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Appendix B:
Graphic Organizers for Reading Strategies
READING STRATEGIES CHECKLIST, B-2
READ WITH A PURPOSE
Authors Purpose Chart, B-3
Readers Purpose Chart, B-4
CONNECT TO PRIOR KNOWLEDGE
K-W-L Chart, B-5
Reaction Chart, B-5
WRITE THINGS DOWN
Note Taking Chart, B-6
Pro and Con Chart, B-6
Venn Diagram, B-7
Cluster Chart, B-7
MAKE PREDICTIONS
Prediction Chart, B-8
Character Chart, B-8
VISUALIZE
Sensory Details Chart, B-9
Figurative Language Chart, B-9
USE TEXT ORGANIZATION
Story Strip, B-10
Time Line, B-10
Plot Diagram, B-11
Cause-and-Effect Chart, B-12
Summary Chart, B-12
Drawing Conclusions Log, B-13
Main Idea Map, B-13
TACKLE DIFFICULT VOCABULARY
Word Sort, B-14
Word Study Notebook, B-14
Word Map, B-15
MONITOR YOUR READING PROGRESS
Fix-Up Ideas Log, B-16
Your Own Graphic Organizer, B-16
APPENDIX B
B-1
B-2
_____ I write down my reason for reading.
_____ I write down the authors purpose
for writing.
_____ I write down what I know about a
topic.
_____ I have the materials I need for
writing things down.
_____ I preview.
_____ I guess.
_____ I picture the topic.
_____ I skim the text.
MAKE PREDICTIONS
VISUALIZE
Fix-Up Ideas
_____ I reread.
_____ I ask questions.
_____ I read in shorter chunks.
_____ I read aloud.
_____ I take time to refocus.
_____ I unlock difficult words.
_____ I change my reading rate.
_____ I create a mnemonic device.
_____ I summarize.
After Reading
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During Reading
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Before Reading
Reading Strategy
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READ
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During Reading
Gather ideas that the author communicates to readers.
After Reading
Summarize the ideas the author communicates. Explain how these ideas help fulfill the authors
purpose.
APPENDIX B
B-3
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READ
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Fill in the Readers Purpose Chart at each stage of reading to set a purpose for reading and to help
you attain it.
Before Reading
Set a purpose for reading.
(Example: I am going to determine the overall mood of this poem.)
During Reading
Take notes on what you learn.
(Example: mournful owlsounds sad)
After Reading
Reflect on your purpose and what you learned.
(Example: I wanted to find the overall mood of this poem. From the notes that I took, I believe the mood
is melancholy and sad.)
B-4
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CONNECT
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TO
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Connect to what you know and what you want to know by filling in the first two columns before
you read. Fill in the last column after you read.
What I Know
CONNECT
TO
Since you cannot write in, mark up, or highlight text in a textbook or library book, use this chart
to record your thoughts and reactions. As you read, ask yourself questions, make predictions, react
to ideas, identify key points, and/or write down unfamiliar words.
Page #
APPENDIX B
B-5
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Main Ideas
My Reactions
Summary of My Notes
AND
CON CHART
As you read a persuasive or argumentative selection, take notes on both sides of each argument.
Arguments in Favor (PRO)
B-6
Argument 1:
Argument 1:
Support:
Support:
Argument 2:
Argument 2:
Support:
Support:
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_________________________________
_________________________________
Idea or Selection 1
Idea or Selection 2
Name
of character or topic:
APPENDIX B
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Guesses
Reasons
Evidence
Physical
Appearance
Your description
of the character
at the beginning
of the story
Your predictions
for this character
Your analysis of
the character
at the end of
the story
B-8
Habits/
Mannerisms/
Behaviors
Relationships
with Other
People
Other
Characteristics
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Sound
Touch
Taste
Smell
What Is Compared?
