Professional Documents
Culture Documents
'42'
written by
Brian Helgeland
2012
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2012
WHITE
1.
A1
*
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42
1A.
2.
RICKEY
So be it. New York is full of
Negro baseball fans; every dollar
is green. I don't know who he is,
or where he is, but hes coming.
CUT TO:
2
April 8, 1945.
On the first pitch the runner takes off. The catcher fires to
second. See it from his POV as the runner slides in SAFE!
A foot on the bag, the runner dusts off, heckles the catcher:
RUNNER
Is that the best you got?! Huh?!
Im going to steal nine, ten bases
today! You better start counting!
The catcher frowns.
CATCHER
(Alabaman)
Wheres your shortstop from?
JOHN SCOTT
(Louisianan)
California.
CATCHER
Hes got a mouth on him.
Shaking his head, the catcher gets back in his crouch,
signals the PITCHER. On the wind-up, the Runner is off
again. The catcher fires to THIRD: Safe!
RUNNER
You got a rag arm, catcher!
CATCHER
Steal home! Youll find out what
kind of arm I got!
3.
RUNNER
Okay, Im coming!
The Catcher looks over at Scott who chuckles.
CATCHER
California, huh?
(Scott nods)
Well California here he goes, if he
comes down here.
The Catcher gets back down in his squat. Signals the
pitcher: fastball. Scott digs in, ready. The runner dancing
off third. Here comes the wind-up...
The Runner takes off even as the pitcher fires it in. The
Birmingham Catcher receives it. As the Runner slides -The Catcher intentionally drives his glove, the ball and both
hands into the runners face -- WHALLOP! Sound drops as
were knocked flat senseless along with the runner.
ON HIM now as he tries to push himself up from the dirt. A
close look at JACK ROOSEVELT ROBINSON. A born battler, he
shakes out the cobwebs, finally lurches to his feet, looks to
the UMPIRE. He never heard the call.
What was I?
JACK
The umpire passes one hand over the other: Safe. Jack looks
over at the catcher, gives him a pointed look as he goes -The catcher shoves him in the back. Jack turns, shoves back.
As the two men wrestles each other to the ground -CUT TO:
3
3
*
*
SUKEFORTH
Josh Gibson. Oh boy can he hit.
No.
No?
RICKEY
SUKEFORTH
4.
SUKEFORTH
Roy Campanella.
RICKEY
A heck of a player. But too sweet,
theyll eat him alive.
SUKEFORTH
(holds up file)
Satchel Paige then.
RICKEY
Too old. We need a man with a
future not a past.
(holds up his own
file)
Here. Jack Roosevelt Robinson.
*
*
*
*
RICKEY
(flips through file)
A four sport college man, out of
UCLA. That means hes played with
white boys.
(scans file)
Twenty-six years old, now with the
Kansas City Monarchs. Batting over
350 even as we speak. 350! And he
was a commissioned army officer!
SUKEFORTH
He was court-martialed. A trouble
maker. He argues with umpires. A
quick temper is his reputation.
Rickey is obviously keen on him.
PARROT
What was he court-martialed for?
*
*
RICKEY
For refusing to sit in the back of
a military bus.
(checks the file)
Ft. Hood, Texas. The driver asked
him to move back. The MPs had to
take him off.
*
*
*
*
*
*
*
*
5.
SUKEFORTH
RICKEY
I see he resents segregation. If
he were white, wed call it spirit!
*
*
PARROT
If he were white, sir, we wouldnt
be looking for him.
*
*
RICKEY
Robinsons a Methodist. Im a
Methodist. Gods a Methodist. We
cant go wrong. Find him. Bring him
here.
*
*
*
*
*
CUT TO:
DRIVER
DRIVER
ATTENDANT
Where you going, boy!?
6.
Huh?
Robinson --
DRIVER
JACK
Take it out. We'll get our ninetynine gallons of gas someplace else.
The attendant blinks. He takes a look from Jack to up and
down the deserted highway. No business in sight.
ATTENDANT
Okay, use it. But don't stay in
there too long.
Jack heads back.
Jack splashes water on his face, rips a paper towels from the
dispenser, pats his face dry. He balls the wad up, squeezes
it in his fist before firing it into the trash. He considers
his reflection in the mirror. As he regards himself, we hear
the SERVICE BELL ring outside.
CUT TO:
6
*
*
7.
OMITTED
Brooklyn.
Finally...
RICKEY
Do you have a girl?
Excuse me?
JACK
RICKEY
A man needs a family relying on
him. It insures he'll behave
responsibly. Do you have a girl?
I think so.
JACK
RICKEY
You think so?
Jack looks to Sukeforth who smiles placidly.
Back to Rickey.
WHITE 3-14-12
8.
JACK
I don't make much money. Between
the army and now baseball I've been
away a lot. And Rae, Rachel, she
wants to finish school. Considering
all that, I say I think so.
RICKEY
Do you love her? Rachel?
(Jack confused)
Dont you know?
JACK
Yes, sir, very much.
Marry her.
RICKEY
9.
RICKEY (CONTD)
Ill pay you $600 a month and a
$3,500 bonus when you sign the
contract. Is that agreeable?
Believe it or not thats a lot of money to Jack on this day
in time. This is all becoming a bit overwhelming.
Yes, sir.
JACK
Thats fine.
RICKEY
There is one condition. I have a
pile of scouting reports. I know
you can hit behind the runner, that
you can read a pitch. The question
is can you control your temper?
My temper?
JACK
RICKEY
Yes your temper! Are you deaf?!
Rickey furious, the avuncular old man gone. Jack sits there,
fists now balled. Rickey to Sukeforth like hes not there:
RICKEY (CONTD)
He looks proud. Willful.
SUKEFORTH
He'll need to be.
Rickey looks back to Jack who is as angry as he is confused.
RICKEY
I want to win! I want ballplayers
who can win! Are you one of them?!
Yes.
JACK
RICKEY
A black man in white baseball.
Imagine the reaction. The vitriol.
Rickey strides forward, gets in his face.
RICKEY (CONTD)
The Dodgers check into a hotel. A
decent good hotel. Youre worn out
from the road and some clerk won't
give you the pen to sign in.
(Southern drawl)
We got no room, boy, not even down
in the coal bin where you belong.
*
*
*
*
10.
JACK
(masters himself)
Do you want a ballplayer who
doesnt have the guts to fight
back? Is that what you want?
RICKEY
I want one who has the guts not to
fight back! There are people who
will not like this. They will do
anything to get you to react. If
you echo a curse with a curse, they
will only hear yours. Follow a
blow with a blow and they will say
a Negro lost his temper; that the
Negro does not belong. Your enemy
will be out in force, but you can
not meet him on his own low ground.
We win with hitting, running and
fielding, nothing else. We win if
the world is convinced of two
things: that you are a fine
gentlemen and a great ballplayer.
Like our Savior, you must have the
guts to turn the other cheek.
Jack considers Rickey.
RICKEY (CONTD)
Can you do it?
Jack poised at what will be his Rubicon.
He crosses.
JACK
Mr. Rickey, you give me a uniform,
you give me a number on my back,
and Ill give you the guts.
CUT TO:
11.
9
Hello?
CUT TO:
10
RACHEL
For what?
JACK
I dont want to say on the phone.
In fact, Im not supposed to tell
anyone.
She can hear the tingle in his voice.
Jack?
RACHEL
JACK
Im here, Rae
*
*
RACHEL
Whats going on? Youre supposed
to be playing in Chicago?
*
*
*
JACK
Weve been tested you and me. Our
loyalty, our faith. Weve done
everything the right way. Me
trying to make money. You
finishing school. Separated by the
war, now by baseball. We dont owe
the world a thing. Only each other.
*
*
*
*
*
*
*
12A.
RACHEL
Did Jack Robinson look happy?
(soft)
What if I cant make you happy?
He steps over, aware of her shyness.
JACK
Too late. You already do.
you and me, Rae.
*
Its
RACHEL
Until the wheels fall off.
(uncertain)
The world is waiting for us.
JACK
It can wait one more night
(kisses her)
Are you coming, Mrs. Robinson?
*
*
RACHEL
(kisses him back)
Id follow you anywhere, Mr.
Robinson.
*
*
*
*
As the door
CUT TO:
12
12
WHITE 3-14-12
SMITH
Yes, a sentimental one. Im from
Detroit. He was the Tiger
shortstop when I was a boy. How
about you? Whos your best?
Pop Lloyd.
RICKEY
SMITH
Not Honus Wagner?
RICKEY
Wagner is number two. And Rabbit
Tavener would not break my top 25.
Where do you suppose Jackie
Robinson will end up on that list?
SMITH
He wont break it. He doesnt have
a shortstops arm. Robinson
belongs on second base.
RICKEY
Alright then, where would he rate
at second?
SMITH
If he was playing now hed be the
best second baseman in the majors.
RICKEY
High praise. Hell have to be the
best in the minor leagues first.
SMITH
What are you saying, Mr. Rickey?
RICKEY
Im saying its going to be a very
interesting spring training. A lot
of players are coming back from the
war and with gas rationing over, we
can train down in Florida again.
SMITH
Daytona Beach?
(Rickey nods)
Youre aware in the past six months
a black boy was lynched in Madison,
Florida and a black man down in
Live Oaks?
RICKEY
Those towns may as well be a
million miles from Daytona.
13.
WHITE 3-14-12
14.
SMITH
Live Oaks is 150 actually.
RICKEY
I spoke to the Daytona mayor. He
assures me therell be no trouble.
But Rickey doesnt sound so sure.
RICKEY (CONTD)
Mr. Smith, are you a Communist?
SMITH
Im a Democrat. Why do you ask?
RICKEY
I have a business proposition.
Whats your salary at the Courier?
SMITH
Fifty dollars a week.
RICKEY
I will pay you an additional fifty
dollars a week plus expenses if you
will attend spring training with
Jackie Robinson. You will watch
over him, help him to avoid the
harm that could come if he were to
do or say anything out of turn.
You will act as his chauffeur, you
will secure accommodations for him
wherever the team may be, help him
find restaurants, etc...
SMITH
Whats in it for me? Besides the
fifty dollars and a whole lot of
aggravation?
RICKEY
Unprecedented access for any
reportage you feel appropriate.
What do you say, Mr. Smith?
SMITH
I say yes, sir. If a Negro is good
enough to stop a Nazi bullet in
France; he's good enough to stop a
line drive at Yankee Stadium.
RICKEY
Ebbets Field actually, but yes, I
agree. The world is ready.
CUT TO:
15.
13
OMITTED
13
14
14
COLONEL
Robbie!
BUTLER
Yassuh, Massa Kunl.
Here Ah is.
WHITE 3-14-12
16.
COLONEL
Jackie, you woolly headed rascal.
How long yo been in the family?
BUTLER
Ebber since Massa Rickey done bots
me from da Kansas City Monarchs.
COLONEL
(aside to audience)
Rickey that no good carpetbagger!
