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http://www.archive.org/details/gemsofmelodycoll03hard
to the
in
The
Irish
"^
me
Inspiration to
to stay; prejudice
advancement. As the language advances, so will also the demand for the music born af
its
that language.
In order that this music be understood,
lows.
its
really
mode
their <?oii9truction;
to.
being
Though micro tones are quite audible in the singing of the traditional singers,we
among the plain chant singers before the advent of. the organ. We also know that, in
key board temperament, the finer the ear of the professional singer, the more likely he is to make
pended explaining
its
mode.
slight deviations
modal basis
the
is
scale, melodic or
know
scale
Ulan pipe
is
was
a fixed
Though
principle.
to
in the
modes,
because
first,
dition of things.
It
English verse;
fied
in part
Though
is
and
two of
is
this
work, so here,
have endeavoured
am
heartil5'^ in
sympathy
am
me and
witii those
for
2lnna54m for
tu
have taken
down from
all
her.
necessary before the advent of such a school of composition that musicians clearly understand the
till
known
when
then, shall
baoi^ill
notes under
in
have spared no pains to make the English version a reflex of the original.
first sight
by a non-Irish speaker.
it
dif-
If
think
as far as possible syllable for syllable with the Gaelic, to show the non-Gaelic speaker what the real
Irish accentuation
As
is
themselves the English version given with each song, they would get as good an idea of the or-
to sing for
to tally
our teachers of singing once try to realise this fact and they will
let
is
in all
ferent in construction to
who has
debt of gratitude to
'^o\t)\\\\x\
Hac
me
all.
thank
21oiT)niiii
Sitea^oiit
but a
is
this
real earnest
work
and
whom
Mac
5jiea-
We owe
collecting of
my work and
especially in
my
memory
of
my
wife
who was
Gaelic work.
Carl
C.G.H.5
G.
Hardebeck.
me
in ail
QAtnonn ah Cnutc.
(NED OF THE
HTLLS.)
^ English translation
Arranged
by
by
Huijie
CARL
b6an b^jfoebec.
Ada:gio.(J
92)
G.
HARDEBECK.
1:
9J
is
Doh.
^
Cl4
^
r
^=^
fe
1
vif
Who
1S^
9^
{Id
.,t,
:1.
Id
:#i
:d
.,r
:ft
^..
I'm
there
so
J
knocks
s
late
i\
:r
:r
ax)
wo
nofi
and
stars
*
f
^PJ
is
jfr
cot
ll
r
-
tags
.m
?=
gate,
When
.r
,d
:m
ll.
^
Dun.
sleep
are
nil
ing-?
^EE^^
ii^
f^
thp
Lah mode.)
C.G.H.5
.m
Poor
r
(It is in
r*
r^^
book.
~s:
9-
mi
little
:1
moon
This air
my
s
^
5>-
:d
}i4ob
at
,d' .-
"srv
re
smiM
.,t,
A,
iS
:d
tnonn
4'
of
Cmiic
-the
Im
.,r
,d' .-
:t
ll
4jlJg
illj
J-i
64 Ned
Id
Hill
ara"
lS^-
^fc
^^
:r
cr
he
*:
.m
ce
If
for
the
Ir
wea-ry.
is
and
:d
Id
.r
:s
No
ill,
friend
C4.
21
The
wild
wind
with
sigh
:m
:s
and
i
CUIT)
.s
f-
hath
3:
3:
:d'
ll
ing.
/^'
Z2r
?^
5^
seek
^^
:r
i^^^^^
^iu mosso
lid
biro-ce.
who
r^
:m
fs
:1
"^
fe:
111
.-
:-
;s
:1
^^
*F
r
p
Dean-pamn
low wail
m
S
j^-'j
ye
ing
ouir
cry
TTluna
Tells
rm
^CUlft
Id
:r
piHU
his
zzr
OJ1C
bemn
oetn
sad
tale
4r^
na
'S50 b]iuil
ers
For the
*i
^f^
^^^
to
the
emb
^
a
:1,
vt,
Id
:d
.jc
W^
pu
poor
Im
,d'
.-
m_r
-/^
rap
paree
the
east
f^^
3g
to
^m
C.G.H.5
must
te'nipo
:t
.1
E^
T)'!.
5"
f
Id
^d
^^ ^
5hr
.m
^r
.?
:m
:m
.PI
*=*
tShr-
111.
:r
"~^?
~7
Is
.s
^
A^
C^
6
r?7.
:m
i
t
Id
:r
:r
:d
Ir
c
no
hath
de
fend
ers.
m m ^^
r
^
Sr
Id
:m
^.
wi]''
pen
my
:1
be
ft
jn
rm
Id
:r
.T
.m
Id
:li
neac,
TTlo
f-eif
ing,
With
ging
g^
Cj
-^L
iieac
am
ra
at_
aon
shel
ter
give
thee
till_
morn
^=-
^atn
.y
J!
f
gl
V
Id
:-
^^
"m
.,ti
td
=F
C 7 ^
tF
:ni
acr
:m
If
nan
^
111,
though
And
poor,
^^
:
paoi
2:
j*ne4C-ca
-G
:t
lot
mui^
door
.,r
pp
?^^
my
:d
33
^
,
Id
.,t,
:1,
pa -"04
o
r-
,d
^^.
,d
i^iU
I'll
feE^
fe^
.m
muc
jtaon.
mi]*
cause
Id
.r
S
mbei
.m
jt
P^
:d
.,r
'jan
fjun
tno
gown
and
Im
^'
.-
t3ftati-a|i
plaid _
:I
?^^^
^an
of
cuji
brown
ts^
-^
C.G.H.5
'Sjan
Yo'.ir
*y
^
i^
Id
.m
:r
Ir
:d
ly
:d'
cap
AW
of
the
dawn
At
in?,
^^:
:f
cop,
dorn
^^
I]
form
^^
:s
a
aon
man
yi|i
Id
.r
Mt>.
*F
mosso
p7i/
:m
?TT~r s^
E^
,t
:1
:s
:m
Is
:r
S
janv
day
oam-iT)
If
must
you
:m
iif
^r
fei
^d
Id ,d
:m
lli
J
ac,
ver
S50
Those
pail
twe
moc
try
and
love
for-
r=f
25:
Id
.,ti
:d
j);,j
;,^^j=4^j^
^caic.
|:iT)
me
,d .-
j)
paipp
r
1
hearts
with
56
so
g^
4=i
* i
In
cap
Tiul,
bold
diers
S
r
:1,
sol
^^
:2^
oean
^^
coun
f:
DO
From
f^^^
^l^c
riii)
way,
42.*
^^
^^
*F
liotn
flee far
2Z
.m
:r
a tempo
111.
ii
1;
.1
:t
:r
Is
.m
'b
ami
cold,
Brave
Ned
of
puil
ceanu
T>etn
the
Hills
will
^^
it
^aol
find
^ e
i
C.G.H.5
.d
.r
Id
-1^
-&
c?
roip,
ir
raib.
ne
ver.
n\
(EIRE.)
English
Words
by
CARL
G.
HARDEBECK.
