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*CONSTRAINT AND FREEDOM
An Ontology Based on the Study of Dimensions*
by Arthur M. Young
<aybooks.html#wwo>Are there two worlds, an ideal world of mathematical
relationship and a "real" world of actual objects? A consideration of
dimensions, which link the two worlds, brings the question into focus.
Outwardly there are reasons to believe in the duality. Not only is it
possible mathematically to construct spaces which may have any number of
dimensions, and thus differ from the space of the physical universe with
its three-dimensionality, but we may in mathematics have "imaginary"
dimensions-a designation which, at least at first glance, indicates an
unreality, or a reality of a different order than we encounter in the
measurement of actual space.
The duality is further supported by the general trend toward
specialization in scientific disciplines. This encourages the invention
of mathematical fictions for their own sake and without regard to
practical application; and, while what was thought to be a pure
abstraction has often turned out to have practical application, there is
always a feeling that if the criterion of usefulness were made the sole
justification for mathematics, creativity would suffer. The finest
blossoms would be mowed down, and the garden of the queen of the
sciences reduced to supplying the kitchen with "useful" vegetables.
But here we must reckon with another consideration. Mathematics, even of
the purest sort, is fostered and even inspired by the necessity of
having to deal with the physical world. In fact, the birth of
probability theory is credited to a gambler who engaged Fermat to work
out the odds in his gaming activities. Again, we have the more recent
example of the theory of relativity, which, prodded by the negative
results of the Michelson-Morley experiment, and the practical
impossibility of synchronized clocks for separated observers,
established categorical implications about measurement. Some of the
advocates of pure mathematics would claim this was only a "reality
condition," leading one to select from the larder of pure mathematics
but one of many possibilities, but for the present inquiry, this claim
begs the question, since it is the nature of measure that is under
scrutiny.
We come back, therefore, to the question, "what is dimension?" Perhaps
the most general definition is that it is the range of a parameter-that
is, of a variable which can take on different values. Under this
definition it is possible to have any number of dimensions. But when we
use dimension in the more limited sense of its applicability to a
universe, particularly to measurement in space, we are faced with
certain facts about reality, or real space. It has three dimensions, not
four or five, and, even if we call time another dimension, or assign
dimension to rotation, we do not efface the obvious and sensible
character of length, breadth, and height, and their intrinsic difference
from time and rotation.
There are a number of ways in which the concept of dimension, as we are
forced to employ it in dealing with the physical world, takes on a
character that it does not appear to inherit from the realm of
mathematics. The difference between time and space, the difference
between position and rotation, and, indeed, the very notion of a world
of precisely three dimensions, seem foreign to the mathematical mode of
thought, to which the nature and number of dimensions is considered
arbitrary.
We will endeavor to show that this view is actually not even valid
within mathematics itself, but before we can do so, we must first
examine the concept of dimension as it applies to measurement of the
so-called physical universe.
*CARTESIAN VS. SPHERICAL COORDINATES*
Ordinarily we think of space as measured by rectangular or Cartesian
coordinates. This custom seems so completely natural that it goes
unchallenged (fig. 26).
Fig. 26
Fig. 27
There still remains an important point. Since Cartesian coordinates do
not include scale and orientation, how are these aspects established?
Let us assume we are looking at an architect's drawing of a house. How
are scale and orientation established? The apparent size of the drawing
varies as the eye of the observer moves toward or away from it, and
there is a precise distance where the drawing may be held at which the
building it depicts is the same apparent size as the actual building. As
mentioned before, this distance would be such that the drawing would
exactly cover the outline of the actual object (fig. 28).
Fig. 28
Returning now to the linear dimension, the radius R, let us note that it
is both empirically and logically prior to the two dimensions that
measure position and shape on the interior surface of the sphere. We now
assert that, in itself, /R/ is without sign. We speak of an object as
being two miles away, but it would make no sense to say that an object
is minus two miles away. This might lead to our saying that /R/ is only
positive, but positive has meaning only when contrasted with negative;
it is meaningless to speak of /R/ as positive when it cannot be
negative. Hence we say /R/ is a signless number. This implies that this
/R/ dimension is one-way (like time). It could be objected that we can
measure /R/ either way, but the answer is that when we measure /R/
"backwards," we are measuring from the object, not from the origin.
