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GRAD
E
NAME
HUNGARIAN
II
SUPERLOCRIAN bb6
bb7
III
HARMONIC MINOR b5
IV
SUPERLOCRIAN #6
JAZZ MINOR #5
VI
DORIAN b9 #11
VII
LYDIAN AUGMENTED
#3
NOTES
NOTES TRANSPOSED IN C
HUNGARIAN
Alternative names: Hungarian Major, Lydian Dominant sharp 2, Mixolydian sharp 9 sharp 11, Lydian #2 b7, Mixolydian #2 #4
It starts from the first grade of hungarian scale
Structure: 3121212
chords over first notes:
Triad:
Seventh chord:
major
dominant
Complete chord:
Triad:
Seventh chord:
diminished
diminished
HARMONIC MINOR b5
Triad:
Seventh chord:
diminished
Complete chord:
SUPERLOCRIAN #6
Triad:
Seventh chord:
diminished
half diminished
Enharmonic interpretation:
Seventh chord:
JAZZ MINOR #5
Seventh chord:
Complete chord:
DORIAN b9 #11
Triad:
Seventh chord:
minor
minor seventh
Complete chord:
LYDIAN AUGMENTED #3
COMPARATIVE TABLE
between Octatonic scale and some Hungarian scale modes (I, II, IV and VI)
OCTATONIC
HUNGARIAN(Major)
SUPERLOCRIAN #6
DORIAN b9 #11
Db
D#
F#
Bb
D#
F#
Bb
Db
D#
F#
Db
D#
Gb
Db
Eb
Formula
R m3 M3 A4 P5 M6 m7
F#
Bb
Bb
Hungarian Minor: w - h - + - h - h - + - h ( R M2 m3 A4 P5 m6 M7 R ) [Aeolian first tetrachord, with Lydian A4 and last tritone(Egyptian)]
Between Diminished scale and the rest of modes from Hungarian scale (III, V and VII)
DIMINISHED
Eb
Gb
G#
HARMONIC MINOR b5
Eb
Gb
Ab
MELODIC MINOR #5
Eb
LYDIAN AUGMENTED #3
E#
F#
G#
G#
NAME
DIMINISHED
II
OCTATONIC
NOTES
NOTES TRANSPOSED IN C
DIMINISHED
Triad:
Seventh chord:
diminished
diminished
every other trasposition contains the same (or enharmonic) notes of one of theese.
OCTATONIC
Triad:
Seventh chord:
major
dominant
every other trasposition contains the same (or enharmonic) notes of one of theese.
http://robsilverguitars.blogspot.co.uk/2012/05/hungarian-minor.html
Complete chord:
http://docs.solfege.org/3.21/C/scales/
GRADE
NAME
AUGMENTED
II
AUGMENTED
INVERSE
NOTES
NOTES TRANSPOSED IN C
AUGMENTED
Structure: 313131
Triad:
Seventh chord:
augmented
every other trasposition contains the same (or enharmonic) notes of one of theese.
AUGMENTED INVERSE
Structure: 131313
Triad:
augmented
every other trasposition contains the same (or enharmonic) notes of one of theese.
BEBOP SCALES
NAME
NOTES
DESCRIPTION
BEBOP MAJOR
BEBOP DOMINANT
BEBOP DORIAN
BEBOP MINOR
BEBOP LOCRIAN
LUES SCALE
NAME
NOTES
BLUES
BLUES SCALE
MINOR PENTATONIC
Eb
BLUES SCALE
Eb
F#
Bb
Bb
Structure: 321132
This artificial scale is very useful and can be played over every kind of chord (major, minor, dominant, ecc.) and over every blues progression or turnaround.
Its tipical bluesy sound cames from the blue notes this scale contains: minor third, minor seventh, augmented fourth.