What could he be thinking!
Huge LAUGHS from that one.
Two people enjoying it well
recognize later as HERB PENNOCK and BOB COOKE.
BUTLER
Ah came near bein killed last
night, Kunl.
COLONEL
Hows that, Jackie boy?
BUTLER
Ah was comin up a dark street and
three men was behind me. And they
tried to do me with a baseball bat.
COLONEL
You dont say?
BUTLER
Yes, suh. Ah recognized one of
dem. Ahm gonna hab him arrested.
COLONEL
But I thought you said it was dark?
BUTLER
It was. But I know he played for
the Philadelphia Baseball Club. On
account of he struck at me three
times and never hit me once.
That brings the house down.
15
15
17.
16
Jack and Rachel are being seen off by FRIENDS from the
wedding and his mother MALLIE. Jack is in a natty suit with
Rachel in a beautiful coat.
MALLIE
You knock the cover off that ball.
JACK
I will, Mama.
Mallie hugs Jack and then kisses Rachel.
MALLIE
Look after each other.
We will.
RACHEL
MALLIE
Its chicken.
JACK
They have food on the plane, Mama.
MALLIE
You never know what might happen.
I don't want you getting there
starving and too weak to hit.
Rachel gives Jack a subtle but emphatic look: No.
CUT TO:
17
17
18.
RACHEL
Well, theyll know I belong on that
plane or wherever I happen to be.
CUT TO:
18
18
19
19
JACK
Rae --
*
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*
20
OMITTED
20
21
OMITTED
21
19.
22
*
*
*
RACHEL
Did you promise him we wouldnt go
to the bathroom? Youve done it.
*
*
*
JACK
Before I promised.
*
*
RACHEL
It was just a toilet. Youd think
the commodes were made of gold.
*
*
*
As
COOK
You folks cant sit here.
Excuse me?
JACK
Not easy.
But
*
*
*
COOK
Its white only.
JACK
You hang onto those.
JACK
I promised Mr. Rickey wed stay out
of trouble.
23
23
20.
24
25
26
26
She
MISS BISHOP
Jack Robinson? Come with me.
She starts away without explaining, looks back at them a bit
impatiently.
MISS BISHOP
Come on now. Both of you.
CUT TO:
21.
27
*
*
RACHEL
(low)
Tell her youre with the Dodgers.
RACHEL
Get us
MISS BISHOP
Do you want to call the Sheriff?
Or should I?
CUT TO:
22.
28
Daytona
BENCH, her
off into
shoebox.
a bite.
JACK
Mama knew...
He holds it out to Rachel. She slides over, takes it, takes
a bite as well, smiles at him. He smiles back.
Its good.
RACHEL
CUT TO:
29
29
LEO DUROCHER hitting fungoes. One after the next. PEE WEE
REESE and EDDIE STANKY both settle under the same ball.
I got it!
REESE
I got it!
STANKY
I got it! I got it!
They both back off at the last second and it drops to the
ground between them. Durocher chuckles.
DUROCHER
Thats what spring trainings for,
boys! Sort out our differences!
He hits another. This time to the outfield where veteran
DIXIE WALKER gives chase, finally gives up on it.
DUROCHER
Cmon, Dixie, get after it!
WALKER
(laughing)
Im old!
DUROCHER
Im gonna squeeze one more year out
of that worn out body of yours!
WALKER
If you could, skipper, my wife
would sure appreciate it!
DUROCHER
Keeping the women happy!
what its all about!
Thats
23.
29 A
*
*
*
RICKEY
How are they looking, Leo?
DUROCHER
Rusty, Mr. Rickey. But well get
em oiled up and ready in no time.
You find your lost sheep yet?
Troubled, Rickey shakes his head no. As he does, Harold
Parrot hurries over. Hes the Dodgers travelling secretary.
PARROTT
Jackie Robinsons on a bus leaving
Pensacola.
RICKEY
A bus? Harold, how in blazes did
he end up on a bus?!
BOB BRAGAN, in his catching gear, passing by with pitchers
RALPH BRANCA and KIRBY HIGBE. Higbe asides to Bragan:
HIGBE
Why dont they just put him on a
watermelon truck?
BRANCA
Whats the matter with you guys?
BRAGAN
Not a thing, Branca, but we aint
just two pretty faces either.
CUT TO:
30
30
24.
JACK
SMITH
Your chronicler, your advance man.
Hell, even your chauffeur.
(tips his hat)
Mrs. Robinson.
RACHEL
Its Rachel.
SMITH
Man, you two look wiped out.
JACK
(sharp)
You got a car? Get us out of here.
31
31
*
*
*
SMITH
You ever been down South before,
Rachel?
RACHEL
First time. We have our problems
in Pasadena, but not like this.
SMITH
Mr. Rickey says we follow the law.
If Jim Crow and the state of
Florida say Negroes do this and
that, then we do this and that.
RACHEL
(softly)
My lifes changing right in front
of me. Who I am, who I think I am.
CUT TO:
32
32
SMITH
Joe and Duff Harris live here. He
gets out the black vote, does a lot
of good for colored folks.
(MORE)
25.
*
*
*
*
*
RACHEL
Where are the other wives staying?
SMITH
There are no other wives. Youre
the only one Mr. Rickey allowed to
spring training.
As the HARRISES step out on the porch, wave hello...
CUT TO:
33
33
I hope
RACHEL
Thank you.
LOVE NEST
34
26.
RACHEL
The love nest.
RACHEL
Remind me dinners at five.
JACK
Ill try to remember...
As the kisses become more urgent...
CUT TO:
A35
A35
JACK
*
*
*
*
*
*
*
*
*
SMITH
Thats not exactly a headline.
*
*
JACK
(brusque)
Thats all I got.
*
*
*
SMITH
Look, Jack, right now its just me
asking you. But you get on that
field and its going to be the New
York Times and the Sporting News.
You should think about it.
*
*
*
*
*
*
JACK
If they ask something, Ill answer.
*
*
SMITH
Alright, but you know when youre
at the plate, you want to feel like
you see the pitch come in slow?
Well, you want to see the questions
come in slow, too.
*
*
*
*
*
*
Gets out.
Smith sighs.
26A.
35
27.
RICKEY
Why didnt you say so?!
36
PLAYING FIELD
36
It clocks him
REESE
Thats him, huh?
STANKY
Take a wild guess.
Flash bulbs go off in Jacks face.
Shouts of Jackie and then...
*
*
REPORTER ONE
Jackie, do you think you can make
it with these white boys?
Jack looks off to where Smith watches, back to the reporter.
See the questions slow. He answers with measure.
*
*
JACK
Sure, I had no problem with white
men in the service or at UCLA.
REPORTER TWO
What'll you do if one of these
pitchers throws at your head?
JACK
(thinks a beat)
Ill duck.
That gets some laughs.
REPORTER THREE
Jack, what's your natural position?
ROBINSON
I've been playing shortstop.
REPORTER THREE
Are you after Pee Wee Reese's job?
*
*
27A.
*
*
*
*
REPORTER ONE
Is this about politics?
JACK
Its about getting paid.
Jack doing beautifully.
28.
SPIDER JORGENSEN.
HOPPER
Meet Jackie Robinson.
CUT TO:
37
37
The end of the day. Buses leave by team, the Dodgers and the
farm clubs. White faces look down as they pass a tired Jack,
who walks through the lot toward Wendell Smith and his Buick.
Higbe and Bragan call out from the door of the Dodger bus.
HIGBE
Hey, Rook! Did you hear about the
redneck shortstop?
29.
BRAGAN
He thought the last two words of
the National Anthem were Play Ball!
Jack forces a smile, but the joke comes off a bit harsh.
they seem like theyre laughing at him as...
And
HIGBE
How about the shortstop making all
the errors, tried to kill himself
by jumping out on the highway?
BRAGAN
A bus just missed him.
between his legs!
Drove right
As the bus passes by, Jack sees the impassive faces of Dixie
Walker, Reiser, Stanky, Pee Wee Reese and finally 20-year-old
Branca. Branca smiles, offers an awkward little wave.
SMITH
Between his legs, good one. He
mustve read a joke book. If he
can read.
Jack just gets in the car.
of the Buick.
*
*
*
SMITH
Hi, Wendell, how are you...? Well,
looks like I got a long drive to
Sanford.
*
*
*
CUT TO:
38
38
MR. BROCK comes out the screen door carrying a tray of tall
drinks. He sets them on a table, watches and waits as Smith
and Jack get out of the Buick, start up the steps.
MR. BROCK
Jackie, Im Ray Brock. Welcome to
Sanford Florida! The day belongs
to decent minded people.
They shake hands.
MR. BROCK
Wendell, good to see you.
(to Jack)
My wifes inside cooking. You know
what she asked me this morning?
She asked me, what do you serve
when a heros coming for dinner?
*
*
WHITE 3-14-12
30.
HOPPER
39
31.
HOPPER
RICKEY
To be natural, to impose no
restrictions on themselves.
work together in harmony.
To all
WHACK! The hit & run is on. The man on first runs on the
pitch as a LOW LINE DRIVE shoots for the gap between 1st and
2nd. Robinson turns himself inside out to dive on his belly
and catch it before it hits the ground.
He spins himself around, pivots on a knee to throw the runner
out before he can get back to first. ! Rickey is astounded.
RICKEY
That was superhuman.
HOPPER
(chuckling)
Superhuman? Dont get carried
away, Mr. Rickey, thats still a
Nigger out there.
Rickey takes a moment to process. Its Hoppers light
admonishing tone that really halts him. Finally...
RICKEY
Clay, I realize that attitude is
part of your heritage; that you
practically nursed race prejudice
at your mother's breast, so I will
let it pass. But I will add this:
you can manage Robinson fairly and
correctly or you can be unemployed.
They both look over as Jack comes off the field toward them.
HOPPER
Attaboy, Jackie! Way to turn two!
CUT TO:
40
40
Smith and Mr. Brock are sitting on the porch sipping rum and
cokes. A quiet evening.
32.
MR. BROCK
I hope Jackie sleeps alright.
Chasing baseballs in the sun all
day, Id be in my grave. How are
they treating him out there?
They watch as a CAR slows, parks across the street.
SMITH
Okay as far as I can see.
A MIDDLE-AGED WHITE MAN, LUTHER exits the car and starts
toward them.
MR. BROCK
(frowns)
You find good people every place
you go. Even here in Florida...
LUTHER
(stopping below)
Is he in there?
SMITH
Who is it youre looking for?
LUTHER
Nigra ball player.
RICKEYS VOICE
Yes, Wendell, what is it?
CUT TO:
41
41
On the phone.
33.
RICKEY
I see... Yes, I understand. Wake
him up and get him out of there.
Put him in the car and start
driving for Daytona Beach. Now.
And, Wendell, under no circumstance
tell him what this is about. I do
not want him to get it in his head
to stay there and fight.
CUT TO:
42
42
Half dressed, Jack sits on the edge of his bed, feeling bad.
