
end
-the music as a whole forms a circle, which suggests the possibility of it being played endlessly
-contained within the boundaries of the recurrence of the theme are the variations
>>the Goldbergs are also divided into two parts of 15 variations each
-Atwood‘s 2 thoughts about the contents this music, emphasizing Bach‘s mourning of Maria
-In the beginning of the second part of the Chaconne, D minor gives way to D major, and the
music becomes very soft and beautiful
>>the image of a peaceful, late afternoon scene, in which Bach returns to his wife and
children
>>a mournful remembering of happy times
-some commentators suggest the melody is drawn from a chorale celebrating the Second
Coming of Christ
>>does not contradict his associations, because the End of the World marks Bach‘s
reunion with all those beloved he had lost
-The second thought relates to a short passage in Part 2, where the pitch goes higher and
higher, and then falls back into a lower range
>>rising and falling as reaching up to the sky in an effort to climb to heaven where
those who have died have gone, followed by an inevitable falling back into the world
-2 more thoughts:
>>the problem of the relation between madness and genius
>>the relationship between psychological interpretation and the appreciation of a work
of art
-Atwood begins to think obsessively over it: so much, that he had 2 dreams over it
First Dream
-It was nighttime, and he was in a building that was being heated by a tall brick structure that
was both a wood burning stove and a chimney
-The structure was built into the wall, so one part faced the room he was standing in, and the
other part faced outside into the night
-a voice said, ―IF THE ILLUSTRATOR DIES, MADNESS WILL OCCUR.‖
-a number of dogs started to attack the brick structure that was outside the house and fire and
smoke emerged from places the bricks had been knocked away
>>if the structure broke down, it would be the equivalent to whatever meant by the idea
the illustrator might die
Atwood’s Thoughts on Dream 1
-The variations are embodiments of Bach‘s ambivalent individuation in relation to his mother
and father, his becoming a distinct person in his own right
-The variations would correspond to a forming child
-The repititions of the theme represents a holding environment where the developing child is
contained and restrained
-the variations --> Bach as an individual
-The repititions --> the limiting boundary
>>Divided between Heaven and Earth
-An excerpt of the first: “I have been away from you so long // Move near, move near”
-the words seem to apply to the variations, which have departed from the theme est. in the aria,
and have undergone a long journey of their own elaboration
-If the aria contains the bond to the parents, and the variations represent Bach‘s individuation,
then it is as if the aria misses the variations, and calls them back to itself
-An excerpt from the second: ―Cabbage and beets have driven me away // Had my mother
cooked meat // I would have stayed longer”
-The person wouldn‘t have strayed from his mother if she provided him with sustaining food
he wanted, but she provided him with food that is unsatisfying
-Could this rflect the tension within Bach between the side of him that sought to remain
faithful to his mother and father, even in death, and the other side that wanted to make his own
way and partake in life that earth had to offer
>>the latter Bach could never be satisfied by the spirits of the dead, because they could
not provide more than what a spirit could give
>>This is the Bach embodied with Lieschen
-But he could never break away; as the final variation ends, the aria returns again
-There was an international crisis between 2 nations, and no one from one was allowed to pass
into the other
-However, there was a small piece of territory in between them, kind of like a demilitarized
zone, where emisarries might meet and negotiate
-the 2 nations are Bach‘s personalities: Heaven and Earth, Eternity and Temporality, the
Infinite and Finite
-Meanwhile, his music is like the emissaries meeting in the transitional space, bringing them
together
-Bach‘s creativity served to hold him together, to maintain the cohesion of his identity and
sanity
>>achieved by integrating and balancing a passionate love of life with the equally
passionate love for all those he had lost
-Also relates to the tragic circumstances of his death: in his last years, his vision was impared
by cataracts and he became almost completely blind
>>chose to undergo two dangerous, painful eye surgeries to recover his ability to see
-The result was his vision was not restored, and he eventually had a stroke that killed him
-His life was a life of musical creation, and he could not have done otherwise than risk it all for
reaching the possibility of a restored capacity for creative work
- ―Little Albert‖ part of a larger series of investigation into emotional life of infants
-Watson was interested in reaction of fear in infants --> he said that the need to study fear was
so great that they decided to build up fears in infant and later study practical methods for
removing them
-the only stimuli that would call forth the fear response were ―loud sounds‖ and ―loss of
support‖ --> infants did not fear animals or fire
-For ―Little Albert‖, the stimulus was associated with the ―loud sound‖ was the white rat
>>After awhile, Little Albert would come to fear it and other furry objects
-Watson utilized, on the theoretical level, the conditioned reflex method of Pavlov
>>however, he modified it in ways that suggest influence of symbols of the Covenant
Theology of American Calvinism
-Pavlov limited his notions to conditioning of minute reactions like salivation, Watson defined