GRADE
NAME
NOTES
NOTES TRANSPOSED IN C
DOUBLE HARMONIC
MAJOR
II
LYDIAN #2 #6
III
ULTRAPHRYGIAN
IV
HUNGARIAN MINOR
ORIENTAL
VI
IONIAN AUGMENTED #2
VII
Alternative names: Ionian flat 2 flat 6, Double Harmonic, Bizantine, Major Gipsy, Charhargah
MAJOR
HARMONIC MAJOR
DOUBLE HARMONIC
Db
Structure: 1312131
Ab
Ab
Triad:
Seventh chord:
major
major seventh
Complete chord:
LYDIAN #2 #6
Structure: 3121311
Triad:
Seventh chord:
major
major seventh
ULTRAPHRYGIAN
Structure: 1213113
Complete chord:
Triad:
minor
Enharmonic interpretation:
Triad:
major
HUNGARIAN MINOR
Alternative names: Harmonic Minor sharp 4, Lydian flat 3 flat 6, Double Harmonic Minor, Algerian, Minor Gipsy
HARMONIC MINOR
Eb
Eb
F#
Ab
Ab
Structure: 2131131
Triad:
Seventh chord:
minor
Complete chord:
ORIENTAL
Structure: 1311312
Seventh chord:
Complete chord:
dominant
IONIAN AUGMENTED #2
Structure: 3113121
Triad:
Seventh chord:
augmented
Complete chord:
Structure: 1131213
Enharmonic interpretation:
GRADE
NAME
HARMONIC MAJOR
II
DORIAN b5
III
PHRYGIAN b4
IV
LYDIAN b3
MIXOLYDIAN b9
VI
LYDIAN AUGMENTED
#2
VII
LOCRIAN bb7
NOTES
HARMONIC MAJOR
NOTES TRANSPOSED IN C
HARMONIC MINOR
HARMONIC MAJOR
Eb
Ab
Ab
Structure: 2212131
Triad:
Seventh chord:
major
major seventh
Complete chord:
DORIAN b5
Structure: 2121312
Triad:
Seventh chord:
diminished
half diminished
PHRYGIAN b4
Structure: 1213122
Complete chord:
Triad:
Seventh chord:
minor
minor seventh
Triad:
Seventh chord:
major
dominant
Enharmonic interpretation:
LYDIAN b3
Alternative names: Lydian flat 3, Jazz Minor sharp 4, Jazz Minor #11, Lydian Diminished
Structure: 2131221
Triad:
Seventh chord:
minor
Complete chord:
MIXOLYDIAN b9
Structure: 1312212
Triad:
Seventh chord:
major
dominant
Complete chord:
LYDIAN AUGMENTED #2
Structure: 3122121
Triad:
Seventh chord:
augmented
LOCRIAN bb7
Complete chord:
Structure: 1221213
Triad:
Seventh chord:
diminished
diminished
GRADE
NAME
HARMONIC MINOR
II
LOCRIAN #6
III
IONIAN AUGMENTED
IV
ROMANIAN
PHRYGIAN DOMINANT
VI
LYDIAN #2
VII
ULTRALOCRIAN
NOTES
NOTES TRANSPOSED IN C
HARMONIC MINOR
NATURAL MINOR
Eb
Ab
HARMONIC MINOR
Eb
Ab
Bb
Structure: 2122131
Triad:
Seventh chord:
minor
Complete chord:
LOCRIAN #6
Structure: 1221312
Triad:
Seventh chord:
diminished
half diminished
Complete chord:
IONIAN AUGMENTED
Structure: 2213121
Triad:
Seventh chord:
augmented
Complete chord:
ROMANIAN
Structure: 2131212
Triad:
Seventh chord:
minor
minor seventh
PHRYGIAN DOMINANT
Alternative names: Mixolydian flat 9 flat 13, Phrygian Major, Balkan, Spanish Gipsy, Ahava Rabah, Mixolydian b2 b6
Complete chord:
PHRYGIAN
Db
PHRYGIAN DOMINANT
Db
Eb
Ab
Bb
Ab
Bb
Structure: 1312122
Triad:
Seventh chord:
major
dominant
Complete chord:
LYDIAN #2
Structure: 3121221
Triad:
Seventh chord:
major
major seventh
ULTRALOCRIAN
Complete chord:
