Professional Documents
Culture Documents
Credits: Elliot's work includes Steely Dan, Eagles, Foo Fighters, Beck, Fleetwood Mac, Faith Hill and most recently a solo album with Glenn Frey. His
latest Grammy was for remixing of Derek & The Domino's "Layla" in surround sound. This is a project that was done in his studio utilizing Nuendo.
Danny Lux
One of the most consistently busiest Hollywood television composers, Danny Lux is a multiple Emmy
nominated composer whose music can be heard on present and past television hits.
Credits: Grey's Anatomy, Ally McBeal, Raising Hope, Boston Legal, and many more...
Chuck Ainlay
Multiple Grammy Award & ACM winning Producer/Engineer, Chuck Ainlay is one of Nashvilles top
recording engineers. He has recorded and mixed over two hundred albums, including work with
legendary country music artists George Strait, Taylor Swift, Miranda Lambert, Lee Ann Womack,
Sugarland, Lyle Lovett, Emmylou Harris and The Dixie Chicks.
Credits: Recent number 1 albums include George Strait "Here For The Good Times", Lionel Richie "Tuskeegee",
Miranda Lambert "Four The Record" & The Pistol Annie's "Hell On Heels"
David Kahne
David started playing music in his senior year of high school, and has played every day since that
day. He produces music for a wide range of artists. David also programs and engineers the albums
he produces. Another love is orchestral composition and arranging. David has written 4 full-length
ballets and has recently been scoring for film.
Some users might look for a microphone preamp to dramatically color the sound while others search for a
very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying
certain components of a given source, imparting a generous amount of color to the signal. Such a preamp
might be great for a vocal recording, however those preamps will not suit every use. D-PRE has a very wide
frequency range so that it can handle any music source and it does not overly amplify any specific components
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source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect
amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development
team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.
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for users of any DAW software.
Cue Mix
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per player. It does not just provide regular
mixer function like volume fader, pan, mute
and solo button but also provides DSP effects
so that each musician can get comfortable mix
during recording for the best performance.
*Number of cue mix is determined per product.
DSP Effect
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complex reverb algorithm developed by Yamaha. Renowned
for its high-density, richly reverberant sound quality, with
smooth attenuation, spread and depth that work together to
enhance the original sound, the REV-X features three types
of reverb effects: Hall, Room and Plate simulations with
reverb time and level control. By using FX Bus function
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channel as well. You can apply same reverb sound for the
playback track after recording.
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sidechain-enabled compressor and a 3-band parametric equalizer. Both EQ and compressor were
developed to attain a highly musical sound. Its
featured morph knob smoothly allows you to morph
through both EQ and compression settings in
combination in order for you to come up with the ideal
sound very quickly just by using one single control
element.
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JetPLL70 is a patent-applied for solution for removal of audio network jitter. It provides the same
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clocking products.
JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. The JET technology is used under sublicense from TC Applied
Technologies Ltd., and is the intellectual property of Sonopsis Ltd.
Our Technologies
The Audio Stream Input/Output (ASIO) architecture forms the backbone of VST. It is a low-latency, high performance
audio standard that is used by the entire MI industry. ASIO addresses any needs a professional audio recording
solution might have. It does this by supporting variable bit depths and sample rates, multi-channel operation and
synchronization. As a result, the user gets low latency, high performance, easy set up and stable audio recording within
VST. The entire system becomes controllable and offers complete and immediate access to the audio system's
capabilities. Since its introduction, ASIO has become a supported standard by many leading audio hardware
manufacturers - for good reason.
Developed by Steinberg and first launched in 1996, Virtual Studio Technology (VST) creates a full, professional studio
environment on your MAC or PC computer. VST allows the integration of virtual effect processors and instruments into
your digital audio environment. These can be software recreations of hardware effect units and instruments or new
creative effect components in your VST system. All are integrated seamlessly into the host application. Because these
connections are virtual, there is no need for messy audio or MIDI cabling. These VST modules have the sound quality of
the best hardware units, yet are far more flexible. All functions of a VST effect processor or instrument are directly
controllable and automatable, either with a mouse or with external hardware controllers.