Through his open door, across a hall, we can see Smith in his
room. Passing in and out of view packing his own things.
JACK
I was just getting loose.
Smith sticks his head in the door.
SMITH
Don't just sit there.
duds. We're blowin'.
A phone RINGS somewhere.
Wendell?!
Smith leaves the room.
Pack your
SMITHS VOICE
Yes, Mr. Rickey, I'm with him
now... We're pulling out for
Daytona in five minutes, soon as he
gets his bag packed... Yes, yes,
it's just one of those things.
One of those things.
43
43
34.
One steps
JACK
I wonder what he wants?
*
*
SMITH
To run us out of town.
*
*
JACK
What are you talking about?
*
*
The man close now. As Jack cranks down the window, Smith
floors it. The Buick SCREECHES away, SWERVING around a CAR
coming the other way.
JACK
What the hell, Wendell?!
SMITH
Man came by while you were asleep.
(checks mirror)
Told us more men were coming. Maybe
those boys. Mr. Rickey said to get
you to Daytona Beach a-s-a-p.
*
*
*
*
*
JACK
Why didnt you say so?
SMITH
Mr. Rickey was afraid you wouldnt
leave, that you would fight.
As it becomes clear, Jack starts to LAUGH.
SMITH
What the hell are you laughing at?
JACK
I thought you woke me because I was
cut from the team.
Jack LAUGHS harder. Wendell LAUGHS as well.
Jack looks back over his shoulder. Jesus...
As it fades,
CUT TO:
44
*
*
44
35.
MOTHER
You stay where I can see you!
45
OMITTED
46
36.
47
OMITTED
47
48
OMITTED
48
49
49
*
*
RACHEL
Jacks got a thick skin.
okay.
Hell be
*
*
*
SMITH
How about you?
*
*
RACHEL
(shrugs)
I better get one in a hurry.
*
*
*
INFIELD
Higbe watching from the mound as Jack steps into the batters
box. Two well wishing voices from the infield stands.
SPECTATOR ONE
Come on, black boy, you can make
the grade!
SPECTATOR TWO
Theyre giving you a chance!
something about it!
Do
37.
Even tighter.
UMPIRE
38.
Higbe gets the ball back, settles. Jack takes a lead, but a
modest one this time. Here come the pitch -- And Jack goes.
You knew he was fast; but not this fast. Bragans throw to
Pee Wee is late and high. Pee Wee throws back to Higbe.
*
*
*
*
*
*
*
RICKEY
Watching from a seat behind third.
RICKEY
Thataway, Jackie! Thataway!
HIGBE & JACK
Higbe looks home for the sign, Jack dancing off third,
pounding his right foot toward home. He feints hard home.
*
*
HIGBE
Hell! Youre supposed to go back
to third when I step off! Dont
you know nothing?!
He throws over. Jack back to the bag. Higbe gets the ball
back, looks in. Jack bouncing, pounding off third. His
movements carry violence within them. Like a piston
exploding in an engine.
Higbe into his motion, stops his delivery, accidentally drops
the ball to the ground. The umpire signals BALK, points Jack
home. Higbe is furious.
ED CHARLES - IN THE COLORED SECTION
CHEERING, joyous.
MOTHER
I dont understand.
What happened?
ED
Its a balk, Mama. The pitcher
cant start toward home and then
stop. Jackie scores.
*
*
*
*
39.
MOTHER
But he didnt do anything.
ED
Oh, mama, yes he did, he
discombobulated the man.
DUGOUT
Durocher looks to Branca, impressed.
DUROCHER
He didnt come to play; he came to
kill.
Durocher starts out to the mound to talk to Higbe.
DIXIE WALKER
Watching from right field, the black crowd still cheering.
He walks over toward the open bullpen where Casey stands.
WALKER
This really how its gonna be some
day? Baseball?
CUT TO:
50
50
The pitch.
WHITE 3-14-12
What!?
40.
JACK
Why?
POLICEMAN
Its against the law is why. No
niggers don't play with no white
boys. Git off or go to jail.
Jack shrugs the policemans hand off his shoulder.
sends him reaching for his nightstick and --
That
POLICEMAN
HOPPER
(arrives from dugout)
Hey, hold on, whatd he do wrong?
POLICEMAN
We ain't havin' Nigras mix with
white boys in this town. Ya'll
ain't up-states now; they gotta
stay separate. Brooklyn Dodgers
ain't changing our way of living.
Where are you all from anyhow?
HOPPER
Greenwood, Mississippi.
POLICEMAN
Hell, man, you oughta know better.
(a dangerous beat)
Now tell your Nigra I said to git.
You think I'm foolin'?
Hopper looks desperately to Jack who just stands there.
RACHELS VOICE
What did you do?
CUT TO:
51
51
41.
JACK
I said okay, Skipper, tell him...
Ah'm a-gittin'. Shonuff, ah is.
You didnt?
RACHEL
JACK
I did. Then I took a long shower.
We lost 2 to 1.
She takes a few exaggerated steps to amuse him.
RACHEL
Ahm a-gittin, ahm a gittin.
He laughs, takes her hand.
JACK
Youre not getting away from me.
RACHEL
(looking past)
Jack...
A white man bee-lines them from across the street, looks like
a real CRACKER. Jack on guard, gets in front of Rachel.
JACK
Get back, Rae. Go back.
Cracker stops square across from him.
CRACKER
I want you to know something.
JACK
Yeah, what's that?
CRACKER
I want you to know I'm pulling for
you to make good. And a lot of
folks here feel the same way. If a
man's got the goods, he deserves a
fair chance. That's all.
(tips his hat)
Ma'am.
As Cracker walks away... Rachel takes Jacks hand.
CUT TO:
52
OMITTED
52
41A.
52A
RICKEY
42.
*
*
RICKEY
Jackie, its my pleasure to tell
you that youve earned a spot on
the Montreal Royals. When they
head north Tuesday for opening day
against Jersey City, youll be on
the train.
Jack trying to hold down his excitement.
JACK
I wont let you down.
RICKEY
I know that.
JACK
If you dont mind, Ive got to go
tell my wife.
RICKEY
Give her my regards.
Jack about to head off when he looks back..
JACK
Why are you doing this, Mr. Rickey?
RICKEY
Im an opportunist. With you and
the Negro players I hope to bring
up next year Ill put together a
team that can win the World Series.
And the World Series means money.
Jack studies him a beat, not quite buying it.
RICKEY
Dont you believe that?
JACK
I dont think what I believe is
important. Only what I do.
RICKEY
Agreed. Therefore, run the bases
like the Devil himself.
(MORE)
43.
CUT TO:
53
53
Ed Charles and his TWO FRIENDS follow Jack and the Montreal
PLAYERS as they walk toward the TRAIN waiting on the tracks.
Jack is one of the last to board. Hes almost through the
door when something stops him. He looks back at Ed.
A beat. Ed slowly raises his hand and waves. Jack smiles,
does the same, then disappears inside. The WHISTLE blows and
the train starts out of the station. On impulse Ed starts to
trot out after it. Staying close. His friends follow.
TRAIN TRACKS
The train picks up speed. The boys start to run. Arms
pumping, feet flying. One boy drops off. Then the other.
But Ed still runs. Chasing after that train carrying Jackie
Robinson. Finally, he stops, heaving for breath, watching
the train disappear around the bend. A lonely beat. Then -Ed gets down on his hands and knees. He sets his ear on the
rail, closes his eyes. A thrum comes off the rail. A huge
smile spreads. He straightens, shouts back to his friends:
ED
I CAN STILL HEAR HIM!
From somewhere, as the National Anthem ends...
CUT TO:
54
54
WHITE 3-14-12
55
44.
55
He
56
SMITH
RACHEL
I think I might be sick.
(standing)
Excuse me, Wendell.
He watches as she starts out, looks to the field.
SMITH
Id be sick at a swing like that,
too.
CUT TO:
57
57
RACHEL
I dont know why.
The older woman rolls off a piece of paper towel for her.
Thank you.
RACHEL (CONTD)
OLDER WOMAN
When did you have your monthly
last?
WHITE 3-14-12
Rachel looks over, taken aback.
Im late.
45.
But then...
RACHEL
OLDER WOMAN
It may be that youre pregnant.
The older woman offers a little smile, leaves her there.
INSERT: Third Inning.
P.A. ANNOUNCER
(echoing)
Now batting. Jackie Robinson.
CUT TO:
58
HOME PLATE
58
SMITH
59
RACHEL
60
THE PITCHER
61
Grimaces for something extra as he fires a high fastball -Jack UNLOADS. All heads turn to watch it sail -- high into
the left field bleachers, banging hard off the scoreboard.
62
SMITH
62
DUGOUT
63
Softly to himself:
WHITE 3-14-12
64
46.
64
SMITH (O.S.)
Robinson jogged around the bases,
his heart singing...
The crowd loves it as he continues toward third where
Sukeforth is clapping for all hes worth.
SMITH (O.S.) (CONTD)
And our own hearts beat just a bit
faster, and the thrill ran through
us like champagne bubbles...
65
CLOSE ON RACHEL
65
Watching him head for home, shaking hands with the two men he
batted in. Pride & joy in her eyes.
Oh, Jack...
RACHEL
Oh Jack...
CUT TO:
66
CLOSE ON RACHEL
66
RACHEL
Jack!
Pasadena, California.
DOCTOR
67
47.
68
February 5, 1947.
As it settles...
RICKEY
Good evening. I have something
very important to talk with you
about tonight. Something that will
require courage from all of us.
(a beat)
(MORE)
47A.
48.
RICKEY
He may stay there or he may be
brought to Brooklyn. But if Jackie
does come up to the Dodgers, the
biggest threat to his success, the
one enemy most likely to ruin that
success, is the Negro people
themselves!
There is shocked silence in the room. Rickey notices a group
of KIDS watching from a raised running track, soldiers on:
*
*
RICKEY
I say it as cruelly as I can to
make you all realize the weight of
responsibility that is not only on
myself and the Dodgers, but on
Negroes everywhere. For on the day
Jackie enters the National League,
if he does, I have no doubt every
one of you will form parades and
welcoming committees. You'll
strut. You'll wear badges. You'll
hold Jackie Robinson days and
Jackie Robinson nights. You'll get
drunk, fight and be arrested.
This is too much.
RICKEY
You'll wine and dine him until he
is fat and futile. You'll
symbolize his importance into a
national comedy and yes, a tragedy!
So let me tell you this!
(pounds his fist)
If any group or segment of Negro
society uses the advancement of
Jackie Robinson in baseball as a
triumph of race over race, I will
regret the day I ever signed him to
a contract, and I will personally
see that baseball is never so
abused and misrepresented again!
Is he done? An embarrassed smattering of applause. Mostly
shock and stares. As Rickey stands there uncomfortably...
CUT TO:
69
69
Rickey stands waiting; giving that speech has worn him out.
The door opens and Miller looks in on him.
