The Right Note

Written By
Mayft

Address
Phone Number

SCENE 1: INTRODUCTION INSIDE THE BAR

CAMERA SHOT 1: SLOW ZOOM
Action: The film begins with a slow zoom onto our
environment 'which is blurred out' in the background. Some
animated text shall then appear onto the screen saying 'The
Right Note' in an animation.
CAMERA SHOT 2: SLOW FADE
Action: The camera will fade to a TV screen, the TV screen
will say of how a Stuntman has lost his job due to drinking
habits and show a couple pictures.
CAMERA SHOT 3: SLOW TRANSLATION
Action: The camera slowly moves from the TV screen to a shot
of the bar itself, close up so we cannot see what is in the
distance. Then a shadow will loom and slam a beer glass onto
the table.
CAMERA SHOT 4: RAPID CHANGE, NO TRANSITION
Action: The camera will then quickly change onto a rear view
of our stuntman. He slams his head onto the bar as if he has
fallen asleep, the bartender then leaves turning off all the
lights as he leaves.
CAMERA SHOT 5: SLOW FADE TO BLACK
Action: The screen then fades to black, then white text
appears saying "3 Hours later..."
CAMERA SHOT 6: SLOW FADE
Action: When the text disappears we can barely see anything
except for one of the ceiling lights.
CAMERA SHOT 7: TRANSLATION, FAST PITCH
Action: The camera pitch's down fast onto the stuntman's
face. As the camera reaches his face the lights turn on
giving us a very clear look at the stuntman's face. judging
by the way the stuntman raises his head we can tell he is
very drunk.
CAMERA SHOT 8: RAPID CHANGE, NO TRANSITION
Action: As the stuntman begins to move his head the camera
gives us a look at his perspective view, like an FPS. On his
HUD (Heads Up Display) we can see on the left he has a meter
that says 'Booze'. However because he is so drunk he begins

to hallucinate, thinking he is on his film set, at this time

the 'Booze' meter becomes a 'Happiness' meter.
CAMERA SHOT 9: RAPID CHANGE, NO TRANSITION
Action: A quick camera transition takes us to a view of the
stuntman's face as we can see that he is properly 'Smashed'.
He then runs off of the screen.
CAMERA SHOT 10: RAPID CHANGE, NO TRANSITION
Action: The camera then switches to a view of the security
footage making the stuntman look impressive and silly as he
vaults over tables, like he is on his film set.
CAMERA SHOT 11: RAPID CHANGE, NO TRANSITION
Action: We then see the bar in the stuntman eyes (Not his
HUD), jumping across crates to get to an exit before
swinging on a rope to get to the next floor. What is
actually happening is the stuntman is jumping on table and
swinging from a ceiling light to get onto the next floor.
CAMERA SHOT 12: RAPID CHANGE, NO TRANSITION
Action: The camera then focuses on the Stuntmans face from a
slight distance, we can see from the colour of his eyes that
the hallucination is beginning to ware off.
CAMERA SHOT 13: RAPID CHANGE, NO TRANSITION
Action: Then the camera changes back to a view of the
Stuntmans HUD, and we can see on the left the booze meter is
very low and beginning to flicker between 'Booze' and
'Happiness' meters.
CAMERA SHOT 14: RAPID CHANGE, NO TRANSITION
Action: The Stuntman looks around frantically for any kind
of booze that can make him stay in his happy dream.
CAMERA SHOT 15: SLOW TRANSLATE
Action: As we watch the Stuntman look frantically around for
some booze the camera slowly moves backwards until a bottle
is in view. As we come into the view of the bottle the
stuntman sees it as well and sprints over to grab it.
CAMERA SHOT 16: SLOW PITCH
Action: As the camera pitches up we can clearly see on the
bottle that this one very strong drink and would be advised
not to be drunk. The Stuntman shrugs his shoulders and downs

the entire bottle. Once the drink is finished everything

begins to shake and distort as his eyes become almost
completely white.
CAMERA SHOT 17: SLOW PAN
Action: As the camera
what we see into what
hallucinating that he
target is a large man

pans behind him the vision changes for

the stuntman see's. In this case he is
is in a western bar brawl and his
taunting him to attack him.

CAMERA SHOT 18: SLOW PAN

Action: The stuntman charges at this large man, slamming
into him and falling off the top of the second floor in the
bar.
CAMERA SHOT 19: RAPID CHANGE, NO TRANSITION
Action: As the Stuntman jumps off the second floor the
camera is stationed underneath him as he lands, when he
lands on the camera the entire screen turns black.
CAMERA SHOT 20: SLOW FADE, SLOW PAN
Action: As the camera view becomes clear again it appears
the stuntman is on a table but is really on a Piano.
CAMERA SHOT 21: SLOW FADE, SLOW ZOOM
Action: The camera then fades to get a better look at the
stuntman.
CAMERA SHOT 22: SLOW FADE, SLOW ZOOM
Action: The camera then fades to focus on his hand which
still has the bottle in it. We can clearly see his grip
loosening on this bottle and as he drops the bottle the
camera tracks it.
CAMERA SHOT 23: TRACKING
Action: The camera tracks the bottle as it hits the floor
and begins to roll towards on of the stools which has
something underneath it to keep it upright, the bottle rolls
and hits the wood underneath making the stool fall over as
well as the sign on top of it saying its out of order.
CAMERA SHOT 24: RAPID CHANGE
Action: We then get a side view of the Piano being hit by
the stool, sending it rolling off screen.
CAMERA SHOT 25: RAPID CHANGE

