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Joan Mir was a Spanish Surrealist artist who was born on the 20th April 1893 in Barcelona. He
started drawing in school back in 1900, taking private lessons wit Seor Civil. In 1907 he went on
to learn at a business college as well as taking lessons at a fine arts academy in La Lonja,
Picasso had visited the academy back in 1895. His teachers were Modest Urgell and Josep
Pasc.!
Many of his early pieces, from 1912-1920, where still lives and landscapes influenced by his
everyday environment of his parent's summer house in Montroig, while he was recovering from a
typhoid fever after suffering from a nervous breakdown. During this time he also started to
experiment with producing paintings while blindfolded and also with oil paints. He also met Ricart
when he attended Gali's school of Arts. At this time he was painting life drawings of nude subjects
using charcoals and chalks. By 1919, Cubism was beginning to become evident in his works,
such as "Nude in the Mirror" and "Self Portrait" which Picasso purchased for his collection.!
He went to Paris, where he met and got influenced by loads of other artists through the help of Art
Dealer, Josep Dalmau, staying in France from 1920-1929 before marrying his wife, Pilar and
decided to stay in Paris for good. Symbolism was beginning to become present in his work in
1923, such as the sun, stars, black solid circles and a bright use of colours. In 1930 he began to
experiment even further with his style, working in other media, building sculptures. His second Self
Portrait from 1937 shows his change of style, as it became looser but more symbolic and
immersing.!
In 1956 he made his final move, after moving to and through from Paris and Barcelona, to Palma
de Mallorca, where the architect, Sert, built his studio house "Sons Abries". Two years later he
finished the ceramic walls for the UNESCO building in Paris, which was a joint effort between him
and his good friend, Artigas from 1955. From this, he received the Grand Award of the
Guggenheim Foundation in 1959.!
In
1968,
a
large
scale
exhibi4on
of
his
work,
named
"Year
of
Mir"
took
place,
where
Sert
designed,
commissioned
by
the
city
of
Barcelona,
and
built
a
museum
for
the
ar4st,
featuring
40
pain4ngs
by
him.
From
this
point
on
he
con4nued
to
go
on
trips
to
America
and
other
places
in
Europe
to
show
his
works
in
big
exhibi4ons.
The
year
of
his
90th
birthday,
1983,
was
celebrated
with
exhibi4ons
worldwide,
however,
Mir
health
was
also
declining,
leading
to
his
death
on
the
25th
of
December
the
same
year.
He
wasn't
just
a
painter,
he
designed
sets
for
ballet,
painted
ceramics,
sculptures,
engravings,
ceramic
panels
for
buildings.
Throughout
his
career
he
developed
many
dierent
styles
from
simple
pain4ngs
to
cubism,
from
surrealism
to
ceramics
and
sculptures.
Many
of
his
works
were
based
on
childhood
memories,
of
Tarrogana,
his
Father's
hometown,
which
was
a
rough,
wild
city,
where
it's
dream-like
seVng
helped
with
the
produc4on
of
many
of
his
works.
While
some
of
his
pain4ngs
gave
o
a
sort
of
caveman
like
feel,
through
the
use
of
symbolism
and
colours
he
was
able
to
give
any
pain4ng
of
his
a
more
poe4c
and
in-depth
feel,
even
if
it
was
just
from
the
4tle
he
gave
it.
His
Father
inuenced
him
through
his
work
and
his
workspace,
as
he
cleaned
his
brushes
and
leY
his
studio
clean
just
like
an
engineer's
workshop.
Also,
the
way
he
used
colours
in
his
pieces,
the
mixture
of
bold
colours
contras4ng
to
solid
blacks
makes
the
majority
of
his
pieces
stand
out.
Even
in
his
early
days,
his
use
of
colours
were
free
owing
and
bold
but
s4ll
had
a
technical
reason
as
to
why
he
placed
that
colour
where
he
placed
it.