VST3 marks an important milestone in audio technology with a completely rewritten code base providing not only many
new features but also the most stable and reliable VST platform ever. VST 3.5 is a groundbreaking new version with a
host of new capabilities, including VST 3 controller and Note Expression support as well as VST Expression Maps integration.
This revolutionary new standard brings true connectivity and platform independence to the digital audio world. VST
System Link enables the transfer of synchronization, transport and audio data between two or more workstations
equipped with compatible software and hardware over standard digital audio cabling systems such as ADAT, TDIF,
AES/EBU or S/PDIF. Because it uses the audio stream itself, synchronization is completely sample accurate, even
across multiple workstation configurations. VST System Link lets you take your audio projects to new levels of complexity, and offers unbelievable flexibility in your working environment.
AI stands for Advanced Integration, being a technology developed in close collaboration between Steinberg and
Yamaha. The AI technology allows for a seamless integration of the DAWs developed by Steinberg into the digital
audio hardware from Yamaha and Steinberg. AI provides plug-and-play at an as-yet unknown level: now the software
automatically carries out the the required settings of the connected hardware, such as selecting drivers, input and
output configuration and the remote settings. In addition, the technology also offers various dedicated remote
functions, data exchange and much more.
This technology integrates dspMixFx and MR/UR Editors into the Cubase and Nuendo interface in order to get faster
operation. All aspects of I/O handling, DSP management and independent performer mixes are handled directly from
within Cubase itself. This offers real-time, independent and most importantly no-latency mixes with FX for several
performers.
The eLicenser is a copy protection system which is needed to use Steinberg's software range.
There are two types of eLicenser is available depending on software.
The USB-eLicenser (formerly "Steinberg Key") is a copy protection unit (sometimes called "dongle").
It is actually a tiny computer which stores licenses for Steinberg products, and is connected to a USB
port on your computer. The Steinberg copy protection system allows the storage of several licenses
on the same USB-eLicenser. Licenses can also be transferred between USB-eLicensers with certain limitations.
The Soft-eLicenser uses exactly same technology with the USB-eLicenser but an authorization key
will be stored on a harddisk drive. The authorization key can be transfered to a USB-eLicenser. This can be
very useful if you wish to run a Steinberg software on different computers (not at once). Once the
authorization key is transfered to a USB-eLicenser, the key can not be transfered back to harddisk drive.
A great Firewire audio interface for professional and project studios, and musical institutions
24-bit/96kHz support
- Total of 16-channel Inputs and Outputs @ 48kHz (12-channel @96kHz)
1x ADAT I/O (S/PDIF optical and S/MUX capable), S/PDIF coaxial I/O, Word Clock I/O,
2x Insert I/O
MR Editor provides latency-free monitoring with Reverb, and up to 8 stereo mix pairs.
1x world famous Yamaha REV-X Reverb can be routed as a send effect on all input channels
(for monitoring only).
Top Features
24-bit/96 kHz FireWire (IEEE1394)
audio interface
8 analog in and 8 analog out with 8
D-PRE Class-A mic preamps supporting +48 V
1 ADAT optical I/O (S/PDIF compatible) provide 8 in and 8 out (S/MUX
compatible,4 in and 4 out @ 96 kHz)
Latency-free DSP-powered monitoring
with one REV-X reverb with any DAW
by using the MR Editor
2 separate headphone buses with
individual outputs
Word clock I/O plus JetPLL ultra-low
jitter support
Cubase AI music production software
included
WIN MAC
Other Features
24-bit /192 kHz USB 2.0 audio interface
HI-Z switch (CH1 and CH2), -26dB
PAD switch (CH1 - CH8 independent)
2 pairs of ADAT optical I/O(doubles as
S/PDIF) provide 16 in and 16 out
(S/MUX2 and S/MUX4 compatible)
The finest USB 2.0 audio interface for professional and project studios
Zero Latency Monitoring with Real DSP Effects
UR824 supports quad-speed (192kHz/176.4kHz) sampling rates with the V1.50 firmware or later.
WIN MAC
* Note that the Sweet Spot Morphing Channel Strip (DSP) function will be disabled in this mode.
