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264
REVIEWS
BritishAcademycomesclose to adoptingthepositionarticulated
byEric Hobsbawm:
their
sense
ofwhatothers
menand womendefinetheiradherenceto a community
by
are like who do not 'belong','in otherwords,by xenophobia'(p. 113). In Pearsall's
view, thereis no way of avoidingthe unpalatablefactthat Chaucer displayedthe
wereinternational,
class,and culturalprejudicesofhis day.But hisinterests
linguistic,
in Englandas a nation'(p. 297). Akbari
'thereis no Englishpoet whois lessinterested
takesa different
view:'we are surelyjustifiedin referring
to the"discourseofnation"
in late fourteenth-century
English literature'(p. 124). The essays throughoutthe
volumeweredeliberately
chosenby theeditorto reflectdifferent
pointsof view.
If 'climate'maybe used figuratively,
so may'geography',
or,moreexactly,'cultural
whichseemsto meanin thiscontextanyattemptto cometo termswithgeography',
Muslim
world,conditionedby the knowledge,ignorance,and prejudice
'map'-the
England.Since thisworldwas unmistakably
foreign,
prevailingin fourteenth-century
it is arguedby some of the contributors
thatMuslimsmayalso becomea convenient
otherkindsofstranger:
heretics.
women,pagans,and home-grown
wayofrepresenting
describeswhathappensin theMan of Law's Tale when,in
Hence Susan Schibanoff
herterminology,
the'outlaw'becomesthe'inlaw'.Quite literally
one's in-lawsin this
context.This kindof'geography'is ultimately
ratherthanan objective
inward-looking,
to read the
enquiry:thusLouise Fradenburgemploysher trademark
psychologizing
Prioress'sTale as Chaucer'sstudyofnarrative
stasis.It is a storywhichemploysmany
wordsto describenotverymuch,and itsanti-Semitism
is a backward-looking
parody
cruel
of
real
revolution
and
(a
one)
change.
However,otheressaysconveymorepositiveviewsoftheculturalbenefitsaccruing
to ChaucerfromWesterncontactwiththeEast. DorotheeMetlizkishowsin detailthat
Chaucer's use of alchemicalterms in the Canon's Yeoman's Tale is exact and
The presentreviewerwas grateful
forthe information
and references
knowledgeable.
to sourcesgivenhere,and in VincentDiMarco's expositionofthehistoricalplacesand
in theSquire's Tale. KathrynLynchand KatharineSlaterGittes
people fictionalized
both canvas openly the possibilitythat the veryidea of a framingnarrative,the
whichprovidestheexcuseforstorytelling,
fromEastern
derivesultimately
pilgrimage
the
even
most
of
them
the
'Thousand
famous
and
One
models,perhaps
all,
Nights'.
'Culturalgeography'
with
providesa generousumbrellafora varietyofcontributors
thecoherenceseemsat timesa
differing
agendas.Maybe,as in otheressaycollections,
littlestrained,but it does not seem to mattertoo much.Providedthatthe essaysbe
and provocative-asmostof themare-the editor'swish
informative,
clearlywritten,
to avoid an artificial
is to be welcomed.
uniformity
H. L. SPENCER ExeterCollegeOxford
ROSEMARY
TZANAKI.
Mandeville's Medieval Audiences: A Study on the
Reception of the Book of Sir John Mandeville. Pp. xvi+302. Aldershot:
Ashgate,2003. ?47-50.
