i
|
2 q
pes
caneoiust
\ |
v
f
(
\
SS
saPwo: Ms
| BUTT LENT!
1
a BUTTRESS
Nae PNEr creda
4
eS .
owt
2 Wood g
and structure3. Wood conversion or milling
hhave the annual rings running at 90 degrees to
the surface as on the true radial cut board.
Billet sawn (Figure 3.2)
‘This is frequently done to produce more stable
timber than results from the plain sawn method,
ee Sareea see eee
ands often passed off as quarter sawn timber
whereas in fact only a few centre boards (3.6
are produced on the true quarter. The |
differences in behaviour between plain sawr
and quarter sawn timber are described lates
under Movement and shrinkage (p. 15).TWO METHODS OF SAWING A LOG FOR
SOLID TIMBER
This method produces mostly This method produces mostly
plainsawn lumber. quartersawn lumber.DIFFERENTIAL MOVEMENT OF WOOD
Radial
movementCUPPING
A plainsawn board cups away from
the center of the tree as it dries.Number of veneers is always odd.
Grain direction of laminated veneer
sheets alternates at 90°.‘aunjonnys pur
pmor8 pom 7
The question of durability hardly arises in
indoor domestic furniture. for all woods are
sufficiently durable under controlled con
ditions. Where. however. continuous moist
conditions occur in the presence of free oxygen
then the wood is immediately subject to decay
in various forms. Beech or elm, for instance
will last for centuries, either as furniture or
totally immersed in water or deeply buried in
the earth; but ifeitheris laid on wet soit, or only
shallowly buried in the upper layers which
contain free oxygen, it will speedily rot
Wood for all work exposed to weathering
must, therefore, be chosen carefully for natural
durability and resistance 10 decay. Unlor
tunately, it eannot be assumed that because 2
‘wood is highly resinous iis therefore extremely
Gurable, although it will be more durable than
‘wood with low resin content. Woods of proven
Gurability include oak, chestnut, yew, teak and
greenheart; while ifthe work isto be painted or
otherwise protected then obviously woods of
only average durability can be used. Some
woods are, however, inclined to repel paint,
while others will not absorb sufficient
preservative except under pressure, therefore
Feference should be made to the standard
fextbooks on wood preservation (See
Bibliography),
Fire resistance of wood
Although wood might appear to be one of the
most inflammable of materials, some species,
notably crabwood, jarrah, itoko, padouk and
teak, are very resistant, and all woods of large
dimension char outwardly, cutting off the
supply of oxygen necessary to. support,
combustion. However, builtin fixtures in
exhibition-work, public buildings, etc. are
sometimes required to be fireproofed, or
composed of fire-retardant materials. Plywoods
and chipboards in fire-retardant quality can be
obtained to special order; or the completed
product can be coated with special paints or
clear varnishes, or treated with various,
chemical preparations, the most widely used of
which is ammonium phosphate. Alternatively,
plywood panels or partitions can be interleaved
With plasterboard or soft asbestos to give a ‘one
hour’ standard resistance
is. or should be, the responsibility of the
bayer or his agent to specify precisely the
degree of resistance requized, and the materials
or treatment to be used; but the terms ‘fte
proof or ‘ire-resistant’ should not be accepted
without qualification, otherwise they may be
liable to Serious misconstruction. Tt is usally
more correct to claim that 2 combustible
material suitably teatedis firesetardant’only
Defects
Every tree is a prey to defects from the moment
i emerges as a seedling to the last stages of
seasoning, and these defects can be innate
(inherent vice), such as. the characteristic
natural shrinkage of wood; acquired defects
occasioned by seasonal checks, insect and
fungal attack, ete; and artificial defects caused
by “incorrect sawing and seasoning. As,
however, any one defect may atise from several
causes it is more convenient to classify them as
natural or artificial.
Natural defects
Knots These are in effect the basal stumps of
incipient or cast-off branches in the living tree.