his concepts of stimulus and response to refer to holistic situations and total adjustments in
organisms
-Watson postulated three fundamental ―reflexes‖ in a newborn: fear, rage, and love (sex)
>>each had specific stimulus and each capable of being bonded to various other
conditional stimuli
-Besides the fear reflex, Watson also gave attention to ―love reflex‖, called forth by stroking of
the skin, tickling, rocking, and patting, and was evidenced by gurgling and cooing
-The rage response was elicited by restriction of movment (particularly head) and involved
screaming and muscular exertion as well as vasomotor changes
-Watson was primarily concerned with fear and love --> was not certain that rage influenced
personality
-Watson modified his fear and love reflex with Thorndike and Skinner‘s concepts --> the effect
of certain stimulus as a ―reward‖ or ―punishment‖ upon an organism‘s behavior
>>for Watson, loud sounds and loss of support function as ―punishment‖
>>a mother‘s soft touch or soothing voice functions as ―reward‖ to entice child to do
actions favored by parents
-In American context, theme of ―reward‖ and ―punishment‖ as a means of controlling behavior
has deeply-imbedded cultural history in religion prior to its formulation in scientific
psychology by Thorndike
>>the omnipotent God who ―binds‖ himself in a Covenant relationship with his people
--> ―promises‖ salviation is their behavior is worthy and ―threatens‖ damnation if it
sinful
-American Calvinism --> rigid codes of behavior became the ―conditions‖ of a legal contract
with God, whose wrath would attend any failure in their perfomance
>>Watson refer to ―the religious personality‖ as a bundle of habits rather than
experiential state of the soul in its union with God
-verbal ―precepts‖ --> guidance of behavior extracted from Bible (technique is called
―example-precept, promise and threatening‖)
-Verbal precepts for everday behavior have extensive influence on Protestant communities who
have no source of guidance in moral matters besides Bible
>>viewed Bible as providing main script for drama of salvation
>>human action must be constituted to mirror the acts and roles contained within text
-the question of which precepts are linked to which examples is given by ―promise‖ and
―threatening‖ criteria
>>if behavior in Bible is seen as associated with a divine ―promise‖, the linkage is
formed between a ―precept‖ counseling that behavior with the appropriate ―example‖
or situation
>>if behavior is associated with divine ―threatening‖, a ―precept‖ negating that
behavior is linked to ―example‖
-G. Stanley Hall suggested the fear of thunder and loud sounds in children is related to the fear
of heavenly (or parental) wrath were induced during sessions of family Bible-reading
-in ―Little Albert‖, the loud sound represents the ―precept‖ and the ―threatening‖ into a single
warning against sin, associated with the action of playing with the animal
-Watson associated with God
>>‖[God] shall destroy the pride of the sinner as a potter‘s vessel. // With a rod of iron
he shall break in pieces of their substance‖ - from Psalm 11
>>‖I want only the ability to handle my clay as the potter handles his clay‖ - Watson
-The snake -- biblical symbol of evil
>>Hall says religious association of fear of animals and fear of punishment for sin or
―crime‖
-if the latent religious significance of ―Little Albert‖ lies in divine curse upon a sinful child,
what is the child‘s sin?
>>Albert has merited this curse because, by playing with the animal, he has established
a relationship of identity to the curious, impulsive, sexual, mortal flesh of animals from
which puritanical religion sought to dissociate that behavior
>>more specifically, the sin of a little boy playing with the rat may be
associated with masturbation, exploration of one‘s body that enables a sense of embodied
existence to emerge and develop
-the sin of ―Little Albert‖ is the exploration of the flesh
>>the punishment expresses the terror that is associated with existence-in-the-flesh,
existence as a finite creature
-Watson trains ―Little Albert‖ (and other children in his care) into habits desired by a scientist,
whose identity is really the Covenant God
-During the ―Little Albert‖ experiment, had sexual invovlement with Rosalie Raynor (graduate
student)
>>Watson‘s sexual involvement with the flesh at that time required ―Little Albert‖
experiements as atonement rituals to the prohibitive deity
>>thus, the curses are set upon ―Little Albert‖ instead of Watson
-Watson elevates his position as an ―observing‖ scientist in this experiment by also controlling
the sound
>>Watson sets himself ―above‖ the fearful context of prohibitivie meaning
-―Little Albert‖ is refered to by Watson as ―Albert B.‖
>>the name John Albert Broadus was emeshed in Watson‘s personal and moral identity
during his childhood
>>Broadus was deeply revered, and people refered to Watson as Broadus, rather than
John
>>Watson‘s conscience was formed by training of parents who adhered to all of
Broadus‘ pronouncements
-Therefore, ―Albert B.‖ represents the preacher, John Albert Broadus
-But why would Watson give the infant that name?
>>Reik says that naming of children for parents or authorities is a means of prolonging
relationships with such figures in the relationship with the newborn
>>however, many primitive tribes, this is considered a taboo because latent abivalence
towards ancestral authority figure is often expressed towards child, even to the point of
infanticide
>>vulnerable child is acted against as a means of rebelling against one‘s own parents or
ancestors
-Watson can be seen to express such hostility as a vengeful retaliation upon this incarnation of
his conscience