New-age music

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Not to be confused with New wave music.

New-age music
Stylistic

Electronic music, folk music,world music, classical

origins

music,ambient music, progressive rock,minimal music

Cultural

Europe and United States, late 1960s

origins

Typical

Piano, synthesizer, sampler,sequencer, strings, found

instruments sounds(often bird song or whale song,waterfalls,

etc),folk and ethnic instruments,acoustic guitar, electric
guitar,drums, flutes, harp, sitar,tamboura, tabla, organ

Derivative

Post-rock - post-trip hop - trance

forms

Subgenres

Neoclassical new age - space music - biomusic- Andean new age

Fusion genres

Celtic fusion

Other topics

New Age, meditation, environmentalism,List of new-age music artists

New-age music is a genre of music intended to create artistic inspiration, relaxation, and optimism.
It is used by listeners for yoga,massage, meditation,[1] and reading as a method of stress
management[2] or to create a peaceful atmosphere in their home or other environments, and is
associated with environmentalism and New Age spirituality.[1]
New age includes both electronic forms, frequently relying on sustained synth pads or
long sequencer-based runs, and acousticforms, featuring instruments such as flutes, piano, acoustic

guitar and a wide variety of non-western acoustic instruments. Vocal arrangements were initially rare
in new age, but as it has evolved vocals have become more common, especially vocals
featuringNative American-, Sanskrit-, or Tibetan-influenced chants, or lyrics based
on mythology such as Celtic legends.
New-age music was influenced by a wide range of artists from a variety of genres. Irv
Teibel's Environments series (196979) featured natural soundscapes, tintinnabulation, and "Om"
chants and were some of the first publicly available psychoacousticrecordings.[3] In 1973, Mike
Oldfield's progressive rock album Tubular Bells became one of the first albums to be referred to
under the genre description of new age.[4] Steven Halpern's 1975 Spectrum Suite was a key work
that began the new-age music movement.[5] By 1989, there were over 150 small independent record
labels releasing new-age music.
Contents

1 History

2 Definitions

3 Influences and themes

4 Alternative terms
o

4.1 Contemporary instrumental

4.2 Contemporary adult instrumental

5 See also

6 References

7 External links

History[edit]
New-age music was influenced by a wide range of artists from a variety of genresfor example,
folk-instrumentalists John Fahey and Leo Kottke, minimalists Terry Riley, Steve Reich, La Monte
Young, and Philip Glass, synthesizer performers Pink Floyd and Brian Eno, and impressionistic jazz
artists Keith Jarrett, Paul Horn (beginning with 1968's Inside) and Pat Metheny.[6] Many different
styles and combinations of electronic, experimental and acoustic new age were introduced in the
1970s including music from Asia, such asKitaro and Yellow Magic Orchestra.

Kitaro, one of the most influential electronic/new-age artists in Asia

Steven Halpern's Spectrum Suite, released in 1975, is generally credited as the album that began
the new-age music movement.[5] New age was initially produced and sold only by independent
labels. The sales reached significant numbers in unusual outlets such as bookstores, gift stores,
health-food stores and boutiques, as well as direct mail. Another prominent example of an early newage album was when in 1979, R&B musicianStevie Wonder created the soundtrack for the
documentary (based on the book) The Secret Life of Plants, which in turn was the first digital
recordingof a new-age album. In 1981, Tower Records in Mountain View, California added a "new
age" bin.[7] By 1985, independent and chain record retail stores were adding sections for new age,
and major labels began showing interest in the genre, both through acquisition of some existing
new-age labels such as Paul Winter's Living Music and through signing of new-age artists such as
Kitaro and jazz crossover artist Pat Metheny, both signed by Geffen.[7]
On Valentine's Day in 1987, the former Los Angeles rock radio station KMET changed to a full-time
new-age-music format with new call lettersKTWV, branded as The Wave.[8] During The Wave's newage period, management told the station employees to refer to The Wave as a "mood service" rather
than a "radio station". DJs stopped announcing the titles of the songs, and instead, to maintain an
uninterrupted mood, listeners could call a 1-800 phone number to find out what song was playing.
News breaks were also re-branded and referred to as "wave breaks". [8] Stations in other cities
followed this lead[contradiction] and in 1983, Stephen Hill's radio show Music From The Hearts of
Space was picked up by NPR for syndication to 230 affiliates nationally.[8] Other new-age-specialty
radio programs included Forest's Musical Starstreams and John Diliberto's Echoes. Most
major cable television networks have channels that play music without visuals, including channels
for new age, such as the "Soundscapes" channel on Music Choice.
By 1989, there were over 150 small independent record labels releasing new-age music, while newage and adult-alternative programs were carried on hundreds of commercial and college radio
stations in the U.S., and over 40 distributors were selling new-age music through mail-order
catalogs.[9]

Definitions[edit]

Works of Greek composer Vangelis, noted for his film scores, exemplify the progressive side of new-age
music[10]

