Professional Documents
Culture Documents
Books in Persian
Abdollahi, Reza. 1373/1994. Setar saz shadravan Javad Chaychi Esfahani. Esfahan:
Nashr-e-Ney.
hmadi, Morteza. 1380/2001. Kohneh-ha-ye hamisheh no. Taraneh-ha-ye takht-e howzi.
A
Tehran: Qoqnus.
Ali-ebn Mohmmad, Memar (Banayi). 1368/1989. Resaleh-ye dar musiqi. Introduction by Taqi Binesh and Dariush Safvat. Tehran: Markaz-e Nashr-e
Daneshgahi.
Alizadeh, Hosein. 1364 1374/1985 1998. Dah qeteh baraye tar. 4 vols. Tehran:
Moasseseh-ye Farhangi-ye Honari-ye Mahur.2
Atrai, Arfaa. 1374/1995. Santur va Nezami. Tehran.
Badizadeh, Javad. 1380/2001. Golbang-e mehrab ta bang-e mezrab. Khaterat-e Seyyed
Javad Badi zadeh. Compiled by Elaheh Badizadeh. Tehran: Nashr-e Ney.
Bahmanpur, Forugh. 1383/2004. Chehreh-ha-ye mandegar-e taraneh va musiqi. 2 vols.
Majmueh Goft o gu-ha 1-2. Tehran: Nashr-e Namak.
Bahmanpur, Forugh. 1378/1999. Zemzemeh-ha-ye paydar: Ba bozorgan-e sher va
musiqi. Tehran: Nashr-e Behdid.
Bashi, B. 1364/1985. Sulafa-ye musiqi-e sonnati-e Iran. Tehran: Agah.
Behruzi, Shapur. 1372/1993. Chehreh-ye musiqi dar Iran. 2 vols. Tehran: KetabSara.
Binesh, Taqi. 1378/1999. Tarikh-e mokhtasar-e musiqi-ye Iran. 2nd ed. Tehran:
rvn].
Nashr-e Hastan. [1st ed.: 1374/1995, Tehran: Nashr-e A
1
The following bibliography, listed in author-date format, is grouped into books, dissertations,
and articles. The list of Persian sources cited below, compiled by Ameneh Youssefzadeh with the
help of Sasan Fatemi, includes only books while the non-Persian sources include books, dissertations, theses, and article-length works. Most of the sources listed below have been printed
within the past three decades. For more detailed discussion of the parameters and content of the
following bibliography, please see the editors preface to this special issue. For readers interested
in obtaining more detail on relevant resources not listed here, a collaborative online project
(www.musiqi.org) has recently been inititated with the goal of systematically documenting all relevant existing published materials, including historical references, articles found in current Persian
language periodicals such as Mahur and Ketab-e Sal-e Shayda, listings of sound and video recordings,
and book and recording reviews.
2
Mahur publications, like the Mahur journal and the website www.mahoor.ir, often bear the
transliteration Mahoor. The transliterations that appear in this special issue, including that of
the word Mahur, are based on the transliteration system used by the International Journal for
Middle East Studies (IJMES), a system which has been altered slightly in this issue because Iranian
Studies usually omits diacriticals (like ) in the transliteration of non-Roman scripts. Editors are
grateful to have been granted permission to at least distinguish between short as and long
as in the Persian bibliography.
ISSN 0021-0862 print=ISSN 1475-4819 online=05=030495-18
#2005 The International Society for Iranian Studies
DOI 10.1080=00210860500300853
496 Bibliography
Bibliography 497
In 1381/2002, this three-volume work was published in one volume (Tehran: Moasseseh-ye
Farhangi-ye Honari-ye Mahur).
498 Bibliography
Bibliography 499
500 Bibliography
Bibliography 501
Caron, Nelly and Dariouche Safvate. 1966. Iran: les traditions musicales. Paris:
Buchet-Chastel.
Chelkowski Peter J., Editor. 1979. Taziyeh: Ritual and Drama in Iran. Studies in
Near Eastern Civilization 7. New York: New York University Press.