It is very difficult to accept this notion (that /R/ can be measured
only one way) because we have become accustomed to viewing a linear
dimension as one we can measure either way-we add and subtract distances
on a ruler or sums in a bank account. But this measuring cannot be done
until we have the two simultaneous dimensions of the surface as the
matrix for our operations of transporting measuring rods and reading
intervals of length by their coincidence with markings on the ruler. In
other words, the linear dimension we measure in this way is part of the
surface perpendicular to the line of view.
This may be seen when we "measure" R. To do so, the observer must shift
his position and place himself at right angles to R, and view it as
extending across his line of vision instead of along it. This implies he
is no longer at the origin from which /R/ was initially struck. We have
taken a new viewpoint. In this way the linear /R/ dimension eludes
objectivity; for when we stand on one side to "measure" /R/ (thereby
making it objective), we create a new origin and a new R, which is not
objective (fig. 30).
Fig. 30
Fig. 32
This is not to say that the interior of the sphere seen by the observer
may not be as large as you please, but such size is contributed by the
radius, and not by the angle.
Fig. 33
*POSITION AND ROTATION*
We are ready for a further point: the distinction between the position
of a body in space and its rotation around its own axis. This might
appear to carry us into refinements only necessary to an astronomer, and
without significance for the notion of dimension in general, but
investigation will show that the concept of rotation is very important
to and actually helps resolve the problem of dimension and extends its
significance.
Fig. 34
This new idea emphasizes that the oppositeness of plus and minus, like
the oppositeness of North and South, is but a partial account of a more
extensive domain of direction, and that what had been dubbed imaginary
is actually the mathematical counterpart of spatial direction, which is
not just North and South, but East and West as well.
This expansion of mathematical usage has been tremendously fruitful, and
the imaginaries now have a usefulness equal to that of their
counterpart, the real numbers.
The lesson this teaches can be applied to the question of the origin of
dimension. As we said before, the usual concept of dimension is
additive. First we have the point with no dimension, then the line with
one dimension, the plane with two, and the volume with three. But where
have these added dimensions come from? They seem, like rabbits out of a
hat, to be materializing out of nowhere. Surely, if we are sincere
ontologists, we must give a better account than this. (Even if we
abandon the deductive account of dimension and draw on the physical
universe, then we must take the position outlined in the beginning of
our essay and view dimensions as existing in the first place as
freedoms, or blanks to be filled in. Such a course limits us to three
dimensions and no more.)
However, if we recall that the operation of taking the square root of
negation produced an independent dimension perpendicular to the other
"diametrical" opposition of plus and minus, we are alerted to the fact
that, at least in this case, a dimension is created "out of nothing" by
the operation of taking the square root.
This leads to a further step. How did the dimension of oppositeness
(plus and minus) emerge? By taking the square root of unity! In other
words, if we find the square root of one we obtain two opposite values,
+1 and -1, for either of these multiplied by itself produces unity.
In other words, we obtain one dimension (the range of values between
plus and minus) by extracting from unity its square roots. The
extraction of roots unfolds the dimension. We obtain the two dimensions
of a plane by a second application of extracting a square root, which is
the fourth root of the original unity. Note that the first extraction of
the square roots of unity is disguised by the convention of plus and
minus, which does not so much create a new kind of number as it does a
dimensionality of existence for the operation of number.
The second application similarly creates a two-dimensionality, but here
the convention is to refer to the + i and - i as square roots, whereas (
+ ) and ( - ) do not have this other name. We can therefore trace the
origin of dimension to successive extractions of roots of unity, the two
applications thus far producing two dimensions whose typical equation is
the circle.
A third application of a square root generates a quartic. A typical
equation is:
/(x^2 + y^2 ) / y^2 = 1/
This equation can represent a circle rotated 180° about a point on its
circumference. By continued rotation such a circle produces a torus with
an infinitely small hole, and is presumably a more general figure than
the more commonly recognized sphere or cylinder, either of which would
be created by moving the circle perpendicular to itself.
Here I would refer my reader to a very interesting paper by Dr. Charles
Musès, "Time, Dimensionality and Experience."^4 Using algebraic methods,
Musès shows that dimensionalities can be coded as the degrees of certain
characteristic equations. In carrying out his program by successive
increase in the degree of his equations, he performs the equivalent of
what we have shown is accomplished by extracting successive roots of
unity. Both methods produce the same results, but for the present
ontological survey, derivation from unity by the extraction of roots has
an advantage, because it stresses the dimensionless origin of dimension.
It is interesting that p has the property p^2 = 0, p (not =) 0, which
means that the origin is on the surface.