Structure: 1212213
Triad:
Seventh chord:
diminished
diminished
GRADE
NAME
IONIAN
II
DORIAN
III
PHRYGIAN
IV
LYDIAN
MIXOLYDIAN
VI
AEOLIAN
VII
LOCRIAN
NOTES
NOTES TRANSPOSED IN C
IONIAN
Structure: 2212221
Triad:
Seventh chord:
major
major seventh
Complete chord:
DORIAN
Structure: 2122212
Triad:
Seventh chord:
minor
minor seventh
PHRYGIAN
Complete chord:
Structure: 1222122
Triad:
Seventh chord:
minor
minor seventh
Complete chord:
LYDIAN
Structure: 2221221
Triad:
Seventh chord:
major
major seventh
MIXOLYDIAN
Structure: 2212212
Complete chord:
Triad:
Seventh chord:
major
dominant
Complete chord:
Chord simbols: C, C7, C9, C11, C13, Csus, C7sus, C9sus, C13sus
AEOLIAN
Alternative names: Natural Minor, Pure Minor, Ancient Minor, Greek Hypodorian, Hypodorian
Structure: 2122122
Triad:
Seventh chord:
minor
minor seventh
Complete chord:
LOCRIAN
Structure: 1221222
Triad:
Seventh chord:
diminished
half diminished
Complete chord:
COMPARATIVE TABLE
From the brighter mode (Lydian) to the darker one (Locrian)
In the middle there is the Dorian mode
LYDIAN
IONIAN
MIXOLYDIAN
DORIAN
AEOLIAN
PHRYGIAN
LOCRIAN
F#
Bb
Eb
Bb
Eb
Ab
Bb
Db
Eb
Ab
Bb
Db
Eb
Ab
Bb
Gb
GRADE
NAME
JAZZ MINOR
II
DORIAN b9
III
LYDIAN AUGMENTED
IV
LYDIAN DOMINANT
MIXOLYDIAN b6
NOTES
NOTES TRANSPOSED IN C
VI
SEMILOCRIAN
VII
SUPERLOCRIAN
Classical Melodic Minor scale has two forms: ascending and descending:
In modern music, however, even the ascending form can be used to descend.
JAZZ MINOR
Alternative names: Melodic Minor Ascending, Minor Major, Modern Minor, Ionian flat 3, Dorian maj7, Ipoionian, Dorian major 7
The name Minor Major is because this mode starts like a minor mode an ends like a major one.
NATURAL MINOR
Eb
Ab
HARMONIC MINOR
Eb
Ab
MELODIC MINOR
Eb
Bb
Structure: 2122221
Triad:
Seventh chord:
minor
Complete chord:
DORIAN b9
Structure: 1222212
Triad:
Seventh chord:
minor
minor seventh
Complete chord:
LYDIAN AUGMENTED
Structure: 2222121
Triad:
Seventh chord:
augmented
Chord simbols: C+, C+(maj7), C^+, C9+(maj7), C^(#5), Cmaj7(#5), C^(#5 #11)
LYDIAN DOMINANT
Complete chord:
Structure: 2221212
Triad:
Seventh chord:
major
dominant
Complete chord:
MIXOLYDIAN b13
Alternative names: Mixolydian flat 6, Hindu, Aeolian sharp 3, Aeolian Dominant, Hindustan
Structure: 2212122
Triad:
Seventh chord:
major
dominant
SEMILOCRIAN
Complete chord:
Structure: 2121222
Triad:
Seventh chord:
diminished
half diminished
Complete chord:
SUPERLOCRIAN
The name Diminished Whole-tone is because this mode starts like a diminished mode an ends like a whole-tone one.
Structure: 1212222
Triad:
Seventh chord:
diminished
half diminished
Enharmonic interpretation:
Triad:
Seventh chord:
augmented
Enharmonic chord simbols: C7alt, C7(b5), C7(#5), C+7, C7(b5 b9), C7(#5 #9), C7(b9 #9 #11 b13), ecc.