Doubleday, Veronica. 2006. Three Women of Herat: A Memoir of Life, Love and
Friendship in Afghanistan. New York: Tauris Parke Paperbacks.5
Duchesne-Guillemin, Marcelle. 1993. Les instruments de musique dans lart Sassanide.
Gent: Iranica Antiqua.
During, Jean. 2003. The Spirit of Sounds: The Unique Art of Ostad Elahi (1895
1974). Translated by Albert Gastaldi. Cranbury, New Jersey: Cornwall Books.
During, Jean. 1998. Musiques dAsie Centrale: Lesprit dune tradition. Paris: Actes
Sud.
During, Jean. 1994. Quelque chose se passe: Le sens de la tradition dans lOrient musical.
Lagrasse: Verdier.
During, Jean. 1989. Musique et mystique dans les traditions de lIran. Paris: Institut
Francais de recherche en Iran, Peeters.
During, Jean. 1988. La musique traditionnelle de lAzerbayjan et la science des muqams.
Sammlung musikwissenschaftlicher Abhandlungen 80. Baden-Baden,
Germany: Valentin Koerner.
During, Jean. 1988. Musique et extase: Laudition mystique dans la tradition soue.
Paris: Albin Michel.
During, Jean. 1984. La musique iranienne: Tradition et evolution. Bibliothe`que Iranienne 29. Paris: Recherche sur les civilisations.
During, Jean and Zia Mirabdolbaghi. 1991. The Art of Persian Music. Translated
by Manuchehr Anvar. Washington, DC: Mage.
DErlanger, Baron Rodolphe. 2001. La musique arabe, reprint. 6 vols. Paris: Paul
Geuthner. [1st ed.: 1930 1959, Paris: Paul Geuthner].
Fallahzadeh, Mehrdad. 2005. Persian Writing on Music: A Study of Persian Musical
Literature from 1000 to 1500 AD. Acta Universitatis Upsaliensis. Studia Iranica
Upsaliensia 8. Uppsala, Sweden: Uppsala Universitetsbibliotek.
Farhat, Hormoz. 2004. The Dastgah Concept in Persian Music, new edition. Cambridge Studies in Ethnomusicology. Edited by John Blacking. Cambridge:
Cambridge University Press. [1st ed.: 1990, Cambridge: Cambridge University
Press].
Farmer, Henry George. 1994. A History of Arabian Music to the XIIIth Century,
reprint of 1929 edition. London: Luzac Oriental. [1st ed.: 1929, London: Luzac].
Gerson-Kiwi, Edith. 1963. The Persian Doctrine of Dastga Composition: A
Phenomenological Study in the Musical Modes. Tel-Aviv, Israel: Israel Music Institute.
Khatschi, Khatschi. 1962. Der Dastgah: Studien zur neuen persischen Musik. Kolner
Beitrage zur Musikforschung 19. Edited by Karl Gustav Fellerer. Regensburg, Germany: Gustav Bosse.
5
Doubledays original book entitled Three Women of Herat was published in 1988 (London,
Jonathan Cape Ltd).
502 Bibliography
Kuckertz Josef and Mohammed Taghi Massoudieh. 1976. Musik in Busehr (SudIran). 2 vols. Munich: E. Katzbichler.
Loeb, Laurence D. 1977. Outcaste: Jewish Life in Southern Iran. Library of Anthropology. Edited by Anthony L. LaRuffa. New York: Gordon and Breach.
Massoudieh, Mohammad Taghi. 1996. Manuscrits persans concernant la musique: catalogue. Series B: Vol.12, Repertoire international des sources musicales. Munich,
Germany: G. Henle.
Massoudieh, Mohammad Taghi. 1968. A waz-e-Sur: Zur Melodiebildung in der persischen Kunstmusik. 2 vols. Kolner Beitrage zur Musikforschung 49, Edited
by Karl Gustav Fellerer. Regensburg, Germany: Gustav Bosse.