APPENDIX B
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Events:
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Ris
ing
PLOT
DIAGRAM
on
cti
gA
llin
Fa
Ac
tio
n
Climax
Dnouement
Exposition
Inciting
Incident
Resolution
APPENDIX B
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Effect
_________________________________
_________________________________
_________________________________
_________________________________
Summary of Section 2:
Summary of Section 3:
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Key Idea:
Key Idea:
Supporting Points:
Supporting Points:
Supporting Points:
details
details
details
Main Idea
or Theme
details
details
details
APPENDIX B
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Word:
Word:
Word:
Definition:
Definition:
Definition:
Part of Speech:
Part of Speech:
Part of Speech:
Word:
Word:
Word:
Definition:
Definition:
Definition:
Part of Speech:
Part of Speech:
Part of Speech:
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Definition
Synonyms
APPENDIX B
B-15
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Reread
Ask a question
Read aloud
Retell
Fix-Up-Ideas I Used
B-16
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LITERARY ACKNOWLEDGMENTS
Elizabeth Barnett. The Courage That My Mother Had by Edna St. Vincent Millay. From Collected Poems,
HarperCollins. Copyright 1954, 1982 by Norma Millay Ellis. Reprinted by permission of Elizabeth Barnett,
literary executor.
Walker Brents. Echo and Narcissus retold by Walker Brents. Copyright 2000 Walker Brents. Used by
permission of the author.
BOA Editions, Ltd. miss rosie from good woman: poems and a memoir 1969-1980 by Lucille Clifton.
Copyright 1987 by Lucille Clifton. Reprinted with the permission of BOA Editions, Ltd.
Brandt & Hochman Literary Agents. The Most Dangerous Game by Richard Connell. Copyright 1924
by Richard Connell. Copyright renewed 1952 by Louise Fox Connell. Reprinted by permission of Brandt &
Hochman Literary Agents, Inc.
Annie Dillard. Its Not Talent; Its Just Work by Annie Dillard from Seventeen, June 1979. Copyright
1979 by Annie Dillard. Reprinted by permission of the author.
Everglades Reporter. For the Future of Florida: Repair the Everglades from The Everglades Reporter, copyright 1997. Reprinted with permission. www.everglades.org.
Faber & Faber, Ltd. Mirror from Crossing the Water by Sylvia Plath. Copyright 1963 by Ted Hughes.
Originally appeared in The New Yorker. Reprinted [in Canada] by permission of Faber & Faber, Ltd.
Farrar, Straus and Giroux. Chapter 11 from Great Plains by Ian Frazier. Copyright 1989 by Ian Frazier.
Reprinted by permission of Farrar, Straus & Giroux, LLC. Excerpts from Books IX and XII from The Odyssey of
Homer translated by Robert Fitzgerald. Copyright 1961, 1963 by Robert Fitzgerald. Copyright renewed
1989 by Benedict R.C. Fitzgerald, on behalf of the Fitzgerald children. Reprinted by permission of Farrar,
Straus and Giroux, LLC. Thank You, Mam from Short Stories by Langston Hughes. Copyright 1996 by
Ramona Bass and Arnold Rampersad. Reprinted by permission of Hill and Wang, a division of Farrar, Straus
and Giroux, LLC.
Graywolf Press. Otherwise copyright 1996 by the Estate of Jane Kenyon. Reprinted from Otherwise: New
& Selected Poems with the permission of Graywolf Press, Saint Paul, Minnesota.
HarperCollins Publishers, Inc. Mirror from Crossing the Water by Sylvia Plath. Copyright 1963 by Ted
Hughes. Originally appeared in The New Yorker. Reprinted [in U.S.] by permission of HarperCollins Publishers,
Inc.
HarperCollins Publishers, Inc. Nikki-Rosa from Black Feeling, Black Talk, Black Judgement by Nikki Giovanni.
Text Copyright 1968, 1970 by Nikki Giovanni. Reprinted by permission of William Morrow and Company,
Inc., a division of HarperCollins Publishers, Inc.
HarperCollins Publishers, Inc. John Henry as taken from Mules and Men by Zora Neale Hurston.
Copyright 1935 by Zora Neale Hurston. Copyright renewed 1963 by John C. Hurston and Joel Hurston.
Reprinted by permission of HarperCollins Publishers, Inc.