Top Features
24-bit /192 kHz USB 2.0 audio
interface
2 Class-A D-PRE mic preamps
supporting +48V phantom power
2 Analog XLR/TRS combo inputs
(Hi-Z switch on input 2 for electric
guitar), 2 TRS impedance balanced
outputs
MIDI input and output
Headphones jack with independent
level control
Zero-latency hardware monitoring with
mix balance knob
USB-powered for mobile recordings
Rugged full-metal housing
Cross-platform compatibility with major
recording software applications
Cubase AI (download) music production software included
WIN MAC
Other Features
24-bit/96 kHz USB 2.0 audio interface
PHONES 1
PHONES 2
WIN MAC
Channel Strip
Channel Strip
LINE OUTPUT
MIX 1
10
MIX 2
The UR28M allows you to create up to 3 mixes. Each mix has its own fader and pan, and each player
is free to set their monitor level to a comfortable range while keeping the rest of other tracks where
they need to be to capture the best possible performance.
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on all input channels (for monitoring).
DSP REV-X Reverb can be routed to playback channel via the FX Bus.
Monitoring the playback track with the same reverb heard on the record
input is possible without any FX reassignment.
Monitor Control
When it comes time to mix, engineers often use two or more pairs of studio monitors to ensure that they
have the best possible mix for the widest amount of listening environments. The UR28M allows you to
connect up to 3 pairs of studio monitors and features DIM, MONO MIX, and MUTE options for all the
benefits of a standalone monitor controller.
-20dB
L+R
11
Top Features
Ultra-precision Advanced Integration
Controller Knob with point and control support controls visual parameWHULQWHUQDO);VHWWLQJRU967LSDUDPeter using mouse pointer selection
14
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Connect to Cubase
CC121 offers dedicated control of
Cubase channel settings including
solo/mute, record arm, automation
read/write as well as pan all highlighted in the same color as the
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touch-sensitive fader, this top-quality component has an absolutely
first-class feel normally only found
on hardware mixing consoles
costing many times more.
By providing an innovative, highly precise touch fader, 16 backlit buttons and a rotary
encoder, the USB-powered CMC Channel Controller brings hands-on access to all
channel-related Cubase functions.
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automation read/write, channel select
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16 buttons, one knob and one touch fader with multi-colored visual feedback
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New in V.1.1
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buttons and user-assignable functions, the CMC-TP controller provides instant,
hands-on access to the Cubase transport section.
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Insert Marker
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15
With 16 backlit rubber pads, a rotary encoder and two working modes, the CMC-PD is
the ultimate controller to create dynamic grooves and to access your favorite DAW
functions.
Each pad lights up in green, orange or red depending on tap strength
Bank function provides 15 different MIDI note allocation maps (banks 1-8: variable user
banks; banks 9-15: fixed factory banks; and bank 16: dedicated Cubase functions)
4Velocity mode speeds up step recording
Compatible with Cubase, Wavelab, Nuendo plus
other DAW software supporting USB-MIDI input.
CMC-PD editor software included
New in V.1.1
LED Dimmer option allows users to access functions easily
in a darkened room (LED Dimmer option is available on
Cubase and Nuendo).
CMC-PD Editor
New in V.1.1
LED Dimmer option allows users to access functions easily
in a darkened room (LED Dimmer option is available on
Cubase and Nuendo).
CMC-QC Editor
16
Joint plate
Stand
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to fasten the units together.
Use the stand on the bottom to tilt the unit for easier
access.
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working modes, the portable CMC-AI Controller is a truly versatile and time-saving
addition to any Cubase system.
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browse window
4 user-assignable function keys
Compatible with Cubase, Wavelab, and Nuendo.
New in V.1.1
LED Dimmer option allows users to access functions easily in a darkened room
(LED Dimmer option is available on Cubase and Nuendo).
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New in V.1.1
LED Dimmer option allows users to access functions easily in a darkened room
(LED Dimmer option is available on Cubase and Nuendo).
Note :
If using multiple units, connect each unit to a
self-powered USB hub (with power adapter).
CMC series are compatible with both USB
1.1/ SRUWV
17
Together with Sequel LE and Wavelab LE, CI1 forms a powerful yet
affordable audio recording and production solution from Steinberg.