Where the tree itself naturally prunes its
branches owing 10 lack of light caused by
‘overcrowding, or where such branches are
artificially pruned in controlled forestry and
cleanly sawn, then the cambium layers will heal
over the wound and the knot is then live or
embedded (17:1), Where, however, a mature
branch is broken off, leaving a long ragged
stump, then the cambium layer cannot heal the
wound and the stump dies, forming a deal or
loose knot, often rot affected (17:2).
All knots whether five or dead affect the
‘mechanical strength of the timber, owing to the
the direction of the fibres, and
constitute blemishes which detract from the
value. They are, therefore, graded as follows:
Pin knots Smail knots ¥2 in (12.5 mm) or
under, often caused by the shedding of early
branches. Usually allowable in prime timber.
Spike or splay knots (17:3) Knots sliced
through their length during sawing, and
‘commonly known as ‘slash’ Knots. They aredifficult to plane up, especially in softwood,
while large specimens are not permissible in
hardwood unless allowed for in the
measurement.
Encased knots Dead knots which are still sound
and difficult to dislodge, and often ringed with
resin in softwood,
Branched knots Two or three knots springing
from a common centre.
Knots are classified as small, medium and large,
the latter usually 1% in (38 mm) in diameter
and over; but gradings are not precise and vary
according to the country of origin
Shakes Both the medullary ray and
springwood cells of ring-porous hardwoods are
weaker than the remainder, and builtin
tensions are created which tend to level out,
citherin the growing tree under certain adverse
conditions or in the felled log during seasoning
Thus extensive splitting may occur in. the
‘weakest links, ie. radially along the medullary
rays, and tangentially at the junction of
springwood and summerwood, Various forms
of shake are common, as follows:
Radial shakes ‘The log splits from the pith or
heart radially along the medullary rays, usually
indicating that the tree has passed its prime
Sawing logses can be minimized by placing the
cuts either side of the shake, always provided
the growth of the tree does not twist upon its
axis, in which case the shakes become spiral
rendering the log useless for long lengths
Where only one shake is present itis known as
‘simple heart shake’, while two shakes in line
compose a ‘double heart shake’ (17:4), and
several a ‘star shake’ (17:5).
Frost shakes (17:7) project inwardly from a
definite frost rib on the cambium and are, as
theirname implies, the result ofsevere weather
Tangential shakes The soft springwood of the
Jog splits away from the harder summerwood.
either during seasoning or through shearing
stresses in the growing tree caused by old age,
excessive bending under strong winds, intense
heat, etc. A frequent cause in oak is the
depradations of the tortrix viridéna motb,
whose caterpillars strip the young leaves in early
summer, with the result that growth is checked
2B
and the wood rings fail 10 cohere. Where such
shakes run along part of the annual ring only,
then they are knawn as ‘cup shakes’ (17:6);
but where the log is completely encircled then
they become ring shakes’ (17-68). Usually such
shakes seriously detract from the value of the
timber. English walnuts are particularly prone
to cup and ring shakes, as the trees are rarely
felled until they are long past maturity
Cross shakes (thunder shakes) These failures
are caused by compression and not by splitting
for shearing, while the actual rupture is across
the grain and not with itas with all other shakes.
‘The probable cause is not thunder, as the name
suggests, but either felling shatter (the sudden
impact as the felled log hits either hard ground
‘or another fallen log), or mechanical strain in
the living tree. Chiefly confined to the softer
varieties of tropical hardwoods, and appearing
either as a definite fracture or an overriding of
the tibres, showing only as a faint raised line
across the width of the wood, which will snap
like a carrot under strain. This particular type of
shake often occurs with a soft condition in the
hegrtwood, known as ‘brittle heart’, ‘carrot
heart’, ete. and agba is particularly liable to this
defect, End splitting and sun checking (see
below) are usually regarded as artificial defects
due fo errors, in seasoning, but a marked
propensity to split and check may be inherent in
some species and such defects may be part
‘natural and part artificial
Pitch veins, pitch pockets, ete. Sometimes
known as resin pockets, they can appear either
as thin veins or shallow cavities filled with resin.