CARL
Largo
II
.,.d
TTTl
r\^
t
jie|i
On
Pi
^A
#.P^
^4 _^
yes
3=
te
wo
up
<^
i>
on
i
> >:
leab
-
my
pil
-s
Uu-ai^-neac
lone - ly
v^i
ti
.t,
^^^
low
'Stne a-j
sad
ly
^
^
una corda
Id
im'
;>
ftnaom
think
j^
J''
eattt
aji
na
ing
on
the
tS)-
'
il^ <^
:U
ooiH
fniain
'aiT)
^o
:- .,1
.1
s
s
.li
i>
sempre
me.
tne
If
-
lay'd
\^
,m
Im
:d
.t,
w
-
HARDEBECK.
cresc.
d
21
G.
It
I'm
^
,ri
cfiu-4i"6
cru
- el
dim.
.m
.f
wW)
j)
Beajt
caiB
heart
ed
,-r
Jy.
jl
(pe)
Ir
,r
j^
).
cu4i|i
ty -
.,d
ii
m
-im
rants
^^
Id
^
,1
^?^
br
im
com4i|i
hit
ter
thrall
t.
3=
Tlnaip a
When
This air I took from Mrs. Clandillon (TTlai-^iieup TIT 21nnaT;a'm) Clonakilty, Co. Cork. It is, I consider, one of the
fiiipst examples, in its riiythm of the nttentioit and care the Gaelic speakers bestow on their poetry and syllabic accent as being the essential puit of the music.
The melodic and harmonic minor scales are modern innovations, and this air is in neither, but in a scale with
the flat sixth and seventh ascending as well as, descending. (Lah mode.") The accbmpnniment has been written
in the spirit of this scale, and with the closest nttention to the details of the rhjihm of the words.
c c H.o
,d
lid
jv
tain-
15
j)
;M
an
rar
bean
fti
of
vis - ion
i*al.
.r
j^
J^'
1)-
letn'
caoib
to
iny
side
^^
^^
f
i
Is
^^
g-
ua
^^^
.,1
beau-ty _
est
,1
J)
<)
dim
crcsc.
:d
t,
i)
r'
came
I
-
soft
ly
t
*
cresc.
}U
.,ti
:1.
ti
Id
.r
.t,
Ji
JU
Ji
liom.
^^^
^
llr
bm
ne
liom
voice
was
sweet
d) Ml
d)
me
birds
-==^ai:
:d
.r
a|i - 15 - ea|-
5"t<
^^^
fe
?IZ
If
^W^
ceol.
dious
call.
"oe
lo -
^
i
P^^
lid'
.t
tnbjioij
no
m
S
1,
ble
.,1
in_
queen - ly,
ca
na
mus
ic
far
ap
than
*
t
^^ ^^^
.,m
.-
,s
.,1
coi]*- in_
grace -ful
35:
,s
coJtn-
ouan
T)ea|*
and how
/^"'-J"
^ canfando
^^^
'1
5^
>r~j
c:
a
er
How
t
fciz
cresc.
:-
I-
.,d
piatii
.R
jr-^^N^^
Si
Her sad
ing.
steal
im
pure and
^m
a^
'VV
^^^^=^
?dz
/^"
y^
^
^S
^^
1
/^
:-
.t
Im
.,m
^s
COI|t
ho
eac
C3a
ly
If
77
z:
27-
C.G.H
Of
10
111
:1
^^r
.t
,1
,d' .-
Id'
M MF
pfb
If
form
of
51
rad-
le
i
00- 1^
If
It
pj
,t
\i
an
that by
n4
liom
beau
ant
,s
:t
ty
.-
.,t
r r
^^
p-
Imn
mig'ht be
aft
na
tions.
^
^tn^
i^EE^
icit!
t>
l:^
fs^
.s
''i
^^^
^
5IT=#1
intam.
br
dor'd.
And
in
:1
Id'
.t
rT~^
r-
com
most
tones
binn
le
ten
:m
.-
,f
* S I ^J
-^:
leac
sor
^
om
sigh
Jv
Ji
am
tnaft
rows.
sore
na
af
fW
lU
,f
Ir
i=
flic
Id
.,t,
:1.
ai
'Sa
tion
In
^^^
^^
^1
cuil
quiv-'ring.
^^_JLJi
tuic
ing_
she
plaint
itn
let
to.
me
3
out
Id
o
fail,
pour'd.
/CN
^^^
:^
r\
3s:
iEEEEfe
C.G.H.5
.-
^^
^^
TTn
ftac
,r
cpeac-ac
ac- cents
in
,,d
,r
^
:d
^
-
of
der.
.-
-4
rn,_
.-
.-
m
-
,m
-,1
P
j^tnoil
sweet and
.t
dim.
}ls
it
^^
4-
111
f^
II
dim.
ti
i:
lin^
:d
.r
Ji
i)|J'pr'
D'fsioi'-fiuije^l'lJetn Tie'n
7V2 Corda.
iij
9^^i: =1;
m
:-
:1
.,t
Id^
.-
:d
?^
bean
'ne'n
mai-df^ti
z\\^
thee
:^
:i6 cfteib
pray
.,r
jft
rue
tell
7/"
|ii
thou queenly
Say,
:r
.f
jp_
;,
iMz:
.1
.1
.r
:-
Im^
.-
:-
:- .,m
^^
jbzbl^
r ,r .-
:-
:- .,d
Id
Id :- I- :- .,-d
^mw
tru
'-pen
bail-e
I3'
who
art thou
ir
m :
lid
^5
SEEJ
r4}i
roam
mbrof)
^^^^
:d
J)
Id
est
fi
thou
.r
!m
J'
U'
yl
be^n
i.
fain
would know
cuir
.-
of
Why
thee
1^^
^^
,1
'Sup
mb|i6ii._
^di^
?^
.ti
no'n
j*i
^^"^^^
Is^
:-
.,1
'nap
"ocim-cioU-
com
in
dark-ness.
?f
t^
.-
:-
.,r
T)ea-4C
lone with
!ld
.t,
JW>
ein- ne
:d
Jbeo
name,thy cause
i^''i--;
nume
I'uii
'i^^tt
none
to
Im^i
.-
:-
:-
.ti
^^^^
s
San
Thy
oiri-ce
g'uardthee
i
W^^
f.
coin-
pfob
:-
.r
\m
:-
.-
:-
.,in
"o'd
coiiin-leacc
4CC
of
sor-row
J>
:- .,r
it
charg-e
3:
^^
Id
^-
^^'T"^
}rrjLii
dji f 1011
thee tell
Id
:-.,d
:-
I-
:-
M^S
3=
^
f\\eAT>
oeo|t.
2ln ciT
to
me._
Art thou
ffi
ff
C.G.H.5
1,;
poco
I'n
.-
,s
}il
piii
niosso/J-
:-
:1
8o;
,1
:t
^.^^'^=^t=f=r-rr-p-r-^
Pal- las
Pal -las.
art
cii
be
thou
Ve
i^
an
HO
who
nus
chance
La
an
CD
an
^^
W Ar
i^
'm
:^g=^
3=
,t
56 bul-c4n,
the dark-hair'd
^e
^S
10
an
-oeij-bean
most
stain-less
It
:1
and
-J
4-H
^"r
dy
dy
la
2F
,s
Id'
.t
:1
.1
3=
.s
,s
^^^
g>
:-
Per
yr
fo
accel.
:- .,m
:-
woo'd _
:^
fe^
:s.SEE^
.-
13
^^
^te?
3t
nu)-.
,1
^ee i
Meno mosso.
:_
III
fen
'^1
I- :_.
4
4
ff-;i;ip>i
cu
ceo
21 n
pure.
Artfhou
gi
3 Ht^
i
.
