Tune

# of Settings

Track #

Page

ia
l

Contents
Tune

# of Settings
ettings
ngs

Track #

Page

Ebenezer . . . . . . . . . . . . . . . . . . . . . . . . .4 . . . . . . . . . . . .58

All Saints . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .12

Eisenach . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . .9 . . . .57

Alleluia . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . .1,2 . . . .11

Ellacombe . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .62

Alleluia, Dulce Carmen . . . . . . . . . . . . . .2 . . . . . . . . . . . .14

Ellers . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . .10 . . . .64

Anima Christi . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .15

Englands Lane . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .62

Assurance . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .16

Es ist ein Ros . . . . . . . . . . . . . . . . . . . . .2 . . . . . .11 . . . .68

Ave virgo virginum . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .18

ldvgelein . . . . . . . .2 . . . . . . . . . . . .63
Es flog ein kleins Waldvgelein

Avon (see Martyrdom)

Evan (settings in G and A-flat) . . . . . . . .3 . . . . . . . . . . . .66

Balm in Gilead . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .20

Franconia . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . .12 . . . .69

Bangor . . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .19

Freu dich sehr . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .70

at

er

A la venue de Nol . . . . . . . . . . . . . . . . .2 . . . . . . .3 . . . .10

Beatitudo . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . .5 . . . .24

e . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .72
Galilee

Bishopthorpe . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .25

udeamus
amus pariter (see Ave virgo virginum)
Gaudeamus

Bourbon . . . . . . . . . . . . . . . . . . . . . . . . .5 . . . . . . . . . . . .26

hsemane
emane . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .73
Gethsemane

Bradbury . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . .24 . . . .32

G Tell It . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .74
Go

Bread of Life . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .28

s Dank . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .76
Gott sei

30
Bryn Calfaria . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . .6 . . . .30

So ist kommen . . . . . . . . . . . .2 . . . . . . . . . . . .77

Gottes Sohn

35
Canonbury . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . .7 . . . .35

Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .78

Carol . . . . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .36

He
Helmsley
. . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .80

Cheshire . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .37

He
Hendo
Hendon
. . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .79

Chesterfield (see Richmond)

Her
Hereford
. . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . .13 . . . .82

ht

ed

Besanon . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .22

Christmas (settings in C and D) . . . . . . .2 . . . . . . . . . . . .38

Holy
Manna . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .84
H

Conditor alme siderum . . . . . . . . . . . . . .2 . . . . . . .8 . . . .40

Horsley . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .86

2 . . . . . . . . . . . .42
Converse . . . . . . . . . . . . . . . . . . . . . . . .2

Innsbruck (see O Welt, ich muss dich lassen)

2 . . . . . . . . . . . .44
Cradle Song . . . . . . . . . . . . . . . . . . . . . .2

Iste Confessor . . . . . . . . . . . . . . . . . . . . .2 . . . . . .14 . . . .87

rig

Coventry Carol . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .43

.4
Creator alme siderum (see Conditorr alme siderum)

Crimond . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .45

Jefferson . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . .15 . .6, 88

Cross of Jesus . . . . . . . . . . . . . . . . . . . . .4 . . . . . . . . . . . .46

Jesous ahatonhia (see Une jeune pucelle)

Jewels . . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .89
Judas Maccabaeus . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .90

Detroit . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .51

Kas Dziedaja . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .92

Ding Dong! Merrily on High . . . . . . . . . .1 . . . . . . . . . . . .49

Kingsfold . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .94

m . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .55
Divinum mysterium

Komm, o komm, du Geist des Lebens . .2 . . . . . . . . . . . .94

Dominus regit me . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .52

Kremser . . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . .96

py

Darmstadt . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . .21 . . . .50

h nach
ch der Welt)
We
(see also Was frag ich

co

Dove of Peace . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .53

see Rise
se Up, Shepherd)
Shepherd
Shep
Douglass (see

Laudate Dominum . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .97

rmen (see Alleluia,

Allelui Dulce
D
Dulce Carmen
Carmen)

Laudes Domini . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . .98

e . . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .56
Dundee

Le Cantique de Simon . . . . . . . . . . . . .2 . . . . . .20 . . . .99

s Creek
reek . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . . .54
Dunlaps

Liebster Jesu, wir sind hier . . . . . . . . . . .2 . . . . . . . . . . .100

# of Settings

Track #

Page

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Tune

Tune

# of Settings
ettings
ngs

Track #

Page

Song 1 . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .144

Lully, Lulla (see Coventry Carol)

Southwell . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . .147

Lyons . . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . .17 . . .102

Stabat Mater dolorosa . . . . . . . . . . . . . .1 . . . . . . . . . . .154

er

London New . . . . . . . . . . . . . . . . . . . . .2 . . . . . .16 . . .101

Star in the East . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .150

Martyrdom . . . . . . . . . . . . . . . . . . . . . . .4 . . . . . . .4 . . .106

Stille Nacht . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .152

Mendelssohn . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . .103

Tallis Ordinal . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . .155

Morecambe (settings in B-flat and C) . . .2 . . . . . . . . . . .110

Tender Thought . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .159

More Love to Thee . . . . . . . . . . . . . . . . .4 . . . . . .18 . . .108

Terra Beata . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .160

Morning Song . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .112

Beata
Terra Patris (see Terra Beata)

