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The Tana Toraja is a regency of South Sulawesi in Indonesia, a picturesque mountainous region
that is home to an indigenous group known as the Torajans. For the Toraja people, life very
much revolves around death, but not in a morbid sense. For them, a funeral is a great celebration
of life, much like a going-away party, and is an occasion in which the entire family of the
deceased, and all the members the village take part. Their ancient traditions involve funerary
customs that have been practiced over many centuries and are known to be the most complex
funeral traditions in the world.
The population of the Toraja is approximately 650,000, of which 450,000 still live in the regency
of Tana Toraja (Land of Toraja). Most are Christian, others are Muslim, and a minority still
retain the local beliefs known as Aluk Todolo (Way of the Ancestors), which are most visible
during funeral festivities and burial customs.
Before the 20th century, Torajans lived in autonomous villages, where they practised animism,
the worldview that non-human entities, including animals, plants, and often even inanimate
objects or phenomena possess a spiritual essence. They were relatively untouched by the outside
world until Dutch missionaries arrived to convert the Torajan highlanders to Christianity.
Nevertheless, even those that follow other religions in Tana Toraja, still converge when it comes
to ancient funeral customs.
During their lives, the Tarajans work extremely hard to accumulate wealth. But unlike other
societies, the Tarajans do not save their money to give themselves a good life, rather they save
for a good send off in death. In fact, it is the extravagance of the funeral, not the wedding,
which marks a familys status.
Funeral ceremonies are incredibly important to the Tarajans and are often held weeks, months, or
even years after the death of a person to give the family of the deceased time to raise enough
money for expenses a body is not buried until the funds have been raised. Many people go
deeply into debt in order to hold a funeral ceremony and it is not uncommon for a young man,
afraid of being burdened by debt, to postpone or cancel his marriage if a grandparent of the girl
he loves is old enough to die soon. The funerals are raucous affairs involving the whole village
and traditionally last for days or even weeks. Specifically, a funeral reinforces the eternal bond
between the living and the dead.
When a Torajan dies, family members of the deceased are required to hold a series of funeral
ceremonies, known as Rambu Soloq, over many days. During this time, the deceased is not
buried but is embalmed and stored in a traditional house under the same roof with his or her
family. Until the funeral ceremonies are completed, the person is not considered to be truly dead
but merely suffering an illness. The dead relative is referred to simple as a person who is sick
or the one who is asleep. Remarkably, this could even last several years after death, depending
on how long it takes the family to raise money. During this time, the deceased family member is
symbolically fed, cared for and taken out, and is very much a part of their relatives lives.
Their ceremony begins when funeral visitors attend a buffalo-slaughtering field. Family
members are required to slaughter buffaloes and pigs as they believe that the spirit of the
deceased will live peacefully thereafter, continuing to herd the buffaloes that have come to join
him or her. Before being sacrificed according to a strictly defined procedure, the animals take
part in trials of strength known as tedong silaga.
After the sacrifice, the meat is distributed to the funeral visitors in accordance with visitors'
positions in the community, and the spirit of the deceased is also entitled to a portion of meat,
known locally as Aluk Todolo. The heads of the buffaloes are returned to what is locally known
as puya (a site for the soul or spirit of the dead person) and their horns placed in front of the
house of the kin. The more horns that decorate the front of the house, the higher the status of the
deceased.
The body is not buried until the eleventh day of the ceremony, although they are not technically
buried the final resting place is in a cave up on the cliff. The soul of the deceased is thought to
linger around the village until the funeral ceremony is completed, after which it begins its
journey to the land of souls.
A wood-carved effigy called tau tau, carved with the likeness of the dead person is then placed in
the balcony of the tomb to represent the dead and watch over their remains. Unfortunately, so
many tau tau effigies have been stolen to be sold to tourists that people have started to keep them
in their homes.
In one region, known as Kete kesu, the dead are not placed in cliff-dug graves, but in wooden
caskets hanging from the side of cliffs. The coffins are beautifully decorated with geometrical
shapes, but over time the wood begins to rot and the bleached bones of the deceased often
become exposed.