Id
m^
3
i:
nSpei^
leac
Pa
ris
i^
:1
rr
?
Ju
Ju
no.
no.
len
CU5
Paift-
ij*.
len
who
stole
fair
or
fair
ijiiijijijc'ainnv
- j*e
La- dy dear
a-noijI
ji
^
^
fain
mj!^
,f
:^
:-
:r
^^
S
-geal
*
*
35:
,f
:-.,d
^-^g^^Mi
^^w\^\
leac,
r.G.H.T)
.1
=Tr
Lr
:d
.t
^ i
t:^
o tempo
,ti
He He -
no
.ti
.-
:?
^
^^
Is
MM ^
n-j r\
,d
Id'
.t
?J
.s
no
thy
y^T^r^
^=
t^'j..
cabptiil
will
Id
iu
no ^noT.
with me.
.,r
6'n
I.'{
,d
.t,
0>
#-P
una Corda
floret a
.-
:-
:m
name
truth
P^il^
:-
^m
Id
:-
.,d
Id
=^
COl|l,_
Slav
'ry's
dire
thrall.
V.
fi
-^
:m
.,f
22
yi
:- .,r
^^
,1
I
na Hc)aU
I
am
my
f>aoji
-
ert -
.1,
child
,t,
j]
^m
Im
.r
,f
.-
ren
1"^
J-
:d
,^
J)
S^^
Im
^'
Ov- er
sea
from
me
:-
:-
.t|
^'
]-macc
Coif
ed
Here
p-=4=^
they're
^'
.-
:-
[J
^ceaf-aT*
fly - ing
:d
cT
C}1U4f)4
grief- strick
By
^
:-
-J^
-
'je
^
-
^S
,!
Pit
en
If"
jf -
nT)aO}l-4T).
.m
=S
;4ti
wretch-ed
^^^
^^^ i ^^
f
CG.H.B
Ti'a
,1
fe
Id
in
dljnn
me
^^^^
ttio
fe
b|:uil
.m
bond-age
in
lie
.t,
bpeiii
:-
:-
^) *^
^^
b]?4T)
iS
.-
za
50
I)'
Jl
pe
des
:-
J)
na
them
:d
,t
}\ il i'
J^
bean
I-
ceA|tc
cl4tt
.t
E^^^^^
em
lis
ii
uinn.
Eir
is
fct
PI? 4-
Id
.,ti
i..
'Bao\
- -pe
clif
in
llr
5^
:-
:1,
iEi
Dcean-'sam
Im
,,r
/vj
^
,f
my
lone-ly
=:
i
(Is
indeed and
f?!
33:
JfTri Corda
,1
,1
?^
h=^i
itt
\m
.r
j)jiJ)^)-li-'?T
J)
am
Sad
-'
:d
,t
AUf'^To
14
^
;d
.,d
:-
I- :-
-i^
BF
inaest(>s(i
:-
,f^'
.s
:I
(*)= loo)
Id'
.t
:-.,t
:t
,s.-
:-
I-
;-.l
,t
'C4
oa'
:S
iSi^ =^
eoc
40ti
mourn
for thp.m
?%
f^'111
leo.
2lccbeiti
all.
But the
day
,t
.1
^s
Im
;-
.s
do
a'
ers
The
ty
:1
.t
:t-
fi:
^l
ceil
j
y^^
ken
His
bro
'
^^
;-.n
g-
121
:-
.s
iHr PF
:1
S^
Id'
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beiT)
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19
^YOUNG CHARLES.)
Soh.
Doh
mode
is C
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M
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Ofiuunm Donn
(DRUIMIN
English translation
23
Dilif:
DON DEELISH.)
Music arranged
by
by
CARL
G.
HARDEBECK.
CARL
^i
f-
ijO
,d' .-
Is
is
HARDEBECK.
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C.
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Dll
druim-in
donn
dee
ie-5-
If
A.
:r
:-
d'
:s
.t
4
of
flOT)
thou _
:s
^^
lish
.,1
pride
M4
wbo,
my
soul,
.1
Where
-s-
2:
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-^
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:-
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It
.1
thou
now
S
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mi)*
.-
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roam-ing
The Clandillons
I
d'
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ce
tnbi-onn
Where
roam-ing'.
1.
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T
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for -est,
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onn
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through the
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.-
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:1
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o'er
hill
t_L^
aiU
jm'
and
o'er
.r
com^im,
dale.
215
ur
For
^r^
^^
in their book make the first two verses of this air close on D. I have not found any other version of
have adopted theirs, considering it the most beautiful.
C.G.H.5
it
given the
24
r"
-las!
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41
re.
f lUTI.
in If
bit
ter_
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on.
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Op
VP
2::
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J.
^r
de
stroy
F>
er
me
tore.
from
my
5i^
cantando
^EEE^
X
:-
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It
.1
fl^it:
press
lb
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ion,
in
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just - ice
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ttil
have _
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*^_*'
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caus'd
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ie
nil
me
to
2:
^-^
^ p
3i
una corda
i:
?i
^1
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ant
tineoft.
the Gael.
^-^3
Attn,
iia
,i)
.,d
W^
home.
:-
land of _
the.
peaji
:s
.-
^^JQU.^^^
Till
,d
^n p'j
rs
ceol
a5_
jn
t
m?
J-'
^=^
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f
t^
mS
:d'
^P-
711
27
roam.
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Full
Is
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it
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C.G.H.;')
.f
16,
lone,
i=
f
:tV
g
turn
^
i3
r'
:d'
:1
-ST
-T-j
and
heart -sore.
If
ES
llV>-_
uir--5e7r:^.
1-1^
.,n
"
P^
2t5
ur
While mine
J:
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:d^
25
^^
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d'
d'
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te
Oa
bpai5mn-]*e
hope
Yet,
Jiri
de
on!.
spair
nit
tio_
}tan-aitic
not
the
fo(,''s
^p
an
jcoifoirt,
(lav
is
o'er.
iS-^
r-S-^
11
:-
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It
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J = 9g)
,d'
.-
:r.'........,.t
I
Wrong
and
map
leifib
piiui
just
ice _
T>o
shall
d'
.t
E5
leifib
tri
pitin_
P
f^
proud
,~~
^1
~"~
t
^^r=^
CHOC
*%_
^
l}"-
diU
r ^P'
turn
re
,,
'
rm
lb,
ing
:f'
.m'
bF-^=^ E
:
:r'
:-
.s
no
more
:1
raib
'r^tii
,
oer
Cfii
A.
^
C.G.H.5
and
-oub'
o'er
For
t^
&
^i
^m
'hill
f=
a tempo maestoso
n'
ti'
^^f
^:T-T
il
,r
'S
^^
..^:l.
aib
.,t
F ^^'
d'
zy
^^
^'
bpo^.
i^ean-a
umph
?t
r^
P^^
in
hS*-*-
ceoij,
dale
2I7;
Shall
r
1
tir
26
Battle
Song
of
MY FATHER'S
{Original
Poetry bv
STORY.
So/ig-.j
Music by
CARL
P.T. MCGINLEY.
Doh
Maestoso
e con spirito.(J
is
.,
mT
-X
11
Oft
says
my
fa
aip
bpuil.
SO
to
ther
me _
,r
.-
:m
'
in
in's
,f
&
43
iiieip
thral
dom
of
bold
for
|-ai
eign
rob
,^
,m
^'5
eauu
ov
er
ail
aU.
the
sea.
