Professional Documents
Culture Documents
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1979:
Testuale. Critical texts by Flavio Caroli (Signs and the Unconscious. Notes for an
Anthropology of the Imaginary) and Luciano Caramel (not translated). Rotonda della
Besana exhibition catalogue published by the Comune di Milano and Mazzotta, Milan;
Italy and Japan - Art in the Last Ten Decades. Critical text by Jole de Sanna (A
Concise History of Twentieth-Century Italian Art : The line as it is composed ; What
is modern and what is reactionary - what is art: 1919-1933?; The function of the
avant-garde; and Art. Exhibition catalogue published by the Osaka National Museum of Art,
Japan;
Guillermo Roux The Dream Runs On. Critical text by Giorgio Soavi treating
recent works by the artist. Published by Olivetti, Ivrea;
Franco Vaccari: The tortuous and opaque movement of sense. Published in Studio
Marconi, nos. 8/9, Studio Marconi, Milan;
1
Henry Moore. Critical text by Giuseppe Marchiori (The vital process in the work
of Henry Moore). Published by Vanessa Edizioni d'Arte, Milan;
Alberto Burri Form and Inform. An excerpt from the book by Flavio Caroli
published by Mazzota & Studio Marconi, Milan. Published in Studio Marconi,
no. 11;
Joe Tilson. Critical texts by Michael Compton (Joe Tilson) and Gillo Dorfles.
Published by Vanessa Edizioni dArte, Milan;
New Context by Flavio Caroli. Published in Studio Marconi, no. 12, by Studio
Marconi, Milan;
1980:
Nuova Immagine, edited by Flavio Caroli. Critical texts by Flavio Caroli (Before
the Flood and New Context). Interventions by: Giovanni Maria Accame (Noticing,
Transiting through the Senses), Flaminio Gualdoni (For a Plural Art), Marcelin
Pleynet (The Painting of Today) and Marisa Vescovo (Inthe Name of the Son).
Situations by: Claudio Cerritelli (On the Recent Artistic Situation in Bologna), Anna DElia
(The Game of Sisyphus), Demetrio Paparoni (Actuality in the Well of Art) and Loredana
Parmesani (Artistic Work: Between Repetition and Suspended Utopia). Published by Regione
Lombardia/Mazzotta, Milan;
Lucio Fontana. Critical text by Roberto Sanesi (Lucio Fontana: Paragraphs).
Exhibition catalogue published by Edizione Galleria Il Mappamondo, Milan;
2
Maria Nordman. Critical text by Germano Celant (Urban Nature: The Work of
Maria Nordman). Published in "Art Forum" (March number), New York;
Petros - Ambiguous Utopia, critical text by Roberto Sanesi. Exhibition catalogue published by
the Brooks Jackson Gallery Iolas, New York.
1981:
Enciclopedia The Primary Magical in Europe. Critical text by Flavio Caroli (The
primary-magical; Totality and indications; The black wall; Madnormality; After
horizontality the new pyramidalism; The avant-garde; Inside the black
pyramid; The gnosiological problem; The ethical problem; The aesthetic problem;
Nomadic aggregation; The black aura; Freud and Jung; and Progress and oblivion.
Exhibition held at the Galleria d'Arte Moderna di Modena. Catalogue published by the Comune di
Modena;
The Piazzas of the Memory/Format Effect. Photographs by Nino Lo Duca.
Texts by Domenico Porzio and Ando Gilardi. Published by Edizioni Agrifoglio,
Milan;
Futurism and the Occult. Critical text by Germano Celant. Published in Art
Forum (January number), New York;
The Palazzo Comunale of Cremona and its Art Collections by Marco Tanzi (The
Palazzo Comunale: Architectonic Event and Figurative Testimony) and Andrea
Mosconi (The Violins of Palazzo Comunale). Published in the Guide Electa
series by Electa Editrice, Milan;
Viennese Architecture between the Wars First split between form and content
of modernity. An essay by Friedrich Achleitner (The Viennese School of architecture;
Adolf Loos; Viennese mass housing; and Josef Frank and the Austrian Werkbund) in
"29 Lotus International", published by Electa, Magazine Division, Milan.
1982:
Francesco d'Assisi. Brochure summary of the exhibitions in Umbria for the VIII
Centenary: Francis of Assisi Exhibitions for the VIII Centenary: Assisi: History
and Art; Foligno: Miniatures; Narni: The Churches and Convents; Perugia: Documents
and Archives; and Todi: Codices and Libraries. Published by Electa, Milan;
Miguel Ybez. Critical texts by Henry Martin, Juan Antonio Aguirre and Miguel
Ybez (The introduction leaves human traces). Exhibition catalogue at the Galleria
Zarathustra/Palazzo Dugnani. Published by the Comune di Milano and the Galleria
Zarathustra, Milan;
The German Transavantgarde: Baselitzby-Immendorff-Kirkeby-Lpertz-A.R.
Penck. Critical text by Achille Bonito Oliva. Exhibition catalogue published by the
Galleria Nazionale d'Arte Moderna of the Republic of San Marino;
Josef Hoffmann and the Wiener Werksttte, texts by Daniele Baroni and Antonio D'Auria.
Italian Art. International Edition published by Electa, Milan;
1960-1982. Critical texts by Caroline Tisdall (From the spirit of inquiry to the
pleasure principle), Guido Ballo (The artistic climate of the Sixties), Vittorio
Fagone (Towards and beyond the new abstraction), Roberto Sanesi (The object,
the story), Renato Barilli (Arte povera, conceptual art, multimedia) and Flavio
Caroli (Latest developments). Exhibition held at the Hayward Gallery in London. Catalogue
published by the Arts Council & Electa International, London/Milan;
Spelt from Sibyl's Leaves. Explorations in Italian Art. Critical text by Luigi
Ballerini and Massimo Pesaresi (Exercise Before Death). Catalogue of the itinerant
exhibition of Italian Art in Australia. Volume published by Electa International,
Milan;
De Chirico verso Warhol. Critical text by Achille Bonito Oliva (Work in work).
Catalogue of the exhibition housed in the Campidoglio (Sala degli Orazi e Curiazi)
in Rome. Published by Electa, Milan;
1983:
Pietro Cascella. Critical text by Roberto Sanesi. Published by Vanessa Edizioni d'Arte, Milan;
7000 Years of Chinese Civilization - Chinese art and archaeology from the
Neolithic Period to the Han Dynasty. Other translations by the University of Venice
and by Dorothy Hay. Texts by various authors. Catalogue of the exhibition held at
Palazzo Ducale in Venice. Published by the Comune di Venezia/Silvana Editoriale,
Milan;
1984:
San Pietro di Modena - A Thousand Years of History and Art Texts by G. Spinelli,
P. Golinelli, V. Vandelli, L. Serchia, D. Benati, L. Peruzzi, F. Frisoni, R. Cremaschi
and C. Giovannini. Edition published by the Cassa di Risparmio di Modena/Amilcare
Pizzi, Milan;
Ascoli and its Territory: Urban Structures and Settlements from the Origins to
the Present Day, edited by R. Rozzi and E. Sori with a presentation by A. Caracciolo..
Texts by V. Borzacchini, A. Monti and G. Troli. Photographs by G. Maroni. Published
by Silvana Editoriale (Milan) for the Banco di Santo Spirito of Ascoli Piceno;
Man Ray: General Catalogue of Graphic Work (vols. I and II) by Luciano
Anselmino and Bianca Maria Pilat. Published by Studio Marconi, Milan;
Italian Art 1960-80, critical text by Arturo Carlo Quintavalle (Traces of history) and
a preface by Thomas Messer. Works from the collection of the Banca Commerciale
Italiana (COMIT): permanent exhibition at the bank's branch office in New York.
Published by the Banca Commerciale Italiana (Milan) and Umberto Allemandi & C.
(Turin);
Armando Testa. Critical texts by Gillo Dorfles (Armando Testa:global visualiser;
Arturo Carlo Quintavalle (The other part of Armando Testa); and Donato
Mutarelli (Striking synthesis). PAC exhibition catalogue, published by Mazzotta,
Milan.
1985:
The Art Collections of the Royal Library of Turin. Volume edited by Gianni Carlo
Sciolla. Translation of the volume by G.L. Zambardi Mall (illustration captions
translated by H. R. MacLean). Published by the Istituto Bancario San Paolo di Torino,
Turin;
Pepi Merisio - Piazze d'Italia. Introductory essay by Carlo Bo (The Italian Square
and Man). Volume published by Silvana Editoriale, Milan;
1986:
Dario Fo, foreword by Emilio Tadini. Exhibition catalogue published by the Cortina
Art Gallery, Milan;
Pepi Merisio - Le citt murate (Walled Towns). Photographs by Pepi Merisio, text
by Geno Pampaloni (A Faithful and Refound Age) and preface by Giulio Andreotti.