ALL SC ALES
Complete chord:
GRADE
NAME
IONIAN
II
DORIAN
III
PHRYGIAN
IV
LYDIAN
MIXOLYDIAN
VI
AEOLIAN
VII
LOCRIAN
NOTES
NOTES TRANSPOSED IN C
GRADE
NAME
JAZZ MINOR
II
DORIAN b9
NOTES
NOTES TRANSPOSED IN C
III
LYDIAN AUGMENTED
IV
LYDIAN DOMINANT
MIXOLYDIAN b13
VI
SEMILOCRIAN
VII
SUPERLOCRIAN
GRADE
NAME
HARMONIC MINOR
II
LOCRIAN #6
III
IONIAN AUGMENTED
IV
ROMANIAN
PHRYGIAN DOMINANT
NOTES
NOTES TRANSPOSED IN C
VI
LYDIAN #2
VII
ULTRALOCRIAN
GRADE
NAME
HARMONIC MAJOR
II
DORIAN b5
III
PHRYGIAN b4
IV
LYDIAN b3
MIXOLYDIAN b9
VI
LYDIAN #2 #5
VII
LOCRIAN bb7
NOTES
NOTES TRANSPOSED IN C
GRAD
E
NAME
NOTES
NOTES TRANSPOSED IN C
NEAPOLITAN
II
LEADING WHOLE-TONE
III
LYDIAN AUGMENTED
DOMINANT
IV
LYDIAN DOMINANT b6
MAJOR LOCRIAN
VI
SEMILOCRIAN b4
VII
SUPERLOCRIAN bb3
GRADE
NAME
NEAPOLITAN MINOR
II
LYDIAN #6
III
MIXOLYDIAN
AUGMENTED
NOTES
NOTES TRANSPOSED IN C
IV
HUNGARIAN GYPSY
LOCRIAN DOMINANT
VI
IONIAN #2
VII
ULTRALOCRIAN bb3
GRADE
NAME
DOUBLE HARMONIC
MAJOR
II
LYDIAN #2 #6
III
ULTRAPHRYGIAN
IV
HUNGARIAN MINOR
ORIENTAL
VI
IONIAN AUGMENTED #2
NOTES
NOTES TRANSPOSED IN C
VII
GRADE
NAME
HUNGARIAN
II
SUPERLOCRIAN bb6
bb7
III
HARMONIC MINOR b5
IV
SUPERLOCRIAN #6
MELODIC MINOR #5
VI
DORIAN b9 #11
VII
LYDIAN AUGMENTED
#3
NOTES
NOTES TRANSPOSED IN C
ENIGMATIC SCALE
NAME
NOTES (ascending)
ENIGMATIC
SYMMETRIC SCALES
NOTES (descending)
GRADE
NAME
DIMINISHED
II
OCTATONIC
NOTES
NOTES TRANSPOSED IN C
NAME
NOTES
WHOLE TONE
GRADE
NAME
AUGMENTED
II
AUGMENTED
INVERSE
NOTES
NOTES TRANSPOSED IN C
GRADE
NAME
MAJOR PENTATONIC
II
SUSPENDED
PENTATONIC
NOTES
NOTES TRANSPOSED IN C
III
MAN GONG
IV
RITUSEN
MINOR PENTATONIC
BLUES SCALE
NAME
NOTES
BLUES
BEBOP SCALES
NAME
NOTES
BEBOP MAJOR
BEBOP DOMINANT
BEBOP DORIAN
BEBOP MINOR
BEBOP LOCRIAN
GRAD
E
NAME
NEAPOLITAN
II
LEADING WHOLE-TONE
III
LYDIAN AUGMENTED
DOMINANT
IV
LYDIAN DOMINANT b6
MAJOR LOCRIAN
VI
SEMILOCRIAN b4
VII
SUPERLOCRIAN bb3
NOTES
NOTES TRANSPOSED IN C
NEAPOLITAN
Structure: 1222221
Triad:
Seventh chord:
minor
Complete chord:
LEADING WHOLE-TONE
Structure: 2222211
Triad:
Seventh chord:
augmented
Complete chord:
Alternative names: Lydian sharp 5 flat7, Mixolydian sharp 5 sharp 11, Mixolydian #4 #5
Structure: 2222112
Triad:
Seventh chord:
augmented
Complete chord:
LYDIAN DOMINANT b6
Alternative names: Lydian flat 6 flat 7, Mixolydian sharp 11 flat 13, Mixolydian #4 b6, Lydian Minor
Structure: 2221122
Triad:
Seventh chord:
major
dominant
Complete chord:
MAJOR LOCRIAN