00
That
bpuil
;fc
Reh
V
F'Oft
brave
j^
or Dnriah mode.
The
fS^ic
na
n^aet)eal
no
ble
race
C.G.H.5
poem
J-
^m
from
.,s
bers
:f
"^^^^
W
r
:f
Is
^'
le
#=P^5
.,1
>
cap
11151b
:s
Is
pmacc
,m
^
^
ac
w s
ttJO
5;
^ ^
:1
*if
h 4
fie
Er
Dei|i
^
,_^s
:1
,1
'^
'Se
61
>,
^-
4^
'^.
,ta
^-t-^
,1
II.
-m
:f
II
HARDEBFXK.
C.
^
= 96)
G.
is
&
27
^
!l
ta .
;1
:1
.,s
pa
le
slav
ill
}l
,f
11
.,d
^=?^Jv
puil
f-rm.
land
will
Ji
na
er
:r
.,1
one
out
'w ith
.1
:-
.f
Is
bri^-ht
-I
.1
,1
J^
hope
.m
i^^
their
that
.s
II
la5.
50
be
:-
.d'
r'
buiU
^^
Ir
?'
J'
.-
.1
i^
J'
nac
time
But
free
^
'
was
there.
SEES
it
we
when.
once
W"
<iw
{I
:-
P^
.d'
d'
am
met
^-
.,1
.m
Is
^^
:d
laiT)
no
bi
4it
them _
in
fierce
ar
.d'
C15
ear)
ov
er _
for
pan
-h.
,who
thieves,
came
na
the
Id'
.,1
.1
21ct
'Hall',
When
sea
^^
*i
.,d'
3inre-
Er
in's
i
/
}\
nuaip
o,
eig-n
;^
inn
bold
.1.
?^
.,1
P^^
-^
iiBift
J^
'CI
s-P-
>>:
Those
:s
II
^ r=rt=T
I
^ ^
^
.d'
d'
_?ti-
ray
i-^-^
{l
,1,
fe:
II
.s
.,1
Ji
ip
c|ieui
pifi
brave
her
oes
Ji.
le
with
te
ife
C.G.H.5
:i^
J^
-es
.d'
d|^
tl
^/ve
Is
.,1
ce
'^le
sword and
- :d
,11
cLiiouii
ce
*
know
my
i>
}\
wheth
er
this
^3i^
fill
that
Jl
J^'^
i^ ^
^
ii-jb
the sto
ry
heard
*
h
=:i
:-
.r
- ft
Jim
my
11
i^e-
jati
pcari.
by
day.
iE
5E5EEt
^ EEiE
bfied5_
true
or
be
tale
,m
^
.-m
2Jcc
false
But
^^
.,d
Ir
mo
.,m
:f
.,s
II.
o^iT)
dad say.
'Tis
4^
i^i^^i
^i^i
m^^
m^EEi
9,
. :
,1
^.
great
on
nie
the
sor
f3i
.,s
,ta
.-i-
50
that
row
-7
lei
I'm
i:
f
C.G H 5
1^-7-1^
%>.
WWW
Tli
^^
Is
.1
and_
Jl
night
F
II
is.
cuifi
by
k:
1^
^au
.s
.t
.f
no
dim.
r
11
.,1
411
self
men
.m
^^ ^^
.,1
natii-ati
the foe-
jm
not
fUfoe
.s
II
SEEjE
I
^5
II
0-
lif
lonti
.s
P
,r'..-
21^
.f
:r'
with battle
i
i)7
.,ni
,f
II.
:1
:r
.,r
^S
r'
ce
50
not
in
my
0I|1
<"?0
man
hood
Th^it
lii
...
*^...M^ .iAm.u.i^..-.ijj.i
1.1,
r..,j.iJ-v^.i.t.>.^^ -i.*.*~-i.-*i.t
im
.r
nihpe.tr
HO-
:s
c!ip
jii
cjiiiii
S
ill
'
,m
,ta.-
:1
,m .-
:(i
tiiap
bur-dens Er-
in
Is
ra
.m
Ir
My-
I1_J
:r
II
peiti
'^uy
and my bro
.-
,1
tiM rejfi-ca
:-
..s
pa
thers
Would
V,
r^
:d'
'
.,s
self
ITle
bore.
:f
i^^
^^=F>
.-
.,s
.-
^:) bpeic-pitiii
the
all
Si
-V
.J
if
un-der- stand
might
Is
.f
5=5
.,n
.f
is
.,1
i'^
^P^
^-fY-p^T^^^^^fc:J>^-.Jb^
\^^c
un
forth
:r
to
the
.,d
claire,\u'i"5iif*
fpai|iii
leo.
bat
tie
Ir
Ir'
.,1
'Oo
5a.
le
I've
Er
.,d
,r'
F
ve^c
he
;?
a in
re
le
and
his
as*
"^aiU
tui
my
.r'
:-
.d
:-
.s
II
'
Id'
.1
leif;
me
peiiif^eala
oft
read
the sto-ry
dear coun
d'
.J
Brian
le
j*eo,
and
try,
.1
,m
^^ i
bpiaii TTlofi
a|i
of
king
of
Er
eauti
bo
in.
How
i
j
^^^9
Ir'
itiaoif
in
s
W^^5~1T
F'^'m^
puai^-pea
^)
'
bo
For
^
m mm ^^ ^m
#
free
ttiaoiy*
-^i
^
II
.,1
^
cean
brave sol
fc
peaji
diers
le
the
^
i
^^
d'
Loc
plun
.^
r
C.C7.H.5
:d'
.,d'
lann-ai^ib
der
ers
.,1
Id'
.,1
i
a'
did
bU\\
pleir^e.
He
slay.
i
t
^^'...-.'.^.^^
.
,
29
Rd
W)|.
30
_i
.1
m^m
tiiaipb
rout
ed
^J
^
.m
^tr^^
cd|t
Tie
:r'
not
:^^
f
my
14T)
Vik
ings
-J^
.s
7^
^
-
.,m
Ir
.f
.,s
jHji
i>
II
J^
J'.
,.,1
es
caped
from
the
:-
II
.s
pein
ati
self
wheth
er
.,1
Id'
.}
til)
jm
Is
:d
.-
false,
S i=t:lE
.,1^
bpea5
be true or
tale
this
jsssj s
:-
.d'
Till
Tiefo.
fray.
n4
1151b
THac
Not
II
But
Jl
*
.,s
f)
j).
ji-4-^
the
is.
,m
:s
II
an. r5'*^
sto
mu
ry
^
1^
-d
j^
Jy
clif
0^1 in
fore
fath
ers
^m
i*
our
h-i ^-t
Ir
:jf7
jia
^^^^^^
.-
leiit
i>-^-^
lead - ers
know
that
,d'
50
ish
EEEEfc
llr'
,^
.,m
Dan
proud
the
^5
^^^
fin
}
^i-p-f
i).
^W
lueiji
tia
their great
of
^
^
.s
:f
J'
J'
one
i)
thou- sands.
in
^5
tn4
:d
!s
.,1
fe
-
iI
I'r
Id'
.,1
lei
5'.
say.
i^
i
C.G.H.5
31
English words by
CARL
G.
Arranged by
CARL
HARDEBECK.
Andante mosso.
ss
(G
is
f^
,r
.m
Och,
f FF
3n=?7
flegg
^^-i
.s,
111,
nn
:1.
