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Above them, ones mind appears as two vital drops of pure being, both white and red together, the size
of a pea.
In the center is HUM, the color of quicksilver. From them, light shines, clearing away the suffering of
all sentient beings that poverty causes.
The light is drawn in again and absorbed and the drops change to become the undifferentiated front
and self generation, the forms of the Fast-acting Lord of Pristine Awareness, the Jewel, King of Power.
He is white in color and shines brilliantly. His face is wrathful with a smiling expression, full of
humor. He has three eyes. His eyebrows, beard, and hair are orange and flaring.
His forehead is marked with a cinnabar triangle. Above his head, King Akshyoba seals him.
His first right hand brandishes a chopper in the sky. The middle hand holds the precious wishfulfilling gem to his heart. The last right hand rattles an acacia wood hand-drum.
The first left hand holds by his left thigh a skull-cup filled with nectar in which there is a vase filled
with jewels, in the second hand there is a trident, and the last left hand holds a noose.
He stands on the seat of the lotus, sun, and two Ganesh with his feet in the position of preparing to
move.
He wears flowing silks of different patterns, a tiger-hide loincloth, and on his back, a freshly flayed
elephant-hide mantel. He is adorned by a crown of five skulls, each surmounted by a precious jewel
set in gold; a garland of fifty freshly severed heads, dripping with blood; ornaments of jewels; jingling
bells, and garlands of flowers.
Surrounded by throngs of hundreds of millions of power-gathering dakinis as attendants, he stands in
the center of a mass of flames.
At his forehead, there is a white OM, at his throat a red AH and in his heart a red power-gathering
dakini holding an elephant goad and a skull-cup filled with blood. At her heart is a vital drop of pure
being and at its center a white HUM.
From ones own heart, light shines out inviting the Fast-acting Lord of Pristine Awareness, the WishFulfilling Jewel, and all his throngs of dakinis from the Cool Grove Cemetery in the Southeast. (bell)
3. Accomplishment of the Deity
pema kamala ya sa tam
dza hung bam ho
om bedzra argham ah hung
om bedzra padyam ah hung
om bedzra pukpe ah hung
om bedzra dhupe ah hung
om bedzra aloke ah hung
om bedzra gendhe ah hung
om bedzra newidye ah hung
Colophon
So, yesterday we looked at what we might consider threshold iconographic explanations for what
White Mahakala holds and how he is attired. This may be important for artists, but perhaps it is not so
important for us. If we have the sort of mind that requires such concordances, then we can add to the
above list in considerable detail. If, on the other hand, we do not require it, we can dispense with the
symbolism and experience White Mahakala as he naturally arises, satisfying ourselves on the level of
immediate reality.
Sometimes, I think it is useful to simply call upon the deity and then take note of what he looks like
when he arrives. White Mahakala may appear one way at one time and another way at another time.
There may come a time when all appearances are White Mahakala.
The
Offering
The next matter to be considered is the offering. Primarily we are performing what is known as an
inner offering; so called because it is of the inner components of humans and animals. These impure
components are transformed into elixir, in order to bless the outer offerings.
Naturally, we do not cook this in an actual vessel. Instead, we visualize this process. If we wish, we can
also then symbolize the visualization with black tea or wine in a skull cup.(*) We can place the ring
fingers of our right and left hands together and encircle the skull cup three times, setting it to the left
side of our table.(**) It is not strictly necessary for us to do this: we can do this entirely as
visualization. However, if we find it useful to adopt such formalities, we can use an actual skull cup as
noted.(***)
On the altar, we have the external torma, if possible, and the offerings of water and so forth, arranged
in bowls. Many people are confused about this aspect of practice, so we will review a few details.
A torma is not an object. An object can symbolize a torma, and we can call that symbolic object a
torma. A torma is in fact a space. To the extent that an object symbolizes this space, then that object is
a vessel. We want the torma to be free from physical impurities, and want it to be free from conceptual
impurities. We therefore understand that the torma arises from emptiness, is an inherently empty,
uncreated offering vessel, ultimately devoid of form, and dissolves into emptiness.
We arrange our offering bowls from left to right in the following fashion: in the first bowl, we place
pure drinking water. When we offer this water to the deity, we think that it completely and
simultaneously quenches the thirst of all sentient beings. Actually, we are giving this water to the deity
to deliver. White Mahakala is not thirsty.
Next, we offer water for bathing. Again, White Mahakala is not dirty, but rather serves as the medium
to wash all sentient beings clean of their defilements.
We next offer flowers, and the surroundings of all sentient beings become beautiful by this action. We
offer incense, which similarly soothes and beautifies the surroundings of all beings, cleansing the air.
Next, we offer light, eliminating the darkness of ignorance. We follow this with perfume, which
purifies the stains of immorality.
We now offer food, bestowing freedom from deprivation, followed by music, which purifies all sound.
Allowing for the above, you should understand that this practice might be done in the middle of
traffic, if you have the mind for it. There are all sorts of things that nobody owns, such as wildflowers,
or the songs of birds. There are pure waters in mountain springs. There are delicious fruits growing
wild in the fields. You can offer all of these, and all the other treasures your mind can conceive.
The point is that you are giving these offerings to White Mahakala, who in turn is delivering them to
all sentient beings. Therefore, you can afford to be creative. For example: when you give light, you can
specify that it bring light to those who are blind. When you give music, you can believe that it removes
harmful or fearful words. When you give food, you can understand that beings will ultimately be
delivered from reliance on external sources. The possibilities are as endless as you wish. The
corresponding benefit is inconceivable to the human mind.
The next matter to consider is that of supports. When you are concluding this practice, you can invite
White Mahakala to stay in a picture, or a statue. This is up to you. It is my idea that White Mahakala is
inherently present in pictures of my teacher. You may find that he is inherently present in pictures of
your teacher.
We should also discuss the mantra. White Mahakalas mantra has thirteen syllables. Were you to
recite the mantra 100,000 times, this would represent 1,300,000 syllables. This cannot hurt
anyone. As to the appropriate mala for counting this mantra, it is considered traditional to use 108
lotus seeds, or bodhi seeds, or even 60 rudraksha tree berries having specific characteristics. Actually,
any mala with 108 beads of any material will be just fine. We must learn not to be neurotic about such
matters.
Finally, we dedicate the merit gained by our actions to the welfare of all sentient beings. We hope that
it will become a source of benefit to them and never a source of harm. Under no circumstances do we
keep any merit for ourselves.