Miller, Lloyd Clifton. 1999. Music and Song in Persia: The Art of A vaz. Richmond,
Surrey, England: Curzon Press.
Mokri, Mohammad. 1994. Les Chants eternels kurdes (chants damour et de douleur),
Etudes metrique et ethnolinguistiques: Analyse historique et premier essai de systematisation de la poesie syllabique dialectale et populaire iranienne (persane et kurde). Langue et Civilisation Iraniennes 2. Paris: Peeters.
Nettl, Bruno. 1992. The Radif of Persian Music: Studies of Structure and Cultural
Context in the Classical Music of Iran, rev. ed. Champaign, Illinois: Elephant
& Cat. [1st ed: The Radif of Persian Music: Studies of Structure and Cultural
Context, 1987, Champaign, Illinois: Elephant & Cat].
Nettl, Bruno and Bela Foltin Jr. 1972. Daramad of Chahargah: A Study in the Performance Practice of Persian Music. Detroit Monographs in Musicology
2. Detroit, Michigan: Information Coordinators.
Nooshin, Laudan. Forthcoming. Iranian Classical Music: The Discourses and Practice
of Creativity. Aldershot: Ashgate Press.
Ogger, Thomas. 1987. Maqam Segah/Sikah: Vergleich der Kunstmusik des Irak und
des Iran anhand eines maqam-Modells. 2 vols. Beitrage zur Ethnomusikologie
15. Hamburg: Karl Dieter Wagner.
Rezvani, Medjid Kan. 1962. Le Theatre et la danse en Iran. Paris. Maisonneuve et
Larose.
Sakata, Hiromi Lorraine. 2002. Music in the Mind: The Concepts of Music and Musician in Afghanistan, reissue. Washington D.C.: Smithsonian Institution Press.
[1st ed.: 1983, Kent, Ohio: Kent State University Press].
Shay, Anthony. 1999. Choreophobia: Solo Improvised Dance in the Iranian World.
Bibliotheca Iranica Performing Arts Series 5. Costa Mesa, California: MazdaPublishers.
Slobin, Mark. 1976. Music in the Culture of Northern Afghanistan. Viking Fund
Publications in Anthropology 54. Tucson, Arizona: University of Arizona
Press.
Talai, Dariush. 2000. Traditional Persian Art Music: The Radif of Mirza Abdullah.
Translation by Manoochehr Sadeghi. Bibliotheca Iranica Performing Arts
Series 3. Costa Mesa, California: Mazda Publishers.
Wilkens, Eckart. 1967. Kunstler und Amateure im persischen Santurspiel: Studien
zum Gestaltungsvermogen in der iranischen Musik. 2 vols. Kolner Beitrage zur
Bibliography 503
While many of the dissertations in this section can be ordered from University Microforms,
Inc., they are listed here as unpublished works. Other dissertations, like Ameneh Youssefzadehs
2002 Les bardes du Khorassan iranien: le bakhshi et son repertoire (2002) and Mehrdad Fallahzadehs
Persian Writing on Music: A Study of Persian Musical Literature from 1000 to 1500 AD (2005),
which have been printed by other publishing houses or university presses, are listed in the book
section.
504 Bibliography
Laster, James. 1973. Christian Hymnody in Iran. PhD diss., George Peabody
College.
Mehraban, Hossein Shirazi Zadeh. 1978. Folk Music of Fars Province, Iran: A
Selection of Childrens Games, Folk Songs and Dances. PhD diss., Northwestern University.
Movahed, Azin. 1993. The Persian Ney: A Study of the Instrument and Its
Musical Style. D.M.A. diss., University of Illinois, Urbana-Champaign.
Nooshin, Laudan. 1996. The Processes of Creation and Re-creation in Persian
Clasical Music. PhD diss., University of London, Goldsmiths College.
Nooshin, Laudan. 1986. Musical Improvisation: A Study of the Performance of
the Dastgah Mahur in Persian Classical Music. MA diss., University of
London, Goldsmiths College.