Published by Silvana Editoriale, Milan;
1987:
Mariette Pathy Allen - Men as Women. Critical text by Roberta Valtorta (On
being a man On being a woman). Exhibition catalogue published by the
Galleria Diaframma/Canon, Milan;
Guide to San Gimignano by Enzo Carli and Jole Vichi Imperciadori. Published in
the "Artistic Guides" series by Electa, Milan;
1988:
Roberto Ciaccio - Evento e struttura, texts by Sanese, Baj, Cabutti, Bellasi, Caprile, Kemeny
and MacLean. Exhibition catalogue at the Mercato del Sale, Milan;
XVII Milan Triennial - World Cities and the Future of the Metropoles:
Within and Without the Labyrinth of Language: the case of the metaphor
by Massimo Piattelli Palmarini; MIArt by Germano Celant; The Weak
Metropolis by Giuseppe Dematteis; Citizens without City by Marco Romano; and
Reflections on the New City by Cesare Macchi Cassia. Exhibition catalogues (two
volumes) published by Electa and the Triennale di Milano, Milan;
Moreno Gentili: Milan Metropolis (perfect city). Critical text of the author's
photographs by Roberta Valtorta on the occasion of the Biennale Giovani 1988,
Bologna;
1989:
Over-AdArt, 17 artists and works selected by Franco Scepi, texts by Marc Le Cannu
and A.C. Quintavalle. Exhibition held at the Galleria Gariboldi in Milan. Catalogue
published by Electa, Milan;
Salvo Russo, monograph. Critical texts by Francesco Gallo and Marco Lorandi. Published by
Fabbri Editori, Milan;
Menndez Rojas, critical texts by C. Benincasa, U. Eco, A. Masi and J. Pinya. Catalogue of
the exhibition held at Palazzo dei Diamanti (Ferrara). Published by Electa, Milan;
Marzio Banfi: 1971-1989. Critical text by Franco Solmi. Exhibitions held at the
Centro San Vidal in Venice and then at the Galleria Interarte in Milan. Catalogue
published by Electa, Milan;
Mimmo Rotella: Lamiere. Introductory text by Achille Bonito Oliva (The Wheel
of Art). Critical texts 1959-1984: Emilio Villa (Dcollages) ; G. Ballo Emulsified
canvases: Mec-Art); G. Joppolo (Artypo-Plastique), and P. Restany
(Coperture[Blanks] and Cinecitt). Catalogue published by Studio Marconi
(Milan) in collaboration with Castelli S.p.A. (Bologna);
Baj - Disegni. Texts by Dan Cameron and Enrico Baj. Studio Marconi exhibition
catalogue published by Fabbri Editori, Milan;
11
Mario Maioli with critical texts by Giovanni Klaus Koenig (Regarding Mario
Maioli) and Floriano De Santi (Planning as fantastic transformation). Studio
Marconi exhibition catalogue published by Fabbri Editori, Milan.
1990:
Giorgio Morandi - Still Lifes. Critical texts by Paolo Baldacci and Philippe
Daverio. Catalogue published on the occasion of the exhibitions held in
conjunction at the Philippe Daverio Galleries in New York and Milan. Gallery
edition, Milan;
Spinoccia : Crucifixion Almost a fragment or a quotation?. A monograph with
texts by Rossana Bossaglia and Vincenzo Consolo. Published by DImperio Editore,
Novara;
Fornasetti: between Art Deco and Neo-Deco. Critical essay by Rossana Bossaglia
published in "Apollo Magazine", February number, London;
12
Absolute Politik - Take Over, 'dynamic' exhibition catalogue with texts by Manuela
Gandini and Loredana Parmesani. Exhibitions held in progression at Luciano Inga-Pin
(Milan), the Krygier Landau Gallery (Los Angeles) and Gallery Night (New York);
Michelangelo Jr. Critical text by Tommaso Trini (You are exposed to signs).
Exhibition catalogue published by Gallery, Milan;
13
Richard Hamilton - Una collezione 60/ 70 (Image and Process). Critical text by
Flaminio Gualdoni (Richard Hamilton). Texts by Richard Hamilton translated by
Daniela Palazzoli. Anthological exhibition catalogue published by Studio Marconi,
Milan;
Historical Archives of the Banca Commerciale Italiana (COMIT). Main text the
architectural, artistic and historical illustration of the building and rooms which house the
Archives in Milan - by Germano Mulazzani. Volume published by the Banca Commerciale
Italiana (Milan)/Umberto Allemandi & C. (Turin);
Emilio Tadini - Notes on the Biblical Cycle, catalogue texts by Emilio Tadini. Exhibition
held at the Edward Totah Gallery, London;
RISK Magazine International no. 1, an interdisciplinary review of theory and practice in the
Arts. Critical articles and essays by: L. Bonicalzi, M. Bottinelli Montandon, C. Ciarli, G.
Damiani, D. Davvetas, P. Greco, L. De Domizio, M. Mondadori, G.M. Pagnini, A. Izzo, E.
Quarantelli, M. Sculatti, P. Tedeschi, H. Szeemann and by M. Vescovo. Photographs by Buby
Durini. Published by Il Clavicembalo, Milan.
1991:
Gianfranco Pardi 1960-90. Critical text by Giovanni Maria Accame: The forms of
language: 1. A form of thought; 2. Suspended places (1966-1970); 3. Reflections
on the avant-garde (1971-1972): 4. Systems of systems (1973-1977); 5. Traces (19781981); and 6. The becoming of an existence (1982-1991). Critical annotations by
Gianfranco Pardi. Anthological catalogue published on the occasion of the exhibition
held at Studio Gi Marconi in Milan. Catalogue published by Fabbri Editori, Milan;
14
Arturo Martini, catalogue edited by Gianni Vianello with critical texts by Gianni
Vianello (The Crisis of the Avant-garde and the Crisis of Sculpture) and Paolo
Baldacci (Arturo Martini: between Classicism and Romanticism [translated by
Marguerite Shore]). Catalogue published on the occasion of the exhibitions held at
the Philippe Daverio Galleries in New York and Milan. Gallery edition, Milan;
RISK Magazine International no. 3, an interdisciplinary review of theory and practice in the
Arts. Critical articles and essays by: V. Biondi, L. Bonicalzi, A. Bonito Oliva, C. Ciarli, M.
Deguy, D. Davvetas, M. De Caro, L. De Domizio, P. Greco, M. Gualteroni, G. R. Manzoni,
A. Musella, E. Quarantelli, P. Restany, J. Sartorius, H. Bll, M. Sculatti, H. Szeemann,
P. Tedeschi, A. Zordan and by G. P. Vincenzo. Photographs by Buby Durini. Published by
Il Clavicembalo, Milan;
RISK Magazine International no. 5, an interdisciplinary review of theory and practice in the
Arts. Critical articles and essays by: F. Alfano Miglietti, G. Alviani, M. Bottinelli Montandon,
B. Chirici, D. Davvetas, A. D'Avossa, L. De Domizio, Fogli, M. Mazzotti, D. Negrini, M. Pisani,
U. Russo, C. Santoro, M. Sculatti, P. Tedeschi, I. Tomassoni and G.P. Vincenzo. Photographs by
Buby Durini. Published by Il Clavicembalo, Milan.
1992:
The Felt Hat: Joseph Beuys. A Life Told by Lucrezia De Domizio Durini. A
compendium of texts, critical interventions and documents treating the German
artist's work and projects carried out in Italy (many of which published for the
first time in book form). The volume also contains previously unpublished
photographs of the German artist by Buby Durini. Published by Edizioni Carte
Segrete (Data Arte), Rome;
Alessandro Mendini andThe Aesthetic Factory: 100% make up. 100 and
10.000 vases based on a project by Alessandro Mendini and carried out by Alessi
S.p.A. Catalogue edited by D. Moretti with B. Felis. Other translations by Rodney
Stringer. Presentation of the project at the Fortezza da Basso (Florence)
and in the gallery of the International Frankfurter Messe. Catalogue published by
F.A.O. and Alessi;
RISK Magazine International no. 6, an interdisciplinary review of theory and practice in the
Arts. Critical articles and essays by: Joseph Beuys, G. Alviani, V. Biondi, C. Chirici, D.
