Professional Documents
Culture Documents
3
OF A SER I ES O F BU YER S G U I DES TO P R O D U C T S A N D S E RV I C E S
THE
SUPERGUIDE TO
MASTERING
LIVE
STREAMING
A P R I L/MAY
2016
PLATINUM SPONSORS
GOLD SPONSORS
SILVER SPONSORS
PUBLISHED BY
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Table of
Contents
57
VIDEOGUYS.COM
60
TERADEK
63
78
TELESTREAM
69
LIVEU
VITEC
80
VIDEOGUYS.COM
73
82
NEWTEK, INC.
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When you have your VidiU Pro with you, along with a couple
of iPhones and ShareLink enabled, you always have a backup,
even if the site has internet connectivity. As mentioned in the
tech tip above, if at all possible, try to get your crew to be on
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Live Streaming
From (Over The)
Top to Bottom
A revolution is taking place right in our living rooms and spilling into any space
where our Wi-Fi and mobile networks reach. Todays viewers are watching less
traditional broadcast TV, instead turning their attention to other screens such as
tablets, phones, and computers for their entertainment.
At the same time, advances in technology have allowed almost anyone to become
a broadcaster. Anyone with a computer and an internet connection can create live
streamed content and generate audiences in the thousands of people or more.
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1. LIVE EVENTS
Todays fans are increasingly turning
to the web for entertainmentfrom
Live Sports/eSports/News
When was the last time you watched
recorded sports or news? Sports and
news are two of the main categories of
live events, because of their timeliness.
Education
Teachers and online trainers use live
streaming to make lectures, tutorials,
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Houses of Worship
Reaching home-bound members is
important to many houses of worship
that use live streaming to broadcast
weekly services, as well as special
events such as baptisms, weddings,
confirmations and more.
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Meetings/conferences
Many conferences offer
remote access to attendees
who cannot physically travel
to conference locations.
Additionally, many companies
are beginning to take advantage
of technology to live stream
important corporate meetings
to keep all employees informed.
Gaming
The growth of Twitch.tvs
live game streaming site is a
perfect example of how the
concept of traditional television
as entertainment has changed.
Gamers have burst onto the
live streaming scene, and are
gaining enormous audiences, using
live streaming technology to broadcast
themselves playing video games.
These are just a few of the many
examples of live event streaming. The
spectrum of requirements ranges
from premium, multi-day events like
the Olympic Games where temporary
venues are combined with permanent
facilities around the globe, to singlecamera events impressively produced
by a crew of one. Equally there is a
spectrum of solutions to provide live
streaming, encoding, and delivery.
These can be integrated into traditional
outside broadcast trucks, as well as
complete software-based camera
switching, graphics, encoding, and
delivery systems that can be run on
commodity PC workstation hardware.
Things to consider
A
re you going to repurpose an
event from the venue or are you
going to produce and live stream
the event yourself?
D
o you need production and live
switching capabilities built in to
your system?
I f you operate a theater/arena/
stadium could you repurpose
feeds from a resident or outside
broadcast system to provide inhouse multiscreen services?
I s it possible to deliver coverage of
more events by adopting multiple
live streaming approaches?
C
onsider the implications of
originating your live service at the
event site, in a central location,
or the capability for both/either
depending on your needs.
Pitfalls to avoid
B
alancing capabilities and cost
will help determine how much
production should be done on-site
as opposed to a central location.
W
ide area network capabilities
and costs can vary greatly. It
may be relatively inexpensive
to obtain a fast and reliable
connection on a university
campus vs. a remote location.
2. S
ECOND SCREEN
LIVE STREAMING
Traditional television content is
no longer just broadcast on a linear
service. Broadcasters are increasingly
looking to stream their existing content
to multiscreen devices (over the top
or OTT).
In this scenario the intention is to
broaden the audience of an existing
channel transmission to allow some or all
of the live programming material to be
viewed via web and mobile devices like
phones and tablets. Since there is preexisting infrastructure for creating the
channel content, the ideal live streaming
solution may be a system that can take
input that would normally be used as
final output for the broadcast chain.
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Catch-up TV is an internet
television service that repurposes
linear service content to enable video
on demand (VOD) viewing of recently
aired programs. The service is often
funded by advertising, which can
expand advertising opportunities and
increase ad revenue.
W
ill you carry ads from the linear
broadcast feed?
Pitfalls to avoid
D
o you need to plan for a future
transition from SDI- to IP-based
signal distribution?
D
o you anticipate graphics
or branding requirements
that are unique to multiscreen
delivery? If so, you might need
to provide for a clean feed and
access to graphics metadata
and assets.
L
ive content can be preserved for
long-term viewing access. Plan
for potential ad replacement,
audience measurement and
lifecycle management.
Things to consider
W
hich is the best output of the
broadcast chain to use for your
service? Is it IP- or SDI-based?
A
void legacy packaging and
distribution formats for
new services (e.g. Flash and
Silverlight).