‘Usually caused by damage to the cambium layer
in resinous woods, they may remain hidden and
thus constitute a serious danger if the wood is
used structurally
Pith Necks Repeated damage to the cambium
layer by small insects is often healed over with
bark, and may show as small dots or patches of
brown cork deeply buried in some woods,
notably birch, alder and sycamore. They have
no effect other than that of ansightliness.
Rind galls, etc, Patches of ingrowing bark,
probably caused by exterior damage to the
|ood structure will distribute these stresses
evenly, but if the structure is unequal or lacki
in clasticity (innate defect). and if incorrect
Seasoning imposes too great a strain, then
various forms of distortion, splitting, ete. will
occur. Weighting down during seasoning helps
to reduce distortion
Cupping or rounding (17:13) The plank
hollows across the width, forming aroundingon
the underface, often due to incorrect piling,
Bowing (17:14) The plank iscurved like a bow
throughout its fength. A succession of short
bows is usually caused by sagging between too
widely spaced stickers of by st
not placed exactly over each other
Springing (17:15) Sometimes known as ‘edge
bend’, the wood remains flat but bends
edgewise on its own plane.
‘Twisting (17:16) The plank ewists on its
longitudinal axis with the result that the tong
‘edges are straight, but the diagonals are curved.
Usually known as ‘in winding”
Warping, casting Synonymous terms for
distortion in one or more directions (sce
‘Twisting, above),
End splitting (17:9) The butt end of the plank
splits open, usually caused by too rapid drying,
but some species will always split.
Sun checking (17:10) The wood surface is
covered with smal! splits along the grain caused
by too rapid drying in hot sun. Not serious
unless the splits penetrate deeply.
Flaking The surface of the wood ifts in
innumerable small flakes or layers which spring
under the cutting action, preventing a smooth
surface, Sometimes due to structural weakness,
but can also be caused by incorrect seasoning.
Diagonal grain The grain runs obliquely to the
longitudinal axis, usually due to. incorrect
sawing, but some timbers exhibit marked
deviations in grain direction which cannot be
avoided. Although the condition may make
surfacing more difficult it is not important
except in structural members where the impact
strength loss is high, and in bending where a
grain slope of tin 25 may mean a bending
Strength loss of 4 per cent, anda 1 in 5 slope a
loss of 45 per cent
Case hardening (17-11) If the wood is kiln
dried foo quickly then the surfaces dry out at a
ale quicker than the rate of movement of
‘moisture by capillary attraction from the centre
oof the plank, with the result that the dry outer
layers are in tension, and the moist interior in
compression, Cuts which close ahead of the saw
are often due to case hardening, Provided the
actual wood fibres are not ruptured the
condition can be cured by steaming and
redrying,
Honeyeombing (17:12) If the kiln drying of
case-hardened timber is continued to dryness
then the natural shrinkage movement of the
‘moist interior as it dries will be locked in by the
rigid outer skin, resulting in severe internal
stresses and subsequent checking or disruption
Of the wood fibres, not visible from the outside.
There is no cure for the condition, which
severely depreciates the value of the timber.
Collapse The too supid kilt drying of green
timber can result in a flattening of the wood
cell, caused by vacuums created by the with-
‘drawal of water to below fibre saturation point
at a rate faster than it can be replaced by either
air or live steam. This condition is known as
‘collapse’ and is characterized by extensive
shrinking and warping, particularly in the
springwood, giving a washboard effect. It can
also be caused by too slow drying at too high «
temperature, or too high a humidity rate, and
can sometimes be remedied by steaming and
reworking in the dry kiln.
DISEASES AND PESTS
Wood which is deeply buried in the ground or
completely submerged in water does not decay,
as witness the highly prized black bog oak which
‘as been buried for centuries under layers of
vet peat, and the use of timber bauiks for