Professional Documents
Culture Documents
A man desperately in love with a girl far away carefully mails a letter in which
he has poured his heart out.
6. When drawing dialogue, go for phrasing. (Simplify the dialogue into
pictures of the dominating vowel and consonant sounds, especially in fast
dialogue.
7. Lift the body attitude 4 frames before dialogue modulation (but use
identical timing on mouth as on X sheet).
8. Change of expression and major dialogue sounds are a point of interest. Do
them, if at all possible, within a pose. If the head moves too much you wont
see the changes.
9. Dont move anything unless its for a purpose.
10. Concentrate on drawing clear, not clean.
11. Dont be careless.
12. Everything has a function. Dont draw without knowing why.
13. Let the body attitude echo the facial.
14. Get the best picture in your drawing by thumbnails and exploring all
avenues.
15. Analyze a character in a specific pose for the best areas to show stretch
and squash. Keep these areas simple.
16. Picture in your head what it is youre drawing.
17. Think in terms of drawing the whole character, not just the head or eyes,
etc. Keep a balanced relation of one part of the drawing to the other.
Links
1. https://www.siggraph.org/education/materials/HyperGraph/animation/anim0.htm
2. https://www.siggraph.org/education/materials/HyperGraph/toc.htm
3. https://www.siggraph.org/education/materials/HyperGraph/hypergraph.htm