WHITE 3-14-12
49.
MILLER
I question your bedside manner, Mr.
Rickey, but theyve agreed to set
up a committee of self-policing.
Well call it the 'Don't Spoil
Jackie's Chances' campaign.
RICKEY
Thank you, Mr. Miller. Im sorry;
the spotlight will be on us all.
CUT TO:
70
70
RICKEYS VOICE
Hello, Leo, what are you doing?
DUROCHER
I'm bowling. Wait, I'm snowshoeing
in the Alps. I'm trying to sleep,
Mr. Rickey. It's still dark out.
CUT TO:
71
71
RICKEY
Another spring training is upon us.
In Panama. I need to know your
attitude toward Jackie Robinson.
72
72
DUROCHER
I dont got an attitude toward him.
The girl rolls over to look at him. She is the actress
LORRAINE DAY and she is stunning. As Durocher regards her...
RICKEY
Eight times in the Bible were told
to love our neighbor. Its one of
God's most repeated commands.
50.
Hi...
LORRAINE
(softly)
*
*
*
*
DUROCHER
I dont know much about the Bible.
LORRAINE
Me neither...
*
*
DUROCHER
But I didn't go to school just to
eat my lunch either. I'll play an
elephant if he can help us win. To
make room for him, I'll send my own
brother home if he's not as good.
*
*
LORRAINE
(in his ear)
What are you going to do with me?
*
*
*
DUROCHER
We're playing for money, Mr.
Rickey. Winning's the only thing
that matters. Is he a nice guy?
RICKEY
If by nice you mean soft, no, not
particularly.
DUROCHER
Good. He can't afford to be.
guys finish last.
Nice
LORRAINE
What about nice girls?
She starts to kiss him.
RICKEY
So you have no objections to him?
DUROCHER
None whatsoever. Can I go back to
sleep now?
Yes.
What?
RICKEY
Oh -- and Leo?
DUROCHER
*
*
50A.
RICKEY
The Bible says a thing or two about
adultery as well.
DUROCHER
Im sure its got a lot to say
about a lot. Good night.
Durocher hangs up the phone, looks to her.
DUROCHER
What am I gonna do with you?
*
*
LORRAINE
Leo, I thought you knew...
*
*
*
CUT TO:
73
73
51.
RACHEL
Promise me youll write.
JACK
When did I ever not write?
RACHEL
I want you to know Im there for
you. Even if its words on paper.
Hes sees shes raw, takes her in his arms with the baby.
JACK
Rae, youre in my heart.
She sighs, rests her head on his shoulder.
RACHEL
Youre getting close now. The
closer you get, the worse theyll
be. Dont let them get to you.
I will not.
He kisses her.
JACK
God built me to last.
RACHEL
See you in Brooklyn in eight weeks.
JACK
It might be Montreal.
A certainty grips her.
RACHEL
Its going to be Brooklyn.
it is.
Power in her words.
I know
JACK
Ive got to go, Rae.
*
*
*
*
*
*
*
*
CUT TO:
WHITE 3-14-12
74
52.
74
DUROCHER
Its a pipe dream, Mr. Rickey.
Pipe dream?
pipe dream?
RICKEY
What do you mean by
DUROCHER
I mean it aint gonna happen. The
Dodgers are never gonna demand
Robinson be brought up from
Montreal. Ball players are
conservative.
RICKEY
A team full of tough war veterans?
Immigrants' sons? Boys from
impoverished parts of the country?
DUROCHER
It - aint - gonna - happen.
RICKEY
You really believe they wont
accept him? Once they see how he
plays, how he can help them win.
DUROCHER
Im not saying they wont accept
him: Im saying they wont ask for
him. Im saying Robinsons good
medicine, but theyre not gonna
like the taste. Im saying bend
over, boys, and get ready, this one
might hurt a little.
(another forkful)
Boy, this is good fish.
CUT TO:
75
75
53.
76
STANKYS VOICE
STANKYS ROOM
The boys enter. Eddie Stanky sits in a chair stripped to the
waist, soaking his right elbow in a BUCKET OF ICE.
STANKY
Whats goin on?
HIGBE
Got a petition goin on, Stank.
BRAGAN
To keep Robinson up in Montreal
where he belongs.
STANKY
Oh... Did Pee Wee sign it?
HIGBE
Aint asked him yet. What
difference does it make?
STANKY
None, just wonderin.
54.
77
CUT TO:
78
CARL FURILLO
78
From
FURILLO
Give me the pen.
Higbe grins, hands it over.
As Furillo signs...
CUT TO:
55.
79
RICKEYS VOICE
Have our friends in the press gone
to sleep yet?
DUROCHER
We are the only people awake on
this entire isthmus, Mr. Rickey.
*
*
RICKEYS VOICE
A deliberate violation of the law,
needs a little show of force. I
leave it to you. Good night, Leo.
DUROCHER
Yes, Mr. Rickey.
*
*
CUT TO:
80
80
55A.
56.
DUROCHER
Screw your hardware store, Dix!
And if you don't like it, screw
you! Mr. Rickey'll be happy to
make other arrangements for you.
Durocher suddenly marches to Higbe, looks like hes going to
belt him. As Higbe gulps, Durocher turns to the team.
DUROCHER
I don't care if hes yellow or
black or has stripes like a zebra,
if Robinson can help us win, and
everything I've seen says he can,
then he's gonna play on this ball
club. Like it, lump it, make your
mind up to it because he's coming!
And think about this when your
heads hit the pillow, he's only the
first, boys, only the first. More
are coming right behind him. They
have talent and they wanna play!
He lets that sink a moment.
DUROCHER
Yes, sir, they're gonna come diving
and scratching. So I'd forget your
petition and worry about the field.
Because unless you fellas pay a
little more attention to your work,
they are going to run you right out
of the ball park! A petition?
(looks them over)
Are you ballplayers or lawyers?
As he marches past them and through the doors...
CUT TO:
81
OMITTED
81
82
OMITTED
82
57.
83
OMITTED
83
84
84
Jack in his Montreal uniform headed off the field for the
dugout. Sukeforth headed over wearing Dodger blue.
Robinson!
SUKEFORTH
*
*
*
*
*
*
SUKEFORTH
Play first base.
JACK
Ive never played first base in my
life, Coach.
*
*
*
SUKEFORTH
Well, its like this. Brooklyns
got a solid second baseman. And
they got Pee Wee Reese at short.
But first base is up for grabs.
Are you catching my drift?
*
*
*
JACK
(nods)
Yeah. I dont need a glove to do
that.
*
*
*
*
CUT TO:
58.
85
OMITTED
85
86
86
*
*
*
PANAMANIAN KID
El es muy malo.
*
*
SUKEFORTH
Mr. Rickey said he wants you
playing conspicuous baseball!
(whack)
To be so good the Dodgersll demand
you on the team!
(whack)
So I thought about it awhile and
then I looked up conspicuous in the
dictionary.
(whack)
It means to attract notice or
attention.
Jack dives, spears a liner.
SUKEFORTH
Conspicuous.
CUT TO:
87
OMITTED
87
59.
88
OMITTED
88
89
89
BRAGAN
Do you think I would quit on
anyone?! I dont quit.
RICKEY
Only on yourself apparently.
can go, Bragan.
You
CUT TO:
89A
89A
Time slowed way down as Jack takes a throw at second from the
Montreal shortstop. He pivots to turn the double-play even
as Dixie Walker barrels in low.
*
*
*
*
*
*
RICKEYS VOICE
Send Dixie in.
*
*
CUT TO:
DIXIE WALKER
60.
90
*
*
CUT TO:
61.
91
April 8, 1947.
JACK
Something
JACK
As Smith follows...
CUT TO:
92
92
SMITH
They cant keep you on Montreal for
long. After these exhibition
games, theyve got to bring you up.
(no reply)
You dont have two words to rub
together, do you?
JACK
Do I have to entertain you?
More silence, then...
SMITH
You ever wonder why I sit out in
right field with my typewriter on
my knees? Does that ever cross
your mind?
Jack stares out the passenger window, not in the mood.
looks up at some of the taller buildings they pass...
As he
SMITH
Its because Negro reporters arent
allowed in the press box.
Jack doesnt answer, doesnt look over. Finally Smith starts
talking to himself. Pretending to be Jack.
*
*
62.
*
SMITH
Why I'm from Detroit, Jack.
SMITH AS JACK
You dont say? Tell me more.
SMITH
My daddy used to work at Fair Lane.
That was Mr. Ford's estate. My
daddy was Mr. Henry Ford's cook.
SMITH AS JACK
I did not know that.
SMITH
Cooked for him for years, but never
once broke bread with him. Id go
to work with daddy sometimes. Play
baseball out on the lawn with Mr.
Ford's grandchildren. We all had a
real good time. But it was
understood, if they got tired of
playing ball and moved inside to
the bowling alley or swimming pool,
I was not invited or allowed. The
grass was as far as I got. So
guess what? Youre not the only
one with something at stake here.
JACK
(after a beat)
If I start talking, will you stop?
SMITH
Id be happy to.
Smith stops at a red light.
JACK
I apologize. Youve been there for
me through this more than anyone
besides Rae and Mr. Rickey. But I
guess thats what bothers me.
SMITH
How do you mean?
JACK
I dont like needing someone to be
there for me. I dont like needing
anyone but myself. I never have.
63.
SMITH
You are a hard case, Jack Robinson.
Is it okay if I keep driving you or
should I let you out so you can
walk?
Jack bursts out laughing.
So does Smith.
JACK
You remember the last time we were
at a red light? Down in Florida?
*
*
*
SMITH
New York City now, baby.
come a long way.
*
*
*
Weve
JACK
And we got a long way to go.
The light turns green.
*
*
*
CUT TO:
93
Brooklyn.
April 9, 1947.
RICKEY
If it softens at the sight of
Jackie's skills, he'll join the
club some time between April 10 and
April 15. Otherwise, Robinson will
spend the year back in Montreal.
(throws paper down)
For the love of Pete, he batted
.625 in the exhibition games
against them, us, them -- Against
us! Judas Priest!
Rickey flummoxed as the phone RINGS from the outer office.
PARROTT
Maybe you could have Durocher hold
a press conference. Demand that he
get Robinson on his team.
93
63A.
RICKEY
Durocher. Of course, hes my ace
in the hole. Very good, Harold.
The phone still rings.
Jane Ann!
WHITE 3-14-12
64.
RICKEY (CONTD)
Branch Rickey... Youre speaking
to him... The Commissioner of
what..? Oh, yes put him on.
(looks to Parrott)
The commissioner of baseball.
CUT TO:
94
94
65.
RICKEY
Now Im sure youre joking.
Happy checks his nails, returns his hand to the MANICURIST.
HAPPY
I wish I were. The CYO buy a lot
of tickets, Branch. They draw a
lot of water and I cant afford to
ruffle their feathers. Am I mixing
metaphors there?
