Wright 1

Tyler Wright

HIST-495

Professor John Staples

5/11/16

In Through The Out Door

Page, Jimmy. Jimmy Page. Genesis

Publications, 2010. Print.

A Biographical Insight on The Life and Career of One of

Modern Musics Most Influential Figures; Jimmy Page

By
Tyler Wright

Wright 2

I think it would be impossible to list all of the wonderful individuals who helped make this paper
a reality. However, there are a few people whose contributions deserve a special thanks. In turn, I
dedicate this piece to the following:

The Wright Family,

My HIST-495 Classmates,
John Staples,
Sharon Bond,
Michelle Wagner
Jake Reinecke,
Simon Visco,
Jeff Lauricella,
The Koitses Family
And of Course.
Jimmy Page!

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July 20th and July 21st of 2015 are twin days that are forever etched into my mind. Not
one detail, sight or sound from those times has been spared by memory. Accompanied by my
friend Simon Visco, the two of us made the trip from Buffalo, New York to Toronto, Ontario for
a once in a lifetime opportunity. Only about a couple hours from our hometown, that short
excursion was for a book signing. The prospect of a hardcover book may not seem all that
exciting to some; as is especially evident in todays technologically based society. However, the
mere fact of the matter was that this was no ordinary autograph session. We were among the
fortunate 300 individuals to be in the presence of one of musics most influential figures. The
individual in question happened to be none other than guitar icon Jimmy Page.
I can recall standing in line for over twenty hours out on the tiles of Torontos Indigo
Books; just waiting to meet the man who once toured the world with English rock group Led
Zeppelin. In that stretch, I became well acquainted with fellow Jimmy Page fans. Some of us
watched old Led Zeppelin concerts on our electronic devices as others slept through the midnight
moonlight. While a little rain fell upon us all during the morning hours, reporters lined up to ask
us questions regarding the book signing (That would not be my last time on Torontos news
stations that day). We struggled to put our excitement into words to say the least. That sentiment
would completely come to fruition by the time 3:00 PM rolled around. Though it seemed as if
ten years had gone by, we knew that time would not be a factor for much longer. Even though
the bookstore had been open all day, the lucky few of us were finally let in to the designated
event area.
From there, my nerves started to tense up. Every human emotion possible was running
through my body. After about twenty-five more minutes of waiting, an ensuing cheer arose from
the crowd. Guitar legend Jimmy Page entered the room to the tune of Led Zeppelin song The

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Crunge. He spoke for a couple minutes before taking a seat at his table. Seeing as how I gathered
the fourth spot in line, I knew my time was going to come rather quickly. When the period to
meet Page arose, quivers shot down my spine. I approached the man with an extended arm ready
to shake hands. When we met palms (mine shaking of course), instantaneously I proclaimed my
affection for his work as well as thanking him for his time.
However, I raised a question in which he could not help but answer. I stated, Mr. Page,
Im a guitar player as well and I cant seem to find a number anywhere, but how many guitars do
you really own?. Page rebutted, Well thats a good question, and it certainly used to be a lot
more. But Id say right around 300-400 at the moment. With that closing statement, the time
with my idol was over. Immediately a very surreal feeling came over my body. One that included
me asking myself over and over, Did that just happen? Did I actually meet Jimmy Page? the
feeling never really wore off as my friends and I left the store. Dazed, but not confused, we left
Toronto behind. Not only did we each ramble on with an autographed book, but we also departed
with stories. Our tales all play a part in the supporting evidence of why Jimmy Page is one of the
music worlds most influential individuals.
Throughout the years Jimmy Page has left his mark. As evident by the aforementioned
story, Pages influence on music and culture has spread far and wide. With the development of
various recording, writing and guitar playing techniques, one can see as to why so many people
are taken captive by his wizardry. However, the story of Jimmy Page cannot be furthered without
tackling the Great Man Theory. The concept states that great men shape their societies rather
than civilization influencing them.1 Various examples include leaders as well as war heroes and

"Herbert Spencer's Critique of 'Great Man Theory'" Herbert Spencer on Great Man
Theory. Web. 27 Apr. 2016.

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doctors. While historiography shows that the theory of great men could be argued true, I do not
find the concept applicable within the case of Jimmy Page.
Yes, my thesis does state how much influence Page has had on musical culture. However,
his most influential period came in the form of Led Zeppelin. Led Zeppelin comprised of four
band members each with extreme levels of talent. While the fact is widely accepted that Page
headed Zeppelin musically and mentally, he still remained a part of an assembly. That group
could not function without the contributions of each member. This became evident with
drummer John Bonhams death on September 25th, 1980.2 The three remaining musicians knew
that no other percussionist could fill the shoes of Bonham. Thus, leading to Led Zeppelins
breakup shortly after. Great man theory would argue that the band occurred as a result of Page.
As evidence, John Bonhams untimely passing proved page was more a byproduct of Led
Zeppelin.
Also, Jimmy Pages fellow guitar playing contemporaries can be seen as rock solid
reasons as to why the great man concept does not apply here. Remarkably, Page was lucky
enough to grow up within a 12 mile radius of guitar legends Eric Clapton and Jeff Beck.3 All
three helped to pioneer Brittans brand of blues in the 1960s as well as each possessing a stint in
the band, The Yardbirds. Eventually, Clapton and Beck would go on to have successful musical
careers similar to Page. Great man theory cannot account for each one of their accomplishments.
This is mainly due to the fact that each of the three guitarists has credited their achievements to

Welch, Chris. Led Zeppelin: The Ultimate Collection. London: Carlton, 2015. Print. Pg. 129

Tolinski, Brad. Light and Shade: Conversations Wtih Jimmy Page. Broadway Books, 2013.
Print. Pg. 29.