Davvetas, J.M. Garca, A. Izzo, S. Leclaire, G.R. Manzoni, Negrini, A. Pes, F-N. Poutays,
E. Strousa, P. Tedeschi and M. Vescovo. Photographs by Buby Durini. Published by Il
Clavicembalo, Milan;
RISK Magazine International no. 7, Special Number: 12th of May 1921-1992. An interdisciplinary review of theory and practice in the Arts. Critical articles and essays by: F. Alfano
Miglietti, G. Alviani, Felix A. Baumann, M. Bottinelli Montandon, Joseph Beuys, A. Busto,
T. Carpentieri, C. Ciarli, C. Chirici, B. Cor, D'Avossa, D. Davvetas, M. De Caro, L. De Domizio
Durini, C. Fullone, A. Izzo, G. R. Manzoni, A. Musella, M. Pisani, E. Quarantelli, P. Restany, V.
Russo, G. B. Salerno, C. Santoro, H. Szeemann, P. Tedeschi, I. Tomassoni, T. Trini, M. Vescovo
and G. P. Vincenzo. Photographs by Buby Durini. Published by Il Clavicembalo, Milan;
16
Arnaldo Pomodoro - a series of short documentaries which cover the artist's work from the
1960's up until the 1990's. Translation and subsequent dubbing of the critical texts prepared by
Roberto Sanesi. Documentary production by Orti Film Studio, Milan;
Spinoccia: The Winter Garden. Critical text by Vittorio Fagone (The Winter Garden
by Spinoccia). Monograph of the artist's works, 1990/1992. Published by Edizioni
Charta, Milan;
RISK Magazine International no. 8, an interdisciplinary review of theory and practice in the
Arts. Critical articles and essays by: F. Alfano Miglietti, C. Babeti, Felix A. Baumann, T. W.
Bechtler, M. Bottinelli Montandon, C. Chirici, A. D'Avossa, D. Davvetas, M. De Caro, C. De
Martino, L. De Domizio Durini, A. Fogli, B. Jakober, E. Quarantelli, P. Restany, V. Russo,
H. Szeemann, P. Tedeschi, M. Vescovo and G. P. Vincenzo. Photographs by Buby Durini.
Published by Il Clavicembalo, Milan;
Maurizio De Caro: The Museum of Present Time - Project Genesis. Critical texts
by Pierre Restany, Lucrezia De Domizio and Maurizio De Caro. Photographs by
Carmine De Martino and Buby Durini. Published by Edizioni Carte Segrete, Rome.
1993:
Antonio Teruzzi - luoghi di luce. Critical text by Roberto Sanesi (Places of Light).
Monograph published by Edizioni d'Arte Roberto Severgnini, Milan;
Joseph Beuys: The Felt Hat (theatrical version) by Lucrezia De Domizio Durini,
with the additional text entitled: Hypothesis of Stage-Design. Published in the
Clavicembalo Series by Edizioni Carte Segrete (Data Arte), Rome;
Walter Valentini. Critical text by Gian Piero Vincenzo (Painting Score: 1) The
Unit of Measure; 2) The Experience of the Square; 3) Space and Time; 4)The
Music of the Spheres; and 5)The City of the Sun. Catalogue published by Manuela
Allegrini Arte Contemporanea, Brescia;
17
The following three volumes, published by Carte Segrete (Rome), form part of the
exhibition titled Operacin Difesa della Natura held at the Centre d'Art Santa
Mnica in Barcelona (Spain):
Joseph Beuys - Foundation for the Rebirth of Agriculture. Text by A. d'Avossa
(Tomorrow the Earth), a conversation between P. Tedeschi and L. De Domizio
(Beyond the awareness of nature) and a Discussion with Joseph Beuys on the 12th
of February 1978 in Pescara (between Beuys, V. Russo, B. Cor, D. L. Coromilas
and A. Bonito Oliva);
Joseph Beuys - The Living Sculpture in Bolognano. Texts by Maurizio De Caro
(The Project); Lucrezia De Domizio (The Diamond); Giovanni Mariani
(Intersectorial Integrations); and Documents;
Joseph Beuys - A Meeting Beyond the Image: Joseph Beuys & BubyDurini. A
photographic documentary by Buby Durini. Annotational texts by L. De Domizio
(Joseph Beuys: the word of the image) and A. dAvossa (Joseph Beuys and Buby
Durini: photography as the breath of thought).
1994:
Nam June Paik the shaman of the videoo. Preface by Philippe Daverio. Critical
texts by Gino Di Maggio (The Shaman of the Video), Dominique Stella (The Artist
as Transcontinental Communicator), Vittorio Fagone (The Luminous Images by
Nam June Paik), Achille Bonito Oliva (The Sleep-cum-Wakefulness of Art in Nam
June Paik), Yongwoo Lee (Information and Communication), Henry Martin (Nam
June Paik: Video is Boring) and an interview by Daniela Palazzoli entitled Nam June Paik:
From Haiku to the Spot). Exhibition held at the Palazzo Reale, Arengario, Milan. Catalogue
published by Edizioni Gabriele Mazzotta/Fondazione Mudima, Milan;
18
Max Hamlet Sauvage The Dream Sculpted and Painted. An anthology of the
artist's work with critical texts by Arturo Schwarz (Max Hamlet and the sacred
dimension of eroticism); Giorgio Di Genova (Psychic symbols and motivations
in the narration by Max Hamlet); Pierre Restany (The vacuum is full and painting
is safe) and Alberico Sala (Max Hamlet Sauvage, an eccentric surrealist:he upturns
the comic and with the new chapter of sculpture desecrates the American, RoyLichtenstein,
and Alberto Savinio); and an Interview with Max Hamlet: A Pop-existential surrealist made in
Italy). And writings by the artist entitled: Reflections about art from my own point of view.
Exhibition and presentation of the volume held at the Spazio Prospettive, Milan. Published by the
Museum Erotic Surrealist Art Edition (with the collaboration of the Fondazione Brindisi), Milan;
Enri
1995:
Samantha Hsiao - Beyond the Great Threshold. Critical text by Riccardo Barletta
(Life, the Tempest, the Absolute and Destiny) and testimonies by Pia Pizzo and
Hsiao Chin. The volume includes numerous poems and writings by other authors in
memory of the young artist who died prematurely in 1990. Published by Edizioni
d'Arte Roberto Severgnini, Milan;
Man Ray - Alphabet for Adults. Critical text by Daniela Palazzoli (Alphabet of
Affection: from person to person). Facsimile edition of 41 drawings in India ink
initially published in catalogue form by the Copley Galleries of Beverly Hills in
1948 on the occasion of the one-man show held by the artist. Published by Gi
Marconi Edizioni, Milan;
Gio' Pomodoro - Taino Public Park: The Locus of the Four Cardinal Points.
Photographs by Gianni Berengo Gardin. Dialogue between Berengo Gardin and
Alberto Fiz. Texts by Gio' Pomodoro (Taino Public Park and Locus of the
Four Cardinal Points). Critical essay by Dario Micacchi entitled Memory of the
Greeks. Volume published by Artificio, Florence;
Niele Toroni and Felice Varini. Texts by the same artists, coordinated by Maddalena
Disch. Exhibition held at the Studio D'Arte Contemporanea Dabbeni. Texts published
in "Temporale" nos. 36-37, Edizioni Dabbeni, Lugano;
XLVI Venice Biennial - Venice and the Biennale: Itineraries of Taste. Critical texts
by Chiara Rabitti (The Events and the People. The Brief History of an Institution)
and by Flavio Fergonzi (Sculpture at the Venice Biennale (1895-1948). Exhibition
held at Palazzo Ducale. Published on the occasion of the XLVI Esposizione
Internazionale d'Arte di Venezia. English edition published by Fabbri Editore, Milan;
MUel - The Electronic Museum: the Luciano Giaccari Video Library. Donation
made to the Comune of Varese and housed in Castello Masnago. Catalogue with texts
by Vittorio Fagone (Video as Memory), Luciano Giaccari (Muel - The Electronic
Museum) and Maud Ceriotti (Historical Note). Published by the Comune di
Varese/MUel;
20
Paolo Icaro: 1965-1995. Catalogue editing and introductory text by Danilo Eccher
(Paolo Icaro: the Flash of Darkness). Other texts - not translated - by various
authors. Exhibition held at the Galleria Civica di Arte Contemporanea, Trent.