This valuablestudyof the Book ofJohnMandevilleseemsat firstsightto promise
morethanit can ultimately
deliver.Yet RosemaryTzanaki succeedsin analysingas
much as can be knownabout receptionin termsof the kindsof data available.The
thevariousgenericelementsin
Tzanakiidentifies
questionis addressedsystematically:
the book as clues to authorialintentand closelyexaminesthe principaldifferent
redactionsofthetext,theirmarginalia
and illustrations,
and thecompaniontextsto the
Book in the codices in whichit is bound. The Book's influenceon othermedieval
The ReviewofEnglishStudies,New Series, Vol. 55, No. 219, O OxfordUniversityPress 2004; all rightsreserved
REVIEWS
265
266
REVIEWS
worksof
Other versionsare foundwith the SpeculumChristior the Elucidarium,
theologywhichtendtowardstheencyclopedicor historical.Given thatthepersona's
humanismand tolerancearelargelyeditedoutoftheMetricalVersion,it is no surprise
In chronological
to finditboundwiththeSiegeofJerusalem.
terms,Tzanakiconcludes
thatthe Book's earliestaudience,who regardedit as a pilgrimageaccount,foundits
attitudesoftolerancedisquieting.Laterreadersvaluedit foritsromanceelementsand
usefulinformation
aboutquestions
exoticism,thoughit was also regardedas providing
to an astonishingly
widerangeofpeople.Columbusfamously
ofscienceand geography
owneda copy,MS Harley212 belongedto JohnDee at one time,whiletheheretical
viewsofMenocchio,as reportedin Carlo Ginzburg'sclassicTheCheeseandtheWorms,
werepartlyinspiredby his receptionof theBook.
The introduction
containsa veryusefullist of manuscripts
containingmarginalia
and a diagramof the relationship
versions.
and/orillustrations
betweenthe different
withcodicological
More usefulstillmighthave been a completelist of manuscripts
information.
The index conflatesowners with audience, obscuringan important
distinction
not adequatelyexploredhere.The book stillsoundslikethe thesisit was
in places:thereis a tendencyto quotefromsecondaryliterature
whereprimary
sources
would have been preferable.Thus we have to take the author'sword forchanges
effectedby the Mandeville-author
to Boldensele,Odoric of Pordenone,Gervase of
detailsofeditionsconsultedare notgiven.
of Torkyngton:
Tilbury,and thePilgrymage
The volumeis generallywell produced,thoughsome readerswill be momentarily
confusedby the wrongpicturesbeingattachedto correctly
placed captionson pages
179and 265. Nevertheless,
thisstudyis thorough
and absorbing,
and itprovidesa great
deal of information
which,it maybe hoped,will inspireothersto look closelyat the
medievalworks.
paratextsof influential
CAROLYNE
LARRINGTON
St John'sCollegeOxford
DAVIDLOEWENSTEIN
and JANEL
MUELLER
(edd.). The Cambridge History of Early
Modern English Literature. Pp. xii+1038 (The New CambridgeHistoryof
EnglishLiterature).Cambridge:CambridgeUniversity
Press,2002. ?100.
Hold hardlibrarians,
please!This singlevolumeof theNew CambridgeHistoryof
Literature
cannot
English
replacethefivevolumesoftheoriginalCambridgeHistory,
whichdevotesfivevolumesto the equivalentperiod:it is stillusefulforits contentsummariesofless wellknownworks,whichhavebeenexcludedhereto savespace and
allownewinterests
in.The function
ofthevolumeunderreviewis to updatereaderson
the progressof scholarshipover roughlythe last thirtyyears, and this it does
admirably.It would be veryhelpfulreadingfor a beginninggraduatestudent,at
least the firstsectionon 'Modes and Means of LiteraryProduction,Circulationand
Reception',and thaton the specificera in whichthe studentis interested.The full
footnotesand terminalbibliographyenable a reader to follow up and widen
appreciationof the topicsdiscussed.
Afterthe initialsectionoutliningthe continuitiesand changesin, forexample,
literacy,manuscriptand printcultures,patronage,and readers,the remainingtwothirdsoftextare dividedintofoureras,1529-1558,1558-1603,1603-1642,and 1642a chapterwhichtakesthehistory
1660,thelastcontaining
throughto the1670s.Within
each era, a chapteris givento consideration
of a prominentarea of literaryactivity,
suchas thenation,thecourt,theChurchor Christianity,
and the
London,thetheatre,
and
the
as
sites
of
household,progressively
broadening
lengthening
productionand
The ReviewofEnglishStudies,New Series, Vol. 55, No. 219,