Mahmoud, Parviz. 1957. A Theory of Persian Music and Its Relation to Western
Practice. PhD diss., Indiana University.
Pourjavady, Amir Hosein. 2005. The Musical Codex of Amir Khan Gorji
(c. 1108/1697). PhD diss., University of California, Los Angeles.
Reckord, Thomas Martin. 1987. Chant in Popular Iranian Shiism. PhD diss.,
University of California, Los Angeles.
Riordan, Ann. 2000. Music and Modernity in Iran: The Radif Revisited. MA
thesis, University of California, Los Angeles.
Sadeghi, Manoochehr. 1971. Improvisation in Nonrhythmic Solo Instrumental
Contemporary Persian Art Music. MA thesis, University of California, Los
Angeles.
Simms, Robert. 1992. Form and Meaning in the Sehtar Pedagogy of a Persian
Su. MA thesis, York University.
Yadegari, Shahrokh. 2004. The Radif as a Basis for a Computer Music Model:
Union of Philosophy and Poetry through Self-referentiality. PhD diss.,
University of California, San Diego.
vaz: A Study of the Rhythmic Aspects in Classical
Tsuge, Genichi. 1974. A
Iranian Music. PhD diss., Wesleyan University.
Article Length Publications7
Adelkhah, Fariba. 1991. Michael Jackson ne peut absolument rien faire. Les
pratiques musicales en Republique islamique dIran. Cahiers detudes sur la
Mediterranee orientale et le monde turco-iranien 11: 23 41.
Albright, Charlotte [Fey]. 2002. The Asiq and His Music in Northwest Iran
(Azerbaijan). In The Middle East. Edited by Virginia Danielson, Scott
Marcus, and Dwight Reynolds, 843 852. Vol. 6, The Garland Encyclopedia of
7
The shorter works below include journal and encyclopedia articles, chapters, and the like. The
list below does not include book, sound recording or video recording reviews. Nor does it cite
music entries in Encyclopedia Iranica. For a review of articles about music in Encyclopedia Iranica,
please refer to Hormoz Farhat, Music, Iranian Studies 31, nos. 3 4 (1998): 560 570.
Bibliography 505
World Music. Edited by Bruno Nettl and Ruth Stone (advisory editors) and
James Porter and Timothy Rice (founding editors). New York: Routledge.
Albright, Charlotte F[ey]. 1976. The Azerbaijani A shiq and His Performance of
a Dastan. Iranian Studies 9, no. 4:220 47.
Allahyar, Behzad. 1994. Social Aspects of Persian Music in Los Angeles.
Selected Reports in Ethnomusicology 10:163 81.
Barkechli, M[ehdi]. 1960. La Musique iranienne. Vol. 1, Histoire de la Musique. Edited
by Roland Manuel, 456525. Encyclopedie de la Pleiade 9. Paris: Gallimard.
Battesti, Teresa. 1969. La musique traditionnelle iranienne: Aspects socio-historiques. Objets et mondes 9, no. 4:317 40.
Beeman, William O. 1976. You Can Take Music Out of the Country, but. . .:The
Dynamics of Change in Iranian Musical Tradition. Asian Music 7, no. 2:6 19.
Benjamin, S[amuel] G[reene] W[heeler]. 1982. The Sheahs and the Tazieh, or
Passion-Play of Persia. Asian Music 8, no. 2:91 114.
Blum, Stephen. 2002. Iran: An Introduction. In The Middle East. Edited by Virginia Danielson, Scott Marcus, and Dwight Reynolds, 823 838. Vol. 6, The
Garland Encyclopedia of World Music. Edited by Bruno Nettl and Ruth Stone
(advisory editors) and James Porter and Timothy Rice (founding editors).
New York: Routledge.
Blum, Stephen. 2001. Iran, II, Classical Traditions. Vol. 12, The New Grove Dictionary of Music and Musicians. 2nd ed. Edited by Stanley Sadie and John
Tyrrell, 530 537. London: Macmillan.