The smallest of the Toraja burial grounds are the Baby Trees where the tribes young are
placed. If a child dies before he has started teething, the baby is wrapped in cloth and placed
inside a hollowed out space within the trunk of a growing tree, and covered over with a palm
fibre door. The belief is that as the tree begins to heal, the childs essence will become part of the
tree. Dozens of babies may be interred within a single tree
Every year in August, a ritual called MaNene (The Ceremony of Cleaning Corpses) takes place
in which the bodies of the deceased are exhumed to be washed, groomed and dressed in new
clothes. Damaged boxes are fixed or replaced. The mummies are then walked around the village
by following a path of straight lines. Following these straight lines is maybe the most important
part of the ceremony. According to the myth, these lines are connected with Hyang, a spiritual
entity with supernatural power. As this entity only move in straight lines, the soul of the deceased
body must follow the path of Hyang.
According to the ancient Torajan belief system, the spirit of a dead person must return to his
village of origin. So if a person died on a journey, the family would go to the place of death and
accompany the deceased back home by walking them back to the village. In the past, people
were frightened to journey far, in case they died while they were away and were unable to return
to their village.
Toraja Beliefs
In the Toraja myth, the ancestors of Torajan people came down from heaven using stairs, which
were then used by the Torajans as a communication medium with Puang Matua, the Creator. The
cosmos, is divided into the upper world (heaven), the world of man (earth), and the underworld.
At first, heaven and earth were married, then there was a darkness, a separation, and finally the
light. The Torajans traditionally believe that death is not a sudden, abrupt event, but a gradual
process toward Puya (the land of souls, or afterlife).
The Aluk Todolo belief system still very much governs the life of the society, demonstrated by
Toraja cosmology, ceremonies, settlement arrangement, houses, decorations, the role of water
buffalo, and of course, the funerary customs. According to UNESCO, the Torajan cosmology
represents an ancient cosmology common to pre-state Southeast Asian communities which is
now vanishing.
Tourism in Tana Toraja
Tana Toraja is now the second most popular destination for tourists in Indonesia after Bali.
However, tourism in Tana Toraja is very much a double-edge sword. The influx of foreign
visitors boosts the economy of the local region and motivates the local people to keep their
ancient customs alive, partly for the benefit of visitors and partly for their own benefit. These
traditions may have otherwise become lost due to the influence of outside forces over the years.
According to UNESCO, their heritage has an indispensable scientific value as a source of
analogy to study the past and the cultural landscape created based on local wisdoms may bring
awareness on the nature-culture relation. But tourism has not been without its cost. Developers
have been known to exploit the local people and many of their sacred relics, like the tau tau, have
been bought or stolen by tourists.
Nevertheless, the Torajan heritage has been handed down from generation to generation for at
least 700 years, but probably as far back as prehistoric times, and it is still very much a living
culture. It survived invasions from the Buginese in the seventeenth century, and the influx of
Dutch missionaries in the early 20th century, and it still endures today. According to UNESCO,
the importance of preserving the Torajan traditions lies in the fact that such complicated and
expensive ceremonies sustain many aspects of prehistoric megalithic culture which cannot be
found in any other part of the world today.
the costs of the expensive ceremonies. Many people go deeply into debt in order to hold a funeral
ceremony. It is not uncommon for a young man, afraid of being burdened by debt, to postpone or
cancel his marriage if the grandmother or grandfather of the girl he loves is old enough to die
soon.
To Make a Dead Man Walk
In times past, when the villages of Tana Toraja were still extremely isolated and difficult to visit,
it is said that certain people had the power to make a dead man walk to his village in order to be
present at his own funeral. In this way, relatives of the deceased were spared the necessity of
having to carry his corpse. One particular area, Mamasa ? West Toraja, was particularly wellknown for this practice. The people of this area are not strictly speaking of the same ethnic group
as the people of Tana Toraja. However, outsiders often refer to them as Toraja Mamasa. In many
ways, the cultures of the two groups are similar, although they each have their own distingushing
characteristics. In particular, the style of wood carving of the two groups is different.
According to the belief system of the people of Mamasa, the spirit of a dead person must return
to his village of origin. It is essential that he meet with his relatives, so that they can guide him
on his journey into the after-life after the ceremonies have been completed. In the past, people of
this area were frightened to journey far, in case they died while they were away and were unable
to return to their village. If someone died while on a journey, and unless he has a strong magic
power, it would be necessary to procure the services of an expert, to guide the dead person back
to the village.