D
ont forget captioning. There
are few mandates for captioning
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3. M
SO FOR
CABLE TV PROVIDERS
Increasingly cable, satellite, and
IPTV service operators make their
programming available on their primary
platform, and also stream it live to mobile,
tablet and web platforms to attract
customers to their premium services.
Similar to Scenario 2, Second Screen
Live Streaming, the infrastructure to
produce and deliver content already
exists for cable operators. There is a
complete live channeljust many
more of them. These channels may
have disparate rules depending on the
content itself, the viewers location,
and regional implications regarding
blackouts (e.g. sports programs). The
challenges in this scenario are largely
in system scale, management, and
disparate rights management scenarios
that may apply across content channel,
or even a program-by-program basis.
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Things to consider
W
hat targeted devices/players
do you plan to support?
Common packaging and
rights management for targets
are helpful.
W
ill you implement your own
streaming origin services and/or
content distribution network?
Pitfalls to avoid
A
void duplicated encoding,
packaging and storage, which
can increase complexity and
drive up costs and resources.
R ights management
requirements may vary
with content providers and
requirements to support
solutions for regional blackouts.
C
onsider future needs for
emerging technologies
(eg. HDR and UHD) even
if you dont plan to deploy
them initially.
IN CONCLUSION
Whether youre a crew of one
with a laptop; a production team
in a studio; or a content owner
that needs robust, redundant and
scalable distribution infrastructure,
Telestreams live streaming provides
purpose-built solutions.
As Tom Griffiths, director of
broadcast and distribution technology
for ITV said at the recent Streaming
Forum in London, To scale successfully
you cant take disparate systems for
VOD and for broadcast, Griffiths said.
They need to be brought together
into a unified chain in order to deliver
efficiencies, scale, and flexibility.
(go2sm.com/itv)
So, before you settle on your
solutions, consider the scenarios above.
Also consider that everything live
streamed now has potential to become a
VOD asset for later viewing. It is rare that
a new live streaming service is created
where there is not a legacy library of
content. Sometimes that legacy content
can be used to create a deeper service.
It is also possible that excerpts from
an existing library may be posted to
generate additional marketing demand
for new live content. Of course it is also
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ABOUT TELESTREAM
Telestream provides world-class live
and on-demand digital video tools and
workflow solutions that allow consumers
and businesses to transform video on the
desktop and across the enterprise.
Telestreams live solutions span from
desktop production and encoding, all the
way to enterprise-class live streaming
and capture.
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Wirecast
Wirecast Go
Wirecast Go is a mobile live
streaming application that converts
your iPhone into a live broadcast studio.
Produce live broadcasts from your
phone, add graphics, switch between
shots, and even replay highlights of
your live broadcast. Stream directly to
YouTube Live & RTMP servers.
4 SD/HD-SDI in 1 RU appliance
Supports video over IP
Each channel creates mezzanine
and proxy
Stand-alone or integrated
with Vantage
Gameshow
Gameshow is cross-platform, allin-one live game streaming production
software that enables capture, live
production, and encoding of live streams
for broadcast to Twitch.tv or YouTube
Live. With Gameshow, gamecasters
can create consistent, branded game
streams using graphical overlays and
interactive widgets, which help them
build community and brand, and make
streams worth watching.
ABOUT TELESTREAM
Telestream provides world-class live and on-demand digital video tools and workflow solutions that
allow consumers and businesses to transform video on the desktop and across the enterprise.
Many of the worlds most demanding media and entertainment companies as well as a growing
number of users in a broad range of business environments, rely on Telestream products to
streamline operations, reach broader audiences and generate more revenue from their media.
Telestream products span the entire digital media lifecycle, including video capture and ingest; live
and on-demand encoding and transcoding; captioning; playback and inspection, delivery, and live
streaming; as well as automation and orchestration of the entire workflow. Telestream corporate
headquarters are located in Nevada City, California. The company is privately held. For more
information, visit www.telestream.net.
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Trusting Your
Live Content on
the Internet?
What you need to know for successful,
high-quality, online streaming
While you may have the best content, the quality of the way you share it really is
the most important aspect to online video streaming. You make a huge investment in
producing a live event where audiences will be logging on to see something for the first
and in some cases only time. You cant ever risk losing those viewers. All live-streamed
events are therefore mission-critical transmissions. And the transport and encoding
engine you use determines the success of your stream.
The internet is at best unpredictable, and the networks you use for the first mile of
your transition can be just as erratic. The good news is that there have been important
advancements such as IP-based bonding and advanced transport technologies that go
beyond basic video encoding to provide broadcast-quality video signals and reliable
bandwidth. There are also different transport protocols that help to reduce artifacts,
jitter, and buffering when viewing live experiences online.
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DEALING WITH
THE CHALLENGES
So, you are challenged on all sides, you
need to engage with your audience with
dynamic live content that is delivered
flawlessly online and to every viewing
device. You have to get your camera in
the middle of the action, but to do that
you need to cut the cord so you can shoot
from anywhere, leaving you at the mercy
of the available bandwidth. You have to
produce engaging content consistently,
even while your camera is mobile. Your
job is to produce great content, but you
are spending more time trying to navigate
the technology used to deliver it to make
sure people can actually watch it!
