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4/11/16, 11:02 PM
You can return your voice back to home base, or a state of balance, after a stressful situation says
Ron Browning.
At one time or another, every singer has had to deal with the ramifications of a tired throat.
Singing at loud volumes, over-breathing, shallow breathing and an approaching illness can all
create tension.
Nothing affects the throat more than a poor emotional state of being! It triggers the intrinsic and
extrinsic larynx muscles to lock up, making singing only possible by brute force.
This can be exhausting.
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Watch a YouTube video on how to massage the larynx and learn how to do it to yourself. With
a good massage, easy breathing and natural support will return, as well as incredible and
effortless resonance. Once the singer realizes the voice is fine, they will have more energy and
feel confidence return quickly.
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A throat can easily become tired from worry and stress unrelated to the process of singing
bad news, bills, PMS, bad weather, or just a bad day in general. During these times, the singer
will attempt to doctor up the performance with interpretations that are overly emotional in
nature. This pseudo emotion causes the singer to use too many special effects and to sing at
volumes that do not serve the lyric. All becomes too much for the throat to handle.
This causes a breakdown in honest communication
between the singer and the listener, and so the
singer tries even harder, which causes all the
muscles surrounding the larynx to really get out of
control. There is simply too much action or focus in
the back of the throat at that point. The overly
emotional voice folds up like a paper wad and is
jammed onto the soft palate, which does not project
well unless the volume is forced.
The voice must be returned to Mother Natures
sounding board, the hard palate (think sounding
board of a grand piano). Therefore the singer has
to find a way to return the voice to the hard palate
as soon as possible.
Once the voice resonates from the hard palate, energy is restored to the voice and personality
of the singer as well. Being silly is a good way to remedy this. Sing like a funny cartoon
character, like Bugs Bunny, or very young bratty child. The key here is to make obnoxious
sounds. The sillier and the more obnoxious it is, the better it will be.
This will move the voice up and out of the throat to the front of the face. Resorting to this type
of voice will allow excellent and full resonance to return immediately. The voice will not feel
tired once it moves to the front with a moderately loud volume. Stay on the kids playground
and the voice will stay in the sweet spot where rhythm, pitch, and projection are easy.
Consonants will be alive and percussive. The personality will be true and present when the
voice is up front. Also, only a small amount of air is needed to make great sound there, so the
breathing will suddenly be calm and normalized. The upper register will then be easier to
access from this frontal placement.
http://www.voicecouncil.com/3-ways-to-remedy-a-tired-throat/
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| CD Baby
http://www.voicecouncil.com/3-ways-to-remedy-a-tired-throat/
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