?F
>-
pern
ui
were
in
4^
una corda
jsr
3=
wbeinn
2lnt
-oe
Cuan
In
de
Cuan
'Tis
:m
.r
^S
ai
I
.m
5*
ii
.m
lim
:r
.d
^3
4rt
- x\^\v.
lioin
JH-i-^^
r-
.s,
^e
1,
,s
m
I
.d
Ml
:m
jj*
1
'
:m,
,r
leave
m
^
XE
'Twas
soon,
it
.,r
:d
xn
TT-
:1.
1,
^
S
S
5leaun
court-ing-
jT
a
n't
is in
f-liab
ffl
The_
down
F|} (te)
cue
tia^
Cuac
koo Glen
le
Dom
on
Sun
day,
r-
y|I^^E
:^t=:
ce
that would
pleas-ant going a
*1
ffi
Ty
'
.1,
^^
Air
,^
r^
J^
if
^=^
.d
:r
J^
-X
tfy
HARDEBECK.
Doh.)
*^
G.
and
*
(fah^ do not
C.G.H.5
51:
appear
in the melody.
sr..^
3'^
tempo
.s.
I:
,1.
:s,
:s,
:1.
.1,
^^mJiiiL^f^^}rr-rw^^'^'^=F=^
21
But
Och Och
its
6ip
15
Eir
ie
e.fi
lig- -
[^m
ZKT
.r
lid
.m
:-
I-
-.s
;5^
^3
.m
/^
rit
ii
I
Ei
o.
is
XE
oc
oc
^uf
,r
^
m
tewto
teniPo
5'r
0;.
'Se
Mo
cjioifie
gus_
oh,-
'Tis
my
heart
'ci
that's
Wi
n7.
duv
ll.
.s,
:1,
/O
b4t6ii
cpoiii
4')*
black
with
row.
sor
E^
3^
r-/
a
.d
,r
.m
31:
-^-^-i-
3^3=
una
corde
ic
.S,
:1.
a
lFg-##^
TIjc
With
lone,
*?
^ri
.1,
,d
:m
,m
k
i^ ^^P
.m
that's
tni
aim
i*e
wea-ry-
ing-
CO yda "p
^
a
juc
C01U15
Ion
word
of
^
'^^
.m
IF=^
out one
n'jiciiim
-
.r
pac
xe:
lioiit peiti
5_^
*^
loiizst:
TE
my
-tT-
.d
,r
JlSI
=*=#
me
It's
:r
^F
^^^
S
f^
cup
feo
here
Ion
111,
T>ub
ri
n:
XT
i
tri
tempo
P^
lott
^^^
o:
~Xf
15
31:
:d
.,r
^'
pub
tio
,r
:m
,r
XE
an cpeuii,
news from
The
home.
^=&
FB=^
XT
XE
XE
C.G.H.5
liH
rif.
ii
''I
m
^.jl
.I'l
,m,
!
:r
ban
j*inol
d
.u
:m,
.s,
1,
tiaop-^ac
ac
.a
d
I
i
And
be,
aic
mm
och
its
:d
:u
.,r,
.,r
cJUf cau
peiii
mus-ic
,r
a tempo
d
m i^
A ^
21 -5111*
oc,
oc,
61^
och
och
Ei
.s,
But
,1,
PS
mmm
ild
ree
.r
,m
Sip
:1,
E5
ejf
o, _
6iji
oh,.
Ei
Lig-- is
gus
J
-
oh,.
Mi
tU
*^1
fe
31:
f=
'5e
iti<">
c|ioiTie
'Tis
my
heart
r.\
^m
that's
tl
5 t=^
f fi
tri corde
fV^-
15
-Ion
duv
lun
rie
"oub
^
i
:1,
yjv-
^f
rfioiti
black with
sor
row.
~ns
-y^
^ ^i
c;
1.
I:
W^
XE
:s
.1,
TE
:s,
^5
*::::
r>
:5
r-
H--^
^=i
rit.
o o
^ rj
:^
o-
.s,
lei5
15
5SS
day
-/Or-
:fe
51:
:i *
tuc
Sun
'J
af
y^
"Ooiii
iSC
.S|
:S|
<>
'tis
.d
a'
peiti
the pleas-ant
^^
^
^^
:1,
zz
3
E?
,r
jm
If
.d
:r
pn
iiibejT)
1,
^^
^^^
d^jtn pern jc
had
but
.s,
:1,
coic
__
w^
fiatii
?F
^1
c orda
^^
r.G.H.5
-rr
^ g
JQC
una
.m ,m
21
Z5_i
J21
TT
J4
,r
.rn
.m
:rn
^^
>^-^-^tr^
"0'ioiH4
would see
leij-
j'
cfiaiiu.
place
no
more,
tnn
fia
this
^
i ^^
3=
?E:3 W
W=^a
:m
.r
m:
.m
i'
J^
"Dull
'5iif
"Oia
50
hie
to
my
I'd
i:
17
-JJL
Ij.
W=^
n'f.
^m f
:m,
.s,
11,
.d
,r
/TV
:d
,r
TC
.s,
feE^EE^
:1,
1,
-T^V
lit II
own
dear
Were
shore,
*a
but
it
die
Eir
in
f=f^=^
to
rf
inn.
3
r
r-
SC
'C
a tempo
{:
.s,
,1,
.d
?=5^5
^
^
i^
-21 -
But
'
<!
-*^
.s,
PI,
och
'tis
och Eir
edf
,m
^mm
.m
r\
5"r
a
i^
t
^E:[^i
,r
Eir
i'-
be
mo
oh,.
'Tis
my
cfioine
heart
BC
m
C.G.H.5
ie
Vun
Ion
Dub
duv
31:
xc
i
,r
^^-^
0,-
^g^
B^
:s
.1,
iE3
.r
5E5
as
oh,
xc
rit.
SEE
5e
lig - is
ie
EC
Id
:s,
:1,
3=
lei^
a tempo
.s,
5ur
i^
^m
^-#
:s,
I
:d
II.
:1.
V?t
J>
r
bpon
ra
that's black
with
sor
mP
row.
-y?v-
35
Caz Ceim au
Andante con moto.
{:
as
8o
ft At).
(Key D)
^I
:-.m
:s
i J
JWl
Coif.
I^
2::
1&-^
m^i^
.-
,(i
:r
sH^y
,d
.-
,r
Id
.^J>
.^'
:ir;
,d
.-
iiiiji
*' #
.d
abann
sweet
"Sleaiuia'ti
Glen Kee
^#"
^,^^
Ce -ma
ma- nee -a
F^
W^
f-^T^^ fr^^T^=H^
^
*^3a
^5eS
w mf
it If
Id
To_
,r
Im
iJ^ilg
111
lllb
in
her
,d
Ir'
ty
ex
.-
.t
P'
L^O'^- M\i
beau
s
,1
i
mjL\\
- cell - ing-
Lento.
.,1
*feh
f
;
pcean an
44
:m
.,in
J^
i)
piat)
Y'^^"
Ir
.r
i)ioin
ce
straydwheredeer wereseek-ing
.in
,fn
.-
1j
cun
their
r"'t^
"
coTi-la
nights peace-ful
,1
.m
jn^J--^^
5^5
::si
ail
1*05
rest
R.H.
