Professional Documents
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ROBERTSON
CONDUCTS
JOHN WILLIAMS
march
CLASSICAL
ALEXANDER GAVRYLYUK
IN RECITAL
SCHUMANN Kinderszenen
MOZART Piano Sonata in C, K330
LISZT Lacrymosa from
Mozarts Requiem
LISZT Tarantella from
Venezia e Napoli, S162
PROKOFIEV Sonata No.6 (War Sonata 1)
Pre-concert talk
by Stephanie McCallum
DISCOVER
SHOSTAKOVICHS NINTH
SHOSTAKOVICH Symphony No.9
Richard Gill conductor
Tenix Discovery
RUSSIAN DAYDREAMS
TCHAIKOVSKY & PROKOFIEV
TCHAIKOVSKY Symphony No.1,
Winter Daydreams
PROKOFIEV Alexander Nevsky Cantata
Pinchas Steinberg conductor
Natascha Petrinsky mezzo-soprano
Sydney Philharmonia Choirs
BEETHOVENS FIFTH
VINE Smiths Alchemy for strings
WIENIAWSKI* Violin Concerto No.2
BEETHOVEN* Symphony No.5
Pinchas Steinberg conductor
Karen Gomyo violin
Master Series
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JOHN WILLIAMS
A C E L E B R AT I O N
2SCEDT
The essential JOHN WILLIAMS collection
Almost 2 hours of memorable hits from the movies performed
with tremendous verve and panache.
CD
SET
THE HOBBIT
ROBERTSON CONDUCTS
JOHN WILLIAMS
David Robertson conductor
Andrew Haveron violin
Sydney Childrens Choir
Gondwana Alumni Choir
Lyn Williams, Artistic Director
INTRODUCTION
Robertson conducts
John Williams:
Music from the Movies
John Williams is credited with restoring symphonic sound to
the movies in the 1970s putting the orchestra back into the
cinema. So it seems right to return the compliment tonight by
bringing his film music into the concert hall.
Williams spearheaded the symphonic revival with his score
for The Poseidon Adventure in 1972. Its big, Korngold-inspired
sound, made waves after a decade in which soundtracks had
tended towards jazz, pop and electronics, and in which every
movie simply had to have a hit song (think Moon River). His
award-winning score for Jaws followed in 1975. Then, two
years later, he wrote the film score that really made his name.
In Star Wars, not only were audiences given a lush orchestral
score, that score was accompanying science fiction! John
Williams astutely recognised that, despite the intergalactic
setting, the space ships and the lightsabers, Star Wars was
at heart a work of romantic storytelling. It is, after all, A long
time ago in a galaxy far, far away.
Since then, John Williams has given audiences the scores
for Close Encounters of the Third Kind, Superman (1978),
more Star Wars films, the Indiana Jones movies beginning
with Raiders of the Lost Ark in 1981, E.T. the Extra-Terrestrial,
The Witches of Eastwick, Empire of the Sun, the more intimate
sound worlds of The Accidental Tourist and Home Alone,
Jurassic Park, Schindlers List with its featured violin, Amistad,
Saving Private Ryan, Angelas Ashes, The Patriot, A.I.:Artificial
Intelligence, the Harry Potter movies, Minority Report, War
of the Worlds, Memoirs of a Geisha, The Adventures of Tintin,
War Horse, Lincoln and most recently The Book Thief.
That was just a partial list, and a single concert can
represent only some of these marvellous scores. Which
movies and which moments has called for a careful process
of selection and theres no one better to introduce it to you
than tonights conductor, David Robertson.
Turn to page 27 to read Bravo!
musician profiles, articles
and news from the orchestra.
There are nine issues through
the year, also available at
sydneysymphony.com/bravo
John Williams
range is without bounds,
his inspiration seems
unending, and his
power to unlock our
emotions is
breathtaking.
DR
Its ironic to think that, despite his Star Wars scores top spot
on the AFI list, Williams never dreamed that the movie itself
would be so successful, simply believing that it would make
a great rip-roaring childrens Saturday matinee. Five sequels
(and counting) and several billion dollars later, hes been
proved spectacularly wrong, and the movies theme, along
with those of the Superman and Indiana Jones films, are now
indelibly stamped on the consciousness of several generations
of movie-goers.
