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fierce form. Tara or Taresi is the goddess that causes bhava tarana, so
She is also called Bhava Tarini or crossing the ocean of life. According to
Yogini Tantra, Tara is the same as Kali, the embodiment of supreme
love. She is also Kamakhya. In Tantric literatures three manifestations of
Tara are mentioned: Eka Jata, providing Kaivalya or unity with the
Absolute; Ugra Tara, one who provides relief from unforeseen severe
meseries and Nila Saraswati, imparting Jnana or knowledge.
Tara is the presiding Goddess of Speech and the Shakti of Hiranya Garba
Saura Brahma. As the Sun incarnate, she is the successful owner of Surya
Pralaya. The Tara-sadhak becomes well accomplished in all the branches
of literature. Traditionally it is held that Vyasa Muni could work on and
complete the eighteen Mahapuranas dues to the grace of Goddess Tara.
The aspirants of the Tara cult realize the Purushartha goals of dharma,
arta, kama and moksha. Tara is always away from Maya or the
Prapancha within it because it is Her own creation. She provides bhoga
or bliss initially and then mokhya or salvation. Tara is surrounded by
eight Yoginis: Mahakali, Rudrani, Ugra, Bhima, Ghira, Bhramari,
Maharatri and Bhairavi.
Tara, according to Nila Tantra, is iconographically depicted to share the
attributes of Goddess Kali. She stands in the Pratyalidha pose. She is
short stature with a protruded belly and Her complexion is dark blue.
She has a terrible appearance away from her mild and pretty Sarasawati
appearances. She wears tiger skin at Her waist and garland of humanheads at Her neck. She is of prime youth and adorned with Pancha
Mudras. In Her four hands She holds Khadga-sword, Indivara-lotus,
Kartika-shear and Kapala-human skull. Her tongue is held out as Kalis
lolling tinge. She wears single braid of matted hair on her head. Tara is
three-eyed as she stands on the corpse lying on the burning funeral pyre
and ranges her feet, which appears terrible. These are symbolic of
Mother Kali, ever ready to remove the darkness of ignorance and
passiveness of Her devotees.
Tantric Practice: Neela Saraswati ritual, Mantra siddhi on Neela
Saraswati, Tara Saptakshari mantratantram Neela Sarasawati Sadhana,
Tara Yantra and general tantric practices are considered to be for the
advanced bhakta who takes guidance from a qualified tantric guru. Tara
sadhakas are said to be capable of mastering certain siddhis and whoever
completely surrendering before Her with humble motives is taken under
Her shelter and supreme grace. The usual vidhya practice in Tantric Tara
is that its initiation is given by women. Tara vidhyas use Bhuvaneswari
and Tara beejas.
In Tibetian tradition, Neela Saraswati is known as Yang Cheng Mo. The
Hindu Mahavidya Goddess Tara figures prominently in Tibetian
Bhuddhism. Taras appearance in the list of Mahavidyas can probably be
explained by the religious communication between Tibet and Bengal
where Mahavidya texts such as Mahabhagavata-purana and
Brhaddharma-purana originated. Bengal also gave birth to refined forms
of Mother Goddess worship. In Bengal, Tara was an epithet of Kali while
Tibetian Buddism had twenty forms of Tara. Of this White and Green
Tara was popular.
Neela Saraswati appears a Buddhist yidam in her capacity as an
embodiment of virtuous activities pertaining to culture and learning.
Yangchengmo is the Goddess for performing arts, especially music. In
her musical moment and demeanour, Neela Sarasvati is called Piwa
Karpo. Her Chinese Buddhist name is Miao-yin-mu. Sarasvatis
mythology includes purificatory aspect. In this she shares her
characteristics with White Tara and also with her Japanese equivalent,
Benten or Benzeiten. (see previous posting on Benzeiten)
NEELA SARASWATHI STOTRAM: Prayer to the Blue Saraswathi
1.Ghora roope maharave , sarva shathru bhayangari,
Bhakthebhyo varade devi thrahi maam saranagatham.
Help me who surrenders to you ,
Oh Goddess with fierce form and great sound,
Who is fearful to all the enemies ,
And who blesses all her devotees.
2.Surasurarchithe devi, sidha Gandharva sevithe,
Goddess Neela Saraswathi is prayed for vidya vriddhi. Highly beneficial for students wishing to continue their
studies in higher learning institutions.