New-age music is defined more by the effect or feeling it produces rather than the instruments used
in its creation; it may be electronic, acoustic, or a mixture of both. New-age artists range from solo or

ensemble performances using classical-music instruments ranging from the piano, acoustic guitar,
flute or harp to electronic musical instruments, or from Eastern instruments such as the sitar, tabla,
and tamboura.
There is a significant overlap of sectors of new-age music, ambient music, classical
music, jazz, electronica, world music, chillout, space music and others. The two definitions typically
associated with the new-age genre are:

New-age music with an ambient sound that has the explicit purpose of aiding meditation and
relaxation, or aiding and enabling various alternative spiritual practices, such as alternative
healing, yoga practice, guided meditation, chakra auditing, and so on. The proponents of this
definition are almost always musicians who create their music expressly for these purposes.
[11]
Prominent artists who create new-age music expressly for healing and/or meditation
include Paul Horn, Deuter, Steven Halpern, Dean Evenson who in 1979 was one of the first to
combine his peaceful flute music with the sounds of nature, Lawrence Ball, and Karunesh.

Music which is found in the new-age sections of record stores.[11] This is largely a definition of
practicality, given the breadth of music that is classified as "new age" by retailers who are often
less interested in finely-grained distinctions between musical styles than are fans of those styles.
Music which falls into this definition is usually music which cannot be easily classified into other,
more common definitions, but often includes well-defined music such
as worldbeat and Flamenco guitar. It also includes expressly spiritual new-age music as a
subset. There are retail outlets, that specify subcategories such as "nature sounds", "healing",
"piano", "chants", and so on. Amazon includes also "Celtic", "meditation", "world-dance", and
"relaxation", and iTunes Store includes "nature", "environmental", "healing", and "travel", besides
other subgenres. The German new-age site Silenzio lists almost 70 subgenres.

Influences and themes[edit]

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article by adding citations to reliable sources. Unsourced material may be challenged and
removed. (September 2012)

Irish singer/composerEnya received fourGrammy Awards for Best New Age Album

From 1968 to 1973, German musicians such as Edgar Froese (founder of Tangerine Dream), Holger
Czukay (one of the founders of Can and a former student of Karlheinz Stockhausen), Popol Vuh,
and Ashra released a number of works featuring experimental sounds and textures built with
electronics, synthesizers, acoustic and electric instruments which were referred to as cosmic music.
This experimentation provided early foundational influences for the ambient music and new-age

music genres. In the late 1970s Brian Eno's defining explorations in ambient music further influenced
the formation of the new-age-music genre, as developed in the styles of musicians such as Robert
Fripp, Jon Hassell, Laraaji, Harold Budd, Clusterand Jah Wobble (of post-punk band Public Image
Limited).
In 1973, Mike Oldfield's unconventional progressive rock album Tubular Bells became one of the first
albums to be referred to under the genre description of new age. [4] Other influences are early
electronic music, classical music, ethnic music and world music. The minimalism of Terry
Rileyand Steve Reich (Indian influenced in the former case) can also be cited as an influence, along
with artists like Tony Conrad, La Monte Young who utilized drones since the early 1960s. Connected
to the creation of new-age music is the resurgence of interest in Gregorian chant during the second
half of the 20th century. Now, new-age music has branched out and also includes chanting of
"spiritual" or ancient languages, and includes, but is not limited to Sanskrit, Latin, Gaelic, Hebrew
and Gurmukhi. Popular artists in this genre include Krishna Das, Deva Premal, Bhagavan
Das and Snatam Kaur.
The solo ECM performances by artists like Keith Jarrett (especially his record The Kln
Concert), Ralph Towner (especially his records Blue Sun andSolo Concert) and Lyle Mays's first
eponymous album, are usually thought to be an influence on ambient/new-age music. The acoustic
solo and group performances by the earlyWindham Hill artists such as William Ackerman, Alex de
Grassi, George Winston, and Michael Hedges were called new age for much of the last 30 years.
Popular themes in new-age music include space and the cosmos, environment and nature, wellness
in being, harmony with one's self and the world, dreams or dreaming and journeys of the mind or
spirit. Titles of new-age albums and songs are frequently descriptive: examples include Shepherd
Moons (Enya), Straight' a Way to Orion (Kitaro),Touching the Clouds (Symbiosis), and One Deep
Breath (Bradley Joseph).

Alternative terms[edit]

Greek musician and composerYanni has had several albums reach #1 on the Billboard new-age rankings.

As described in this article, the borders of this genre are not well defined; however music retail
stores will include artists in the "new age" category even if the artists themselves use different
names for their style of music. Here are some other terms used instead of "new age".

Contemporary instrumental[edit]
The term "contemporary instrumental" can include artists that do not use electronic instruments in
their music, such as solo pianist David Lanz.[12] Similarly, pianists such as Yanni[13] and Bradley
Joseph[14] both use this term as well, although they use keyboards to incorporate
layered orchestral textures into their compositions. Yanni has distinguished the music genre from the
spiritual movement bearing the same name.[15]

Contemporary adult instrumental[edit]

This term was suggested by Steven Halpern in the June 1999 issue of New Age Voice as an
alternative catch-all label for music which is classified by retailers as "new age", but which is not
expressly spiritual in nature