What is it about Williams movie themes that makes them
so memorable? That he has a melodic gift is undeniable; his
extensive musicianship is not in question. His real genius,
however, lies in his ability to devise a seemingly simple theme,
10
On Harry Potter:
Hedwigs Theme has
a mystery and grace
that seems to sum up
the whole magic of
Harrys world with its
labyrinthine twists
and unexpected
harmonies.
DR
11
13
LORRAINE NEILSON
SYMPHONY SERVICES INTERNATIONAL 2014
15
MICHAEL TAMMARO
THE ARTISTS
David Robertson
Chief Conductor and Artistic Director
American conductor David Robertson is a
compelling and passionate communicator
whose stimulating ideas and music-making
have captivated audiences and musicians alike,
and he has established strong relationships
with major orchestras throughout Europe and
North America.
He made his Australian debut with the Sydney
Symphony Orchestra in 2003 and soon became
a regular visitor to the orchestra, with projects
such as The Colour of Time, a conceptual
multimedia concert; the Australian premiere
of John Adams Doctor Atomic Symphony; and
concert performances of The Flying Dutchman
with video projections. This is his first year as
Chief Conductor of the SSO.
He has been Music Director of the St Louis
Symphony since 2005. Other titled posts have
included Principal Guest Conductor of the
BBC Symphony Orchestra, Music Director of
the Orchestre National de Lyon and resident
conductor of the Jerusalem Symphony
Orchestra. A recognised expert in 20th- and
21st-century music, he has also been Music
Director of the Ensemble Intercontemporain in
Paris (where composer and conductor Pierre
Boulez was an early supporter) and his
discography includes music by such composers
as Adams, Bartk, Boulez, Carter, Ginastera,
Milhaud and Reich. He is also a champion of
young musicians, devoting time to working with
students and young artists.
16
KEITH SAUNDERS
17
THE CHOIR
18
Staff
Lyn Williams oam Artistic Director & Founder
Dan Walker Associate Artistic Director
Lucy Berger Artistic Operations Manager
Clare Kenny SCC Manager & Alumni Coordinator
Vanessa Chan National Choirs Manager
Emma Barnett Assistant Choir Manager
Rob Hansen Artistic Administration Assistant
Sally Whitwell Pianist
Senior Choir
Suebin Bae
Cameron BajraktarevicHayward
Guian Balan
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Schuyer Boe
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Honey Christensen
Gracia Clifford
Leona Cohen
Johanna Collins
Emily Colvin
Stella Davy
Michael Donohue
Cassandra Doyle
Oscar Drew
Marianna Ebersoll
Lily Fowler
Oliver Golding
Danah Gressel-Keich
Gondwana
Alumni Choir
Gabby Aescht
Sam Allchurch
Emily Ampt
Rhiona Armont
Akos Armont
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Chloe Hart
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Abel Hofflin
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Emma Korell
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Genevieve Lumb
Stephanie Macindoe
Aedan MacNamara
Owen MacNamara
Anna Marsh
Lachlan Massey
Gabrielle Montalbo
Stella Mountain
Jade Ng
Rebecca OHanlon
Tesni Paewai
Theo Picard
Florence Poon
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Isabella Wilson
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Ye-Jean Yun
Nikita Zaika
Liam Crisanti
Briony Daley Whitworth
Will Darbyshire
Abraham Darley
Roberta Diamond
Matilda Elliott
Jonathan Fawzi
Josephine Gibson
Erin Gleeson
Emma Hancock
Robert Hansen
Jem Harding
Seraya Harding
Victoria Hofflin
Anna Hoy
Jordan Hunt
Hanlon Innocent
Fiona Johnson
Abhimanyu Kapoor
Clare Kenny
Helena Kertesz
Corey Kirk
Oscar Kirk
Adele Kozak
Eleanor Kozak