Catalogue published by the Galleria Civica di Trento/Skira Editore, Milan;
Man Ray: La Mode au Congo. The 35 photographs reproduced from Man Ray's
original negatives dated 1937, printed in 1981 by Paolo Vandrasch, plus 9 loose
facsimiles from the original negatives of photographic contact prints, also dated
1937 (donated by Juliet Man Ray to the "Studies Centre and Archives of
Communication" [CSAC] of the University of Parma). The text is from the catalogue Man
Ray - Photographs 1930 published by CSAC. Exhibition and edition by Gi Marconi, Milan.
1996:
Dal Seicento olandese alle avanguardie del primo Novecento The Collection
of Baron Eduard von der Heydt at Monte Verit. Preface by Manuela Kahn-Rossi.
Critical texts by Lidia Zaza-Sciolli, Mara Folini, Huang Qi and Janis Osolin. Part of
the series entitled Squardi sulla Collezione. Exhibition catalogue published by the
Museo Cantonale d'Arte, Lugano;
21
22
Bianchi - Kounellis - Plensa. Critical text by Bruno Cor (Vigil). Exhibition catalogue
published by Scognamiglio & Teano Agenzia d'Arte Moderna, Naples;
Seven Thousand Years of Modern Sculpture, preface by Pieter Coray and critical
introduction by Carlo Bertelli. Exhibition held at the Galleria Pieter Coray, Lugano.
Catalogue published by Galleria Pieter Coray, Lugano/Skira Editore, Milan;
Alberto Burri, critical texts by Carlo Pirovano (The Seasons of Fire) and
Federica Pirani (Requested silence and the need for the word - notes on the
critical vicissitudes of Alberto Burri). Exhibition held at the Palazzo delle
Esposizioni, Rome (in collaboration with the Galleria Nazionale d'Arte
Moderna (Rome) and the Fondazione Palazzo Albizzini (Citt di Castello). Catalogue published
by the Comune di Roma/Electa, Milan;
ARS AEVI 2000 - ten international artists for Sarajevo: Balkenhol, Buren,
Castellani, Dibbets, Kounellis, LeWitt, Mattiacci, Opalka, Panamarenko and
Plensa. Critical text and catalogue supervision by Bruno Cor. International
Exhibition held at the Centro per l'Arte Contemporanea Luigi Pecci in Prato.
Catalogue published by Skira Editore, Milan;
23
1997:
Artinmosaico - The Bisazza Collection. Critical texts by Achille Bonito Oliva (The
Transparent City); Fulvio Irace (Philosophical City: Scintillating and Crystalline);
Angelo Trimarco (Sub specie lucis); Alessandro Mendini (The Philosophical City),
and Piero Bisazza (Mosaic Enlightened). A sort of mini-city 'laboratory' of nineteen
artists who in using glass mosaic tesserae create the new city. Exhibition held at the
Scuderie di Palazzo Reale, Naples. Catalogue published by the Comune di Napoli
and Skira Editore (Milan);
Petros. Video with critical and explanatory text by Piera Gatta, a poem by Raffaele
Carrieri and a critical excerpt by Roberto Sanesi. Spoken by Daniel Richards. Video
production by U.V.C., Milan;
The Art World through the Lens of Buby Durini. Main critical texts
[Annotations] by Harald Szeemann, Pierre Restany and Lucrezia De Domizio
Durini. Posthumous writings by Buby Durini. Other texts [Testimonies] by Italo
Tomassoni, Giancarlo Politi and Felix Baumann. Video filmed by Muel The
Electronic Museum (Luciano Giaccari). Exhibition held at the Milan Triennial.
Volume published by Edizioni Charta, Milan;
24
Luca Bossaglia: Between the Finite and the Infinite. Critical texts by Flaminio
Gualdoni and Paola Casati Migliorini. Introduction by Rossana Bossaglia.
Exhibition catalogue published by Bianca Pilat Arte Contemporanea,
Milan/Chicago;
1998:
Rabisch: The Grotesque and Profane in Milanese Art 1550-1600 (LAccademia della Val di
Blenio). Exhibition documentation for visitors. Printed by the Museo Cantonale d'Arte, Lugano;
Guido Peruz: The Apocalypse according to Peruz. Critical text by Emilio Isgr.
Volume published in "Le Carte Nascoste" series. Campanotto Editore, Pasian di
Prato, Udine;
That's Art, nos. 5-8 and 11, guides to the art exhibitions held in Milan and its environs.
Critical texts and essays by: P. Dorazio, J. Eielson, L. Giaccari, L. Genovese, M. Polacco,
Matino, G. Frangi, L. Giudici, C. Olivieri, F. Gualdoni, Maggia, D. Benati, C. Caponnetto,
P.L. Senna, J. Ceresoli and M. Medaglia. Published by I.erreM, Milan;
25
Erewhon. An Internet site dedicated to culture. A special section treating the town-planning
'rebirth' of Berlin: The projects of the Deutsche Bahn: the station and the stations of the future;
The station as museum. The Hamburger Bahnhof Museum fr Gegenwart, a new museum
for the present: 1) In the spirit of Beuys; 2) The place of the present; 3) The Marx Collection;
and an article on the most important architectural project in Berlin, the Postdamerplatz. Section
selected and written by Agnese Grieco. Erewhon web site created by Sonar Webmaster, Milan;
26
Francesco Vella Writings and objects 1998. Critical introduction to the artist's
work by Magda Sohns-Pretraglio. Exhibition catalogue published by the Galleria
Palladio, Lugano;
1999:
Thats Art, nos. 12-15, guides to the art exhibitions held in Milan and its environs.
Critical texts and essays by: M. Medaglia, M. Raciti, F. Tedeschi, F. Bonazzoli, A.
Madesani, G. Vicentini, G. Scim, S. Zecchi, E. Di Raddo, G. Ballo, E. Sottsass, M.
Di Marzio and A. Colonetti. Published by I.erreM., Milan;
www.provincia.varese.it - a website treating the numerous cultural aspects of the Varese Region
(also touching on the area of Mendrisio in the neighbouring Swiss Canton Ticino): historical
vicissitudes of the region, its castles, churches, baptisteries, villas, artists, historical personalities,
town planning, industrial archaeology, theatres, museums and national parks (and as a website
these are all interlinked). Published for the Province of Varese by Sonar, Milan;
Guido Peruz. Critical text by Pierre Restany (The Oratory and the Laboratory);
Finotti: Marmi - 1973/1998. Critical texts by Massimo Bertozzi, Antonio Paolucci,
Rossana Bossaglia and Jos Pierre. Exhibition held at the Palazzo Ducale, Massa.
Catalogue published by Edi.artes, Milan;
27
2000:
Francesco Petrollo - The Visionary Fable. Critical text by Floriano De Santi (The
evolution and research of Petrollo's sculptural works). Volume published by
Edizioni d'Arte Severgnini, Milan;
28
Paths of the Spirit: The Year Two Thousand - six international artists: Amore,
Casu, Contini, Hirose, Lindsay and Nazzari. Critical texts by Claudio Cerritelli:
Paths of the Spirit: Antonio Amore (The Mourning of Christ); Francesco Casu
(Landscapes of the Soul); Aldo Contini (Retablo); Satoshi Hirose (A Walk Among
the Skies); Arturo Lindsay (Sanctuary of Souls) and Wanda Nazzari (The Principle
of Doubt). Exhibition catalogue published by the Centro Internazionale Man Ray, Cagliari;
2001:
Galleria Gottardo 1989 - 1999. Volume edited by Luca Patocchi and Alberto
Bianda. Testimonies to the adventure by Mario Botta , Genevive Jean Roulin,
Paul Barbier, Roberta Valtorta, Luca Patocchi (interviewed by Giovanni Orelli)
and Alberto Bianda (interviewed by Giampiero Bosoni). A catalogue of all the
exhibitions and their installation planimetries held by the gallery during its first ten
years of activity. Published by the Fondazione Galleria Gottardo, Lugano;
29
Edizioni, Milan;
Max Kuatty Take me where things have a soul. Critical texts by Tommaso Trini
(The Classical of Modernity) and Pierre Restany (Codex Codicum 1999-2000).
Exhibition catalogue published by the Galleria Contemporanea Arti e Cultura and
Archimede Arte, Milan;
30
Antonio Tonelli. Critical text by Rossana Bossaglia (The symbols of Van Gogh).
Exhibition catalogue published in the series Quaderni Artistici by the Galleria
Armanti, Varese;
Nino Mustica. Critical texts by Massimo Don (Of Another Abstraction: on the edge
of the pictorial production by Nino Mustica) and Stefano Zecchi (Form, Art and
Knowledge: crisis and delirium of inner life). Exhibition catalogue published by the
Galleria Dante Vecchiato, Padua.