This is not intended metaphorically-the dead person would be made to walk from wherever he
had journeyed back home, no matter how far away that was. The corpse would walk stiffly,
without any expression on his face, in the manner of a robot. If anyone addressed the dead man
directly, he would fall down senseless, unable to continue his journey. Therefore, those
accompanying the deceased on the macabre procession had to warn people they met on their path
not to talk directly to the dead man. The attendants usually sought out quiet paths where the
procession was less likely to meet with strangers. These days, the practice of walking the dead
back to their place of origin has fallen out of currency.
Good roads now connect the villages of Tana Toraja, and people tend to rely on more
conventional means of transportation for bringing bodies back home. The ability to bring the
dead back to life has not been entirely forgotten, however. Sometimes, even now, the deceased is
made to continue breathing and seems alive until all his relatives are gathered around him.More
commonly, the skill is practiced on animals. At a funeral ceremony, when a buffalo has been
sacrificed and its head separated from its body, the body is made to get up and walk for as long
as ten minutes. A demonstration of this sort proves to the audience that the ability to bring the
dead back to life has not entirely passed from the community.
Cock Fighting
As part of the funeral ceremony, a tower is built in whch to place the body of the dead relative.
This structure is referred to as a lakkian, and is placed in the position of honor in front of an open
arena. Many of the rites associated with the ceremony take place in this arena. The rites included
depend on the social and economic status of the deceased. Naturally, the higher the status of the
dead person, the more elaborate his funeral will be.
However, a cock fight, known as bulangan londong, is an integral part of the ceremony. As with
the sacrifice of the buffalo and the pigs, the cock fight is considered sacred because it involves
the spilling of blood on the earth. In particular, the tradition requires the sacrifice of at least three
chickens.
However, it is common for at least 25 pairs of chickens to be set against each other in the context
of the ceremony. Usually, the 'extra rounds' are held outside the ceremonial field, for the pleasure
of the participants.In this day and age, the sacred ceremony has degenerated into an excuse for
gambling. Fewer and fewer among the audience regard the cock fight as a religious event, and
most take part in the gambling that inevitably accompanies it. These days, with the advent of
telecommunications, it is not unusual for people to bet on cock fights via telephone.
As a ceremony reaches its climax, the roads leading into even smallest villages can become
crowded with vehicles bringing gamblers to the site.In addition to the cock fights and the trials of
strength between the buffalo, the ceremony also involves a mourning dance known as
ma'badong, in which members of the family of the deceased hold hands and form a large circle.
The dance is accompanied by the recitation of poetry which describes humanity's journey from
the womb, through birth, life, and finally death.Oddly, the fact that a large number of the people
of Tana Toraja have embraced Christianity has not prevented them from holding or taking part in
these ceremonies.
Type of Graves of Torajans
When a person dies, the body is not directly buried, but preserved by using formalin (in the past,
people used certain leaves). After that, the corpse is put on the top of the house. The dead person
is considered to have headache, and people still give him/her food and drink. The dead person is
kept in his/her house until 2 to 5 years, it depends when is his/her family able to carry on a
funeral ceremony for him/her.There are several kinds of graves:
Lemo Grave type
The family asks "to pande batu" (carving expert) to make a hole (about 3 m long and 1 m high)
on stone wall. The corpse is wrapped with sarung (traditional cloth) and put inside a coffin, then
the coffin is placed inside the hole. Nobles of Toraja always make "tau-tau" (a human-like statue)
for dead people. Tau-tau is made similar as the dead person, including the body, appearance,
clothes, and necklace. To make a statue, people have to contact "to minah" (tradition keeper, a
person respected as an elderly one). Besides, they also have to check the date (time). Tao-tao for
a man wears pants, and the one for a woman wears a long skirt. A person who is skillful in
making tao-tao is called "to pande tao-tao". Tau-tau is still an animism belief. Common people
do not make tau-tau, and after 2 - days the corpse is put into a coffin called "tongkonan". A single
hole of Batu Lemo grave can be put 3-5 corpses because the size of preserved corpses can shrink
to m. If the hole is already full, then people need to make new a hole which are near the
previous hole.
Erong Grave, Marante
The deceased person is put into a huge coffin which can contain 2-5 corpses. After that, the
coffin is placed inside a cave. In Marante there can be found many human skulls and bones.
Patane Grave
It is a modern grave of Christian Torajan. The shape of the grave is a house, and it is said as the
second home after a person dies. The house can contain 20-25 corpses. The corpses are placed
with their coffins. The grave is also called "banua tang marambu" (house which no longer has
smoke).One grave is for one family.