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the influence of twentieth century African American culture. Thus, making Page, Clapton and
Beck all yields of society; not the other way around as great man theory would like to argue.
Despite arguably being a product of his time, Pages innovations and influence cannot be
understated. Without further ado, this is the story of electric guitar icon Jimmy Page.
Section I: Your Time Is Gonna Come
James Patrick Page II was born on January 9th, 1944 near Middlesex, England.4 While
page was not as influenced by music early in his childhood, the moving of his family to Epsom,
England would change everything for him. At the still impressionable age of 9, Page would pick
up his first guitar. As quoted by Page himself, The weirdest thing about moving to Epsom was
that there was a guitar in the houseI dont know whether it was left behind by the people
before or whether it belonged to a friend of the families. Nobody seems to know how it got
there.5 Unbeknownst to him, that day would forever alter his life. Jimmy Page eventually saw
himself bringing the guitar to school with him. Fascinated by the instrument, he would try to play
during recess breaks in order to understand how the guitar worked. Some of his school mates
would flock to him as they too became intrigued with the acoustic six string. Pages early
obsession got to the point where school teachers would take the guitar away from him; only to
return the item once the school day was completed.6 Page would eventually find practicing guitar
as the main source of his time despite receiving only a few formal lessons.
As Jimmy Page got older, his proficiency on the instrument increased tenfold. At the age
of 15, Page formed his first real band. In 1959, Neil Christian started to hear stories of a local

Page, Jimmy. Jimmy Page. Genesis Publications, 2010. Print. Pg. 9

Tolinski, Brad. Light and Shade: Pg. 5

It Might Get Loud. David Guggenheim, director. Sony Pictures Classics, 2009

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boy who was impressing crowds with his guitar prowess. Little known to Christian, it was Page
that was performing. Absolutely blown away by the skill, Christian eventually persuaded (after a
good amount of prodding) the young Page to quit school and eventually form the band, Neil
Christian & The Crusaders.7 It was here that Jimmy Page would gain his first experiences out on
the road as a touring musician. Although Page learned greatly from his very short time in the
band, he would eventually retire from the road due to sickness. In the period after the crusaders,
Jimmy Page would develop a deep love affair for blues and rock and roll music; which would
have an immense effect on him in the long run.
African American roots music is synonymous with 1960s England just as much as much
as pop music was. Abandoned and thrown away by Americans, blues composition found its
home in a foreign country. As aforementioned, the swampy style would have an everlasting
effects on players like Eric Clapton, Jeff Beck and Jimmy Page alike. Skiffle (a genre that took
its roots in blues and folk music) in particular also provided another important basis for British
guitar players to learn from.8 As a result, British bands found their influences in rhythm and
blues. The Rolling Stones for example, took their name from a Muddy Waters song.9 On the
other hand, the Beatles created their early sound from the blueprints of more popular influences
such as Chuck Berry and Elvis. Lesser known artists in America such as Howlin Wolf and
Willie Dixon, were just as influential during the English blues boom. Without the influence of

Rees, Paul. "Led Zeppelin." Ed. Mark Blake and Phil Alexander. Comp. Ross Halfin. Q
Magazine Mar. 2003: 1-148.

Frith, Simon. "Rock - Rock in the 1960s." Encyclopedia Britannica Online. Encyclopedia
Britannica, Web. 24 Apr. 2016.

"INSTRUMENTS IN DEPTH." Bloomingdale School of Music. Bloomingdale School of

Music, Web. 24 Apr. 2016.

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the blues, the proposition of rock music may have never come to fruition. Thus, changing the
course of music all together.
Lacking any exception, Jimmy Page found himself caught in the blues whirlwind of early
1960s England. In a quote by Page, he cites the spreading of blues music around England as to
why he became influenced: Its not hard to see why I gravitated to rock and blues. I was a
guitarist and it was very guitar-centric music. If you were a guitarist at the time, your appetite
was voracious for Chuck Berry and all the blues that was coming out of Chicago.10 After
leaving The Crusaders, Page would go on to art school where he took his blues influence with
him. At the age of 17, after long days at university, Jimmy Page played various late night blues
gigs with The Cyril Davies Interval Band.11 Here, he would be playing the music of his heroes
on much smaller stages than what Page would eventually be accustomed to. As a result, Page
would start to develop his distinct guitar flair. That style that would soon land him not only a gig
as Londons most coveted studio musician, but a member of The Yardbirds.
Section II: Bring It on Home
By the time 1966 rolled around, 22 year old Jimmy Page had established himself as one
of Englands most prestigious studio guitarists. Playing on hits such as The Whos I cant
Explain and Donavans Sunshine Superman, Page was a household name in the recording
environment. In this time, Jimmy Page started to exert his influence and importance to music.
Besides his blues-based guitar work, Pages masterful production skills (especially in

10

Tolinski, Brad. Light and Shade: Pg. 11

11

"Jimmy Page: The Trouser Press Interview." Interview by Dave Schulps. Rock and Roll:
An American Story, Web. 07 Feb. 2016.