RICKEY
You know very well my organization
is about to enter a tempest. I
need Durocher at the rudder. Hes
the only man who can handle this
much trouble, who loves it in fact.
Youre chopping off my right hand!
HAPPY
I have no choice. I'm going to
have to sit your manager, Branch.
Leo Durocher is suspended from
baseball for a year.
RICKEY
You cant do that!
of a bitch!
DIAL TONE.
Trouble.
CUT TO:
95
95
96
OMITTED
sets
locker
taking
out.
CUT TO:
96
66.
97
OMITTED
97
98
OMITTED
98
99
OMITTED
99
99A
99A
Hello?
JACK
*
*
*
*
*
*
*
99B
CUT TO:
99B
*
*
*
*
RICKEY
Im so sorry about the rush.
Events are unfolding too fast to
keep up with. The burden has
finally fallen to me and so be it.
*
*
*
*
*
JACK
(points)
Sign here?
*
*
*
Yes, yes.
RICKEY
RICKEY
*
*
*
*
*
*
*
*
*
*
66A.
99C
*
CUT TO:
99D
RICKEYS DESK
99D
99E
JACKS VOICE
Rae, Im in Brooklyn.
Brooklyn... Rachel lets out a triumphant WHOOP!
RACHEL
What did I tell you?
CUT TO:
100
100
67.
JACK
101
3 AM.
102
11 AM.
103
68.
REESE
Know when I first heard of you?
No I dont.
JACK
REESE
On a troop transport, coming back
from Guam. A sailor heard it on
the radio, told me the Dodgers had
signed a Negro player. I said that
was fine by me. Then he said the
guy was a shortstop. Least you
were then. That got me thinking.
Thinking gets me scared.
Jack smiles, hefts his bottle of Pepto.
JACK
Black, white, were both pink
today, huh?
(Reese nods)
You still scared, Pee Wee?
REESE
(looks down street)
Of garbage trucks? Terrified.
CUT TO:
103A EXT. EBBETS STADIUM - DAY
The Taj Mahal of baseball.
INSERT: Ebbets Field.
103A
Opening day.
Brooklyn.
*
CUT TO:
104
104
BRANCA
Ralph Branca.
68A.
Good luck.
WHITE 3-14-12
69.
BABE
Youre looking for your locker,
huh, kid? Follow me.
They walk over to a hook on the wall.
it. A FOLDING CHAIR below.
BABE (CONTD)
I just got the word. Best I could
do. Ill get you straightened out
tomorrow though, huh?
Jack nods, unbuttoning his shirt... Stanky is suddenly there.
All pugnacity as he gives up 4 inches and 40 pounds to Jack.
STANKY
You're putting on that uniform, it
means you're on my team. But before
I play with you I want you to know
how I feel about it. I want you to
know I don't like it. I want you
to know I don't like you.
Jack regards him.
Maybe he should.
JACK
That's fine. Thats how I prefer
it. Right out in the open.
CUT TO:
105
105
Then:
VENDOR (CONTD)
Rachel looks over, baby Jackie in her arms. The vendor takes
a baby bottle out of the hot water in his STEAMER.
VENDOR (CONTD)
I think its ready.
CUT TO:
106
106
70.
107
EBBETS FIELD
108
RACHEL
109
She holds
RACHEL
Okay, okay, thats good.
As Jackies eyes find hers...
CUT TO:
110
110
The Dodgers down one baseline, the BOSTON BRAVES down the
other. Forty-nine white players and one black. Jack at the
end alongside Ralph Branca. Jack trying not to choke up.
EVERETT MCCOOEY
Oer the land of the free! And the
home of the brave!
CUT TO:
111
111
Bragan
WHITE 3-14-12
Really?
71.
BRAGAN
I dont see it.
CUT TO:
112
BRANCH RICKEY
Surveying the scene.
112
Parrott alongside.
RICKEY
Opening day, Harold. The world is
all future and no past.
PARROT
A blank page, sir.
113
113
JACK
114
More cheers.
Mostly.
FAN
Were with you, Jackie!
FAN #2
Hey, boy, how about a shine?!
Jack struggles not to look back at the source of the jeer.
He settles in at the plate. JOHNNY SAIN on the mound waiting
for the sign. The crowd BUZZING.
BARBERS VOICE
Sain looking in. When hes got
that fastball working, he can toss
a lamb chop past a hungry wolf.
The BRAVES CATCHER signals 1.
Its down the third base line.
CRACK!
72.
UMPIRE
OMITTED
115
116
OMITTED
116
117
OMITTED
117
118
OMITTED
118
118A
PARROTT
Hows Florida, Burt?
*
*
SHOTTON
Roses need pruning, but fine when I
left it last night. Branch said it
was important and I heard about
Leo. Any idea what this is about?
*
*
*
*
*
PARROTT
Youd better just talk to him.
*
*
Parrott knocks.
RICKEYS VOICE
*
*
118B
*
*
73.
*
SHOTTON
Yeah, its a shame about Leo.
RICKEY
Inevitable I suppose. I asked him
if she was worth it and he said
yes. Hows the retirement?
SHOTTON
The roses --
*
*
RICKEY
It's a helluva thing when a man has
good health and enough money and
absolutely nothing to do.
*
*
SHOTTON
Im perfectly happy.
*
*
Its fine.
Is that so?
RICKEY
SHOTTON
When I took off that Cleveland
uniform two years ago, I promised
the Mrs. Id never put on another
uniform again. Roses look great
and I sleep a whole lot better.
*
*
*
*
RICKEY
Roses and sleep are two wonderful
things, Burt. But sleep you can
get inside your casket and flowers
look good on top of it. You dont
look like a dead man to me.
*
*
*
*
*
*
SHOTTON
Whats this about, Branch?
*
*
73A.
RICKEY
I need you to manage the Dodgers.
Were a ship without a captain;
theres a typhoon ahead.
*
*
SHOTTON
No, Im sorry, but no.
*
*
RICKEY
Do you miss the game, Burt? Look
me in the eye and tell me you
dont.
*
*
*
*
SHOTTON
Baseballs the only life for an old
pepper pot like me, but I promised
my wife, Branch.
*
*
RICKEY
You promised her you wouldnt put
on another uniform. You didnt
promise her you wouldnt manage.
Wear a suit and tie; Connie Mack
still does.
(a beat)
You remember how to get to the Polo
Grounds, Burt?
*
*
*
*
*
*
SHOTTON
Branch, I --
*
*
RICKEY
You remember what the peanuts smell
like roasting, how the crack of the
bat sounds, the roar of the crowd?
*
*
*
*
Sure...
SHOTTON
*
*
RICKEY
My cars parked right out front.
Harold will show you where. Now
what do you say?
Okay.
*
*
SHOTTEN
*
CUT TO:
74.
As
SHOTTON
Are you Robinson?
(Jack nods)
I thought so.
Shotton pats Jack on the shoulder, continues on his way.
CUT TO:
120
120
121
*
*
*
*
*
Giants pitcher DAVE KOSLO goes into his wind-up and throws.
Jack swings. CRACK. The ball screams out to left. Home
run! The crowd goes crazy. This is what they came to see.
122
PRESS BOX
122
74A.
ANOTHER REPORTER
Was that because his heels are
longer, Bob?!
As everyone cracks up, everyone but Bob...
CUT TO:
75.
123
RACHEL (CONTD)
And me? Im just young and scared
and amazed at how brave you are.
He grins at her, almost gets a forkful in when LAWSON BOWMAN,
the Black owner, pulls up a chair, shakes Jacks hand.
OWNER
Im Lawson Bowman, Jack, the owner
of this joint. Hows the steak?
JACK
Im not sure yet.
It looks good.
CUT TO:
123A
*
*
*
*
*
*
*
*
*
*
*
75A.
RACHEL
Youre lucky youre a boy.
DOORWAY - Dressed to go, Rachel holding the baby, looking
anxiously out on the street. Suddenly, ALICE the baby-sitter
is there. Here she comes up the steps, opens the door.
ALICE
Sorry Im late. Class ran long.
Its okay.
RACHEL
123B
124
The
*
*
*
*
*
*
CHAPMANS VOICE
Hey you black Nigger!
Jack looks to the visitors dugout where the Phillies Alabamaborn manager BEN CHAPMAN stands at the top of the steps.
75AA.
76.
124A
BARBER
Chapman the Phillies manager up on
the top step, seems to be chirping
something out to Robinson. Chapman
a hothead during his playing days
with the Yankees.
125
125
RICKEY
Whats he saying?
126
VISITOR DUGOUT
126
PHILLIE TWO
Go back to Africa!
CHAPMAN
You sure can dance,
STANKY
On first, mouth hanging open. Almost forgets to take a lead.
It's an instant Rorschach test.
DODGER DUGOUT
Shotton and the players look stricken. Even Walker doesnt
quite know what to make of it. No one enjoys it, but Higbe.
STANDS
CONCESSION MEN walk closer to listen. The fans range from
horrified to some mildly pleased. Rachel looks stricken.
76A.
JACK
A fastball inside. He leaps back again. This one was even
closer to hitting him. As Jack glares at Dutch...
Ball two!
UMPIRE
CHAPMANS VOICE
Hey, black boy! Hey, shoe shine!
WHITE 3-14-12
77.
RICKEY
127
Finally exhales.
BENCH
128
RACHEL
129
Almost
RACHEL
(under her breath)
Look at me, baby. Look at me.
Finally, Jack glances up to her. She offers her eyes: Im
with you. He looks away. Her witnessing makes it worse.
130
BEN CHAPMAN
Settles back in the shadows of the dugout.
130
Finished for now.
CUT TO:
78.
DODGER SCOREBOARD
No score.
131
INFIELD
Spider Jorgensen takes a lead off first. At the plate,
Stanky lines a single to right. Jorgensen holds at second.
JACK
Steps to the batters box, starts digging in that back foot.
VISITORS DUGOUT
As Chapman emerges with his two bench players.
PHILLIE ONE
Hey, Nigger lips!
PHILLIE TWO
Partys over, jungle bunny!
CHAPMAN
Hey, Pee Wee! Dixie! Whats this
Nigger doing for you all to let him
drink from the same water fountain
as you?! I hope its worth it!
JACK
Waiting for the pitch. Takes a mighty swing -- CRACKS a
towering POP-UP between home plate and the mound. Dutch
watches his catcher Seminick settle under it. Waiting.
DUTCH
Hey, is that a home run!?
SEMINICK
Yeah! If you're playing in an
elevator shaft!
Jack veers off the first baseline.
CHAPMAN
You dont belong! Look in a mirror!
This is a white mans game. Get it
through your thick monkey skull!
Jack stops short looks at him.
RICKEY
Stands, watches. Praying this doesnt go south. As Jack
finally continues on, Rickey closes his eyes in relief.
RACHEL
Sick for her husband.
WHITE 3-14-12
79.