It combines high quality audio hardware built by and designed
together with Yamaha with two light editions of Steinberg's popular
audio software applications. The CI1 audio interface provides two
mic preamps with +48V phantom power, two mic/line input, one of
which switches to Hi-Z. Simply put, CI1, Sequel LE and Wavelab LE
boast great easy to use features at a very good price/value ratio.
Top Features
Two great sounding mic/line inputs
with XLR-combo sockets
Up to 24-bit /48kHz, latency-free
hardware monitoring
Hi-Z switch on input 1 for direct
connection of electric guitar and bass
+48V phantom power
Two impedance balanced outputs with
TRS Connectors
Phones output with independent
volume knob
USB-powered for mobile recordings
Dedicated Steinberg software included
The Setup
WIN MAC
20
Production Kit
The CI2+ Production Kit USB-powered studio comes with Cubase AI and
WaveLab LE software- light versions of Steinberg's famous titles.
The holistic approach that Steinberg provides in form of its Advanced
Integration technology allows this smart system to easily assist entry-level
to professional musicians and producers with recording and producing
music in first-class quality. The CI2+ Production Kit includes :
Instant plug and play with AI Ready LED
Browse function
The Project Assistant
AI Knob
Interactive Recording
Transport Control
AI KNOB
The AI Knob is a "point and control" precision controller. When you move the mouse over a parameter, it is
then automatically placed under full control by the AI
Knob. The parameter can be locked to the AI Knob to
retain control when the mouse is moved elsewhere
onscreen. The AI Knob of the CI2+ controls all
Cubase mixing parameters plus VST plug-ins included in Cubase.
Interactive Recording
Up to six transport sequences, such as Start, Record,
Stop, Return to Start Position etc., can be triggered
with the Action Pad on the CI2+ or via a connected
Yamaha FC5 footswitch (not included). The transport
sequences can be chosen from a list of templates or
freely customized.
Transport Control
The buttons Play/Stop, Rec, Next(Fast Forward),
and Previous(Fast Rewind) are transport control of
Cubase. The Play/Stop button alternately executes
Play or Stop. Double-clicking this button returns the
project cursor to the start position. The Rec button
starts the recording. Pressing the Previous button
and the Next button simultaneously enables or
disables the Cycle function.
21
WIN MAC
CUBASE 7
Since the foundation of the company, Steinberg has constantly pushed back the boundaries of
what is possible in digital audio. The advanced technologies included in Cubase 6 offer flexible,
cost-effective and intuitive ways of realizing the artist's full creative and professional potential.
6WHLQEHUJVH[SHULHQFHLQGHYHORSLQJKLJKO\SHUIRUPLQJFURVVSODWIRUPDSSOLFDWLRQVJLYHV0DF
and Windows PC users the option to enjoy Cubase on the hardware of choice.
MixConsole
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look and feel, but also sounds better than anything before it!
Featuring full-screen mode, total scalability and quick in-place access
WRWKHSDUDPHWHUVPRVWUHOHYDQWWRWKHWDVN0L[&RQVROHDGMXVWVVHDPlessly to notebook screens and large-scale displays.
Cubase 7 brings extraordinary workflow improvements to the table,
delivering a genuine benefit to professionals working regularly with the
mixer. Highlights include A/B comparison and global bypass for all
audio effects, a plug-in search function as well as drag-and-drop support throughout.
Clay Otswald
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24
Chord Track
The new global Chord Track allows for easy working with
chords within your Project window and provides transform
and harmonize functions throughout the application. Cubase
detects the harmony structure of your song and feeds back
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processed with VariAudio.
Chord Assistant
The powerful new Chord Assistant helps you to generate everything
from simple pop to complex jazz chord sequences that just sound
fabulous. Want to specify both the first and final chords but have no
clue how to get there? This, also, is possible in Cubase 7. The Chord
Assistant lists chord suggestions from which you can choose it's
all just a click away.
Note Expression
Note Expression is the new smart way to assign, create and edit multiple
controller values directly on single note-level all in a single handy graphical interface. The perfect choice for demanding orchestral arrangements
and creating unique sound effects, Note Expression allows controller values
to be drawn directly onto single note events in the Key Editor. Because
each individual note event contains its own set of controller data, even polyphonic sounding notes can now be dynamically controlledfully independent from each other.