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microphone placement with drums, as later evident with Led Zeppelins album) and pioneering
techniques (such as backwards echo), placed him as a hot commodity in Londons music scene.12
His years as a studio musician not only proved beneficial to Led Zeppelin, but also to future
generations of recording artists. For example, during the recording of the 1971 Led Zeppelin
song, When the Levee breaks, Jimmy Page placed a microphone above John Bonhams drum
kit (which was set up in a stair case) in order to achieve a large room sound. As a result, many
producers in the 1980s attempted to directly replicate Pages drum recording technique in order
to attain similar sounds.13 Also, Pages achieved drum sound, combined with Bonhams
unrivaled playing, became so influential that Rap artists such as The Beastie Boys began to
sample it.14
Despite his studio success and new found techniques, Jimmy Page eventually grew tired
of playing on other peoples tracks. He longed to be in a band developing his own ideas, not
someone elses. When Page was offered to join blues-based band the Yardbirds in 1966, he
jumped at the chance. Not only would be playing alongside his childhood friend Jeff Beck, Page
could also express himself in an original manner. Originally Page played bass in The Yardbirds.
However, after Jeff Beck had an onstage breakdown in October of 1966 (which led to his to
departure of the band), Page assumed lead guitar duties.15 As a result, Jimmy Page used The
Yardbirds as his playground for experimentation. This was especially true in the music. By the
time 1967 rolled around, bands like Eric Claptons Cream, The Jimi Hendrix Experience and The
Who started to take rock to a whole new level. Jimmy Page did the same for his new group.

12

Tolinski, Brad. Light and Shade: Pg(s) 26, 81

It Might Get Loud. David Guggenheim.
14
Rees, Paul. Pg. 56
15
"Jimmy Page: The Trouser Press Interview." Interview by Dave Schulps
13

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Equipped with a 1959 Fender Telecaster electric guitar that Jeff Beck had given to him, Page
took the band to new places. The Yardbirds went from a traditional blues-based group, to a more
explorative and explosive quartet (much like those listed above).
While the Jimmy Page-led version of The Yardbirds lasted less than a mere year and a
half, it was there that Page pioneered one of his most famous techniques. More often than not,
anytime an individual looks at a picture of Jimmy Page performing, one can see an oddity within
his right hand. Pages use of a violin bow (instead of a guitar pick) scraping against the strings of
his electric guitar is one of the most iconic images in rock and roll history. While the technique is
most associated with his time in Led Zeppelin, Page used The Yardbirds as the vehicle for such
exploration. The Yardbirds frequently performed and inspiration of Jake Holmess song Im
Confused.16 It was on this song, which was later to become Led Zeppelins Dazed and
Confused, Page wildly played used his violin bow to create a psychedelic effect. Even though
Jimmy Page was not the first to use the technique, he popularized the bowed-guitar. There are
plenty of artists from Radiohead to Sonic Youth that credit page as influencing them to bow their
own guitars. For example, Whitesnakes John Sykes usage of the violin bow on their 1987 Led
Zeppelin-esque hit Still of The Night, confirms Pages influence.17
While The Yardbirds became more and more successful under Page, the band started to
fall apart. Bassist Chris Dreja wanted to pursue photography, while the other members Keith
Relf and Kim McCarty sought out a different musical style.18 In 1968, the band would break up,

16

17

Rees, Paul. Pg. 12

Ives, Brian. "Jimmy Page On The Violin Bow: "Whatever Squeaks I Made Sort Of
Intrigued Me"" WCBSFM 1011. 1 Oct. 2012. Web. 24 Apr. 2016.

18

Welch, Chris. Pg. 14

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which rendered Page band-less. This forced Jimmy Page into a tight spot. While he wanted to
continue the musical force that his group was creating, he also had to fulfill remaining show
dates on The Yardbirds 1968 Scandinavian tour.19 He knew that fresh members would be
necessary to accomplish contractual obligations. Page immediately recruited a bass player to suit
his vision of a new super group. Fellow studio musician John Paul Jones posed as a replacement
for Chris Dreja. The two had met during previous recording sessions, and became well
acquainted with each other. In their search for fellow bandmates, two young guns from
Birmingham, England would catch Page and Joness attention. Band of Joys singer and
drummer combo of Robert Plant and John Bonham were courted by Jimmy page in early 1968;
leading to the formation of The New Yardbirds.20 Unbeknownst to the four budding musicians,
the band would go on to the biggest act of the 1970s selling over 300 million albums.21
Section III: Immigrant Song
The late 1960s were a very critical time for music. While classic rock as its currently
known started to take shape in this period, folk and war-protest music also shared the popular
music landscape. All three can attest their rises for different and similar reasons. However, one
constant through all the music was the electric guitar. The electronic six string became
paramount in developing music in the second half of the twentieth century. While players such as
Chuck Berry and Buddy Holly popularized the instrument in the 1950s, it still became
overshadowed by piano.22 The 1960s changed that notion. Specifically, in 1967, a relatively

19

Welch, Chris. Pg. 8

"The Rock and Roll Hall of Fame + Museum." Led Zeppelin Biography. Web. 23 Apr. 2016.
21
Fryer, Jane. "Led Zeppelin: The Real Monsters of Rock." Daily Mail. Associated
Newspapers, 14 Sept. 2007. Web. 05 May 2016.
20

22

"INSTRUMENTS IN DEPTH." Bloomingdale School of Music.