Musès shows the generation of dimensionalities of a higher order, and
gives characteristic equations of sextic and octic degrees. What is most
interesting, in the present context, is that as the degree of these
equations (referring to higher kinds of number or dimensionalities)
increases, the successive laws of algebra break down. First the
commutative law, then the associative and distributive laws, until
finally the field forms become multiform. In other words, in
sufficiently higher dimensionalities, results are increasingly
indeterminate. A given set of conditions will not produce a predictable
result. This I would interpret as equivalent to saying that
dimensionalities beyond the third see the reintroduction of freedom.
With this encouragement from Musès, let us pursue the implications of
the scheme that we have so far laid down. This involves an extrapolation
as to what must be beyond the three constraints which apply to physical
objects. To perform this extrapolation, we have need of another
principle not heretofore noted.
*THE CUMULATIVENESS OF DIMENSION*
This principle is that, as we move from one dimension to the next, we
retain what has gone before. Each dimension builds on the one before it.
This is easy to see in the case of three dimensions, for in making
measurements of a real object, we have access both to the
two-dimensional concept, or shape, and to one-dimensional extension, or
scale. We say the box is 10" x 4" x 2", which describes its proportions
and assumes the inch to be known. Only when we have to deal with
unfamiliar units such as the cubits which measured Noah's ark are we
made aware that this normally taken for granted aspect of measure
requires a separate determination. So the dimensionality which describes
form has dimensionality which describes scale to back it up. The latter,
in turn, draws on the point of origin for its meaningfulness, not only
in that we must start the extension from a point, but in that we must be
able to swing this extension about in whatever direction is required.
This i the angular freedom with which a point is endowed, if it is to be
the origin for observations. A telescope that could not be swung about
would have a very limited usefulness. So dimensions are cumulative. This
is clear from an inspection of the expression for distance in spherical
coordinates. Note that:
ds^2 = dR^2 (dO)^2 + R^2 sin^2 Odo^2
R = radius
O = longitude
o = latitude
The first term on the right of the equal sign includes /R/ only, the
second includes /R/ and 0, and the third includes R, 0, and o. Each
successive term includes the ones before. So we can expect of higher
dimensionalities that they must include threedimensionality.
This inclusiveness has philosophical significance by reason of the
integrity with which it endows higher dimensions. Were higher dimensions
just added on, they would not contribute the "organic" properties we
will now consider.
Let:
a = commander of
b = company b
c = company c
Then ab + ac means the commander of company b plus the commander of
company c. But a(b + c), the commander of companies b and c together, is
an officer superior to the captains of b and c individually--a colonel,
at least--and two captains do not equal a colonel. This is the very
essence of hierarchy.
I admit these are analogies. They are not what is customarily sufficient
in mathematical proof. They do, however, have the merit of revealing the
correlation between two distinct approaches-my theory of process and
Musès' theory of dimensionality. I offer them in the hope that the
non-mathematical reader may be aided in grasping sometimes unfamiliar
conceptual levels in hypernumber theory.
I see in the breakdown of the laws of ordinary arithmetic in Musès'
higher number spaces or dimensionalities a correspondence with the
breakdown of physical laws in the realm of parapsychological phenomena,
and I believe that his ideas may help in formulating theories covering
these phenomena.
*Footnotes:*
^1 More correctly, right ascension and declination, but longitude and
latitude are the more familiar terms.
^2 See William E. Hocking, /The Meaning of Immortality in Human
Experience/ (1957), ed. (Westport, Conn.: Greenwood Press, 1973), pp. 26-28.
^3 Sir Arthur Eddington, /New Pathways in Science/ (1935), Ann Arbor
Paperback ed. (Ann Arbor: University of Michigan Press, 1959), p. 276.
^4 Annals of the New York Academy of Sciences 138 (1967): 646-60. The
above equation is Musès' p-field and represents two circles of half-unit
radius tangent at the origin. The torus with an infinitely small hole is
Musès' circular umbilicoid, given by (X^2 + y^2 + Z^2 )2/y^2 = 1.
^5 Sir Jagadis Chandra Bose, /Response in the Living and Non-Living/
(London: Longmans, Green, 1910).
^6 /Annals of the New York Academy of Sciences/ (1967). See also the
same author's "Hypernumbers 11: Further Concepts and Computational
Applications," Applied Mathematics and Computations 4 (1978): 45, and
"Explorations in Mathematics," Impact 27 (1977): 66.
©1980 Anodos Foundation