Professional Documents
Culture Documents
Television
Unit 27
Michael Reeder
Television
Unit 27
Michael Reeder
Television
Unit 27
Michael Reeder
Television
Unit 27
associated with the group. It works to challenge the stereotypes but often falls
into the trap of reinforcing it due to the footage that is shown.
Benefits Street 25/02/16 - https://www.youtube.com/watch?v=WksNx448igM
Access is one of the simpler issues relating to factual programming and therefore
one that is understood by many production companies. Access focuses on the
fact permission should be sought when filming both people and places, it works
on the principle that people have the right to not be filming and the same for
places as they are owned by people. Regarding places people have to provide
permission for you to access land to film on and allow the film maker to film an
actual location. This issue works on the understanding that if people or places
dont want to be filmed then access will not be granted and therefore ethical
concerns will be raised if the filmmaker proceeds to film. Legal action can then
be taken especially when involving places as trespassing is illegal and
trespassing works on the same principle of not gaining access before going onto
someones property. In a BBC documentary called Traffic Cops and in many
others of the same genre access plays a crucial part in the filming of the show,
because it is showing criminals being caught on camera access has to be given
by the people being filmed. Often the criminals being caught dont want the
whole country to see their face on TV for the wrong reason so they do not allow
access, because the catching of the criminal will be appealing and interesting to
audience members the production company still wish to use the footage taken. A
method called pixelating is often used and this distorts the film around the
subjects face but doesnt change any of the other footage allowing the audience
to see everything but the subjects face. This is a method used by many
production companys and is an easy way to navigate ethical issues involved with
factual programmes.
Traffic Cops 25/02/16 - https://www.youtube.com/watch?v=WksNx448igM
Privacy is much like access but it works on the idea that permission should be
gained before any filming could take place no matter what, this is especially
crucial when filming people who are vulnerable or under the age of 18. Again like
access this doesnt just refer to people but it refers to places as well, permission
has to be gained before it is allowed to film on a location or film a location. No
ones privacy should be invaded is the main issue with factual programming
when regarding privacy and it is crucial that this is not broken because it can
lead to ethical concerns of people have the right to not be filmed. Privacy may be
infringed upon when a process described as secret filming is used, the aim of this
technique of filming is to gain 100% realistic and factual footage without the pre
warning that filming will be taken place. This does break ethical barriers and
often after the filming has taken place the permission is then gained but for
hidden camera programmes this type of filming is crucial. These programmes
often revolve around controversial topics so there is a need for hidden cameras.
Recently the Discovery channel has released a hidden camera documentary
name The Secret of North Korea, this is very different compared to most
mainstream documentarys as there is no attempt for a presenting style whether
it be even a voice over. This documentary shows audience members a practically
new experience into one of the most mysterious countries on earth, it could be
argued that ethics were broken but as the channel 4 guidelines say it is okay to
Michael Reeder
Television
Unit 27