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unknown player by the name of Jimi Hendrix set fire to his Fender Stratocaster (figuratively and
literally); at the International Monterey Pop Festival.23 Many saw this as the true growth of the
electric guitar as well as the birth of guitar orientated rock. While The Jimi Hendrix Experience
would strike gold in their two short years together (and undoubtedly leave a huge influence), it
was Jimmy Pages new band that would eventually steal the show.
Jimmy Page took the electric guitar to innovative sonic levels with his Led Zeppelin. The
band served as a platform for Page to not only experiment with dissimilar guitar techniques, but
to also show his composition skills. Page used many different instruments in his tenure with Led
Zeppelin. Famous for using the Gibson Les Paul, he also equipped himself with multiple Martin
acoustic guitars, Marshall Amplifiers and Fender branded instruments.24 However, Pages most
noted guitar was the Gibson EDS-1275. The double necked instrument featured a six-string neck
on the bottom and a twelve-stringed neck on the top; which would become a staple in Led
Zeppelins live sets.25 Jimmy Page special ordered the instrument from Gibson in 1971 as they
were not a production model. Pages use of the EDS-1275 throughout the Zeppelin era only
added to his influence. For example, Guns & Roses guitarist Slash used a Gibson EDS-1275 as a
result of Jimmy Page.26 Slash most widely played his on the Guns & Roses cover of the Bob

23

Guggenheim, David. "Multimedia Reviews. It Might Get Loud." Journal of the Society for
American Music. Web. 20 Apr. 2016.

24

"Rock Chronicles. 1970's: Jimmy Page." Interview by Steve Rosen. Ultimate Guitar. N.p.,
12 Dec. 2007. Web. 08 Feb. 2016

25

Welch, Chris. Pg. 66

"The Guitar Collection: Jimmy Pages Gibson EDS-1275 Guitar Aficionado." Guitar \
Aficionado RSS. 16 Nov. 2011. Web. 01 Apr. 2016.

26

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Dylan classic, Knocking on Heavens Door. Despite Jimmy Pages now expansive collection,
Led Zeppelins formation in 1968 found Page employing his famed Fender Telecaster.
Musically speaking, Led Zeppelin was an electric guitar driven group fueled by a
downright impressive rhythm section. Jimmy Page, with his fearsome riffs, combined with
Robert Plants sheer vocal prowess, made for an explosive lead section; while John Paul Jones
delivered smooth bass lines as John Bonhams hard hitting drum style provided the cherry on
top. From their very beginning as The New Yardbirds in 1968, a name that would last no longer
than two weeks, these elements were ever present. After completing the aforementioned 10-day
Scandinavian tour, Led Zeppelin would return to England to record their first album. 30 hours of
recording time at Londons Olympic studios would yield one of the most complete and
impressive debut albums of all time.27 The finished product would become Led Zeppelins first
recorded compilation titled, Led Zeppelin I. After Zeppelins releasing of the album in March of
1969, the press offered their opinions:
Jimmy Page and Co. created a heavy, driving sound that generates excitement on gigs
and this excitement passes over to discLed Zeppelin never flag on this LP which should be
played on full volume. On no account allow your mother to turn it down-let alone off. Beat
Instrumental, April 1969 28
Upon completion of Led Zeppelin 1, Jimmy Pages well-oiled machine would head out
on the road. In support of their first album, 1969 would find the band touring the United States of
America and Europe. Led Zeppelin discovered great success in their first tour. However, four

27
28

Page, Jimmy. Jimmy Page. Pg. 79

Rees, Paul. Pg. 14

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shows at the start of their second American excursion proved to be significant. As stated by
Jimmy Page,
Over the four days at the Fillmore the audience got a mass injection of what we were
about. It is safe to say that the reputation of the group travelled like wildfire across the States
from this moment and these San Francisco dates were a pivotal point in the bands career 29
As a result of the four Fillmore shows, Led Zeppelin started gaining more and more popularity
with each single passing day. Thus, the band decided to compose their second record whilst on
yet another American tour. Released mere months after the first album, Led Zeppelin II saw the
band reach new heights musically and commercially. Led Zeppelin II sold so well that the record
displaced The Beatles Abbey Road at the top of the American Billboard records chart in 1969.30
Also, Led Zeppelins newest affair provided another gateway for the band to showcase their raw
sound; particularly in the form of the albums first track.
The shining moment on that record came in the form of Jimmy Pages guitar work on the
song Whole Lotta Love. Pages master mixing and playing on Whole Lotta Love would
influence musicians for generations to come. Modern blues star Jack White is credited as being
one of those who were blown away by the piece: I remember knowing the break in Whole Lotta
Love when I was six. I had it on a cassette tape and there was actually a glitch on the tape from
where the solo began because I had rewound it to that spot so many times.31 To further expand,
in the 2009 documentary It Might Get Loud (a biopic about electric guitars), Jimmy Page is seen
playing Whole Lotta Love for White and U2 guitarist The Edge.32 The looks on the faces of