Action: We then get a shot of underneath the Piano as it

begins to roll out of the front door gaining speed.
SCENE 2: MIDDLE, THE TRIP DOWN THE HILL
CAMERA SHOT 26: RAPID CHANGE
Action: Then scene then turns onto a side view where we can
see the outside of the bar on top of a tall hill. We can see
a small object fly out the front door, it being a Piano.
CAMERA SHOT 27: TRACKING, RAPID CHANGE
Action: The Piano rolls down the hill, we can see the
stuntman has woken up slightly.
CAMERA SHOT 28: TRACKING, RAPID CHANGE
Action: The camera then changes to a rear view of the
stuntman who is still hallucinating slightly but can make
out some details as to what is happening.
CAMERA SHOT 29: RAPID CHANGE
Action: We then see from the Stuntmans HUD and see he is
still slightly hallucinating, his vision turns into a
surfboard on a wave.
CAMERA SHOT 30: RAPID CHANGE
Action: The stuntman then flips and begins to use the Piano
as a surfboard on the road.
CAMERA SHOT 31: RAPID CHANGE, PAN
Action: The camera then flies to a road sign that means do
not enter. The camera then changes to see the stuntman fly
past the sign.
CAMERA SHOT 32: RAPID CHANGE, ZOOM, TRACK
Action: The camera then changes to an upwards shot of a hill
where we see the Piano fly over a truck due to the angle.
CAMERA SHOT 33: RAPID CHANGE, TRACK
Action: The stuntman the rolls down the hill weaving between
cars and vans.
CAMERA SHOT 34: RAPID CHANGE, TRACK
Action: The camera then changes to a view of a man in a hat
(Who is an employer) sees the stuntman fly past on the Piano
and begins to run after him.

CAMERA SHOT 35: RAPID CHANGE, TRACK

Action: We then get a close up of the stuntmans face as he
looks to his side.
CAMERA SHOT 36: RAPID CHANGE
Action: We can see the Stuntman looking at a Liquor store in
the distance. He then moves off screen.
CAMERA SHOT 37: RAPID CHANGE
Action: The camera then changes to a long view of the Liquor
store, the Piano rolls past off screen but the stuntman
jumps off and begins to walk towards the store slowely.
CAMERA SHOT 38: RAPID CHANGE, ZOOM, TRACK
Action: The view then focuses on Piano as it rolls up a
hill, into a tunnel. The Piano then comes out the other side
of the tunnel on top of a motorway.
CAMERA SHOT 39: RAPID CHANGE
Action: The camera then changes to a distanced shot of the
stuntman still walking towards the store. The employer is
running behind him but is still quite far away.
CAMERA SHOT 40: RAPID CHANGE
Action: The camera focuses on the employers face as he looks
up and spots the Piano
CAMERA SHOT 41: RAPID CHANGE, TRACK
Action: The camera then is stationed underneath the Piano as
it flies off the side of the road in the direction of the
Stuntman.
CAMERA SHOT 42: RAPID CHANGE
Action: The employer then yells at the stuntman in his
language, but is too late. The camera has a close up of the
employers mouth.
CAMERA SHOT 43: RAPID CHANGE
Action: The camera then changes to a top view of the
stuntman as he looks up.
CAMERA SHOT 44: RAPID CHANGE
Action: The camera then changes to a sky view where we see
the Piano falling, when the Piano takes up almost the entire

screen, the screen goes black.

SCENE 3: END, THE HOSPITAL
CAMERA SHOT 45: SLOW FADE
Action: The black screen begins to fade and we are looking
through the eyes of the stuntman, in a hospital bed.
CAMERA SHOT 46: SLOW FADE
Action: The camera slowly fades to a distanced view of the
stuntman leaning up in the bed rubbing his face.
CAMERA SHOT 47: SLOW FADE
Action: The camera is placed next to the table where a
single Piano key, his shot canister and a note lie. The
camera focus changes to show the stuntmans focus on the
objects.
CAMERA SHOT 48: SLOW FADE
Action: The camera then switches to a front view where he
picks up a note from someone. As he picks it up a voice
begins to talk, the voice being the employer. The voice says
"Dear Sir, you gave me quite the scare there! You just
managed to ride a Piano down a hill so congratulations. I am
really sorry for what has happened to you recently, yes I
have seen the footage and I know who you are. I would like
to offer you a job at my studio, I know it will not be the
same as your old job but we do need someone like you in our
team."
CAMERA SHOT 49: SLOW FADE
Action: The voice keeps talking but the camera changes.
"Please consider this offer as it would be beneficial for us
both, but just remember the pain your drinking has brought
you. Hope to hear from you soon, H, Douglas"
CAMERA SHOT 50: SLOW FADE
Action: The camera then fades to a view of the side of his
face as he smiles, he grabs his shot canister and is about
to drink, when he stops and looks at the table again.
CAMERA SHOT 51: RAPID CHANGE
Action: The stuntman sees the single Piano Key and picks it
up.
CAMERA SHOT 52: RAPID CHANGE, SLOW ZOOM

Action: The camera then switches to a front view where the

Stuntman look at the Piano Key and his shot canister. He
then lowers the shot canister and looks in deep thought at
the Piano key. He then has very intense flashbacks of what
happened and him being crushed.
CAMERA SHOT 53: RAPID CHANGE FAST ZOOM
Action: Being startled by this flashback, he then slowely
looks at his shot canister.
CAMERA SHOT 54: SLOW FADE, SLOW ZOOM
Action: The camera then moves to a distanced shot of where
you can see the stuntman toss his shot canister out the
window, places the note and Piano Key on the table and he
goes to sleep. In the background some neon light will come
on saying 'The End' signalling the end of the film.