THE DUGOUT
Jack stalks down past the team. No one looks at him. Bragan
is ashamed. Dixie tries to look disinterested. Stanky and
Reese exchange a helpless glance as Jack continues into:
132
THE TUNNEL
132
JACK
I'm supposed to let this go on?
RICKEY
These men have to live with
themselves -JACK
I have to live with myself, too!
And right now I'm living a sermon
out there. Im through with it!
Jack is at the end of his rope.
RICKEY
You dont matter right now, Jack.
Youre in this thing. You dont
have the right to pull out from the
backing of people who believe in
you, respect you and who need you.
Is that so?
JACK
RICKEY
If you fight, they wont say
Chapman forced you to; theyll just
say that youre over your head.
That you belong where you are.
(MORE)
WHITE 3-14-12
80.
RICKEY (CONT'D)
That every downtrodden man who
wants more from life is over his
head.
Jacks either going to explode or break into tears.
JACK
Do you know what it's like, having
someone do this to you?!
RICKEY
No. You do. Youre the one living
the sermon. In the wilderness.
Forty days. All of it. Only you.
JACK
And not a damn thing I can do about
it.
RICKEY
Of course there is! You can stand
up and hit! You can get on base
and you can score! You can win
this game for us! We need you as
well! Everyone needs you.
(a beat; exhausted)
Youre medicine, Jack.
Rickey reaches out, touches the wall to stay standing. Jack
just breathes as familiar sounds reverb down the tunnel.
JACK
Theyre taking the field.
RICKEY
Whos playing first?
Jack considers him.
Then:
JACK
Im gonna need a new bat.
As Jack heads back down the tunnel for the field.
CUT TO:
133
133
Eight zeros hang for the Phillies. Seven for the Dodgers.
No score, the bottom of the 8th coming up.
134
JACK
134
Steps into the batters box. Chapman and his sidekicks step
from the Stygian abyss of the visitors dugout.
81.
CHAPMAN
Hey, black Nigger! I know you can
hear me! If you were a white boy,
you know where youd be right now?!
On a bus headed down to Newport
News cuz you cant play for shit!
Here comes the pitch. Jack nonchalantly sticks his bat out,
pokes a soft hit past second. A nothing hit, but hes
standing on first. And he looks, well, ferocious in fact.
As Pete Reiser steps up into the batters box...
Jack stares at Dutch Leonard. Assassins eyes as he takes an
insolent, in-your-face lead off first.
Dutch fires to first.
RED BARBER
135
Up in the booth.
BARBER
Two strikes now to Reiser as
Leonard looks in. Robinson with
another big lead off first. He's as
restless as a cat with a hot foot.
136
RACHEL
*
*
136
Witnessing.
RACHEL
Steal it, sweetheart.
137
Take it.
FIELD
137
Dutch throws. Jack on the run as Reiser swings and misses STRIKE THREE! - and Seminick comes up throwing.
Jack slides into second, the throw high, ends up in center.
Half a dozen Dodgers impulsively on their feet and waving him
on as Jack gets to his feet and motors into THIRD. The throw
well late. Phillies third baseman HANDLEY throws the ball
back to Dutch. Handley then looks to Jack.
HANDLEY
Im sorry. I want you to know what
goes on here, it don't go for me.
Jack barely nods, but he heard.
82.
BARBERS VOICE
Hermanski steps up.
PLATE
Dutch looking to third, nodding distracted at a sign, looking
back to third before... Hermanski cracks a single to left.
As Jack crosses the plate, he stares down Chapman on his way
to the dugout. As Chapman turns his head, spits -CUT TO:
138
138
He drinks a BEER.
CHAPMAN
You fellas are making too big a
deal out of this. He scored We
lost. One to nothing.
REPORTER THREE
Do you think you were a little hard
on Robinson?
CHAPMAN
We treat him the same way we do
Hank Greenburg except we call Hank
a kike instead of a coon. When we
play exhibitions against the
Yankees, we call DiMaggio the Wop.
They laugh at it. No harm, its
forgotten after the game ends.
Chapman tosses away his beer can.
REPORTER THREE
Dont you think this was maybe one
foot over the line?
CHAPMAN
Hey. Let's get the chips off our
shoulders and play ball. It's a
game, right?
CUT TO:
139
139
83.
140
PARROTT
Im going in that Phillie dugout
tomorrow and wring Chapmans neck!
Rickey considers Parrott, starts laughing.
Parrott is hurt.
PARROTT
Did I say something funny?
RICKEY
When I first told you about Jackie,
you were against it. Now all of a
sudden youre worrying about him.
How do you suppose that happened?
PARROTT
Well, any decent minded person -RICKEY
Sympathy, Harold, is a Greek word.
It means to suffer. I sympathize
with you means I suffer with you.
This Philadelphia manager has done
me a service.
A service?!
PARROTT
RICKEY
Is there an echo in here? Yes,
he's creating sympathy on Jackie's
behalf. Philadelphia by the way is
Greek for brotherly love.
The intercom BUZZES.
JANE ANNS VOICE
Bob Bragan to see you, Mr. Rickey.
RICKEY
(flashes angry)
What in Satans fire does he want?
(presses button)
Send him in.
Rickey pretends to review papers as Bragan enters, his hat
literally in his hand. Rickey lets him stand there a moment.
RICKEY
What do you want, Bragan?
WHITE 3-14-12
84.
BRAGAN
Id like not to be traded, sir, if
it isn't too late.
RICKEY
What about Robinson?
Bragans been staring at the floor.
low afternoon sun hits his face.
He looks up now.
The
BRAGAN
Id like to be his teammate.
Why?
RICKEY
BRAGAN
The worlds changing; I guess I can
live with the change.
RICKEY
(sarcastic)
Red Sox just offered Ted Williams,
but Ill see what I can do.
BRAGAN
Thank you, Mr. Rickey.
Bragan leaves.
141
141
JACK
You shouldnt have waited.
RACHEL
They havent made a day long enough
that I wouldnt wait for you.
JACK
Give these boys time.
game series.
Its a three
85.
RACHEL
They are never going to beat you.
JACK
Theyre taking their best shot. I
dont want you coming tomorrow. I
dont want you to watch that, them
beating me.
RACHEL
Wherever you are, I am, too.
at me. Jack...
He looks over.
Look
RACHEL
I have to watch. So our hearts
dont break... Plus I already
bought a scorecard.
She holds it up.
RACHEL
And I put your name on it.
Jack Robinson.
See?
142
86.
Spit flying as:
STANKY
Sit down or Ill sit you
CHAPMAN
Whats the problem, Stank?
STANKY
Youre the problem, you goddamn
disgrace! What kind of man are
you?! You know he can't fight!
Pick on someone who can fight!
BARBERS VOICE
(over it)
Eddie Stanky having a chin wag with
his ex-teammate Chapman. Both men
masters of distraction. Eddie, of
course, from second. Chapman from
the dugout.
Stanky so mad he cant see straight.
Okay, okay.
*
*
*
*
*
*
*
Chapman surrenders.
CHAPMAN
Jesus.
143
His head down.
BARBERS VOICE
Robinson on first, Pete Reiser at
bat. Reiser belts it. A long one.
Deep into left center. Back goes
Ennis who is not tall enough. This
ones off the wall. Robinson is
going to score from first.
Over Barber: a CRACK of the bat, the ROAR of the crowd. As
players around him react, Stanky finally looks up as Robinson
crosses the plate, heads in, sits a few feet from Stanky.
Thanks.
JACK
STANKY
For what? Youre on my team. What
the hell am I supposed to do?
(softly)
I gotta look in the mirror, too.
*
*
*
*
*
*
*
*
*
*
*
86A.
144
144
87.
144A OMITTED
144A
144B OMITTED
144B
144C OMITTED
144C
144D OMITTED
144D
87A.
*
145
145
87B.
HIGBE
I speak my mind and they trade me!
This ain't the America I know!
He glares down to Jacks locker.
Its Higbe who looks away first.
WALKER
Where are they sending you, Hig?
HIGBE
Pittsburgh! For cash and some Italian outfielder named Gionfriddo!
(consider his
jockstrap)
Pittsburgh...
CUT TO:
146
146
Dixie Walker takes batting practice, drives the ball all over
the field. A natural.
WALKER
Shes all yours, Robinson.
*
*
*
CUT TO:
88.
OMITTED
147
147A
*
*
*
PARROTT
The news isnt good, sir.
*
*
RICKEY
Nevertheless it must be accepted
calmly, Harold. What is it?
*
*
*
Parrott reads...
PARROTT
A National League players' strike
instigated by some of the St. Louis
Cardinals against the presence of
Negro first baseman Jackie Robinson
has been averted temporarily and
perhaps permanently quashed.
Madness!
*
*
RICKEY
What are they thinking?!
*
*
CUT TO:
148
148
SMITH
Hey, Garagiola -Get lost.
GARAGIOLA
Here comes STAN MUSIAL, a class act if there ever was one.
SMITH
Hey, Stan, whats the story?
*
*
88A.
MUSIAL
This is big league baseball, not
English tea. Couple a guys
mightve popped off; its hot air.
149
*
*
*
*
CUT TO:
149
Smith types out his report. As rain lashes the window, the
Empire State building looms a few block away.
SMITH (V.O.)
St. Louis didnt win the world
championship last year without
using their heads. They have the
same heads this year and should
know that they cant pick the
players of another club.
CUT TO:
*
*
89.
150
*
*
*
CUT TO:
150A
*
*
*
*
*
*
*
*
*
*
*
*
*
*
89A.
BRANCA
Lonely? I say its the best game
face in the world.
*
*
*
WALKER
So long as he showers lonely, he
can have whatever face he wants.
*
*
*
CUT TO:
151
Brooklyn.
151
Then, about five rows behind her, two RACIST FANS find their
seats. They spot Jack down at first.
RACIST FAN #1
Look there he is! Black as the ace
of spades!
*
*
90.
RACIST FAN #1
Damn! You believe that? A genuine
nigger in a Dodger uniform.
BROOKLYN FAN #2
Hes better than anyone
RACIST FAN #1
Waitll his cousin wants your job!
Dont you know nothing?
Dont you?!
BROOKLYN FAN #1
RACIST FAN #1
Hes a nigger! Hey, black boy!
152
GARAGIOLA
Watch this guy! He cant hit!
Especially the curve! He can only
get on base bunting!
As Jack digs into the box.
GARAGIOLA
Take your time, Robinson, youre
digging your own grave.
Big RED MUNGER looks in for the sign.
Garagiola flashes a sign: 1.
Heres the pitch.
Inside.
Wants it inside.
90A.
152A
BARBER
Takes a fastball in on the hands.
Robinson, who is pitched to a great
deal that way, uses a thicker
handle bat than most hitters, just
because he hits a lot of balls out
on his hands.
152B BATTERS BOX
152B
91.
153
OMITTED
153
154
154
RACHEL
JACK
What is it, Rae?
RACHEL
Nothing. Its just, sometimes when
I sit up there with those bastards,
those loudmouths in the stands, I
know you can hear them.