29

Page, Jimmy. Jimmy Page. Pg. 92

Rees, Paul. Pg. 22
31
Tolinski, Brad. Light and Shade: Pg. 135
32
It Might Get Loud. David Guggenheim
30

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the two fellow guitar players is one of pure joy and astonishment. White and the Edge were not
the only two to be influenced however. A 2014 listeners poll held by BBC Radio voted the rock
staple as the greatest guitar riff of all time.33 Whole Lotta Love acted as Led Zeppelins
closing song on top of becoming the bands biggest anthem; until a certain 1971 Led Zeppelin
song overtook that title for good.
Section IV: When the Levee Breaks
With the start of a new decade, 1970 would see Led Zeppelin take a much needed break.
After a year that saw them comprise two albums and countless North American tours, the band
would retire to a small chalet in Wales. Jimmy Page and singer Robert Plant would call the
electricity void Bron-Yr-Aur cottage their home for a few weeks.34 This time away from the
hustle and bustle of touring life gave Jimmy Page a fresh breath of air. The period spent in the
countryside was meant to be more or less a vacation. However, Page brought his guitars with
him. Seeing as how the dwelling was completely lacking of electricity, only acoustic guitars
became permissible. It would be here that Page and Plant would write much of their material for
the bands third venture, Led Zeppelin III. As a result, a good portion of the album featured
acoustic tendencies. While the record featured heavier songs like Since Ive Been Loving You
and Out on the Tiles, Led Zeppelin III was most commonly referred to as the acoustic
album.35
Softer tracks such as Thats the Way and Tangerine showed Jimmy Pages
versatility. On both of the songs, Page played pedal steel; an instrument featured heavily in

33

34

Welch, Chris. Pg. 39

Tolinski, Brad. "III D-Light." Guitar World Nov. 2011: Pg. 63

35

Tolinski, Brad. "III D-Light." Guitar World Nov. 2011: Pg. 63

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country and Hawaiian music. Jimmy Pages use of the fellow stringed apparatus gave Led
Zeppelin III an almost chilling feel. Despite strong sales, Led Zeppelins third album did not hold
to expectations in the eyes of critics. Jimmy Page is quoted as saying, Yeah, we were so far
ahead that it was very difficult for reviewers to know what the hell we were doing. They couldnt
relate to it. Very rarely could they get the plot of what was going on.36 However, whether or not
the critics wanted to see it, Led Zeppelin was well on their way to dominating the music culture
of the 1970s.
While the third record may have not seen eye to eye with music experts, 1971s Led
Zeppelin IV proved to be the exact opposite. This largely had to do with the fact that Led
Zeppelins fourth album had no words or title whatsoever; and only featured the bands iconic
four symbols.37 Jimmy Pages goal was aimed at having critics focus largely on the music while
containing no prior biases. The plan worked better than expected. Led Zeppelin IV, despite no
official title, has sold over 22 million copies marking it Led Zeppelins best-selling musical
compilation.38 This can be attributed to a number of factors. John Bonhams drumming on
When the Levee Breaks and John Paul Joness writing of Black Dog certainly enhance the
albums importance. However, perhaps there is no bigger reason for the albums success than
Jimmy Pages finest hour as a composer and guitar player.
On March 5th 1971, almost eight months before the new albums release date, Led
Zeppelin would play a fresh melody in Belfast, Ireland.39 Utilizing his recently acquired Gibson
EDS-1275, Jimmy Page would launch into one of the most famous songs of all time. Little

36

Tolinski, Brad. "III D-Light." Guitar World Nov. 2011: Pg. 68

Hoskyns, Barney. "The Power & The Glory." Uncut July 2006: Pg. 58
38
Hoskyns, Barney. "The Power & The Glory." Uncut July 2006: Pg. 60
39
Welch, Chris. Pg. 78
37

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known to the crowd at the time, they were first audience to witness Led Zeppelins epic
Stairway to Heaven. The ballad is commonly held in extremely high standards as Jimmy
Pages (as well as the bands) most influential moment. Weighing in at over 7 minutes long,
Stairway to Heaven captures Pages guitar playing in a thrilling nutshell. From the medieval
styled acoustic intro, to an immortal guitar solo, every second of the song features the heart and
soul of Jimmy Page. Stairway to Heaven would become so huge to the point where its cultural
impact was almost as big as Led Zeppelin. Not only is the song the most requested composition
ever on the radio, but Stairway to Heaven even saw time on the silver screen. 1992 Hollywood
blockbuster Waynes World, saw Mike Myers character play the first several notes of Stairway
to Heaven; a store clerk stops the song and points to a sign that says No Stairway To
Heaven.40 The movie producers threw this scene in as a joke due to the fact that the song had
become so immensely popular, and every guitar player tried to imitate it. Most musical
instrument stores jokingly employ the policy. Thus, proving Stairways impact on music and
culture alike.
Countless professional and amateur guitarists cite Stairway to Heaven as one of the
reasons they sought to take up guitar in the first place. For example, current Foo Fighters lead
guitarist, and former Nirvana drummer Dave Grohl stated, I first heard Led Zeppelin when I
was about seven or eight. My mom would always tune into the same radio station and I
remember hearing Stairway to Heaven. It was later on that I became totally obsessive.41 In
particular, Stairway to Heavens guitar solo is what drew some in. Commonly hailed as one of
the greatest six-string solos of all time, Jimmy Page blasted out the section with his Fender

