Professional Documents
Culture Documents
a musician plays the instrument, he uses his right hand to pluck the string and left hand to adjust
the tension of the string.
Pipa
If the Chinese zither stands for a gentleman, the pipa is designed for a beautiful girl. The
note range of the pipa is wide and difficult playing skill is required during the performance. In
the late Tang Dynasty, the performer played the pipa with fingers instead of a plectrum and the
neck of the pipa was widened; the resonance bow was changed from thick to thin. These changes
increase the range of the notes of the pipa and made a big improvement of the pipa in the history.
The reason why these change makes the pipa have a wide range of note can be explained by the
experiment I did. I will talk about my experiment after the introduction of the instruments.
This is a picture which refers to a famous beauty at the end of Han Dynasty. At that time, the
pipa was played like guitar while in the Tang Dynasty, the pipa was played in a vertical position
sitting on the lap and on the left side of the player.
Xun
An ancient egg-shaped holed wind instrument
In my perspective, it is the most miraculous instrument in Chinese history and also it is one of
the earliest wind instruments in China.
The performance of such an old instrument could be seen on the ceremony in the past and only
the emperor has a big instrument band which includes all the types of old instrument.
The principle of this instrument seems like that of the flute, but the egg shape makes me
confused. However, I won't explore too much on the details of the egg-shape wind instrument in
this project.
Whatever the shape of these instruments or whether they are wind or string instrument, the
material (wood) is really important for them to give loud and nice sounds.
As we know the more smooth the surface, the more efficient the reflection. In another word, we
can not use the material made for absorbing sound in the auditorium to make an instrument.
My assumption is: The quality of the sound given by the instrument mainly depends on the
density of the material which is used to reflect the sounds.
In my knowledge, red sandalwood or rosewood is the good material to make an instrument since
they have more density than other kind of woods. A piece of good rosewood won't float on the
surface of water, unlike other normal woods, it sinks in water. This demonstrates that the density
of rosewood is greater than water and therefore greater than other kinds of wood. In addition, the
age of tree is another factor which determines the density of the wood in spite of the kind of the
tree.
As we know the wavelength of the harmonics is determine by the distance of reflection of the
length of the "string",(For example, the wave length of the fundamental harmonic is twice the
length of the string) although there is no string, we could ignore the cross sectional area of the
bottle and the distance from the bottleneck to the surface of the water is the length. The speed of
the sound is a constant here since I did this experiment in almost same room temperature and
density of the air cannot change drastically. The product of wavelength and frequency is the
speed and the wavelength decreases with the decrease of the reflection distance. Therefore, the
frequency increases with the decrease of the wavelength for each harmonic. The less the water
fill, the smaller the frequency of the harmonics.
Such a conclusion makes me think about the violin and the viola and the cello, the bigger
the "belly" or the space for the sound wave to reflect, the lower the frequency of the sound.
When I first saw a concert, I wondered why they don't make the instrument smaller for easy
handling, now I know for a small instrument; the length of the instrument is not enough for it to
make a low sound. And also this is the reason why in Tang Dynasty, for increasing the note
range of the pipa, the volume of the instrument was made bigger.
Lets see the condition of the plastic bottle.
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The frequency of the fundamental, the second, the third, the fourth harmonic of the
glass bottle fill1
We could see the average frequencies:
212.455*2.9733.
This means the notes of the glass bottle is accurate. In another word, if we could adjust the
volume of the bottle, it could be a instrument.
On the other hand, the plastic bottle:
The frequency of the fundamental, the second, the third, the fourth harmonic of the plastic bottle
fill1
The average frequencies are 237.95, 487.23, 730.8455, and 965.9625
(237.95,
237.95* 2.0476,
237.95* 3.0714,
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237.95* 4.0595)
Glass bottle
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Plastic bottle
Now plastic bottle is not as good as glass bottle since the lines in the graph is not as straight as
that of the glass bottle. This is why that a good instrument use nice rosewood and has a higher
price because old tree is time-costly.
In addition, my calculation of the harmonic frequencies is just based on the range but actually I
need to consider the distribution of the values in the range.
It is pity that I cannot play any traditional Chinese instrument but this cannot stop my love of the
culture of China. Although I don't have any Chinese instruments I have learned the fundamental
principles of this instrument. In this way, I could understand them not only in a perspective of
culture but a view from physics which is also my major.
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