Note.
i?.i/.
t^
WIT'
ir:r
**^
rrfrr^ljgiT; fff^'Tlfffi*3^w3-^'-*-'-fcfcfc^
tj^> *i
n^.'ir^yj'L''.')a''^g'"^=
a tempo
d
l;
.d
r;
Id ,d
.d
-.r
J'
sat
:1
pein
"oeaH
a"
me down todream-ing
gSJ
.,d
^P
i^
ir;
binn
5ui:
peace
filled
WJ-^
na
.s
2I5
eif
The
calm
i'-
"Peace
rf^^p;
ciMcc
shook
^^
..d'
:r'
le
fianf
the ground
:-
.t
Id'
f?+^le
the
puaitu
p
ail
TOL
S^i^a
i>i' ;>
t
jcoil-ctb
le
with
*
XE
22
f
cac
Sx\
trum
..S
:t
r
ai|iin
tramp of hor
.r
.,1
cuaV
Sud-den
.,1
Im
45
and
pets blare
Lento.
Il
..r
Is
,s
Tluaifi a
breast.
:m
^g^
zr
n-eun
my
ta-tion
.\
Is
= 104)
,1
-g^
Allegro. (J
.t
f^
p:
.d'
fiituamce
tiio
and mak-ingmed-i
^ ^H
jtu
Ir
.t
^T-'-^J p
j^ ii
iiacctiait|*edl lioin
!m
.r
:1
^Vp.
t)0 c|iic
.1
a
ses com-ing
3
.t
fUab.
near.
I
r.o.H
IS
^f-'rw^ ^^
xn
'Sna|i
Broke
.1
mE
i:
sc
Tempo
Allegro.
^
ils
*
^ii
37
I.
'
.1
.d
^ p?
.d
Id
:r
.r
N -
;^
ineiiin
liotti
my
on
i^j)
lis'-
"Can- a
njloft
ning
Came
ear
J)
J)
pjfi
50
nain-.iT>-
the cru
'
])
J)
1)
titiji
slaugh-ter- ers
- el
j>
ji
1114(1
cioc
:1
ii^^
5^(1
-Ta ne
Ir'
.t
.t
,1
:-
Is
.,1
44
M Q ^^
^P
^^
In
.,r
con -41b
fu-ri-ous
.d'
tor- rent
nithe
5u|*
mo cpoipe
cutiia
Mv
rush-ing
heart
was an
.r
PI
tia
rain-
guish
riv -
:r
f^ifi
XE
^
s
2:
en
Si^
^
^
-^
Lento.
.s
iE
iS^
pari
to
like
*i
llm
j^
Adagio.
^i^
^ f
jid
.,d:d
Id
I-
:-!-:-
"O"
'
n'pa5 -4
*r
oap
5411
strick-en with
des
cfieoip.
-
pair.
^ m
i^^
"SIT
J^
f
&_
-^
ja
?F
3s:
TT
:-
i
(m
<=
^
1
f-P-f^
5 i>7
.d
:r
^_J^ rjrjr^.
#
i
Tl'io|i
:5
.m
Now.
bean
pan
peaji
all
the land
^
r
C.G.H.5
.,d
.d
Id
.r
j> ^
j)
#} J)
#
J)
n4 p4if-Tie
inu
is
with
ring"-ing-
^
r
38
Lento.
\m
:1
air
.d'
Ir'
.t
Is
^^^^
-h
fieab
end
.t
ud
ociofi
ca
Im
.,r
^iTp
The
ex
i^
joil
no
iled
and
the
^^
mil
Y"-^
are
.m
.1
ce
la
ing ev-er
wail
^^ ^
I
f
'cu
bi
home-less
,s
,n
J,
.r
#F^i^j>^^iv^H^7"ir ^
Tla
less des^air-ing"
:ni
.,1
XE
i
a tempo
s
^
.,1
:sr
22
J^
l:^
j)
Be
R.H.
H.
*^1
ai
Irzzi
^^11
.s
:1
Ir'
.t
.d'
Jl^'p
pF
lai
na ocitn-ceaU
rav - a
"oni
ges of
hell
p
hounds
^-H
:*
.d
j)
>
.r
j)
<>
an tt^ajt-Ta
hour-ly
aji
dai
Id
50
the
ly,
iEEEl
-0
i-j-
%a.
m
.,d
*
jUL_ji
^>
T*
hold -ing
L. //.
ap^
:r
peac-aitic
2I5
more
.d
.t
Is
,1
.,1
J'-
[j
:in
.,m
Ir ,r
.-
.rid
^Mv iij^A
,d .-
;,I2 jij>
2I5
iSm - ac ''5U|' 45 iTon-aT)
Their plun - der- ing and slay-ing
.,d
^.
^
iia
from
moun-tain
to
co fuoco
lid
^fe
I
IF
i
r3~~^
Is
.,$
.,1
:d
ncfieo
2trt
I1U5
5 up
shore
rose
the shout
.1
leai;
both
It
^^
.r'
,d'
bpar?
T^cem-
.n'
t
'Se
Come
4L
C.G.H.5
39
^^
^&Z5.
3
a
.d^
can
cac
and smite
the
Sax
50
ter
Tempo
If
X
'Ci
He
JL^'-
ttiea|i
.1
^'
0 4
on
.d
:r
w
^Fi.
ji
jr
na
na
DAjt
roes
\\\^
came and
j^
-
war-
Is
-^
host
.d
j)
;t
f'T^-J
iJt
I.
.d
Ilm
..1
5lujii-|-iTi
scat
:t
,r
Im
1^^
.m
Is
.,r' Id'
:t
pg^^
J^
ijr^
Be
they for ev
^ r^^^-^
.s
;1
Ir'
,r'
pifi
bring-- ing
riors
joy
un
to
the
Once
hope-less ones
m:
:m
fei
-
am
more
f
ea
the
.d
Ir
.,m
^
S
5^5
T)A]\
na
pain
foe
is
fly -
lost
.ta
.d'
.,1
er
1^
le
ing-
and
J)
)-*an
scat
TT-
^
311
C.G.H.5
ji
.^
IT
ain
afi
feol
ter'd.
his
host.
W
"is:
40
^==
^^.'^
^^m
^ija.
^
Id
,d
.-
:r
.,d
i'-
bp4"oa
"ouititt
ah! not
long
Id
^^[^jv-|
fe
.d
i J'
.r
lin
J)
ji
^'^m
lai"o
E^
.^
iji
'iia
T)riiiicej!l
foe
we
hat-ed
E^
k ]m
^h
nT>aom-eY
3
a
^AC
with
blight- ing-
=^=
less;'
^
s
Jiii
bAtifiJC
spoil-ing,
.d
jij)
rj'^
w
>
-
vas-ta-ting
.s
:1
.t
J^^'M
bap-tiecc a- juj*
Ir'
.d
Is
t
5ceo
bin
hand
De
t
C.G.H.5
^S
.1
:m
M^
Im
.r
beechep
-M
i:
J^H
v:>
Im
.n,
i
A
^f
bini-bjil "cu
"ti-x
de
Id
fe
r:\
ing
%d.
.,d
j)
f
f
lead-ers
e3e
and
:r
.,r
XE
{Id ,d .-
:-
scat-ter-ing-
u:
slay
.m
i'7uti
..1
paoi n
,1
'^^ Mxj
tnaoilmn
ruth
Is
.m
j^
K ;^g
EEi
^
.r
*h
f?
Lento.
*:
the
.d'
Ir'
Efe
Im
^^iJ^^f-H^
m
^
J^
came
till
.t
i;
we wait- ed
:1
J'
50 ocaini5
[^:^n-^
N.