40
41

Stedemic. "May I Help You Riff." YouTube. YouTube, 10 Jan. 2009. Web. 04 May 2016.
Rees, Paul. Pg. 2

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Telecaster. Instead of using the favored Gibson Les Paul that Joe Walsh had given him, John
Paul Jones suggested that Page try his trusty old Telecaster.42 As a result, history was made. To
further legitimize the everlasting influence of Pages solo on Stairway to Heaven, famous
recording engineer Richard Digby-Smith recalls, Page just leaned up against the speakers with
his ear pressed against them and rattled out that solo, the epitome of cool.43
Personally speaking, Stairway to Heaven is how I stumbled onto Jimmy Page and Led
Zeppelin. When I first started learning guitar, the song I most anticipated to play was Stairway
to Heaven. I can recall spending just over the better part of a year just learning every little
nuance of Jimmy Pages playing. Much Like Grohl, obsession had overcome me. I desired to
own a Gibson EDS-1275, Marshall Amplifier, and don a custom made dragon suit. While years
of playing have given birth to my own unique style, there is still a part of me that lusts to play
Jimmy Pages masterpiece; in front of 100,000 screaming fans. Stairway to Heavens everlasting
influence on me cannot be understated. There are many friends of mine whom of which feel the
same way about themselves.
Section V: Dancing Days
Throughout the time period of 1972-1977, Led Zeppelin would go on to become the
biggest band in the world. Under Pages direction, the group released three more albums and
cemented their place atop musics hierarchy. 1973s Houses of the Holy, and 1975s Physical
Graffiti, would both garner mass critical acclaim. 1976s Presence would still sell successfully
despite poor reviews. During this stretch, Led Zeppelin would set numerous precedents for bands
as well as musical culture in general. Specifically, Led Zeppelin headed the cultural shift towards

42
43

Tolinski, Brad. Light and Shade: Pg. 147

Hoskyns, Barney. "The Power & The Glory." Uncut July 2006: Pg. 62

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arena rock with their increased ticket sales and unrivaled live performances.44 Prior to this
change, rock bands became accustomed to performing in small venues such as concert halls or
insignificant music clubs. By the time of the mid-70s, Led Zeppelin were playing venues such
as Madison Square Garden and the Los Angeles Forum. As an example of the growth, Led
Zeppelins 1977 concert at The Pontiac Silver Dome drew in over 77,229 fans; which still holds
the record for the largest single-act audience of all time.45
Also, Led Zeppelin radically redesigned the rock and roll lifestyle during their record
setting outings. Famous fashion designer John Varvatos is one of many that claim Jimmy Page
and Led Zeppelin as ushering in a new vibe for rock music.46 It is no secret to anyone that
contemporary rock groups favored money, drugs and partying, but Led Zeppelin pushed the
envelope 10 steps further. While the whole band contributed in various shapes and forms, Jimmy
Page and John Bonham in particular were most notable for Led Zeppelins tour antics. As a
result, Jimmy Page was occasionally chained in order to keep him from getting to out of hand.47
Led Zeppelin threw TVs and couches out of hotel windows as well as participating in various
sexual ventures with female followers. In one incident, Jimmy Page was delivered like room
service to a suite full of willing groupies.48 Most of these notable debaucheries took place at Led
Zeppelins favorite celebration location, Los Angeless Hyatt House Hotel (The Riot-Hyatt as it
was nicknamed by Led Zeppelin).49 Eventually other rock bands like The Rolling Stones and

44

Rees, Paul. Pg. 70

"Led Zeppelin Timeline: April 30th, 1977." Led Zeppelin - Official Website. Web. 05 May
2016
46
Tolinski, Brad. Light and Shade: Pg. 286
47
Fryer, Jane. "Led Zeppelin: The Real Monsters of Rock."
48
Fryer, Jane. "Led Zeppelin: The Real Monsters of Rock."
49
Fortune, James. "It Was Never Quiet at the Riot Hyatt-James Fortune and Led
Zeppelin." James Fortune Photography RSS. Web. 05 May 2016.
45

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The Who tried to dethrone Zeppelins status by destroying the same hotel. Fellow guitar player
Keith Richards tried to keep up with Page by also throwing TVs out of windows. As a result,
rock culture in the 1970s revolved as much around partying as it did around music.
Despite the off stage antics, Jimmy Page would further exemplify his musical influence.
His contributions on the 1975 composition entitled Kashmir, would help Led Zeppelin garner
the reputation as the fathers of heavy metal music; a status in which the band often renounced.50
Kashmir is often cited by Page and company as Led Zeppelins greatest accomplishment;
despite the success of Stairway to Heaven.51 The song spreads its roots in the music of
Eastern based societies such as India. Page originally conceived the idea for the music during the
recording sessions for Physical Graffiti. In tuning his guitar to D-A-D-G-A-D, a guitar technique
that Page used previously on Led Zeppelins first album, he was able to achieve the far eastesque tones on Kashmir. Musicologist Jimmy Brown has credited Pages tuning as to why
Kashmir achieved its epically vast sound.52 Also, much like Stairway to Heaven, Page used
an oddball guitar when Kashmir was performed live.
Jimmy Pages Danelectro 3021 electric guitar served as his weapon of choice for
Kashmir. The guitar itself was extremely inexpensive and Danelectro guitars in general did not
see much professional use. However, Pages employment of the Masonite based instrument on
Kashmir propelled sales. Eventually Danelectro reissued a replica of Jimmy Pages original
3021 because its use on Kashmir was so influential (I myself am guilty of buying a Danelectro

