Professional Documents
Culture Documents
Introduction
I
moved to the United States in August 1989. Before I had
unpacked my boxes, Ralph Cohen invited me to give a talk at the
brand new Commonwealth Center for Literary and Cultural Change.
Quick off the mark, passionately interested in new people and new
ideas, with an unmatched knowledge of what everybody in the world
was working on, Ralph was the ideal director of the Center. But he was
not alone: Libby Cohen’s passion and enthusiasm were as vital to the
Center’s generous atmosphere as Ralph’s intellectual open-mindedness.
I am grateful to them for inviting me back so often. Their kindness and
hospitality made me feel more at home in the United States.
My first talk at the Center was about feminism and the cultural
sociology of Pierre Bourdieu, which Ralph published in New Literary
History.1 When the journal arrived in the mail, I discovered that my
essay was placed right after Cora Diamond’s “Knowing Tornadoes and
Other Things,” a discussion of the feminist claim that “women have
distinctive modes of knowledge.”2 Her paper was a revelation: here was
an immensely powerful way of thinking about questions that really mat-
tered to me. Where did this voice, this style come from? From Ludwig
Wittgenstein, it appeared: I clearly had much to learn.
In the early 1990s, I was already disenchanted with the increasingly
predictable and dogmatic arguments generated by the newly hege-
monic poststructuralist theory. My interest in Bourdieu and in the
decidedly nonpoststructuralist Simone de Beauvoir was a symptom of