"Mir
could
not
paint
a
spot
without
it
falling
in
the
right
place"
Mir
by
Twen4eth-
Century
Masters
page
46
Speaking to the residents on this part of the city, Pilar Above, is useless. One type
with ignore you, much more interested in going to the shrine behind the looming
bird shaped tower, to pray to the mysterious Red Sun and the asterisk shaped
stars that are always present no matter the time of day. The other type of city
folk will be more then willing to talk to a foreigner, however, they do not share a
common tongue with them, instead they speak rapidly in their own language, a
strange and complex tongue of shapes and colours rather then words and
sentences, untranslatable to the rest of the world including the city hundreds of
thousands of metres below. Luckily there is one man, who used to be just like the
traveller, who still speaks the language of the people below. Wrapped in a black
cloak, plain in comparison to the highly decorated ones of the other citizens, with
beige eyes and a wide mouth. He tells a tale of the motive of this city, of finding
the connection between dreams and the stars and sun. Every day they look
through telescopes to the sky above, looking for answers to the secrets that
plague their citys mysterious origins. They hold the secrets of their city, of Pilar
Above he hisses, before going back to stare at a vaguely feminine shaped
building, with a round bust and base, part of a series of similarly shaped buildings
surrounding the square of the above city. In the center a bare tree, that can barely
be called a tree because of the bare branches that never bore any leaves in all of
its century long existence. !
The differences between Pilar Below and Pilar Above are most intriguing,
especially how culturally different the two are despite still being part of the
same city. Pilar Below being a standard holiday retreat with its green and purple
fields, standard angular homes, and tall, slim hotels which welcome any type of
tourist and traveller in their midst. The small dock, situated at the very edge of
the citys border, is a haven for small time fisherman who arrive in the evening
to deliver their catches to the market stalls and mend their nets in the rich
moonlight as they await for the next day of fishing. Every year a parade takes
place, celebrating past victories hundreds of years ago with the citys famous
dish of smoked mackerel, drowning it down with beer and wine. !
Religion is not as commonplace as it once was in Pilar Below, Its modern day
life style not needing to depend on any God. However, even though the
townspeople have stopped believing, the church is stills standing proud, open
and willing to take in anyone who is wanting to pray to their forgotten ancient
God.!
In general, the residents live a relatively mediocre and quiet life style, some
work hard on the farms, sun pounding on their backs as the sweat drips down
their faces. While others work in the town as shopkeepers, bankers, tour guides
and waiters and hove to deal with the demands of a time schedule and rowdy
costumers from the richer locals further up the hillside.!
The ladder at the very back of Pilar Below, behind a Bank and a very Expensive
pizza restaurant, next to a dried up abandoned well, is the only connection
between the city on the ground and the city high up on the hillside. Despite its
weak appearance it is permanently stuck to the cliff face, being there for as long
as the city has existed for. Upon climbing and reaching the Cathedral that beckons
only a certain type of traveller inside its mysterious walls, only to reveal that it is a
decoy on the inside, only containing the spiral staircase that leads to Pilar Above.
Working as if it is transporting the traveller to a whole new world and not just a
hours trip up to the bizarreness of the upper city. At its peak is a shrine gate with a
small bell hanging from the connecting beam ringing ominously as it is passed, the
sky does not have a set colour, it changes from , red to blue to green to yellow,
depending on the unbeknown travellers aura. What always remains the same
however is the Red Sun and the peculiarly shaped stars, which are visible night
and day without fail, while the sun sets to reveal a pale ghostly blue moon in its
wake.!
Pilar Above is a very bizarre. Each building is different and unique, all of them have a
interesting story of how they were built, and they come in all shapes and sizes: angular,
spherical, tall, short, unusual, and ordinary. The residence have adored their houses with
incomprehensible symbols that only they can deceiver. They are all related, from birds to
astrology to dreams, key factors present in the local religion that every citizen is a part of
exclusive to only those who live on the higher plains of Pilar. They all dedicate their lives
to know what the abstract sky above them means, and what is up there. They throw
themselves into researching in a cultish like fashion, meeting up on Friday evenings at the
shrine behind the bird pillar to appease their ruler, the Red Sun. Their true goal is
shrouded in mystery due to their language being untranslatable, the only thing known
about it however is that they want to see the connection between their dreams and of the
odd shaped stars and sun ruling above them and only them. !
This dedication to their cause as affected their lifestyle drastically. It is hard to tell two city
dwellers apart due to the black cloaks adored in blocks of primary colours, in a similar
way as some of the households. They are all in almost perfect unison and in such a way
that the city doesnt feel alive in a natural sense but a mechanical sense like the cogs of
toy robots and machines.!
Recent studies into the city above have revealed that the city produces a strange
hallucinogenic mist that might have a connection with the dream like setting and the
reasons for the odd structures. The oddest thing about this phenomenon however is how
it only effected the citizens of Pilar Above and of how the city seems to choose which
outsider has the privilege of viewing the madness of the upper half of the city for
themselves.!
Pilar Thumbnails!
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