Morning Star . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .114

rove . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .164
The Ash Grove

Moscow . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .118

To God Be the Glory . . . . . . . . . . . . . .1 . . . . . . . . . . .162

ettings
gs in G and A
(settings
A-flat)

New England . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .119

-y-botel
otel (see Ebenezer)
Ebe
Ton-y-botel

Non Dignus (settings in B-flat and C) . . .2 . . . . . . . . . . .120

ny-botel
botel (see Ebenezer)
EEb
Tony-botel
je
Une jeune
pucelle . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . .165

ed

Nun danket all und bringet Ehr . . . . . . .2 . . . . . . . . . . .124

Nun danket alle Gott . . . . . . . . . . . . . . .1 . . . . . .19 . . .125

at

Monkland . . . . . . . . . . . . . . . . . . . . . . . .3 . . . . . . . . . . .115

H
Vesper Hymn
. . . . . . . . . . . . . . . . . . . . .5 . . . . . . . . .6, 168

27
Orientis Partibus . . . . . . . . . . . . . . . . . . .2 . . . . . .22 . . .127

Angeli
An
Vox Angelica
. . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .170

Pentecost . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .128

W
Wache
Wachet
auf . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .181

Personent Hodie . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .129

Was frag ich nach der Welt . . . . . . . . . . .2 . . . . . . . . . . .172

(see also Darmstadt)

Pilgrims (see Vox Angelica)

ht

126
O Welt, ich muss dich lassen . . . . . . . . .2 . . . . . . . . . . .126

.
Potsdam . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .130

W
When
He Cometh (See Jewels)
Wie lieblich ist der Maien . . . . . . . . . . . .2 . . . . . .25 . . .174
(settings in A-flat and B-flat)
Wondrous Love . . . . . . . . . . . . . . . . . . .4 . . . . . . . . . . .178

Redhead 76 (see Gethsemane)

Woodworth (settings in D and E-flat) . . .2 . . . . . . . . . . .184

rig

.13
Rathbun . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .131
Repton . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .132

Richmond . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .134

York . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 . . . . . . . . . . .186

Rise Up, Shepherd . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .133

Yorkshire . . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .188

Rustington . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .136

py

St. Anthony Chorale . . . . . . . . . . . . . . . .1 . . . . . . . . . . .137

Zeuch mich, zeuch mich (see All Saints)

Zpivejme vickni vesele . . . . . . . . . . . . .3 . . . . . . . . . . .190

St. Clement . . . . . . . . . . . . . . . . . . . . . .2 . . . . . .23 . . .138

or . . . . . . . . . . . . . . .2 . . . . . . . . . . .140
St. Georges Windsor
St. James . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .139
St. Margaret . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .142

co

St. Matthew . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . .143

Salvation . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . .146
Sandon . . . . . . . . . . . . . . . . . . . . . . . . . .1 . . . . . . . . . . . . .5
erd (see Bradbury)
Bradb
Shepherd
ee Christmas)
Siro (see

Some of these settings have been recorded by the

composer onto the accompanying CD.
Corresponding track numbers are listed in the table
of contents under the track # column.

b
&b

X
X

? b
b X

ia
l

? b XX
b

er

at

Temper the space between the repeated notes to your acoustics. In a dry acoustic,
coustic,
ic, you do not need as much space
between the notes and, in general, will use more legato. Cathedral acoustics
stics
tics hide all kinds
kin of things and one can
play around with this indeterminately!

First stanza

1. FOLLOW THE TEXT TO SHAPE YOUR PHRASING. As partt of your preparation,

prepara
prepar
know the texts (actually, these
oetry
ry before pra
are the hymns; the melodies are the hymn tunes). Read the poetry
practicing the notes!
2. ALWAYS LEAD THE SINGING WITH A STEADY PULSE.
Great, with supportive registrations such as
E. Play
lay on the G
principals 8', 4', 2' if appropriate to the spirit of the text. Dont
to leave off the Mixture! And dont be
ont be afraid
a
afraid to use a lush combination of strings and flutes
the text warrants it.
tes if th

ed

3. Use as much organ as you need to support the congregation,

ongregation,
egation, but
bu do not drown it! If you think that you need more
sound, add stops as you go along - practice this!
is!

Nota bene

rig

ht

Do vary your hymn registrationsit doesnt

snt have to be a different combination on each verse, necessarily. But we
have all heard fine organists play alll thee verses of a hymn
hym on pretty much the same soundthis is not inspiring.
This is boring for the listeners, singers,
gers, and the player!
pl
Also, always try to listen for balance between the singers and
the accompaniment. (I admit, itt iss sometimes very
v
difficult to do this from the organ bench!)