Hermode tuning
Thanks to the Hermode tuning technology, the intonation of your synthesized notes are changed dynamically on the fly for utmost compatibility with
well-tempered scales, while retaining a high degree of purity for third and
fifth intervals. Especially when combining non-fixed-intonation instruments,
like brass and woodwind, and fixed-intonation instruments, such as guitars
and piano, entire orchestral arrangements sound immediately clearer and
more brilliant than before.
25
26
Retrologue
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You are a veteran in film score composing. Do you still encounter situations that take you aback?
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And thats why you have to be able to rely 100% on your DAW. How does Cubase support you during the composing process?
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HYHU\WKLQJZHXVHLVPDGHIURPVFUDWFK $QGVRLWVYHU\LPSRUWDQWWRPHWKDWWKHTXDOLW\RIWKHVRIWZDUHHQVXUHVWKDW
ZKDWHYHUZRUN,SXWLQWRLWLWLVQWJRLQJWRJHWFRORUHG:HDOUHDG\KDGWKLVZLWKWKHHDUO\GLJLWDOUHFRUGLQJZKHUH\RXFDQ
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27
Cubase Comparison
Cubase 7
192kHz
Audio resolution
unlimited
Number of audio tracks
unlimited
Number of MIDI tracks
unlimited
Number of instrument tracks
256
Physical inputs and outputs
256
Group channels
8/64
FX send/return channels
8
VST audio effect insert slots
4
MIDI effect insert slots
64
VST instrument slots
60+
Number of included audio effect plug-ins
8
Number of included VST instruments
x
Advanced Comping
x
Hermode tuning
x
VST Expression 2.0 support
x
Chord Track
x
Chord Assistant
x
VariAudio (inc. Extended MIDI conversion)
x
Bus Recording
x
Audio Tempo Detection
x
Multitrack Audio Quantize
x
Multichannel Export
x
Full Fraunhofer MP3 encoding
x
Professional score layout and printing
x
Control Room
x
5.1 surround
x
Automation panel
x
Batch export
x
Nuendo/Nuendo Live project import
28
Cubase AI6
192kHz
64
128
32
32
32
8/64
8
4
32
40+
8
x
x
x
x
96kHz
48
64
24
24
16
8/8
8
0
16
30+
3
96kHz
32
48
16
16
8
4/4
4 (pre)
0
8
20+
1
(add-on)
(basic only)
(add-on)
(basic only)
(add-on)
(basic only)
MAC
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7KH51'3RUWLFR(4DQGFRPSUHVVRUSOXJLQVEULQJWKHOHJHQGDU\1HYH
sound to your DAW. The VCM modeling technology provides an exact digital reproGXFWLRQRIWKHDQDORJFLUFXLWU\RIWKH5XSHUW1HYH'HVLJQV3RUWLFR(4DQG
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the legendary Neve sound to the digital recording environment.
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Creating your own individual sounds and innovative instruments has never been easier. With the help
of the newly developed engine found in HALion 4, you are able to realize your sonic visions faster and
more efficiently than ever before. Its flexible approach to re-arranging elements in the user interface
only emphasizes the advanced usability that makes HALion 4 the most user-friendly software sampler
in the worldallowing you to stay on top of things, no matter how large the project. Including a stunning
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individual soundsyour way.
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Top Features
Complete Sampler based sound
creation features
1,600 factory presets (Comprehensive HALion Sonic 1.5
Library are included)
967([SUHVVLRQVXSSRUW
192kHz support
Four sound engine modes
Disk-Streaming Sample, Drum,
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Synthesis
Multiple monitor support
Flexphraser module based on
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Unlimited undo/redo plus Undo
History
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and 6-channel surround support
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WKH$EVROXWH967,QVWUXPHQW&ROOHFWLRQRIIHUVWKRXVDQGVRIVRXQGVDGYDQFHGWHFKQRORJ\DQG
state-of-the-art sound design for contemporary music production, composing and live performance.
Absolute combines exceptional quality and premium value at a fantastic price.