2002:
Isao Hosoe. Extemporary: the designer as the Trickster (for countless a foreigner, by many
understood). Explanations by a famous designer of simple solutions for apparently impossible
objects. Hosoe Design Studio, Milan;
Ferdinando Scianna - "Those People of Bagheria". A total of 390 black & white
photographs retrieved by the author from his archives and forgotten material,
published for the first time treating the darkroom of the memory (as elicited by
Leonardo Sciascia). Photographs of forty years of a Bagheria 'that was'. Texts by
Ferdinando Scianna. Exhibition catalogue published by the Fondazione Galleria
Gottardo, Lugano;
31
Italian Avantgarde Car Design. Critical texts by Bruno Alfieri (Art and
Coachwork), Rossana Bossaglia (The Image of the Automobile from Liberty to
Design), Robert Cumberford (Italian Design Genius - Sensuality, Style and
Substance) and Fulvio Cinti (Italian Style: What Future?). Two chapters of the
volume are also dedicated to the influence of Art Nouveau and Art Dco on
automobile design. Exhibition held at the 69th Regiment Armory in New York. Catalogue
published by Automobilia, Milan;
Luciana Matalon - Narrating ancient alphabets, signs and traces. Critical text by
Martina Corgnati and annotations by Ferruccio de Bortoli and Miklos N. Vargas.
Exhibition held at Palazzo Racani Arroni (Piazza Duomo), Spoleto. Catalogue
published by Signum Edizioni dArte, Milan;
Idea of Metropolis. Eight photographers illustrate the theme of the Metropolis in the
first volume published by the newly-founded Museum of Contemporary Photography
Villa Ghirlanda in Cinisello Balsamo (Milan): Orio, Colanzi, Marossi, Signorini,
Jodice, Zamagni, Mangano and Di Bello. Critical texts by Roberta Valtorta (The
Body as Interface of the Landscape), Eleonora Fiorani (Tales of the Absent City) and
Gustavo Pietropolli Charmet (Metropolis and its Discontents). Exhibition catalogue published by
the Comune di Cinisello Balsamo/Silvana Editoriale, Milan.
2003:
Luce Delhove. Critical text by Claudio Cerritelli (Among the Furrows of the Mind:
Regarding the recent sculptures by Luce Delhove). Exhibition catalogue published
by SpazioTemporaneo, Milan;
32
New Trends in Work Places. A study by the Milan Polytechnic for Haworth Inc/Castelli S.p.A.
The research aim: an in-depth study of the workplace, its evolution and future demands. In the
words of Professor Trabucco: "One goes beyond typologies such as the chair, the table, adjustable
wall panels and containers, ideating other projects that facilitate relations between the individual
and his/her work". Volume published by Silvana Editoriale/Milan Polytechnic, Milan;
Mara Pepe - Recent Sculptures. Critical texts by Claudio Cerritelli (Sculpture as
Critical Space: Beyond Minimalism; Purification of the Form; Visible and Invisible;
and The Body and the Environment) and by Giorgio Bonomi (Postfaction) [translated
by Claire Verstraete]. Published in collaboration with Andrea Pronto Arte
Contemporanea, Treviso;
Adriano Piu. A monograph of the artist's paintings and sculptures. Critical text by
Giorgio Segato (Dream Fragments). Volume published by Edizioni d'Arte Severgnini,
Milan;
2004:
Paolo Minolo Works 1974-2003. Critical text by Alberto Veca (Episodes for
a Story: Regarding Language; Regarding Poetics; Chronologies; Subjects; and
A sense). Exhibition held at LAC Lagorio Arte Contemporanea, Brescia.
Catalogue published by Mazzotta, Milan;
Spinoccia - Celle [Cells] 2002-2003. SEC XXI. Critical text by Guido Oldani (The
Place of the Where) and a series of observations by the artist. Exhibition portfoliocatalogue published in the Collana Contafili series (no. 2) by the Galleria dArte
Ciovasso, Milan;
33
Angelo Dozio - The Spatialism of an artist who'traces out lines'. A monograph with critical
texts by Riccardo Barletta: 1) Abstraction, the horizon of the Twentieth Century; 2) Ars
constructiva: alternate visions of vitality; 3) The great march to the Geometrical Absolute;
4) Labyrinths and music in and of Space; 5) Tridimensionality, environment and space; and
6) Clods of Earth: arrival at the Organic Absolute. Volume published by Mazzotta Editore,
Milan;
The Age of Rubens: Homes, Patrons and Collectors in Genoa. An extensive series
of exhibition panels (34), explanatory notes and the titles of the works on exhibit: the
families, their palaces and their collections. Here the exhibition panels synthetically
introduce the visitor both to the Room and its specific contents (above all paintings,
but also the other collection investments like tapestries and silverware which were
important indications of the family's economic, social and political position in Genoa). The
exhibitions held in Palazzo Ducale, Palazzo Rosso and Palazzo Spinola. Material published by the
Comune di Genova and Skira Editore, Milan;
2005:
Archivio del Moderno - Mendrisio Architectural Academy. Aims and methods of the Archivio
del Moderno (Archives of the Modern) and proposed research programmes in collaboration with
France, Italy, Austria and the United States for monographic volumes treating Ticinese architects
and neoclassical architecture: Luigi Canonica (1764-1844), state architect: Imperial language
and professional practice; Kulturtrasfer and innovation in an international state architect:
Pietro Nobile (1776-1854); and Carlo Rossi (1775-1849) and the construction of Imperial St.
Petersburg. University of Italian Switzerland (USI), Mendrisio (Switzerland);
Gianni Caravaggio (Ideas for the creation of some works), Marzia Migliora (The Freud
Museum and Separation from the Family) and Flavio Favelli (Private Collection). Three art
projects submitted for a Grant offered by the Amici Sostenitori del Castello di Rivoli. Castello di
Rivoli Museo dArte Contemporanea, Rivoli (Turin);
The Multiuniverse of Art, critical text by Tommaso Trini. An exhibition and text of couples
(four duets) of artists whose differences form this multiuniverse: Dangelo & Moiso, Adami &
Nespolo, Sturla & Hsiao Chin, Tornquist & Le Parc. Exhibition held at the Casa delle Regole in
Cortina dAmpezzo. Catalogue published by Edizioni dArte Severgnini, Milan;
Antonio Cassi Ramelli. An exhibition dedicated to the life and work of this
Milanese architect. Projects, models, explanatory panels and photographs by
Gabriele Basilico: Eclecticism of Reason; Documents of Architecture and the
Realities of Buildings; Between the Sacred and the Profane; Continuity and
Contiguity; Publishing exploits, erudite divertissements; and Amarcord [I
remember]. Duty and Pleasure. Organised by the Fondazione Cassi Ramelli. Exhibition
held at the Palazzo della Ragione (Piazza dei Mercanti), Milan;
34
Luigi Di Sarro The Anatomy of Art. Critical texts by Angelo Capasso (The
Anatomy of Art: the system of the arts in the work by Luigi Di Sarro), Tonino
Sicoli (Luigi Di Sarro and the restless 1970s) and Marzia Martino (The Search
for a Lifetime). Exhibition held at PalazzoVitari, Museo dArte dellOtto e
Novecento - Centro A. Capizzano (Rende) in collaboration with the Centro Luigi
Di Sarro (Rome). Catalogue published by AR&S. Exhibition held in Rende (Cosenza);
Maria Cristina Carlini Finds. Critical texts by Carlo Franza (Finds) and Claudio
Cerritelli (Finds in the Womb of the Visible). This is an exhibition that following
Traces and Places and Rooms further investigates the relationship between mankind,
matter, nature and the mystery by way of fourteen installations and works using iron,
gold, manganese, wood, paper, grs and ceramics (finds). Exhibition held at Villa
Pisani in Str (Venice). Catalogue published by Skira Editore, Milan;
Video Art The Castello di Rivoli Collection. Introductory text by David A. Ross
(History Remains Provisional). Critical files for each artist included in the catalogue
by Francesca Bernadelli and Marcella Beccaria. Other translations by Marguerite Shore
and Emily Ligniti. Volume published by Castello di Rivoli - Museum of Contemporary
Art (in collaboration with the Compagnia di San Paolo) Rivoli (Turin) and Skira
Editore (Milan);
Graziano Negri. First volume of the series entitled Percorsi del Colore edited by
Claudio Cerritelli. Critical texts by Fabrizio DAmico (To the Limit of Silence) and
Claudio Cerritelli (Onsets of Colour-Light). Volume published in collaboration with
the Galleria Plurima (Udine) by Nicolodi Editore, Rovereto;
Spinoccia Reperti Archeologici Italiani. FINE SEC. XX. Critical text by Giorgio
Seveso (Pippo Spinoccia and Good Vibrations). Paintings and sculptures for an
archaeological installation. Portfolio edition published in the Collezione Contafili
series (no. 6) by the Galleria dArte Ciovasso, Milan;
35
2006:
Sonia Costantini. Second volume of the series entitled Percorsi del Colore edited
by Claudio Cerritelli. Critical texts by Giuseppe Panza di Biumo (The Colour is
Light), Claudio Cerritelli (Freedom of Thought-Light) and a note by Franco Piavoli
(The Colours of Sonia). The volume was presented as the catalogue of the exhibition
held at the Galleria Il Milione (Milan). Published by Nicolodi Editore, Rovereto;
Vincenzo Cecchini. Third volume of the series entitled Percorsi del Colore edited
by Claudio Cerritelli. Critical texts by Diego Collovini and Claudio Cerritelli (The
Suspended Light of Emptiness). Critical excerpts by C. Vivaldi, E. Puglielli, G.