*
*
*
JACK
Dont worry. Its okay.
RACHEL
No, its not okay. And I can hear
them, too.
*
*
JACK
RACHEL
Straight as I can.
(MORE)
*
*
*
*
*
*
*
*
*
*
*
92.
JACK
I didnt hear a thing.
JACK
RACHEL
I am holding on.
JACK
Long as we hold on, itll be okay.
CUT TO:
155
155
RACHEL
RICKEY
I dont know how you do it. Every
day, from the 1st to the 9th.
Myself? I could pay $100 for a
suit and in twenty minutes I'd look
like I fell out of bed. Even my
shoes look rumpled.
They watch Jack crack one high off the Schaefer Beer sign.
RACHEL
I used to think Jack was conceited.
93.
RICKEY
RACHEL
It was the very first thing I
noticed about him.
RICKEY
How did you two meet?
RACHEL
I saw him at a UCLA football game.
Even in uniform with a helmet on,
his vanity was awful. It was the
way he held his hands on his hips.
I hated him!
(Rickey laughs)
And on campus he always wore crisp
white shirts and Id think his skin
is so dark, why would he do that?
Then I got to know him, his pride
and confidence, and I realized he
was showing off his color. I was
wrong. He wasnt conceited; he was
proud. Always, of who and what he
is. Id never met another man like
that. What about you? How did you
meet your wife?
RICKEY
Trying to catch her in a race. She
was the fastest girl in town.
Beautiful legs. I finally caught
up; we've been together ever since.
They sit a moment.
RICKEY
I wanted to apologize to you.
For what?
RACHEL
RICKEY
Everything. I cant apologize to
him. He and I both knew what we
were getting into. But you. A
newlywed, trying to blossom a
marriage under all this pressure.
RACHEL
Dont worry about me.
know who we are.
Crack.
Or us.
We
*
*
WHITE 3-14-12
RICKEY
Your husband has humbled me. When
this all began I thought I was
changing the world and that Jackie
was my instrument. Can you
imagine? I wish I could help him,
but Im just a spectator.
RACHEL
You help him plenty.
Believe me.
94.
95.
RACHEL
(laughs)
I have to be, Mr. Rickey, I'm
married to a man of destiny. I
can't let him down.
RICKEY
If Id met you first, I wouldnt
have looked so long for Jackie.
*
*
*
RACHEL
How do you mean?
*
*
RICKEY
I mean if he was good enough for
you, hes certainly good enough for
the rest of us.
*
*
*
*
CUT TO:
156
156
157
95aA.
95A.
PENNOCK
Branch, youve got one helluva hair
across your ass on this thing and
I, for one, would like to know what
youre trying to prove?
*
*
*
*
*
RICKEY
Do you think God likes baseball?
do.
*
*
*
PENNOCK
What the hell does that mean?
*
*
RICKEY
It means youre going to meet God
one day, Herb, and when he inquires
why Robinson wasnt on the field in
Philadelphia and you answer because
he was a Negro, it may not be a
sufficient reply.
*
*
*
*
*
*
*
*
CUT TO:
96.
158
OMITTED
158
159
159
The Dodger TEAM BUS pulls up. The doors whoosh open; Parrott
steps off looking official. As the players start to follow:
*
*
PARROTT
Come on, fellas! We have twenty
minutes to check in and then get to
Shibe! Chop chop.
No one is listening as the TEAM DRIVER opens the lower
compartment and the players (including Jack) grab their bags.
Out!
HOTEL MANAGER
Get that bus out of here!
*
*
*
*
*
*
*
*
*
PARROTT
Were the Dodgers. We have a
reservation.
*
*
*
HOTEL MANAGER
Your teams not welcome, not while
you have ballclub Negroes with you.
*
*
*
PARROTT
You mean Robinson cant stay here?
*
*
HOTEL MANAGER
I mean the entire team is refused!
*
*
PARROTT
Weve been staying here ten years.
*
*
HOTEL MANAGER
And you can stay away that long!
*
*
SHOTTEN
(last off the bus)
Hold on now, lets talk about this.
*
*
*
Get out!
HOTEL MANAGER
Now, grandpa!
*
*
Grandpa?
SHOTTEN
Hey hold on, you!
*
*
96A.
WALKER
Maybe 42s got enough friends in
town, we can bunk up.
JACK
Whats that supposed to mean?
WALKER
Nothing. Its just, I know when
you cant get into a hotel, you got
peoples houses you can stay at.
JACK
What do you want from me, Walker?
An apology.
WALKER
JACK
(steps forward)
For what? Places like this?
WALKER
For turning this season into a
sideshow! Im a ballplayer; I want
to play ball!
*
*
*
*
JACK
Im here to win!
*
*
So am I!
WALKER
How the hell are we gonna win
sleeping on the bus?!
Fellas --
PARROTT
*
*
*
*
*
JACK
It might do you some good the way
youre swinging the bat lately.
*
*
*
DIXIE
Watch your mouth!
*
*
97.
Walker jabs his chest with a finger; Jack bats his hand away.
JACK
Watch your damn hand!
And theyre lunging at each other. Separated by Reese,
Stanky, Branca and Bragan while other players hold off
Shotton. Two fights about to break out at the same time.
Grandpa?!
SHOTTEN
Ill show you grandpa!
160
Ben Chapman sits across from Herb Pennock who flips through
underlined newspaper reports. Pennock reads one:
PENNOCK
There is a great lynch mob among
us; they go unhooded and work
without rope.
(looks at him)
Thats you, not me.
(reads some more)
We must remember that all this
country's enemies are not beyond
the frontiers of our home land.
CHAPMAN
Some Jew mustve wrote that.
PENNOCK
This doesnt look good, Ben! It
makes the Phillies, look racist!
Youve got to do something.
Me?!
CHAPMAN
CUT TO:
98.
161
*
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*
*
*
See the
*
*
*
Where
PARROT
*
*
CUT TO:
98A.
162
99.
PHOTOGRAPHER
How about a picture? Shake hands.
Bury the hatchet?
JACK
You want a picture?
Sure.
DIXIE WALKER
By the dugout with Stanky, watches in disbelief.
WALKER
Carl, I swear, I never thought I'd
see ol' Ben eat shit like that.
CUT TO:
163
163
Pittsburgh.
99A.
BRANCA
Its gonna come right between your
eyes! Like a Kamikaze!
*
*
*
OSTERMUELLER
(re: Jack)
For him!? He doesnt belong here!
*
*
*
BRANCA
You dont belong here!
Goering and Shmelling!
*
*
*
Go home to
OSTERMUELLER
Make me, you goddamn dago!
*
*
WHITE 3-14-12
As an UMPIRE gets between them, Jack sits up.
100.
Hes okay.
CUT TO:
164
164
He holds a LETTER.
RICKEY
What can I do for you, Pee Wee?
REESE
Well, Mr. Rickey, its like this,
the series in Cincinnati next week.
RICKEY
Its an important road trip, were
only three games out of first.
Yes, sir.
Kentucky.
REESE
You know, Im from
RICKEY
Cincinnatis nearly a home game for
you.
REESE
I got this letter, sir. I guess
some people arent too happy about
me playing with Robinson.
Rickey is not liking where this is going; he motions for the
letter, scans it, reads the highlights...
RICKEY
Nigger lover. Watch yourself.
will get you, carpetbagger.
(holds it out)
Typical stuff.
We
REESE
Ain't that enough?
WHITE 3-14-12
101.
As Reese flips
REESE
Get out of baseball, or your baby
boy will die.
(next one)
Quit baseball or your Nigger wife
will be...
Reese trails off, wont say it out loud.
Skips to another.
REESE (CONTD)
Get out of the game or be killed.
He looks at one more, reacts to the vitriol, but does not
utter it. Reese looks back at Rickey, shocked.
REESE (CONTD)
Does Jackie know?
RICKEY
Of course he knows. And the FBI.
Theyre taking a threat in
Cincinnati pretty seriously. So
excuse me if Im not too shocked at
you being called a carpetbagger.
You should be proud of it!
REESE
Wed just like to play ball, Mr.
Rickey. Thats all we want to do.
RICKEY
I understand. I bet Jackie just
wants to play ball. I bet he wishes
he wasnt leading the league in hit
by pitch. I bet he wishes people
didnt want to kill him. But the
world isnt so simple anymore. Im
not sure it ever was. We just,
baseball ignored it. Now we cant.
102.
REESE
(quiet)
Yes, Sir. I gotta get to practice.
CUT TO:
165
165
*
*
FRECKLES
Nigger!
(then...)
We dont want you here!
INSERT: Crosley Field, Cincinnati, June 21, 1947.
RED BARBERS VOICE
Cincinnati fans expressing their
displeasure as the Dodgers take the
field. Jackie Robinson at first.
The Brat Eddie Stanky at second.
Spider Jorgensen at third. And the
captain Pee Wee Reese at shortstop.
(a beat)
Ask any man and theyll tell you
that the Gillette Superspeed razor
is a honey. Maybe the sweetest
shaving razor youll ever use.
166
OMITTED
166
167
OMITTED
167
103.
168
Many
JACK
Now cries of CARPETBAGGER! cut through. PEE WEE, HOW CAN YOU
PLAY WITH THIS BLACK BASTARD!? Reese stares up at the worst
hecklers along the first base line. He looks a little sad.
REESE
They can say what they want; we're
here to play baseball.
JACK
Just a bunch of crackpots still
fighting the Civil War.
REESE
Hell, wed a won that son of a gun
if the cornstalks had held out. We
just ran out of ammunition.
Jack laughs.
JACK
Better luck next time, Pee Wee.
Reese impulsively puts his arm around Jacks shoulder, stares
into the Cincy dugout.
REESE
Aint gonna be a next time. All we
got is right now. This right here.
Know what I mean?
Walker reacting out in right. The crowd shuts down, some in
shock at the gesture. Jack surprised also.
REESE (CONTD)
Thank you, Jackie.
JACK
Whatre you thanking me for?
REESE
Ive got family here from
Louisville. Up there somewhere.
need em to know who I am.
104.
*
*
*
*
UMPIRE
Hey! Number one! You playing ball
or socializing?
REESE
Playing ball, ump! Playing ball!
(to Jack)
Maybe tomorrow well all wear 42.
That way they wont be able to tell
us apart.
Reese heads for short.
169
OMITTED
169
170
OMITTED
170
171
171
Jack playing Gin Rummy with Branca, Reese and Wendell Smith.
BRANCA
(to Smith; teasing)
You ever write about white guys in
your paper? I mean, if I threw a
no hitter and Jackie got a base
hit, what would the headline be?
SMITH
Jackie leads Dodgers to victory.
Again. Under that: white Italian
guy does ok.
They all laugh.
REESE
Id call your folks for ya, Ralph.
Tell em how you did.
No problem.
Post.
BRANCA
Itll still make the
105.
REESE
We are on some kind of winning
streak, huh boys? And I dont mean
cards.