30
HALion Sonic
Padshop Pro
Retrologue
Dark Planet
Triebwerk
Hypnotic Dance
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YHUVDWLOLW\DQGHDVHRIXVH2YHUDWKRXVDQGLQVWUXPHQWVRXQGVFUHDWHGE\WRSVRXQGH[SHUWVDW
Yamaha and Steinberg offer a staggering array of first class synths, hybrid and acoustic instruments,
covering almost
most any conceivable style. HALion Sonic is the long-anticipated
long anticipated successor to the highly
h
acclaimed Hypersonic 2 workstation, and allows you to work more productively than ever before.
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Top Features
1,400 factory presets
967([SUHVVLRQVXSSRUW
192kHz support
Multiple monitor support
Flexphraser module based on
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Four sound engine modes
(Disk-Streaming Sample, Drum, Sliced
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Unlimited undo/redo plus Undo History
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Yamaha C7
Steinway Model D
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Yamaha CP80
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hammer action with up to 20 different velocity
samples for each key, faithfully capturing the full
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sostenuto pedal support, subtle mechanical
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the most ambitious and innovative piece of
th
software engineering in our day, resulting in the
so
grandest collection of virtual pianos.
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31
WIN MAC
Wavelab 8 Introduction
With 150+ new features, the latest version of WaveLab introduces more tools and workflow
enhancements than any other WaveLab version before. The speaker management system
offers an intuitive way to quickly switch between different monitor setups, whereas the
integrated EBU-compliant loudness measurement and processing is an essential addition
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KLJKHQGGLWKHULQJSOXJLQ9R[HQJRVDFFODLPHG&XUYH(4DQGWZRPDVWHULQJJUDGHVLJQDO
processors by Steinberg, Tube Compressor and Brickwall Limiter. This and workflow
improvements such as the new SuperClip concept, the master transport panel and the
single-window plug-in management will take your audio to perfection.
Audio Edit
WaveLab features sample-accurate stereo or multi-track audio editing
combined with impressive effects for sound design. Many kinds of
professional meters like VU/RMS, phase, spectrum meter are also
available.
Display Modes
In the wave window, the upper and the lower displays can independently be set to one of three display modes.
34
The Loudness tab displays the loudness graphs of the audio file.
Professional Editing +
Making audio editing faster and more convenient has been the
main premise for the creation of WaveLab's new editing tools.
One example is the time-saving Raise Selection function that
allows you to adjust the level of individual clip regions in an
instant. Plus, several new trim and split options have been
added to the framework of the new Auto-Split function. What's
more, you can now process selected regions of your audio file
using say, a plug-in chain with just a single command, making
comparisons between different editings a straightforward
matter. And the new auto-replay option automatically
re-triggers the playback right after your edit.
37
35
Audio Restoration
The Spectrum Editor displays the audio material as a sonogram that shows the changing intensities of the frequencies over time in different
colors and shades. Using the High Pass, Low Pass or Band Pass filters, a certain frequency area in the sonogram can be dampened, faded
in or out or even wiped over with the Dispersion function. The dampening and aggressiveness of the filters is also user-definable.
36
Voxengo CurveEQ
Thanks to its spectrum matching
technology, Voxengo's CurveEQ
is perfectly suited to fit the
needs of mastering engineers.
This versatile 64-band spline EQ
with linear and minimum-phase
modes also features a built-in
professional-grade spectrum
analyzer that allows for
displaying, saving and loading
static spectrum plots for
comparison and matching
purposes.
Tube Compressor
"Warm and rich" is among the most important characteristics when engineers
describe their preferred style of compression. Tube Compressor was made to
exactly reflect these demands. Known from the worlds most acclaimed music
production system, Cubase 7, Tube Compressor not only shapes the
dynamics of your signals very precisely but also colors them nicely.
Brickwall Limiter
WaveLab 8 contains the newly
developed Steinberg Brickwall
Limiter that keeps the audio signal
from passing the threshold
a must-have for professional
mastering applications. Parameters
such as Drive, Attack and Mix let
you individually adjust the
character of the processing while
the large VU meter provides
excellent visual feedback.
Comparison
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(DFKRQHIHDWXUHVVWXQQLQJSHUIRUPDQFHDQGFU\VWDOFOHDUVRXQGTXDOLW\GXHWR
Steinberg's highly acclaimed audio engine.