Hamish Lane*
Ben Lee
Joe Lennox
Grace Leonard
Alex Li-Kim-Mui
Ignacio Lusardi
Kate MacCallum
Beth Martin
Alex McEwan
Eve McEwen
Samuel Merrick
Mia Miller
Sean Moloney*
Anita Moser
Andrew Mulholland*
Megan Murray
Laura Nicholls
Liane Papantoniou
Michael Paton
Sophie Perrottet
Harry Phillips
Madeleine Picard
Yasmin Powell
Patrick Rasmussen
Christopher Retter
Benjamin Saffir
Tamasin Schmiga
David Scott
Thomas Shanahan
James Shannon
Alexandria Siegers
Amelia Smiles
Charlotte Snedden
Jerome Studdy
Hannah Tatam
Emma Taylor
James Thomson
Sarah Topfer
Anwen Towne
Alice Truswell
Daniel Verschuer
Stephanie Vierboom
Meredith Waldron
Dan Walker
Yulina Walker
Samantha Warhurst
Edie Warne
Lia Weitzel
Chela Weitzel
Emma Werner
Ryan Wiblin
Oliver Williams
William Yaxley
Shaun Young*
Neil Baker
Ihnteck Chung
Isaac Davis
Timothy Dutton
Alexander Gorbatov
Vincent Kerin
Iosefa Lagaaia
Reuben Langbein
Chad Martin
Dominic Nakhoul
Rafi Owen
Remi Owen
Oscar Parker
Daniel Picard
Mackenzie Shaw
Callan Smith
Jesse Van Proctor
Yilan Yu
19
DAVID ROBERTSON
20
MUSICIANS
David Robertson
Jessica Cottis
CHIEF CONDUCTOR
AND ARTISTIC DIRECTOR
SUPPORTED BY
EMIRATES
Andrew Haveron
Dene Olding
CONCERTMASTER
CONCERTMASTER
ASSISTANT CONDUCTOR
SUPPORTED BY PREMIER
PARTNER CREDIT SUISSE
FIRST VIOLINS
VIOLAS
FLUTES
TRUMPETS
Andrew Haveron
Roger Benedict
Anne-Louise Comerford
Justin Williams
Emma Sholl
Carolyn Harris
Katie Zagorski
Janet Webb
Rosamund Plummer
David Elton
Paul Goodchild
Anthony Heinrichs
Daniel Henderson
Simon Sweeney*
CONCERTMASTER
Sun Yi
ASSOCIATE CONCERTMASTER
Kirsten Williams
ASSOCIATE CONCERTMASTER
Lerida Delbridge
ASSISTANT CONCERTMASTER
Jenny Booth
Marianne Broadfoot
Brielle Clapson
Sophie Cole
Amber Davis
Georges Lentz
Nicola Lewis
Alexander Norton
Lone Ziegler
Emily Qin*
Dene Olding
CONCERTMASTER
Fiona Ziegler
ASSISTANT CONCERTMASTER
Jennifer Hoy
Alexandra Mitchell
SECOND VIOLINS
Kirsty Hilton
Marina Marsden
Emma Jezek
ASSISTANT PRINCIPAL
Sandro Costantino
Rosemary Curtin
Jane Hazelwood
Graham Hennings
Stuart Johnson
Justine Marsden
Amanda Verner
Leonid Volovelsky
Tobias Breider
Felicity Tsai
CELLOS
Umberto Clerici
Catherine Hewgill
Leah Lynn
ASSISTANT PRINCIPAL
Fenella Gill
Timothy Nankervis
Elizabeth Neville
Christopher Pidcock
David Wickham
Henry David Varema
Kristy Conrau
Adrian Wallis
ASSISTANT PRINCIPAL
Maria Durek
Emily Long
Emma Hayes
Shuti Huang
Stan W Kornel
Benjamin Li
Nicole Masters
Maja Verunica
Claire Herrick*
Liisa Pallandi
Philippa Paige
Biyana Rozenblit
DOUBLE BASSES
Kees Boersma
Steven Larson
Neil Brawley
PRINCIPAL EMERITUS
David Campbell
Richard Lynn
Josef Bisits*
Alex Henery
David Murray
Benjamin Ward
PRINCIPAL PICCOLO
OBOES
Shefali Pryor
David Papp
Alexandre Oguey
PRINCIPAL COR ANGLAIS
Diana Doherty
CLARINETS
Francesco Celata
Christopher Tingay
Craig Wernicke
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Lawrence Dobell
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Fiona McNamara
Noriko Shimada
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Matthew Wilkie
HORNS
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Robert Johnson
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Euan Harvey
Geoffrey OReilly
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Ronald Prussing
Scott Kinmont
Nick Byrne
Christopher Harris
PRINCIPAL BASS TROMBONE
TUBA
Steve Ross
TIMPANI
Mark Robinson
ASSISTANT PRINCIPAL
Richard Miller
PERCUSSION
Rebecca Lagos
Timothy Constable*
William Jackson*
Chiron Meller*
Alison Pratt*
Philip South*
HARP
Louise Johnson
KEYBOARDS
Susanne Powell*
PRINCIPAL 3RD
BOLD = PRINCIPAL
ITALICS = ASSOCIATE PRINCIPAL
* = GUEST MUSICIAN
= SSO FELLOW