Cortenova, E. Longari, F. Abbate, P. Mascarucci, D. Collovini and A. Madesani.
Volume presented as the catalogue of the anthological exhibition The Gesture and
the Colour: 1955-2005 - held at the Galleria Comunale Santa Croce (Cattolica). Published by
Nicolodi Editore, Rovereto;
Giovanna Strada. Critical text by Alberto Veca (The work and the place).
Exhibition catalogue published by the Galleria Bazart, Milan;
Maria Cristina Carlini. Critical text by Claudio Cerritelli (Regarding the Poetics
of Maria Cristina Carlini: 1. Imprints of the Lived; 2. Typologies and Materials;
3. Papers and Frames; and 4. Books and Tactile Forms). A portfoglio catalogue of
the exhibition held at the Galleria delle Battaglie (Brescia), in collaboration with the
Galleria Borgogna (Milan). Published by Galleria Borgogna, Milan;
Spinoccia Storie del Dolore. 2004-2005 sec. XXI. Critical text by Alberto Veca
(Stories of Suffering). A series of acrylic paintings on canvas. Portfolio edition
published in the Collezione Contafili series (no. 7) by the Galleria dArte Ciovasso,
Milan;
36
Gianni Pellegrini. Fourth volume of the series entitled Percorsi del Colore edited
by Claudio Cerritelli. Critical texts by Alberto Veca (Low Definition) and Claudio
Cerritelli (Moments of Shade: 1) The extensions of light; 2) Space without weight;
and 3) Colour shines with shadow). Critical anthology by G. Belli, W. Guadagnini,
C. Olivieri, L. Meneghelli, P. Fossati, G.M. Accame, D. Collovini, C. Cerritelli, D. Eccher,
M. Goldin, L. Mango, P. Jori and A. Madesani. Volume published by Nicolodi Editore, Rovereto;
MozArt Travel notes in the G-clef. Exhibition panels. Section I: The face of music;
Section II: Mozart and Italy/The Musical Academy of Bologna; Section III: To Verona;
and Section IV: Within the myth of Mozart. Fifty paintings documenting the Mozarts
travels in Italy between 1769 and 1773 (Wolfgang Amadeus and his father-cummanager, Leopold), patrons, friends and personalities of the musical circles in Northern and
Central Italy. Curated by M.B. Ottaviani, A. Carlini and G. Fornari. Exhibition held at the Museo
Civica di Riva del Garda, Province of Trent;
From Prampolinis cosmic idealism to the Endless House by Kiesler. An essay by Silvia
Ferrari treating the artistic parallels and influences between Prampolini and Futurism and the
Austrian architect, Friedrich Kiesler, his relationship with De Stijl, its various artistic
protagonists and his projects of the electromagnetic stage-setting, the Raumstadt project and
the concept of the uninterrupted space continuity of his Endless House. Essay published in
Italian in the review Nuova Meta (Maffessoli & Ferrero Editore, Turin). Translation for the
Archives of the Kiesler Foundation, Vienna;
Italo Bressan. Fifth volume of the series entitled Percorsi del Colore edited by
Claudio Cerritelli. Critical texts by Giovanni Maria Accame (Italo Bressan: colour
as apparition and reflection) and Claudio Cerritelli (The Realities of Light: 1) The
revelation of the elsewhere; 2) The two-fold threshold of colour; and 3) Sublime
surfacings). Critical anthology by F. Gualdoni, M. Meneguzzo, M. Bertoni, F. DAmico,
D. Pontiggia, E. Tadini, Hapkemeyer, P. Jori, F. Poli and L. Caramel. Volume published by
Nicolodi Editore, Rovereto;
Jiangsu Modern Chinese Ink Painting. Main text by Filippo Salviati (Ink Painting
in China). Exhibition of twenty-eight contemporary Chinese artists who use this
ancient painting technique held at the Museo Leonardiano in Vinci (Florence).
Catalogue published by Nicolodi Editore, Rovereto;
37
Hans Hollein The Soravia Wing of the Albertina in Vienna 2001-2003). An essay by Silvia
Ferrari treating this example of the transformation of urban space in relation to previous projects
by the architect (the Tod [Death] exhibition of 1970, the Tomb of the Racer, the series entitled
Transformations which dates to 1963, the Schullin I and Schullin II Jewellers projects,
respectively dating to 1972 and 1981-1982, and the Media Tower skyscrapers in Vienna of 19942002). The essay was originally published in I nomi della Trasformazione (Vitali & Moretti
Editori, Bergamo). Translation for the Austrian architects personal archives.
2007:
Stefano Grassi Its still dark in the night Critical text by Ivo Serafino Fenu. A
series of images by the photographer treating manifestations of the still dark and
therefore still not defined - but nevertheless present transgender identity of some
young men of the most recent generation in Cagliari. The exhibition is part of the
series entitled Fotografi per unisola (Photographers for an Island). Exhibition catalogue
published by the Centro Culturale Man Ray, Cagliari;
The Force of Painting. Critical text by Claudio Cerritelli (Eight artists between the
past and the present day): Carmassi - Moreni, Fabbri - Milani, Aric - Vago and
Madella - Raciti. Exhibition catalogue published by Galleria Morone, Milan;
Franco Ruaro. Sixth volume of the series entitled Percorsi del Colore edited by
Claudio Cerritelli. Critical texts by Manlio Brusatin (Vertical Colour) and
Claudio Cerritelli (Profound Apparitions: 1) Being disorientated in light; 2)
Technique as infinite event; and 3) Gleams of shadow). Critical anthology by L.M.
Barbero, E. Pontiggia, T. Toniato, D. Marangon, F. DAmico, C. Cerritelli, L. Meneghelli, G.M.
Accame, P. Dorazio and L. Sansone. Volume published by Nicolodi Editore, Rovereto;
Sandro De Alexandris. Seventh volume of the series entitled Percorsi del Colore
edited by Claudio Cerritelli. Critical texts by Angela Madesani (Intractable Painting.
Notes on the work by Sandro De Alexandris) and Claudio Cerritelli (Rooms of
Infinite Light: 1) The exiling of colour; 2) Impassible threshold; and 3) Infinite veils).
Critical anthology by U. Apollonio, L.V. Masini, E.L. Francalanci, G. Beringheli, P. Fossati, L.
Caramel, A.Veca, M. Rosci, R. Pasini, G. Romano, C. Cerritelli, F. Tedeschi, A. Madesani, F.
