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Learn To Sing. Singer, songwriter and singing teacher Jules Rendell takes us through the basics of singing technique to
help you make the most of your voice.
Jules Rendell is a professional singer and songwriter with classical training from the Royal Northern College of Music. As
a singing teacher, she trains beginners and professionals alike in a range of styles from pop to classical, soul, jazz and
rock. Here she will cover the basics of good singing technique, to help you make the most of your voice.
STEP 1: POSTURE
When you sing, your body is your instrument, so your posture can make a difference to the sound you produce. Stand feet
shoulder-width apart, slightly turned out, with your weight more on the balls of your feet. Your legs should be very slightly
bent - don't lock your knees. Your shoulders should rest back and down. Keep your chin down with the back of the neck
long, making sure the front of your neck and your throat is relaxed.
STEP 2: BREATHING
When singing, sound is made by pushing air through your vocal chords which makes them vibrate. Increase the capacity
of your lungs by expanding your ribs using the intercostal muscles (between the ribs). Don't think about taking in air, rather
focus on expanding your ribs and you will take in air automatically. When you start to sing, support your ribs by holding in
your abdominal muscles.
STEP 3: WARM UP
Before you start singing, you need to warm up your voice like an athlete warms up before a competition. Here are three
exercises to do this:
STEP 4: LIP ROLLS
You're going to make a "brrr" sound by relaxing your lips and singing through them. Starting at a comfortable pitch, using a
small range and expanding your ribs between each repetition, ascend semitone by semitone and go as high as you can.
STEP 5: VOWEL SOUNDS
Making the phonetic sounds A, E, I, O, U, sing a slightly more complex scale. Again repeat up the octave. Keep your jaw
relaxed and your mouth open.
STEP 6: "MI" SOUNDS
This time use a full scale, using the sound "mi". This will help you get into your higher register. Take quick breaths
between each exercise. This will help to strengthen your intercostal muscles.
STEP 7: PERFORMANCE
Having a nice voice is one thing, communicating the meaning of a song is quite another. Make sure you annunciate your
words appropriately, pronouncing consonants clearly and energetically. Also use your face to communicate the meaning of
the words. Think about what the song means and allow those feelings to show in your facial expressions.
So, you start on an NG sound, an "ing" sound, and slide all the way up to the high note, and then release. If you do that
and you maintain your support all the way through, you should find that you have a full-bodied sound that you open up to,
but you'll keep that nasal buzz. Another key thing that tenors need to learn how to do is to sing in the "head voice".
The "head voice" is that light part of the voice that lies in between the "chest voice" and the "falsetto" sound; sounds a bit
like this. A good exercise for accessing this is this. So, making a very light sound, you slide up and down a fifth.
Make sure you always slide between the notes. It's a way of maintaining the connection between the middle of your voice
and the next place, the "head voice" that you're trying to get into. As you get higher up in the voice, you'll hit the
"passaggio" which is the break where the two voices meet.
What you'll want to happen when you get to this point is the larynx will want to rise. You'll want to keep that nice and
relaxed to maintain the freedom in the sound. It'll feel like it's wanting to narrow, but don't worry, go with that and you
should emerge out to the other side into this really light, airy, spacious "head voice".
Negotiating the "passaggio" is a really key issue to singing tenor. Tenors spend a lot of time in this register. It's not just
about getting to the high note.
It's also about how you negotiate the space in between. To do this efficiently, you need to slightly modify the space at the
back of the throat, where the pharynx is. The easiest way to think about that is going from a kind of open "ah" shape, to
singing "o" at the back of the throat.
So, going - so I want you to do this little exercise, the same one we did before, but with a bit more sound behind it. Now, at
that pitch, we can keep the sound open, but as we get higher, we need to start applying this modification. So, take that
exercise up, step by step.
When I get to that high note, I need to change the space at the back, and I basically go from singing "ah" at the bottom, to
singing "o" at the top. That's how to sing in the "passaggio". .