GREY = PERMANENT MEMBER OF THE
SYDNEY SYMPHONY ORCHESTRA NOT
APPEARING IN THIS CONCERT
21
CREATIVE ARTWORKER
Rory Jeffes
SYDNEY SYMPHONY
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22
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CHAIR PATRONS
01
Roger Benedict
Principal Viola
Kim Williams am &
Catherine Dovey Chair
06 Kirsty Hilton
Principal Second Violin
Corrs Chambers Westgarth
Chair
02
Lawrence Dobell
Principal Clarinet
Terrey Arcus am &
Anne Arcus Chair
07 Robert Johnson
Principal Horn
James & Leonie Furber Chair
03
Diana Doherty
Principal Oboe
Andrew Kaldor am &
Renata Kaldor ao Chair
Catherine Hewgill
Principal Cello
The Hon. Justice AJ &
Mrs Fran Meagher Chair
01
02
03
04
05
06
07
08
09
10
08 Elizabeth Neville
Cello
Ruth & Bob Magid Chair
09 Emma Sholl
Associate Principal Flute
Robert & Janet Constable
Chair
10
Janet Webb
Principal Flute
Helen Lynch am &
Helen Bauer Chair
n n n n n n n n n n
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Anonymous (1)
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List correct as of
17 January 2014
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25
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26
MARKETING PARTNER
brass playing
is a very
physical thing.
GRUNT WORK
Rachel Silver, recently appointed to the
SSO horn section, finds herself doing some
of the heavy lifting.
When my niece asks what I do
for a job, I blow a raspberry and
tell her, Someone pays me to
do that all day. French horn
player Rachel Silver has her
tongue firmly in cheek, of
course. Its a whole lot more
complicated than that. Actually,
brass playing is a very physical
thing. It involves the whole
body using big muscles to take
in a lot of air and blow it out,
with the vibration of your lips
to produce the sound. Smaller
movements with little muscles
around the embouchure help
make sure we hit the right note.
As with many instruments,
playing the horn for a long time
RORY JEFFES
Artistic Focus
The Score
Alexander Nevsky
David Robertson will present highlights from John Williams film scores in his first visit to
Sydney as chief conductor. (Pictured: Alex Mitchell and Emma Jezek)
2, 3 May
Strictly Luhrmann: Music from
the Movies
26, 27 Sep
The Matrix Live: Film in Concert
7, 8 Nov
West Side Story: On Stage and
Screen
Russian Daydreams
Master Series
12, 14, 15 March | 8pm
CODA
TURNING JAPANESE
NEWBIES
We welcome Rachel Silver (horn)
and Amanda Verner (viola) to
the permanent ranks of the SSO,
following successful completion of
their trials.
FAREWELLS
In December 2013 we farewelled
three of the orchestras longestserving musicians Julie Batty
(first violin), Robyn Brookfield
(viola) and Colin Piper (percussion).
Combined, they have given the
orchestra almost 100 years of
service. We thank them for their
dedication, inspiration and
wonderful collegiality over all these
years, and wish them the very best
for their future retirement projects.
And at the end of this month we will
bid a fond farewell to our director
of artistic planning, Peter Czornyj,
who is returning with his family to
the United States to take up the
same role at the Dallas Symphony
Orchestra.
MOVIN ON UP
We can report exciting times for
our most recent crop of Fellowship
alumni, with multiple successes
following their time with SSO.
The string Fellows have all been
HIGH TEA
On 9 December we thanked our
wonderful and dedicated volunteers
with a special Christmas high tea
backstage at the Sydney Opera
House. Volunteers are special
members of the SSO family whose
support is invaluable.
sydneysymphony.com/bravo
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