WaveLab 8
WaveLab Elements 8
384 kHz
< 1000
10
10
35
96 kHz
3
4
2
17
Limited
Limited
-
AUDIO ANALYSIS
3D Spectrum Analysis
Spectroscope, Oscilloscope, Level Meter
Global Audio Analysis
EBU-compliant loudness metering
Spectrometer, Bit-Meter, Phasescope, Wavescope
Audio analysis tools
WaveLab Control: Group your favorite analysis tools in one central spot
Limited
-
RESTORATION
Sonnox Restoration Suite
Spectrum editing
Error correction tools for automatic detection and correction of errors within the audio file
-
PROCESSING
Offline processors
Time Stretch & Pitch Correct
Effect Section with clip, track and master effects
iZotope MBIT+ Master Dither
EBU-compliant loudness processing
25
16
Limited
Limited
-
WORKFLOW
Single-window plug-in management
Audio file browser for simple audio file management
Transport panel for intuitive project navigation
16-bit float high-resolution waveform zooming
Auto Replay option
Podcast tools
Marker tools providing a clear structure in even the most complex arrangements
Speaker management system: Support for up to eight speaker setups
SuperClip concept makes it easy to deal with a large number of clips
Professional editing toolset, featuring Auto Split, custom clip export, select while playback and more
Limited
-
GENERAL
Maximum sample rate
Maximum number of audio tracks
Master section slots
Clip effects per clip
Real-time VST 3 effect plug-ins
Audio Montage Workspace for combining compilations of multiple audio files
Audio File Workspace for sample-accurate audio editing and analysis
Batch Processing Workspace for applying processing and plug-in chains to multiple audio files at once
Unlimited file size due to RF64 support
38
Which aspects of your job do you enjoy the most? And how is it to work together with international stars the likes of Madonna?
Itt pleases me when an artist comes to us after months and months of hard work in order for us to give the music an
assertive sound and our special touch so that our customer can happily pass on the finalized album to the press plant.
Working with artists is very matter of fact when it comes to mastering. Since all stars have a tight schedule and many
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everything went through the record company and management. On the other hand, there are many artists who want to
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requested test masters from various mastering studios before my studio and another studio finally got the job for mastering
KLVDOEXP$QGLWGLGQWHQGKHUHWKHILUVWVLQJOHUHOHDVH$OOHV1HXIURPWKHDOEXPZDVPDVWHUHGE\ERWKVWXGLRV7KHQ
WKHWZRPDVWHUVZHUHHGLWHGWRJHWKHUDQGSUHPLHUHGRQD0RQGD\VUDGLRVKRw, each being played for about 30 seconds.
The song was recorded from the home radio at home and analyzed. Finally, the song was mixed and mastered all over
again and broadcasted a second time on the Friday.
What Steinberg tools do you work with at Time Tools? And why do you use our software?
:HZRUNZLWK1XHQGRDQG:DYH/DE1XHQGRLVXVHGIRUSOD\LQJEDFNDQGUHFRUGLQJZLWKLQWKHDQDORJVLJQDOFKDLQ:H
employ WaveLab to finalize projects and create the final CD or DDP master. Both programs allow for a workflow that is
very time-saving and efficient. This is a decisive factor since we are continuously required to meet deadlines.
The possibilities of home recording have continuously improved over the past years. Do you have a useful recording tip
for the Steinberg home recording users?
The most important thing is to ensure a good monitoring system before spending lots of money on other equipment. A
good acoustic space and the right loudspeakers are the foundation of a good mix. This knowledge is based on our daily
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couple audio tools. I am sorry to say many people think that using 20 plug-ins per channel only achieves a great mix.
Actually, our experience shows time and again that less is more. When mastering, we have the means to affect the sound
and punch to a significant degree, which our customers are unable to achieve. Hence, it is usually easier to work on
untouched mixes in order for us to work to the full extent of our abilities.
Would you say there are more private customers nowadays that like to have their recordings professionally mastered?