Alternative names: Mixolydian flat 5 flat 6, Mixolydian b5 b13, Locrian sharp 2 sharp 3, Arabian
Structure: 2211222
Seventh chord:
Complete chord:
SEMILOCRIAN b4
Structure: 2112222
Triad:
Seventh chord:
diminished
half diminished
Enharmonic interpretation:
Triad:
Seventh chord:
augmented
SUPERLOCRIAN bb3
Structure: 1122222
Enharmonic interpretation:
Complete chord:
Triad:
Seventh chord:
Complete chord:
augmented
COMPARATIVE TABLE
between Neapolitan scale and Whole-Tone scale
WHOLE-TONE (Db)
NEAPOLITAN
Db
Eb
Db
Eb
between Whole-Tone scale and the rest of modes from Neapolitan scale
WHOLE-TONE (C)
F#
G#
A#
LEADING
WHOLE-TONE
F#
G#
A#
F#
G#
LYDIAN DOMINANT b6
F#
MAJOR LOCRIAN
SEMILOCRIAN b4
SUPERLOCRIAN bb3
Db
D#
Bb
Ab
Bb
Gb
Ab
Bb
Gb
Ab
Bb
Gb
Ab
Bb
GRADE
NAME
NEAPOLITAN MINOR
II
LYDIAN #6
NOTES
NOTES TRANSPOSED IN C
III
MIXOLYDIAN
AUGMENTED
IV
HUNGARIAN GIPSY
LOCRIAN DOMINANT
VI
IONIAN #2
VII
ULTRALOCRIAN bb3
NEAPOLITAN MINOR
Alternative names: Neapolitan Major flat 6, Harmonic Minor flat 2, Phrygian maj7
NEAPOLITAN
Db
Eb
NEAPOLITAN MINOR
Db
Eb
Ab
Structure: 1222131
Triad:
Seventh chord:
minor
Complete chord:
LYDIAN #6
Structure: 2221311
Triad:
Seventh chord:
major
major seventh
Complete chord:
MIXOLYDIAN AUGMENTED
Structure: 2213112
Triad:
Seventh chord:
augmented
HUNGARIAN GIPSY
Complete chord:
Structure: 2131122
Triad:
Seventh chord:
minor
minor seventh
Complete chord:
LOCRIAN DOMINANT
Alternative names: Locrian sharp 3, Oriental flat 6, Mixolydian flat 5 flat 9 flat 13, Mixolydian b2 b5 b6
Structure: 1311222
Seventh chord:
IONIAN #2
Structure: 3112221
Complete chord:
Triad:
Seventh chord:
major
major seventh
Complete chord:
ULTRALOCRIAN bb3
Structure: 1122213
Enharmonic interpretation:
GRADE
NAME
MAJOR PENTATONIC
II
SUSPENDED
PENTATONIC
III
MAN GONG
IV
RITUSEN
NOTES
NOTES TRANSPOSED IN C
MINOR PENTATONIC
MAJOR PENTATONIC
Structure: 22323
Triad:
major
SUSPENDED PENTATONIC
Structure: 23232
MAN GONG
Structure: 32322
RITUSEN
Structure: 23223
MINOR PENTATONIC
Structure: 32232
Triad:
Seventh chord:
minor
minor seventh
YMMETRIC SCALES
DIMINISHED SCALE AND ITS MODES
GRADE
NAME
DIMINISHED
II
OCTATONIC
NOTES
NAME
NOTES
WHOLE TONE
NOTES TRANSPOSED IN C
GRADE
NAME
NOTES
AUGMENTED
II
AUGMENTED
INVERSE
NOTES TRANSPOSED IN C
GRADE
NAME
NOTES
WHOLE-TONE
WHOLE-TONE
Structure: 222222
Enharmonic interpretation:
Triad:
Seventh chord:
augmented
Complete Chord:
every other trasposition contains the same (or enharmonic) notes of one of theese.