.PI
But-
j=j
fe
3e1
:-
:S
of
PP^
I E^
cru
e'
r^
2;:
41
Furioso, Allegro appassionato. J
Id
:d ,d .-
.d
p^^
s
mil
ce
eil
mur-drous
w^
:-
:d'
pf=i
if
Ven
of
geance
,s
.d'
:4F2=#^
5dn
T^an
clu
:lu
ii4C
\\dt
^'
g^
wroug-ht hav
this land
:-
-^
.1
.,m
Is
Is
.1
lg=p=^-.i^--^ J^
i'
^jm
pjo-
they.
for
ev- er
^3
<*^=^
1]*-
ZE
cil
cib
mea|i4
the
damn'd
mong-
^i
i=^
3
fe^
.m
Id'
,d .-
Id
10m
50
and
for aye.
CesD
"oeo.
Praise
:r
r^i
-^s#li^=#^^g
u^
tia
- ber'd
.d
Id
.,d
j, j>
yj
J,
nap
h-lopa
le
bove
for
ev
who
er
S^EE^
^^^1-j
f
!!m
,m
.s
Ir'
.t
:1
#^UiJi^^PP
T)io-la-ma}i
jfi
Jti
Pf
#=5
EEfe
e:-^
.d'
Is
''^
h w ^N
iLJ.
Tir<ii|i
21c
riv- en
To
i^ i
t
?!
a5 Te^n
-r
''1
"i^
rtv
jfj
.r
St*'!
Now
atn
.d
:-
.d
Id
:-
inn-|'mc
s\\
joy-ous_ and
r^5free.
o:
t
TH
s:
i
C.G.H.S
I-
hj^
hlJi
^fmm oe
beir
m
be nurn
inop
niol-ar
God a
,1
I.
r^=j^f^^r^
:1
meaj"^
Tempo
..r
,S
:t
,1
cem
?5o
dark
:t
bpiasi
r^an
J*e4n
Allegro.
a
,t
xc
r^"=^
Lento.
'SeD.
d'
,t
^jn
oc
{It
.-r'
-s;jrt
^^
in
^an
jan
11164]*
liiear
that
ll
stark
'J^.
:t
them
strike
.1
511
r"
.,PT
5an
God
band
!ld'
:-
.r'
leo
hell-ish
,d'
It
^ 112
-a
%2
hotiA
leAtAt)At\iCe.
Allesrretto scherzoso.
J- = 66
(Doh
E),
is
a tempo
rit.
u&
{Is
:s
p
cuiiui
:s
.1
ll
'feafi
:1.
:1
beacui5-edT>
,m
it
io
S
it
S^^
j
J'
2I5
^.
-*
rit.
/I
li
^-tf
IS
i'
DuiU
feft
PI
:m
J>
-
eaiii
IQ
d
:r
J^
o
J,
bajiji
i
^
^
:1.
:1.
:m
>
"Oi.A)i-mui-o
'
^r
^^
j
it
<7
?^^E
:m
p=
<4
? wT
i^
CJOJl
tempo
W
j
'1^
'^.
rt
S
S
W
H
h-2J oro
iij
ne
ffi
Hi
tempo
C.G.H.5
Ji
i>
tn
T>eap
c-i|i
^\
m
rt
^fe
This song must be taken accordintj to the metronome, not too fast. In the
original. This leading note did not seem in keeping with an Irish air and as
in this version.
:s
tempo
s
bar of the Chorus the note D was in the
some sing C instead of D, I have written C
la.st
43
rit.
"U
ft
:s
Is
:s
a tempo
ll
:1
;tz^T^^^
4c
com
4J1
cui|i
W=f='
it
le
:m
Is
M J
i^
f^iiU
6ji|*
'^tt
--^t
^^z:
<^.
Tempo
:1.
t:
S
bi
:1,
bat)
an
41)16.
3c Ut)
i^
DO
bdc
a tempo
^
S
giusto.
Id
3r
CO
im
^
bo
b6
bo
:s
s^
leau
Tid
fe
^^
i^ ^
:s
111
4T)4lt1C
U,
Id
:m
Ipi
bo
fi
Id
:1,
S
bo
^
cfean
ti
C40|i
C4C;
4"oaft
^m ^^
f-
#N
:m
Id
S
bo
bo
na
s,
lejc
f
-
4T4I|ic
^^
^
C.G.H.5
:m
Im
:s
ll
~0^
*=*i
Id
'-y^^-^
4}i
J)
S
i
5
H=^
rit.
J^
:r
#-=
i)
#L-i-
bo Djiuim
:m
i)
#
pionii
44
*A
:m
Ir
?e
:r
Afi^
d'y
:1,
Id
:1,
'
J)
cA
n'}l-eaTi-ap
bpuif;biiin
rit.
ue
:m
:1
:1
lioiiv
(la
TS''^" '"S
5'^
bpeic-jMnn
IP^
mo
it
S
it
r
^
'^.
a tempo
a8^5^
.ml
111
:m
p-T^r^-
Hi
caop
rit.
:m
j)
J,
:m
Is
j^
ap
oop-an*
maiT>-ui
no
:-
:-
'^c
fe
pafi
Is
:s
:s
ll
:1
.1
:1
^^PN^^P^^
1*1
bam
tie
-potu
beac-oc
a'n
ri
Bw=r^
oiTice
fit.
:s
^
=B=
-t
:^
a tempo
lU
:s
Ir
ii:
5:
"Cal
:1|
tempo
'^.
;1,
^jr^^^ S
j)
fc
Id
:r
ceacc cim an
2^5
aSai
5:
ll
:s
fr=-p-hp-p-^L2|_ p
b'^eapfi
i.
Is
^
rotn
a tempo
:m
i'm
n!i>
^^
Cuip
peaf>
|i'
})
J)
-
Is
:in
#^
:n
J4ck
|*i
j|i
bo
:r
:m
bo
^
leac
mo
^u^l
:s
im
:n
bo
afianic
:1.
iA
Id
;^^
^
-
im
dT)4p
Id
Ir
bo
C4C
A
i
cao|t
"
bo
:r
^1
^^
{l^__^.
bo
-Jill 11.
r^^
,tt.i
\m
:s
iu\
45
rf-eail
Id
g:iusto.
}/t
-oeaf
:1,
Id
4\'
:1,
dS
'
-oitt
?E::^a
Id
:r
Tempo
b$
^m
:m
bo
:s
na
lear
f
Si
Pifgf
111
*A
:s
^^#
^
Bie
f'
bo
anjific
:m
Im
i'^
i^
rm
J'
T)}tuim-pion
Ir
:pi
J'
J^
-oe
ups
^^ ^^
:r
S\-
Id
:1,
u'pean-aft
:1,
cJi
i^i^i
s
J
g
C.G.H.Sr
Id
bpui^bitm
:d
II.
4i
An
Su^df teif
n6Aet)i\'5
WHITE (Fionn).
CARL G. HARDEBECK.
Melody by H.
Arranged by
^
ii
\>
call
ttiaiii
^.
:r
i^
Id
nTJUit;
-^
P-'
tTo^
[?
-
am
ai-n
1,
11,
Ij^.
ce
05
:t
:-
Id
:1,
.li
TO
Is
^'^'
J'-
J'J^
:m
:- .r
50
r^^r
li-ion
M"
50
j^
-oaui
:1
je^n-r
Ur
?^
is
ir
ni
:- .m
:d
Id
^TF
^^ y"
bl
61
paon
:d
^
-
}i6
dx>
clii
ceac
^:
:- .t
:-
Ir
:m
:- .f
Id'
"f
[?
ii
-
-I*-
5
:- .1
:S,
g
Is
"Co-g
1^,
m
:S|
ii
a}i
V-
^;
aiTi
S,
3:
:- .m
S
^''
ii)
^05
1.