50

Fast, Susan. "Led Zeppelin." Encyclopedia Britannica Online. Encyclopedia Britannica,

Web. 05 May 2016.
51
Welch, Chris. Pg. 94
52
Tolinski, Brad. Light and Shade: Pg. 216

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just to play Kashmir). Max Mobley, an author for the worlds largest sheet music company Hal
Leonard, confirmed yet another example of Pages impact:
There is an amazing moment in the rock doc It Might Get Loud when Jimmy Page straps
on his Danelectro (an original hybrid of a 3021 double-cut body and another Danelectro with
modifications) and casually goes into that immortal Kashmir riff. The tone coming from the
instrument and Jimmy's casual playing is nothing short of stupendous, and it made me eager to
play one.53
Besides impacting guitar players, Kashmir would eventually become a staple for a different
sort of string section. Stringed Orchestras favor the song due to its arrangement of melodic
overtones. Often times school orchestras, as well as professional ensembles, cover the song with
delight. Specifically, Kashmir has been covered by the London Metropolitan Orchestra as well
as the 16 piece Egyptian orchestra that accompanied Jimmy Page and Robert Plant; for their
MTV performance in 1994.54
Section VI: In My Time of Dying
All good things must come to an end is a quote often applied to the conclusion of
something significant. September 25th, 1980 is remembered as one of those situations where the
famous saying became realistic. After returning from a short European tour, Led Zeppelin would
hold rehearsals in order to prepare for upcoming North American dates. On September 24th, post
rehearsals, John Bonham would be carried off to bed after consuming an excessive amount of
alcohol. The next day, Led Zeppelins heart and soul would be found dead of Asphyxiation; in

53

Mobley, Max. "Danelectro '59 Original Electric Guitar Review." Premier Guitar. 28 May
2010. Web. 06 May 2016.
54
Rees, Paul. Pg. 128

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the Windsor home of fellow bandmate Jimmy Page.55 No more than a year after the release of
Led Zeppelins 1979 album, In Through the Out Door, the band would call it quits. The three
surviving members knew that the band could not carry on without their beloved friend. Hence,
marking the end of an era. Jimmy Page is cited as saying that it was the worst time in his life and
that he was Knocked Sideways by the death of John Bonham.56 On top of grieving the loss of
his colleague, Pages own addictions started to catch up with him. As aforementioned, drugs and
alcohol became staples of the rock culture that Led Zeppelin helped to create. Jimmy Page was
very much a part of that as he developed a nasty heroin/cocaine habit around the time of Led
Zeppelins Presence.57 The bands later years saw Pages drug problem escalate. As a result,
rumors swirled to as weather or not he would follow in Bonhams footsteps. Public appearances
in which Jimmy Page looked completely scrawny only added to the speculation. However, Page
would eventually kick his drug habit in 1983 to avoid the same fate as his friend.58
Section VII: Achilles Last Stand
Almost 36 years have now passed since the breakup of Led Zeppelin. Jimmy Page still
remains an inspiration post-Zeppelin and has kept himself quite busy. The 1980s saw Page not
only comprise a movie soundtrack, but form various super groups and release his one and only
solo album, Outrider.59 Also, the decade had Led Zeppelin reunite on two separate occasions.
Jimmy Page and co. would unify at Live Aid in 1985 and at Atlantic Records 40th anniversary
celebration in 1988.60 Both concerts were much maligned by Page. In particular, the Live Aid

55

Rees, Paul. Pg. 111

Tolinski, Brad. Light and Shade: Pg. 224
57
Rees, Paul. Pg. 139
58
Rees, Paul. Pg. 139
59
Tolinski, Brad. Light and Shade: Pg. 245
60
Welch, Chris. Pg. 19
56

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show failed to meet expectations of fans as well as the three former bandmates. Despite this, Led
Zeppelins impact still loomed large. 80s hairbands like Whitesnake drew huge musical
influences from Led Zeppelin. As aforementioned, the bands guitarist, John Sykes, had been
seen bowing his guitar. This form of compliment even lead to the formation of tribute bands like
Dread Zeppelin; which became a internationally successful Led Zeppelin cover band.61 Ironically
enough, Jimmy Page would collaborate with Whitesnakes David Coverdale for a short period in
the 1990s.
The 1990s were a time of revival for Jimmy Page. While the decade saw Rap and Pop
music as the mainstream forms of music (far from what the 1970s brought), Page would once
again find his way into the light. 1994 had Jimmy Page reunite with his old pal Robert Plant. The
two would go on to perform a world tour as well as put out a new album. Walking Into
Clarksdale managed to be a huge success reaching number eight in the U.S. and number three in
the U.K.62 The reunited duo would tour up until 1998 all the while delighting a whole new
generation of Led Zeppelin fans. It would be here that Jimmy Page and Robert Plants work
would pose influential to other cultures music as well. On a trip to Morocco, the former Led
Zeppelin bandmates performed with various local Gnaoui street musicians.63 The musical
combination was held in a courtyard with plenty of villagers gathering around to listen.
Eventually the clip would be featured as bonus material on the No Quarter - Unleaded DVD.
Perhaps the 2000s and 2010s were Jimmy Pages most important years since the 1970s.
He partook in a wildly popular documentary about electric guitars, played at the Beijing