Blum, Stephen. 1998. Recognizing Improvisation. In In the Course of Performance: Studies in the World of Musical Improvisation. Edited by Bruno Nettl with
Melinda Russell, 27 45. Chicago Studies in Ethnomusicology. Edited by
Philip V. Bohlman and Bruno Nettl. Chicago: University of Chicago.
Blum, Stephen. 1996. Musical Questions and Answers in Iranian Xorasan,
in EM: Annuario degli Archivi di Etnomusicologia dellAccademia Nazionale de
Santa Cecilia 4:145 163.
Blum, Stephen. 1978. Changing Roles of Performers in Meshhed and Bojnurd,
Iran. In Eight Urban Cultures: Tradition and Change. Edited by Bruno Nettl,
19 95. Urbana, Illinois: University of Illinois Press.
Blum, Stephen. 1974. Persian Folksong in Meshhed (Iran), 1969. Yearbook of the
International Folk Music Council 6:86 114.
sheq in Northern Khorasan. Asian
Blum, Stephen. 1972. The Concept of the A
Music 4, no. 2:27 47.
Blum, Stephen and Amir Hassanpour. 1996. The Morning of Freedom Rose
Up: Kurdish Popular Song and the Exigencies of Cultural Survival.
Popular Music 15, no. 3:325 343.
Boyce, Mary. 1957. The Parthian Gosan Singer and the Iranian Minstrel
Tradition. Journal of the Royal Asiatic Society 1-2:10 45.
Calmard, Jean. 1996. Shii Rituals and Power II. The Consolidation of Safavid
Shiism: Folkore and Popular Religion. In Safavid Persia The History and
Politics of an Islamic Society. Edited by Charles Melville, 139 90. London:I.B.
506 Bibliography
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508 Bibliography
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Lawergren, Bo. 2001. Iran, I, Pre-Islamic. Vol. 12, The New Grove Dictionary of
Music and Musicians. 2nd ed. Edited by Stanley Sadie and John Tyrrell,
521 530. London: Macmillan.
Loeb, Laurence D. 1972. The Jewish Musician and the Music of Fars. Asian
Music 4, no. 1:3 14.
Macrae, Craig. 1993. Integrating a Society: Persian Music. Community of Music:
An Ethnographic Seminar in Champaign-Urbana. Edited by Tamara
E. Livingston, Melinda Russell, Larry F. War, and Bruno Nettl, 186 201.
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Massoudieh, Mohammed Taghi. 1992. Die Begriffe Maqam und Dastgah in der
turkmenischen Musik des Iran. In Regionale maqam-Traditionen in Geschichte
und Gegenwart, Materialien der 2. Arbeitstagung der Study Group maqamdes
International Council for Traditional Music vom 23. bis 28. Marz 1992 in Gosen
bei Berlin. Vol. 2. Edited by Jurgen Elsner and Gisa Janichen, 377 397.
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Massoudieh, Mohammad Taghi. 1984. Der Islam. Religiose Autoritaten und
Musik: Papers and discussion from the 13th Congress of the International Congress
of Musicology held in Strasbourg, August 29 September 3, 1982. Edited by
Dorothea Baumann and Kurt von Fischer, 58 99. Kassel, Germany:
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Massoudieh, Mohammad Taghi. 1981. Beziehungen zwischen persischen Volksmelodien und der persischen Kunst- und Volksmusik. In International Musicological Society, Report of the Twelfth Congress, Berkeley, 1977. Edited by Daniel
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Massoudieh, Mohammad Taghi. 1980. Die Musikforschung in Iran: Eine bibliographische Ubersicht (Fortsetzung). Acta musicologica 52, no. 2:79 83.
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Massoudieh, Mohammad T[aghi]. 1973. Tradition und Wandel in der persischen
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Modir, Hafez. 1986. Research Models in Ethnomusicology Applied to the Radif
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Mokri, Mohammad. 1968. La musique sacree des Kurdes Fide`les de verite,
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Nooshin, Laudan. 1999. From Prayers at Dawn to Techno in the Park: Irans
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