:-
Id
:s,
.s,
Ild
:-
ild
:r
Im
ri^.
la^
hf,
:m
:- .r
J^J
ho
}t6,
i^
:-
Is
.1
:S
ai-o
^^
'Cog
I
r
t^
r
Ild'
:- .s
:m
^
|*uaf
lei|*
ail
tiSaeT)
:s,
r^
:d
Ir
p^
ii
1I5
'St
/O
E
IT"^
fc
*^
^a^
*~*
(S
^
v:^.
Note. The words of this song are an adaptation (at my request) by SeajjiiO Cacain, from the Original Gaelic words by Duncan Reid,
Glasgow. I publish this song by the kind permission of the late H.Why tc (Fionn), and at the request of many Gaelic Leaguers.
It
makes a
C.G.H.5
47
:- .1,
lsi
:t|
cah'-
ttiyiui
;>
ifa
:- .r
Id
:m
:-
Is
:s
.1
j^.^^^j^-ffr
H-615'
I,
CArt'-
Y'
na
n ^^
:- .s
Is
[T
itiaiii
:m
If
ir
:- .m
Is
:d
m^m
Can'
h-aoij*
:S
finti
Aft
rif
'
^
#:
#:
^^
:- .r
Im
:r
Is
.f
Ir
h^r-^ ^
^
CAti'
tnjiiu
:- .1
:- .m
Is
:s
jf-TF r
an
jaoil
j>
J-
t^a
fi
'noif
^'J^
40|*
ca
:-
Id
:d
Jv
adr
cac
a'f
cpeati
^i>J
rr^
Z).
.1
:s
Is
~^m ^^
caiU
Tlio|i
/C\
^^^^
:-
.f
af
Bea|ic,
nio|t
C al
Chorus.
Id
^
I'CftlOC
beim.
DO
r'
]^
fi
IT
a^
^
N.B. Omit introductory quaver
2l}i
'S ni
reafaro
puije
-50 -oUij* \e
]*i
^Y
an bap 50 oci
TieifteaT)
nsuc, leacnui^ro
0, ro^aif) buft
moji-f-ftuc
2lc.c
cluinceajt a puaini
2l|i"n-femnif) a clu-]*an
an c-faojail.
2lY
tta lei^it) le
Tir 5eiU]^i"n
Clijt
}*e
jac peall
coifice 50
a'l*
ocu^ax) le natiiaro,
fpumeat)
o'n
can'mam na mbeann,
monat)
mbajfoacc
i
'
aY
^leann.
^ceol
it
id*
clanna na
nSaeT>eal
hmi
]^aj*atHac nine
nSae"6eal-
Bpa^a ye an buaifi
ea^coifi a
singing Verse 4.
5.
"D'a
aji }:eaT)
i
coitiiijcij
3.
in
^-
2.
Ca
0, feafaiT) 50 ^aipceamail
le can'tnain buji
n^fiaf)'
peat)^at; e 'fiua^'.
hcpeaca mapcannac
Tlt cftet5}:eam
an SaetJil^ an
Can'tnain munuieac ap
paix)
cjioroe-
beimro beo
rmnicce nf utiei5peain 50
^^
^E^
:m
If
J^^''
]teac
J:
:m
.r
"oeo.
C.Ct.H.5
Lows- and Brvdone Printers Limited,
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...
Carl G. Hardebeck
Carl G. Hardebeck
G. Molyneux Palmer
G. Molyneux Palmer
G. Molyneux Palmer
G. Molyneux Palmer
EDUCATIONAL WORKS.
ELEMENTS OF MUSIC
B.
B.
SCALES
AND
ARPEGGIOS,
Part
Containing all the above required for the 2nd and 3rd Grade Pianoforte
Examinations in the Royal Irish Academy of Music.
PIGOTT &
PIGOTT &
GO'S.
GO'S.
PIANOFORTE TUTOR
IRISH PIANOFORTE TUTOR
VIOLIN.
COLLECTION OF IRISH
AIRS,
&
2.
DUBLIN
PIGOTT &
And
N.
9.
at
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CORK
Como
Peny
(linino
Faddy
back,
Reillv
Percy L rencJi
Flynn
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Frencli
Drumcollihcr
M'Breen's Heifer
Eileen O^c
oi the Pride of Fetraxore
Emij^rant's Letter, The ...
Elanaf^an's Flying Machine
...
Jim VVhelehan's Autoniobeel
Letter from Marv of Mourne, A
David
(A Kiplx U) till' " MomitMiiiN o' Momiu' ")
...
Mick's Hotel
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,,
Mourne, The
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...
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zTnuzvn -soxc.s.
baxvt
...
bejti "Oub an ^[Icanna
Cufut* 4tt cSiijai'n
Sti.ab a tti'bati
boictti'n
2lti
Citttife
ttn
Palmer,
Hardeheck,
G.
v.
arr.
babojio
,,
..
'
SONGS-ro7/ft/
pinac
Spatlpi'n
,
I'm
/".
arr. /.
arr. .Aviiic
.
(i.
irr. (j.
M. Palmer,
arr. /. F. Larchet,
arr. Hardebeck,
I'.ii
Larchet,
Hii^i^ins,
0. Tnuoltitianui'o,
arr. 2lo'6
SON(. ALBLMS.
6tte4n
baticttoic
Co'olu'O
U,4 bin
2lti
1-
-1
F. Larchet,
Melody), Part 1
... arr. Hardebeck,
Sedt)4 Ceotl ((iems of Melody), Fart H
... arr. Hardeheck,
SeoD4 Ceoil idems of Melody), Part HI
... arr. Hardebeck,
arr.b. TnucRuai'ottj'
Sliab n4 b4n
arr.
%n
Pai-oiji
((ienis of
SeoT)^ Ceotl
ClutYce4T)il
arr.
...
Larchet,
/".
/.
CoTt4-6
tit)
2lti
jamw^
Cai'tCti
bisn
If lottn^uala
X)toi5nii "Don*
Tn^mtiin Ru4T)
Ciic
ni
"Ouibift
IRISH
Bard
of
Armagh
Larcliei,
PIANO.
Pl21'nO
Hardebeck.
arr.
Catnc
i>
CttfO
arr.2la6 0. Tn^olfittAnai'o,
II
i>
II
Cult)
HL
Cttro
CttiT)
IL
arr. /.
arr. /.
i\i
Hardeheck,
,arr.
...
2li
arr.
DOT)
/.
I'Ti
2lw Ctitlpionn
21
arr.
i'.,rt
..
...
Sfof
FART SOXGS.
2lniiliu nA
...
.-
Su4MCf4(Tlie
Cuiwr*
21 be4n
F. Larchet,
F. Larchet,
Pope
Ctt4f4C
(G and A)
/.
flat,
..
Irish Melodies.
Op. 56
Rich and Karo.
4 Flv Not Vet (Jif().
I
F. Larchet
\\.
AND PIANO
VIOLIN
Esposito
V.
tf Cot*,
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William Reidy
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Dr. Annie Patterson
Dr. Annie Patterson
KOCKE
CORK
and SLIGO
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