BRANCA
Hey, maybe forty of our last fifty.
SMITH
Thirty-two and fifteen actually.
Since the 4th of July.
BRANCA
Math is why I throw a baseball for
a living.
REESE
This next series against the
Cardinals, its a big one.
They look over at Jack who hasnt said a word. Its his
play. He lays his cards down. Deadpan as he wins the hand.
Gin.
JACK
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CUT TO:
A172
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B172
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105A.
172
Inside, a ball.
Brooklyn.
*
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WHITE 3-14-12
106.
STANKY
Next batter, throw right at his
head. Clean his clock -JACK
(fierce)
Just get him out. Understand?
Games too important.
As Casey nods, Jack reaches up to Stanky and Reese.
They pull him to his feet. Jack looks, finds Rachel in the
stands. As he gives her a little wave: Im okay.
CUT TO:
173
WHITEY KUROWSKI
173
Casey pitching.
BARBER'S VOICE
The top of the 12th and Kurowski at
the plate. He hit his 20th home
run on Monday so Caseys going to
want to be careful with him.
The pitch grooves in and Kurowski nails it.
Oh dear.
174
174
The Cardinals leading 3-2 going into the bottom of the 12th.
175
JACK
175
The stadium electric as Jack steps in, his left leg bloody.
He takes an inside pitch at the knees. Bastards!
Here comes the next one. WHACK - He singles hard up the
middle, nearly takes the pitchers head off.
FIRST BASE
He rounds hard, returns to the bag. Reiser stepping up to
the plate as Musial holds Jack on at first. Jack in a fury.
JACK
I don't care what happens, I don't
care what kind of play it is, when
I get to second I'm gonna knock
someone into centerfield.
107.
MUSIAL
(glances at blood)
I don't blame you, man, you got
every right.
Jack running on the pitch. Reiser bunts. The play is to
first. Reiser is out and Jack slides safe into second.
SCHOENDIENST has the sense to vacate before he gets there.
JACK
Bouncing up and down, wearing that badge of potential
violence and action. The crowd buzzing, the electricity
practically hits you in the face. Jacks going to score.
RICKEY
Coming up out of his seat along with the fans around him.
JACK
Walker at bat. Jack steps out, checks on MARION the
shortstop. He takes another step out, looks to Schoendienst.
RED BARBER
(over it all)
Munger sets. Robbie back and forth
off second. The third bag clearly
in his sights. Oh, and Munger
deals a pick off throw to Marion at
second and Robinson is out!
*
*
*
*
*
*
*
Marion breaks for the bag and Munger turns and fires a
strike. Marion brings down the tag -- Out!
He is and he knows it. The crowd stunned into silence.
frozen a moment, head down, furious with himself. Low.
*
*
Jack
BARBERS VOICE
The Cardinals pick up a game. It
was one of those plays where you do
or you dont and Jackie didnt.
CUT TO:
176
176
107A.
JACK
You saw the play. I had my foot
inside the bag. He was out by a
mile. But he kept coming.
*
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*
*
REPORTER TWO
Slaughter said it was an accident.
*
*
JACK
What are you asking me for then?
REPORTER TWO
Are you calling Slaughter a liar?
108.
RICKEY
Get out. Let me talk to my first
baseman. Go. Hes getting
stitched up for Petes sake.
The reporters move off for other interviews. Reporter Two
hesitant to let it go, finally drifts off. Rickey watches.
RICKEY
Sticking up for yourself is what
youd expect of any man. Some find
it galling to see it in a Negro.
JACK
Im sorry, Mr. Rickey.
Sorry?
RICKEY
Sorry for what?
JACK
I lost my cool out there. It
probably cost us the game.
RICKEY
I told you, Jackie, all the best
base runners get caught sometimes.
JACK
I wasnt thinking.
Rickey pulls up a chair sits across from him, leans in.
RICKEY
Do you know what I saw this
morning? I was passing a sandlot
and a little white boy was up to
bat. You know what he was doing?
JACK
Sitting on a fastball?
RICKEY
He was pretending he was you.
Wiping his hands on his pants,
swinging with his arms outstretched
like you do. A little white boy
pretending he was a black man.
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CUT TO:
177
OMITTED
177
109.
178
The two men, who have done so much, looking each other over.
JACK
Why are you doing this, Mr. Rickey?
RICKEY
We had victory over fascism in
Germany; its time for victory over
racism at home.
JACK
Why are you doing this?
now.
A long moment between them.
Come on
RICKEY
I love this game. I love baseball.
Ive given my life to it. Forty
odd years ago I was a player coach
at Ohio Wesleyan University. We
had a Negro catcher, best hitter on
the team. Charley Thomas.
Rickey starts slowly rubbing the baseball in his hands.
RICKEY
A fine young man. I saw him laid
low. Broken because of the color
of his skin and I didnt do enough
to help. I told myself I did, but
I didnt. The game I loved had
something unfair at the heart of
it. I ignored it. But a time came
when I could no longer do that.
(looks up)
You let me love baseball again.
Thank you.
Jacks eyes gentle on Rickeys.
JACK
Youre welcome.
110.
*
*
RICKEY
Youre a force of nature, Jackie,
youve complicated everything but
yourself. Youre changing the
world, and refusing to let it
change you. I for one am in awe.
Jack reaches, takes the baseball from him. A beat as they
consider each other. Finally, a promise...
JACK
I wont get picked off second base
again. Not this year.
CUT TO:
179
OMITTED
179
180
OMITTED
180
181
OMITTED
181
182
OMITTED
182
111.
183
OMITTED
183
184
184
JACK
Ill be home in a week.
RACHEL
Eleven days. Thats a long time
without you.
He doesnt answer, packs away.
Finally:
RACHEL
Try not to lunge at the plate.
Seriously?
JACK
RACHEL
That's why theyre throwing the
fastballs inside.
He looks at her, a little shocked.
*
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*
112.
RACHEL
Fight those inside fastballs off,
foul them back. Sooner or later
they wont be able to help but
throw a curve.
He steps to the bed, leans over her.
JACK
And what'll happen then?
She clucks a 'hit' sound, makes an 'ahhhhhh' crowd sound.
JACK
We win enough of these next games
and well bring home the pennant.
RACHEL
Pennant? Where are we going to put
a pennant? All these baby diapers
hanging everywhere.
Jack looks around the room, at the diapers hanging.
JACK
We got room right over there.
Between number one and number two.
She mock grimaces at his bad joke.
RACHEL
Win one if you have to, but bring
yourself home; thatll be plenty.
They kiss.
JACK
Rae, youre in my heart.
RACHEL
Promise me youll come home.
youll always come home.
That
JACK
CUT TO:
184A
OMITTED
185
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113-114.
186
OMITTED
186
187
OMITTED
187
188
OMITTED
188
188A
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JACK
Come on, Casey, get him out!
that ball!
Pitch
BARBERS VOICE
The outfield is deep, shaded toward
left. Robinson holding the runner
on first. Here comes Casey with
the pitch --
*
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*
*
BARBER
Its popped up foul toward first.
Should be out of play. But here
comes Robinson, hes coming hard --
*
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*
189
OMITTED
189
190
OMITTED
190
191
OMITTED
191
192
OMITTED
192
115.
CUT TO:
193
193
Jack chasing down the foul, headed right for the open steps
of his own dugout. He never considers the peril as he
CATCHES THE BALL and his left foot comes down onto nothing -BRANCA LEAPS forward, tackles Jack back onto the infield.
BARBER'S VOICE
Hes got it! And one of the
Dodgers has him!
*
CUT TO:
194
OMITTED
194
195
OMITTED
195
196
196
BARBERS VOICE
The Dodgers closing in on the
Pennant as theyll leave St. Louis
for Cincinnati and a three game
series with the Reds.
Jack sits in his grass stained pants after the game. Most of
the guys are in the shower. Branca, a towel around his
waist, is headed there himself. The sight of Jack stops him.
BRANCA
Can I ask you something, Jackie?
How come you never shower until
everyone else is done?
Jack just stares at him.
BRANCA
You shy or something?
JACK
I dont want to make anyone
uncomfortable.
*
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*
*
*
116.
BRANCA
Were a team. On a hot streak.
Half the wins on account of you.
Youre the bravest guy I ever saw.
Youre leading us and youre afraid
to take a shower?
A beat as Jack considers him.
Stone-faced.
BRANCA
Cmon. Take a shower with me.
(a beat)
Hey, I dont mean it like that.
CUT TO:
197
SHOWERS
197
198
On edge.
199
*
*
117.
RICKEY
Wed have to lose nearly every game
for the Cardinals to catch us now.
One more win may do it. Whos
pitching tomorrow for the Pirates?
PARROTT
Ostermueller.
CUT TO:
199A EXT. MACDONOUGH STREET - BROOKLYN - DAY
199A
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*
*
BARBERS VOICE
A very big game today here in
Pittsburgh. A win and the Dodgers
will have clinched the National
League Pennant.
CUT TO:
199B EXT. EBBETS FIELD - DAY
199B
Pittsburgh.
Staring in at Jack.
200
OSTERMUELLER
You dont belong! Youll never
belong!
Jack waits.
Ostermueller pitches.
BARBERS VOICE
Here comes the pitch and Robinson
takes outside. Ball one.
200A
117A.
BARBERS VOICE
Ostermueller winds and throws, low
and away ball two. Fritz seems to
be pitching around Jackie. Or
trying to get him to chase.
Come on.
RACHEL
Throw him a strike.
CUT TO:
200B
Shakes off one sign, then nods at the next. Throws the ball
well outside. Another pitch outside. Ball Three!
BARBERS VOICE
3 and 0 now. Robinson waiting on
something he can swing on.
As catcher Kluttz throws it back...
JACK
Give me something I can hit!
(to himself)
What are you afraid of?
OSTERMUELLER
You want it?!
(to himself)
Careful what you wish for boy...
Ostermueller nods at the sign.
as the pitch comes in - WHACK!
BARBERS VOICE
That is a deep fly ball to left.
Kiner on his horse, but I dont
think hell get there.
200C EBBETS FIELD
200C
200D
Ostermueller hangs his head.
117B.
200E
200F
He runs toward first and we run with him. The smile starts
somewhere in his body. His heart most likely. By the time
it reaches his face, his joy has erupted. The weight of the
world starting to drop.
*
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*
118.
PIRATES DUGOUT
201
JACKIE ROBINSON
202
203
OMITTED
203
203A
JACKIE ROBINSON
204
119.
205
OMITTED
205
206
42
206
207
JACKIE ROBINSON
208
He closes his
WE CUT TO:
209
209
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Im home.
Safe.
JACK
*
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RACHEL
*
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(re: house)
The babys sleeping so dont you
make a sound.
He makes to button his lips.
RACHEL
Stay just like that.
She kisses him. And kisses him. And he kisses her back. As
they finally head inside, we let them go. And as were left
looking down the street, a crawl begins:
*
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120.
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