61

Welch, Chris. Pg. 19

Rees, Paul. Pg. 131
63
Rees, Paul. Pg. 128
62

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Olympics and wrote an extensive autobiography. However, one event helped propel the already
legendary Page into an untouchable status. December 10th, 2007 featured the triumphant return
of Led Zeppelin. The three remaining members, combined with John Bonhams son Jason,
played 16 songs to an ever ecstatic crowd at Londons O2 Arena.64 2007s reunion came about
after Atlantic Records founder, Ahmet Ertegun had passed. Ertegun is the one who took a chance
and gave Led Zeppelin their start in 1968.65 As a result, the surviving members of Led Zeppelin
decided on a reunion concert in his memory. A lucky 18,000 plus fans gathered from all over the
world to watch their heroes perform at least one more time (Over 20 million applied for tickets).
Pages years of influences became compacted into a single evening: The violin bow solo, a
Gibson EDS-1275, Stairway to Heaven and Kashmir, all present for one night only.
That night launched Jimmy Page back into international spotlight and gave the band
media attention similar to that of their heyday. Also, if the event was not already big enough,
celebrities such as Paul McCartney, Jeff Beck and Oasis were among those who attended.66 Led
Zeppelins reunion show prompted a media storm asking for following dates. However, nothing
ever came to fruition as the three remaining musical icons each went their separate ways. 2012
saw the release of the concert as a film called Celebration Day. Similar to their 1976 concert
film, The Song Remains the Same, Celebration Day showed Led Zeppelin in peak form.
Almost 10 years after Led Zeppelins last triumph, 2016 still has the band as relevant as
ever. Jimmy Page is largely to thank as his work has stood the test of time. Generation after
generation have made Pages accomplishments a part of their lives. Some credit the music while

64

"The Rock and Roll Hall of Fame + Museum." Led Zeppelin Biography.
Welch, Chris. Pg. 157
66
Welch, Chris. Pg. 157
65

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others credit the guitar playing as inspiration. Despite the success of his past, Pages future
remains uncertain. What is Jimmy Pages next move? Will he head out and make more music?
Or will the future see Page keep the Led Zeppelin legacy alive? No matter what the answer,
Jimmy Page will always hold a place among the musical royalty. His influence has spread over
genres, countries and decades. And that impact does not look to be fading anytime soon.
Section VIII: Coda
There is no question that Jimmy Pages greatest amount of influence came in the form of
Led Zeppelin. As evident throughout this piece, he did so much to impact others during the
period of 1968-1980. From pioneering the use of the bowed guitar, to the composition of some of
Stairway to Heaven and Kashmir, the short 11 years proved to be a breeding ground of
inspiration and creativity. While the Pages years following Led Zeppelin may have not been as
influential as those he spent with his former bandmates, it would be others who confirmed his
everlasting impressions. As discussed, well-respected musicians such as Jack White and Dave
Grohl often recognize Jimmy Page and Led Zeppelin as reasons they got into music. I myself
credit Pages work as the basis for my own musical adventures. Without him, I probably would
have never even thought about touching a guitar. And for that, Im forever grateful.
On a broader scale, who knows where music today would be without the effects of
Jimmy Page. There may have never been bands like Guns & Roses, The Foo Fighters or The
White Stripes. Documentaries like It Might Get Loud may have never come to fruition; due to
the fact that the electric guitar could have remained unpopular. Guitar companies such
Danelectro may not even currently exist if not for Pages use of their products. On top of that,
Jimmy Pages techniques in the studio provided essential to the way modern music is recorded.
Artists like The Beastie Boys, as well as others, have used recording techniques that Page

Wright 26

pioneered over 40 years ago. Jimmy Page set a standard of cool that almost no other guitarist has
been able to match. While I do not believe he is a part of great man history (as his childhood
contemporaries Jeff Beck and Eric Clapton also have had successful careers), his influence
cannot be understated.
In summation, these are the reasons I chose to cover the life of Jimmy Page. I know there
is not much that has not already been said, but his contributions to music and culture are far too
important to let go by the wayside. While it is tough to cover every aspect of Pages life, his
broader accomplishments with Led Zeppelin became the basis of my thesis. Plus, my encounter
with Jimmy Page was a great insight that not many writers, biographers or fans in general get to
have. Overall, the life and career of Jimmy Page has been that of legend. At the old age of 72,
Page still musically embodies everything he stood for in the 1970s. Who knows where the
coming years will take him. Maybe new music is on the rise, or there could be hope of another
Led Zeppelin encounter. No matter the outcome, death cannot rid page of his accolades. Even
after that moment comes, Jimmy Pages song will forever remain the same.

Wright 27

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4. Fortune, James. "It Was Never Quiet at the Riot Hyatt-James Fortune and Led
Zeppelin." James Fortune Photography. Web. 05 May 2016.
5. Guggenheim, David. "Multimedia Reviews. It Might Get Loud." Journal of the Society
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Intrigued Me"" WCBSFM 1011. 1 Oct. 2012. Web. 24 Apr. 2016.
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2016
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