Parachini and F. Poli. Volume published by Nicolodi Editore, Rovereto;
38
Teres Wydler N.I.C.E. Nature in Corrosive Ecstasy. Critical text by Elio Schenini
(Thinking About Extreme Phenomena). Exhibitions held respectively at the
Kunstraum Dornbirn (Dornbirn, Austria) and at the Museo Cantonale dArte, Lugano
(Switzerland);
Stefano Turrini. Eighth volume of the series entitled Percorsi del Colore edited by
Claudio Cerritelli. Critical texts by Lara-Vinca Masini and Claudio Cerritelli (The
Shadow of Colour: 1) Surfacings from the past; 2) From shadow to shadow; and
3) Painting the impossible). Critical anthology by G. Semeraro, P. Santi, E. Mucci,
Gallo, B. Comment, C. Cerritelli, S. Poli and L-V. Masini. Volume published by
Nicolodi Editore, Rovereto;
2008:
Rolando Tessadri. Ninth volume of the series entitled Percorsi del Colore edited by
Claudio Cerritelli. Critical texts by Giorgio Bonomi (The Emotional Grids) and
Claudio Cerritelli (Light Without Confines: 1)The luminous objectivity of the surface;
2) The silence of colour, painting without clamour; and 3) Grids of light, meshes of
imagination. Critical anthology by F. Degasperi, T. Meazzi, O. Berlanda and G. Bonomi.Volume
published by Nicolodi Editore, Rovereto;
39
Museo Cantonale dArte Lugano. New web site and programme for 2009: Cesare Lucchini
(What Remains); Stefania Beretta (In memoriam); Julius Bissier (Metaphysical Painter);
Terzaghi/Zurcher; The Face and the Gaze 1969-2009; Francis-Bott Works from the Donation;
Art and Nature; Works from the Collection of the Museo Cantonale dArte; Huber.Huber; and
Fabrizio Giannini. Published by the Museo Cantonale dArte, Lugano.
40
2009:
Huber.Huber Dogs have no soul. Critical text by Elio Schenini. If it is true that
dogs together with other animals do not have a soul [] it has not yet been
demonstrated that mankind possesses one. Limited edition artists book/catalogue
in Italian and English. Exhibition catalogue published by the Museo Cantonale
dArte, Lugano;
Georges Mathieu - Mattia Moreni - Jean-Paul Riopelle: Vehemences Confronted /
I. Critical text by Flaminio Gualdoni (Vehemences Confronted). Exhibition catalogue
published by Galleria Morone, Milan;
Paolo Cotani The Lobster Is A Delicate Monster. Critical text by Micol Forti: 1)
The artist as seismographer of the sign and the matter; 2) Virtual spaces, memory
and oblivion; 3) The limit of the eye, the areas of myth and the tensions of form;
and 4) Of slate and gold. Introduction by Bruno Cor: Paolo Cotani Where the
path leads. Writings by Paolo Cotani: 1970-1978; 1979-1989; 1990-1997; and 19982009. Critical anthology by A. Perilli, C. Vivaldi, G. Dalla Chiesa, I. Panicelli, G. Bonasegale, F.
Bartoli, F. Cortenova, F. Menna, R. Pasini, L. Meneghelli, J. Rykwert, E. Mascelloni, M.
Meneguzzo, Y. Aversa, P. Vivarelli and P. Ferri. Monograph/exhibition catalogue published by
LAC Lagorio Arte Contemporanea (Brescia)/Skira (Milan);
Fabrizio Giannini Live without dead time. Critical text by Elio Schenini. To
neutralise the unique character of actual world events by replacing them with a
multiple universe of mutually reinforcing and self-referential media. At the very
limit they become each others reciprocal content and this constitutes the
totalitarian message of the consumer society (Baudrillard). Exhibition catalogue published
by the Museo Cantonale dArte, Lugano;
41
Atanasio Soldati My escapes from the abstract. Critical text by Francesca Pola:
1) Pursuing the system of life; 2) Refining reality; 3) Compelling memories and the
shell of dreams; 4) The surreal drift: new myths; 5) Musical dynamics; and 6) The
constellations of colour. Exhibition catalogue/monograph published by LAC Lagorio
Arte Contemporanea, Brescia.
2010:
Museo Cantonale dArte Lugano. Programme for 2010: Whats new? A look at the emerging
art scene in Ticino; Isabelle Krieg (Wandering Through Soul Provinces); Fiorenza Bassetti
(Photographs); Gianni Metalli; Aspects of the Collection; Luca Frei; and the Gutai Movement.
Web pages and brochure published by the Museo Cantonale dArte, Lugano;
Afro Renato Birolli Serge Poliakoff: Vehemences Confronted / II. Critical text
by Flaminio Gualdoni (Vehemences Confronted / II). Exhibition catalogue published
by Galleria Morone, Milan;
The Cenobio Group Agostino Ferrari Ugo La Pietra Ettore Sordini Angelo
Verga Arturo Vermi (and Raffaele Menster). Brera (Milan) 1962: one of the many
- but indispensable - short-lived groups whose rejection of the status quo, of the
reigning Informel in Europe and the growing influence of American art, led to the
'crucible' that would create the Italian art of the decades that followed. Critical texts
by A.Vettese (The Cenobio Group), U. Ruberti (The Cernobio Adventure), A. Capaccio
(Cernobio), A.Pogliani (The Cernobio Artists) and F. Abbate (Marked Days). The volume also
includes 35 photographs of the period. Exhibition catalogue published by Galleria ArteStudio,
Milan;
Isabelle Krieg Wandering Through Soul Provinces. Critical text by Elio Schenini.
A magical, subtle and complex flnerie of the soul (proclaimed by Baudelaire and
later taken up by W. Benjamin in his Arcades). The artists installation uses each of
Freuds concepts of the Id, the Ego and the Super-ego to induce a sort of mental and
physical rite de passage in each stage of the obligatory path into and out of the installation.
Exhibition catalogue/artists book published by the Museo Cantonale dArte, Lugano;
Sonia Costantini The Colour Within. Edited by Federico Sardella. Critical texts
by Gabriella Belli (An Inner Path), Nino Weinstock (A chapter of the history of
art: Radical Painting), Giuseppe Panza di Biumo (A conversation with Sonia
Costantini and The Art of Sonia Costantini and the Panza di Biumo Collection),
Federico Sardella (The different vision: a conversation with Sonia Costantini and
Giorgio Colombo) and Sonia Costantini (Annotations of Colour). Exhibition catalogue
published by LAC Lagorio Arte Contemporanea, Brescia;
Mario Raciti 40 Years of Dialogue between an Old Man and Art. Edited by Enzo
Spadon. Critical texts by Flaminio Gualdoni (Regarding Mario Raciti), Klaus
Wolbert (Interiority and the Sublime in the Paintings by Mario Raciti) and Flaminio
Gualdoni (Mario Raciti & Enzo Spadon: a conversation). Other material compiled
by Diego Viapiana. Monograph with 520 colour plates published by Silvana
Editoriale (Cinisello Balsamo Milan);
43
Luca Frei The End of Summer. Critical text by Elio Schenini (Open Metaphors).
The artist plays on the simplicity of the interactive mechanism based upon the
principles
of relational aesthetics [] and relational art as theorised by Nicolas Bourriaud at the
close of the 1990s. Exhibition catalogue published by the Museo Cantonale dArte,
Lugano;
2011:
Museo Cantonale dArte / Museo dArte Lugano. Programmes for 2011. Gutai (Painting
with Time and Space); Araki (Love and Death); Ruth and Giancarlo Moro (Works: 2006-2010);
Christian Stein Collection (A History of Italian Art); Man Ray; Ivana Falconi; Gianfredo Camesi
(Eccit); Hugo Pratt (Hugo Pratts World in the Journeys of Corto Maltese); Christian
Gonzenbach; From the Baroque to the Thresholds of Modernity: 1600-1870 (Works from the
Collections of the Museo Cantonale dArte and the Museo dArte of the City of Lugano);
Consonanze (Dialogues Through Time); Pascal Schwaighofer (The Manor Award); and Adolfo
Feragutti Visconti (Anthological Perspective). Web pages and brochure published by the Museo
Cantonale dArte and the Museo dArte, Lugano;
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Museo Cantonale dArte / Museo dArte Lugano. Programmes for 2012. Rolando
Raggenbass; Giorgio Morandi; Tony Cragg; Oppy De Bernardo; Swiss Art from the
Mobiliare Collection; The painter Hermann Hesse; A Window on the World; and Vincent
Kohler. Web pages and brochure published by the Museo Cantonale dArte and the Museo
dArte, Lugano.