Yes, this is certainly the case. Today we have more private customers who require our service. We even assist a number
of customers during the mixing process, making suggestions in order for them to achieve a better result. Keep in mind,
ZKHQLWJHWVGRZQWRLWWKHPDVWHUFDQRQO\EHDVJRRGDVWKHFXVWRPHUVPL[0HDQZKLOHPDQ\EDQGVUHFRUGDQGPL[
WKHLUDOEXPVLQWKHLUUHKHDUVDOURRPV,WVYHU\VLPLODUZLWKKLSKRSDQGGDQFHPXVLFZKHUHPRVWSURGXFWLRQVDUHKRPHPDGH'XHWREDGPRQLWRULQJFRQGLWLRQVDQGWKHODFNRIH[SHULHQFH,FDQWHPSKDVL]HWKHLPSRUWDQFHRISURIHVVLRQDO
mastering enough. Just imagine a band producing that dream-come-true album which will be played to their grandchildren
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H[SHULHQFH6DGO\WKHUHVXOWZRQWPHHWH[SHFWDWLRQVRQO\WRKDYHVDYHGDFRXSOHKXQGUHG$QGWKDWVZK\PDQ\
private customers are truly happy to entrust us with their projects.
39
Top Features
7KHZRUOGVPRVWHIILFLHQWDXGLR
post-production environment
Groundbreaking new mixing console
and high-end channel strip
Anymix Pro from IOSONO for
state-of-the-art surround productions
Nuendo 6 ADR taker solution for voice
recording and language dubbing
Fully integrated loudness measurement
Voxengo CurveEQ with sound-matching technology
Redesigned user interface with
MemZap quick-jump function
Pro Sound Effects post-production
library
WIN MAC
42
Steve Tushar
Ghost Rider 2, Coraline, The Legend of Korra,
Harry Potter and Deathly Hallows (Game)
add-on
The Nuendo 6 Expansion Kit (NEK) is a part of the Nuendo product range and brings the music tools of Cubase to the
Nuendo media production platform. NEK means complete compatibility with all Cubase music creation features and
import functionality for Cubase projects. With world-class instruments, innovative sound design tools and advanced
technologies for composers, the NEK transforms Nuendo into a professional, all-in-one solution for music and
post-production.
Beat Based Design Tools Loop Mash2, Groove Agent ONE and
Beat Designer
Top Features
NUENDO SyncStation
Nuendo SyncStation provides you with the perfect setting to interconnect external
audio and video systems and devices with the Nuendo audio and post-production
system. Rock-solid performance and true sample accuracy make the Nuendo
SyncStation a one-of-its-kind synchronizer solution.
WIN MAC
43
Top Features
Unlimited audio and MIDI tracks (depending
on the device used)
Over 70 virtual instrument sounds based on
HALion Sonic
Mixer with over 10 effect processors (insert
and send effects)
Over 300 MIDI and audio loops
Audiobus support:
Cubasis supports Audiobus from
V1.1.
44
CUBASE iC PRO
CCUBASE iC
Cubase iC transforms
transform
ms your iOS device into a powerful
powe
erful remote
re
emote control for Cubase.
Cubas Whether you are using Cubase in the studio or on
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VWDJH&XEDVHL&JLYHV\RXIDVWDQGSUHFLVHFRQWUR
Cubase iC PRO is your personal recording assistant. Up to four dedicated cue mixes can be set up, giving musicians the freedom to adjust
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Cubase iC gives you access to basic transport functions, allows you to monitor playback position and control the unique Arranger Track.
LOOP MASH HD
LOOP MASH and LOOP MASH FREE
LoopMash is an innovative virtual instrument that presents you with a new way
to blend loops together by juggling similar elements across looped beats and
tunes. Now ported to the iOS platform, this sizzling hot instrument lets you
choose included loops ranging all the way from ethno to disco.
Based on a technology introduced by Yamaha, LoopMash is a stripped-down
version of the popular LoopMash virtual instrument featured in Cubase Advanced Music Production System.
Functional Comparison
LoopMash HD
LoopMash
LoopMash Free
iPhone
iPod touch
iPad
4
2
8
42
10
Supported platforms
iPad
8
4
24
258
31
iPhone
iPod touch
iPad
4
2
8
272
51
(available as add-on)
(available as add-on)
Pitch transpose
Scenes naming option
Save presets
Share presets (via iTunes)
(19)
45
www.steinberg.net