Harvard University Press. Im Nobody! Who are you? by Emily Dickinson. Reprinted by permission of the
publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Thomas H. Johnson, ed.
Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright 1951, 1955 1979 by the
President and Fellows of Harvard College.
Houghton Mifflin. Excerpt from The Old Life in The Old Life by Donald Hall. Copyright 1996 by Donald
Hall. Reprinted by permission of Houghton Mifflin Company. All rights reserved.
Indiana University Press. The Story of Daedulus and Icarus from Metamorphoses by Ovid, translated by
Rolfe Humphries. Copyright 1955, Indiana University Press. Reprinted by permission of Indiana University
Press.
Key Porter Books. Research Strategies for the Learning Highway from The Learning Highway: Smart
APPENDIX C
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Students and the Net by Trevor Owen and Ron Owston. Copyright Trevor Owen and Ron Owston, 1998.
Reprinted with permission of Key Porter Books.
The New York Times. An Ethnic Trump by Gish Jen. Copyright 1996 by the New York Times Co.
Reprinted by permission.
Newsweek. Ghost of Everest by Jerry Adler, from Newsweek May 17, 1999, copyright 1999 by
Newsweek, Inc. All rights reserved. Reprinted by permission.
W. W. Norton & Company, Inc. Hanging Fire from The Black Unicorn by Audre Lorde. Copyright 1978
by Audre Lorde. Used by permission of W. W. Norton & Company, Inc.
Oxford University Press, Inc. Thinking Like a Mountain from A Sand County Almanac: and Sketches Here
and There by Aldo Leopold, copyright 1949, 1977 by Oxford University Press, Inc. Used by permission of
Oxford University Press, Inc.
Random House, Inc. From I Know Why The Caged Bird Sings by Maya Angelou, copyright 1969 and
renewed 1997 by Maya Angelou. Used by permission of Random House, Inc.
Scholastic Inc. Catch the Moon by Judith Ortiz Cofer. From An Island Like You, Stories of the Barrio by
Judith Ortiz Cofer. Published by Orchard Books, an imprint of Scholastic Inc. Copyright 1995 by Judith
Ortiz Cofer. Reprinted by permission.
The Rod Serling Trust/The Writers and Artists Agency. The Monsters Are Due on Maple Street by Rod
Serling. Reprinted by permission of the Rod Serling Trust/The Writers and Artists Agency. All rights reserved.
Copyright 1960 by Rod Serling. Copyright 1988 by Carol Serling, Jodi Serling and Ann Serling.
Sports Illustrated. When Stars are Born by Michael Farber, Sports Illustrated, October 7, 1998. Reprinted
courtesy of Sports Illustrated. Copyright 1998, Time Inc. All rights reserved.
Writers House, LLC. I Have a Dream by Martin Luther King, Jr. Reprinted by arrangement with the Estate
of Martin Luther King, Jr., c/o Writers House as agent for the proprietor New York, NY. Copyright 1963 by
Dr. Martin Luther King, Jr., copyright renewed 1991 by Coretta Scott King.
Yankee Publishing Incorporated. Best Sky Sights of the Next Century by Bob Berman. Reprinted with the
permission of Bob Berman and Yankee Publishing Incorporated, from The Old Farmers Almanac. To subscribe, Call 800-895-9265, ext. 220 or visit the website, www.almanac.com.
We have made every effort to trace the ownership of all copyrighted material and to secure permission from
copyright holders. In the event of any question arising as to the use of any material, we will be pleased to
make the necessary corrections in future printings. We are grateful to the authors, publishers, and agents listed here for permission to use the materials indicated.
ART ACKNOWLEDGMENTS
Cover Illustration Works; 43 Photodisc; 121 Kelly-Mooney Photography/CORBIS; 165 Digital Stock Corp.;
187 Photodisc; 297 1967: Hulton-Deutsch/CORBIS; 383 AP/World Wide Photos; 406 R. W. Jones/CORBIS; 431 Kevin Fleming/CORBIS; 440 Mallory and Irvine: AP/NOVA; 449 Dennis di Cicco/CORBIS; 469
AP/World Wide Photos.
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