Second, third and fourth

urth verses

py

1. One of these verses might

ght be the time to reduce
red
the organ, if the congregational singing calls for it. Also, heres a good
time to vary the registrationexperiment
rationexperiment
onexperim with different possibilities! Sometimes I like to solo out the melody an octave
lower either playing the tune in the
th tenor
teno register, or as written but on a registration with a prominent 16' stop. If your
organ is tubby, try playing the melody
melo
m
an octave higher by using a super coupler, or by playing in octaves.
2. Especially on a smaller
maller instrument,
instrume a welcome change in texture may be achieved by simply omitting the pedals
instrum
for a verse. There
ere is no reason to
t keep the pedals going throughout all the verses. Another variationfor occasional useiss to omit the organ entirely
for one verse, but only if the singing is strong enough!
e

co

3. In your
ur hymn
ymn practicing,
practicing try varying the pedal notes by using pedal points, or passing tones, for example. Of course
you can do this to other
othe voices besides the bass too. Varying the harmonic structure is another option, but dont
doo this in the service
serv unless you are thoroughly comfortable with this sort of variation.
4. Be humbly aware
of your own gifts and limitations. Everyone needs to practice. If you have a talent for improvisaa
tion,
it, practice and study the art! The melody should always be discernible in any free accompanion, dont wing

ment.
have an improvisatory flair, not to worry, there are many examples in this volume, as well as in
nt. If you
nt
yo dont
d
other volumes.
lum

11

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Alleluia
Charles
rles Callah
Callahan, ASCAP

Tune: Samuel
muel
el S. Wesley,
Wesley 1810-1876

Setting 1

f Solo
4
&b 4
F
? 4
b 4

Man.

&b

11

? #
b

# # n #

Man.

n
& b .

?
b

12

&b
?

# n
#

MSM-10-607

n

<

Setting 2

F
4
& b 4

< <
f Solo
? 4
b 4

co
py
rig
ht
ed

&b

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

68

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Es ist ein Ros

ww

Charles
harles Calla
Callahan,
Cal
ASCAP

Tune: Alte Catholische Geistliche Kirchengesnge,

Kirchengesn Kln, 1599
Kirchengesng

Setting 1

P Solo
.

&b .
?

p
..

..

..

Man.

&b

? b n n

co
py
rig
ht
ed

Setting 2

P
& b ..

b ..

P
.
b .

Solo

.
.

?
b

?
b

& b n

MSM-10-607

..

..
..

w
w

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

88

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Jefferson
Charles
harles Calla
Callahan,
Call
ASCAP

Tune: W. Walker,
ker, Southern Harmony,
H
1835

Setting 1

F Solo
b
4
.

&b 4 .
P

? b 4 ..
b 4

? b b

b
&b
? b
b

..

..
..

co
py
rig
ht
ed

b
&b

Man.
5

Setting 2

P
j
b

4
& b 4 ..

F Solo

? b 4 ..
b 4

j .

..
..

Man.

b
&b

? b
b
9

b
&b
? b
b

MSM-10-607

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

102

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Lyons
Charles
rles Callah
Callahan, ASCAP

Tune: attr. Johann Michael

chael Haydn,
Haydn 1737-1806

Setting 1

# 3 f
& 4

Solo

F
?# 3
4
&

.
n .

? # .

Setting 2

# 3 Solo
& 4
f
? # 3
4

Ped.

? # n

&

11

&

?#
.

MSM-10-607

n
#

#
#
n

.
n . n

# ..

Solo

b
b

.
.

Solo

Solo

co
py
rig
ht
ed

&

Man.

?#
11

..
.
.

b
b

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

125

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Nun danket alle Gott

Charles
rles Callah
Callahan, ASCAP

Tune: attr. Johann

hann Crger,
Crger
Crge 1598-1662

Setting in E b

f marcato
? b 4
b b 4

(Ped. or LH)
5

b
& b b

..
.

? b
b b

11

bb

? b
b b

Setting in F

py
rig
ht

u b

.
b n

..
.

f marcato
? b 44

11

U
n

?
b

co

& b n ..

MSM-10-607

,
b

u b

n ...

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

U ,

.
u

,
.

b n

U
..
.

...

n ...

& b

U ,

(Ped. or LH)
5

f
4

& b 4

U
n

& b n ..

...

ed

f
b
& b b 44

U
...

u .

138

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St. Clement
Charles
harles Calla
Callahan,
Cal
ASCAP

Tune: Clement
nt C. Scholeeld,
Scholee 1839-1904

Setting 1

# 3 P Solo

& 4

p
?# 3
4
Man.

&

? #

co
py
rig
ht
ed

# ..

Setting 2

P
# 3
.
& 4 .

F Solo
?# 3
4
P
?# 3
4
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MSM-10-607

Copyright 2009 Birnamwood Publications (ASCAP)

A division of MorningStar Music Publishers, Inc., St. Louis, MO
Reproducing this publication in any form is prohibited by law without the permission of the publisher.

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