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2012:
Vincent Kohler: Wow! Recounting the Works of Vincent Kohler. A young artist
from Lausanne who uses painting, installations, the engraving and sculpture, mixing
elements of high and low culture that force the public to reflect on a phantasmagoric
poetic world based on the seriously trivial. Critical texts by Elio Schenini: Trivial
pursuit; The vast catalogues of the insignificant For an addenda to Chapter XX of
Life: A Users Manual by Georges Perec; The drummers eyes; Land of Toys; Where tales are told
of potato dragons, swimming sausages and other gastronomic wonders; The Mountebank
(Borges); When objects mysteriously come to life; and A decontextualised chameleon. Exhibition
catalogue published by the Museo Cantonale dArte, Lugano;
2013:
Museo Cantonale dArte / Museo dArte Lugano. Programmes for 2013. Mariapia Borgnini;
Angelo Monotti; Klee-Melotti; Piritta Martikainen; Reality is Not a Common Place (Photographs
and Videos from the Julius Br Art Collection); Saul Leiter (Early Colors); Myths and Mysteries
(Symbolism and Swiss Artists); and Marianne Engel. The season also includes a series of three ad
hoc projects housed in the Limonaia of Villa Saroli in Lugano: the exhibitions of Zimoun in the
Spring, of Valentina De Math in the Summer and of the duo Nevercrew (Christian Rebecchi and
Pablo Togni) in the Autumn;
Fontana has touched the Moon [Raffaele Carrieri] Light and space in the
environments by Lucio Fontana. Critical contribution by Francesca Pola to the
symposium entitled The Medium of Light in the Context of the Neo-avantgarde in
the 1950s and 1960s , held at the Heinrich-Heine University in Dsseldorf and
organised by the Zero Foundation. Volume published by the Heinrich-Heine University
and the Zero Foundation, Dsseldorf.
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Rodolfo Aric. Critical texts by Luca Massimo Barbero (Objects of Painting and
Painting of Space) and Francesca Pola (Rodolfo Aric and the Sixties. Centrality and
Originality of a Contemporary Classic). This is a section of the more extensive
exhibition entitled Postwar: Italian Protagonists, curated by Luca Massimo
Barbero and held at the Peggy Guggenheim Collection in Venice.. Catalogue published
by the Peggy Guggenheim Collection (Venice), the Solomon R. Guggenheim Foundation (New
York) and in partnership with the Archivio Rodolfo Aric (Milan);
Maria Lai Traces of a Distracted God. Critical text by Manuela Gandini (The
tireless fairy with the hands of a man). Exhibited are examples of Maria Lais
poetic and surreal world that is literally held together with stitched threads: medieval
maps and geographies, apparently unreadable manuscripts and books, places made
tangible with seemingly independent threads. Exhibition catalogue published by the
Nuovo Galleria Morone, Milan;
Carlo Ciussi. Critical text by Massimo Don (The alphabets of the unknowable
Carlo Ciussi and the scratches of origin). The authors text accompanies a retrospective
exhibition of this artists work one year after his death. Also on exhibit are works which were
especially created for the gallery. Exhibition catalogue published by A arte Studio
Invernizzi, Milan;
Photographs and videos from the Julius Br Collection. Critical text by Elio
Schenini (Reality is Not a Commonplace). An exhibition of a specific part of the
Banks large collections of works of art which in the case of photography and the
video investigate the complex and fascinating relationship between the image and
reality. Exhibition catalogue published by the Museo Cantonale dArte, Lugano;
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2014:
Flavio Paolucci From Hidden Paths: 1989-2013. Critical texts by Elio Schenini
(Dwelling in Homelessness), Hans Rudolf Reust (Worlds between Object and
Image) and Martin Kunz (Flavio Paolucci in the 70s). The exhibitions title
refers to the inextricable art-cum-nature relationship that is experienced in the
intimacy of its existential dimension and which has always characterised the work
of this still vital octogenarian Ticinese artist. Exhibition catalogue published by the Museo
Cantonale dArte, Lugano;
The Musical Eye. "An exhibition dedicated to the relationship between music and
the visual arts []. A time to display and a harmony to look for". Critical text
by Alfonso Alberti. Works on exhibit by Gianni Colombo, Rodolfo Aric, Carlo
Ciussi, Dadamaino, Riccardo De Marchi, Franois Morellet, Mario Nigro, Bruno
Querci, Niele Toroni, David Tremlett and Gnter Umberg. Exhibition catalogue
published by A arte Invernizzi, Milan;
Samoa Rmy Division Leads to Multiplication: Manor Ticino Art Award 2014.
The artist, thanks to her large installations but also drawings and engravings
inside which she recontextualises visual fragments from the most diverse sources
into new semantic universes [] manages to render up to date those elements taken
from the immense iconographical repertory which history has left in its wake.
Exhibition catalogue published by the Museo dArte Cantonale, Lugano;
Nanni Balestrini Dominating the Visible. Critical texts by Francesca Pola (Neri,
Exactness-Ambiguity, Communication-Expression, Visible-Invisible and DensityRarefaction). Two new cycles by this poet, novelist and artist - The Blacks and
The Masters of Colour in which he continues to investigate the relation between
word and image. Exhibition catalogue published in the Quaderni della Fondazione
Marconi series (no. 13), Foundation Marconi, Milan;
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Una Szeemann & Bohdan Stehlik That which isnt isnt that which. Critical
text by Elio Schenini (The Visible and the Invisible). With a variety of artistic
languages ranging from the video to photography, sculpture and installations the
two artists investigate the complex and often ambiguous relationship between truth
and illusion, reality and appearance. [] The often deceptive mechanisms of
perception and the subtle difference that distinguishes the oneiric dimension or the
imaginary from reality are the artists fundamental themes. Exhibition catalogue
published by the Museo Cantonale dArte, Lugano;
Too Loud A Solitude. Critical text by Angela Madesani. The title of the
exhibition is taken from autobiographical masterpiece by the Czech writer
Bohumil Hrabal. The theme of solitude is evoked in various ways but it is
underlined as always being our fellow-traveller, whether we want it or not.
The artists: Pierpaolo Curti, Felix Curto, Francesco Diluca, Ins Fontenla,
Domenico Grenci, Antonio Marchetti Lamera, Roman Opalka, Paola Risoli and Francesca
Woodman. Exhibition catalogue published by the Nuova Galleria Morone, Milan;
Annak Lou Pitteloud Exercise in the Present State. Critical text by Elio
Schenini (IT BEGINS IN LUGANO. Towards a tetralogical reading of the
work by Annak Lou Pitteloud: an exercise on the present-day state): I The
triadic order; II Exercitium conceptualis; III The democracy to come; and
IV It Begins in Lugano. During the last few years her approach has been
increasingly more conceptual, carrying out a both rigorous and extremely controlled
artistic exercise of the means employed. Her investigation centres on the interconnection of artistic
questions with the political, social and economic realities of today. Exhibition catalogue
published by the Museo Cantonale dArte, Lugano;
A Body for Glory: Theology of the Body in the Papal Collections. The
Ancients, Michelangelo and John Paul II. Critical texts by Elizabeth Lev
and Jos Granados: Egypt: the Body between Decomposition and Immortality;
Ancient Greece: Logos in the Body; Rome and Hellenism: The Body of
Suffering and Force and the Apotheosis of Man; The First Christians;
Michelangelo in the Sistine Chapel; and The Glory: Michelangelo and the Last Judgement.
Foreword by Antonio Paolucci. Edizioni Musei Vaticani, Vatican City State, Rome.
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2015:
Bertozzi & Casoni Non Ricordo [I Dont Remember]. Critical texts by Federico
Sardella (The Final Lie; The Images We Have Inside; and a conversation with the
two artists): The work by Bertozzi & Casoni is mendacious and leads us to an
alluring and sweet sinking amidst the rubble and contradictions of our society
characterised by a decadent beauty, by a heartless consumerism and by unlimited
lies which we often believe, whether we like it or not, even if at the heart of the exhibition the
Pinocchio by Bertozzi & Casoni doesnt remember. Exhibitions and catalogue by the Galleria
Tega (Milan) and Claudio Poleschi Arte Contemporanea (Lucca);
ZERO: The International Art Movement of the 1950s and 1960s. The
exhibition comprises 45 of Zeros most representative artists. Catalogue
edited by Dirk Prschmann and Margriet Schavemaker (Berlin
Amsterdam). Critical texts by Antoon Melissen, Johan Pas, Thekla Zell,
Francesca Pola (The Image Redefined. Poetics of Zeroing in the
European Neo-avant-garde) and a conversation between Mattijs Visser and Daniel Birnbaum.
Exhibitions held at the Martin-Gropius-Bau Museum in Berlin (21 March 8 June) and at the
Stedelijk Museum in Amsterdam titled Let Us Explore the Stars (4 July 8 November).
Catalogue published by the ZERO Foundation (Frankfurt) and by Verlag der Buchhandlung
Walther Knig (Kln);
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Mariella Bettineschi The Next Era. The critical text of this series of photographs
by Francesca Pasini (The next era: vacuums of air and two-fold visions of the eye). In
the artists own words: The next era is deducible from what happened before
although it is never totally focused while it is lived. Consequently, these vacuums of
air allude to the unexpected, the unforeseen and to the not yet definable. Exhibition
catalogue published by the Nuova Galleria Morone, Milan;
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