Everything really starts with the
audience and its viewing experience.
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RELIABLE TRANSPORT
AND INTEGRATED ENCODING
Transport and encoding are two
separate issues, but both impact
how the audience experiences your
content. Transport deals with how
bytes get from one place to another;
encoding deals with how sounds and
images are converted to bytes and
back. When cutting the cord to capture
content over wireless, you cant rely
on just one connection. Whether
using cellular or Wi-Fi, issues with
congestion or interruption can ruin
your stream. Bonding multiple signals
allows for consistency in bandwidth
even when one source becomes
unstable. To ensure high quality,
the encoder needs to be part of this
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INTEGRATED RELIABLE
TRANSPORT PROTOCOL LRT
LiveU has been at the forefront of
IP-based live video services for over 10
Packet Ordering
LRT uses
numbered packets
so that the packets
can be re-ordered
when they arrive
out of order. This is
a common practice since data often
arrives in a different order than it was
sent, but is an absolute requirement
with connection bonding, where data
usually arrives in a different order
than intended.
Dynamic Forward
Error Correction
Another
technique used
in LRT is Forward
Error Correction
(FEC), which adds
some overhead to the stream, with
the idea that the small amount of
additional overhead can be used to
recover lost data faster than resending a
packet. For example, 20% of additional
stream bandwidth can result in enough
redundancy so that entire groups of
lost packets can be recovered without
ever requesting or waiting for a resend.
LRT uses a dynamic version of FEC,
meaning that it automatically varies the
Acknowledge
and Resend
LRT uses a form
of acknowledge
and resend that
is appropriate to
streaming video and
audio. It can acknowledge large
groups of packets if they all arrived. If
some did not arrive, it can inform the
streaming engine to resend needed
data. By acknowledging large groups
of packets at a time, the overhead and
latency of TCP is not re-introduced.
Only the packet numbers are used to
let the system know what was delivered
(or not) so that only the data that is
absolutely needed is requested and
resent. You also never encounter the
main drawback of UDP where you can
only hope that your data makes it to
its destination. With LRT, you get a
complete feedback loop so you know it
is consistently getting there.
Tight Encoder
Integration
or Adaptive
Bit Rate Encoding
The last but
perhaps most
important piece of
the LRT protocol is its tight integration
with the encoder. As the bandwidth
condition changes, LRT automatically
recognizes this and informs the video
encoder to allow it to adapt the bit
rate of video it is delivering and keep
the best possible stream within the
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ABOUT LIVEU
LiveU sets the standard for high-quality and reliable live video acquisition, management
and distribution over IP. LiveUs award-winning technology enables live video
transmission from any location around the world with lightweight, easy-to-use
equipment. From backpacks to smartphones, and satellite/cellular hybrid to external
antenna solutions, LiveU offers a complete range of devices for live video coverage
anytime, anywhere. In addition, LiveU offers extensive cloud-based management and
video distribution solutions. With top-tier customers in 60+ countries, LiveUs solutions
are being utilized for breaking and developing news and high-profile events, such as the
FIFA World Cup, Winter and Summer Olympic Games, Presidential Campaigns, Super
Bowls, US Collegiate Championships and red-carpet events. LiveUs solutions include
multiple 4G LTE/3G, HSPA+, WiMAX and Wi-Fi cellular links, which are optimized for
maximum video quality based on the available network conditions. To learn more about
LiveU, visit www.liveu.tv, or follow us on Twitter, Facebook, YouTube, or Instagram.
http://www.liveu.tv/contact-us
+1-(201)-742-5228
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NewTeks NDI
Giving Live Event
Producers Video Over IP
LIVE EVENT PRODUCERS:
WHATS IN IP FOR YOU?
Lets face it: Live streaming pros
are far ahead of the bell curve when it
comes to implementing video over IP.
Between RTMP, MPEG-DASH, AAC,
and H.264, most streaming pros can
recite the alphabet of IP standards
fluently, encoding and transporting
their programs from wherever the
event is taking place to the very screens
where their viewers are watching it live.
Over in the broadcast world,
meanwhile, your compatriots are haggling
over which proposed standard is going to
replace SDI with a different kind of cable.
Or which development to place their
bets on when they re-wire their studio or
build out their next facility.
Or which manufacturers
consortium theyll side with for signal
routing and switching.
These are the decisions they
need to make so they can migrate
their installations away from
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BEYOND POINT-TO-POINT
Typically, SDI systems, and the
IP workflows designed to replace
them, utilize point-to-point network
connections that send a signal
directionally from a video source to
its receiving destination in a one-way
path. Both models are heavily
dependent on expensive high-speed
infrastructures. Thats why they have
enormous buy-in from broadcasters:
its a model they have great familiarity
with already.
At NewTek, our developers believe
this minimizes the gains of true networkbased production.
In a universe where anyone reading
this guide can build a network of
computers and servers that connect
with each other and interact with them
over basic Ethernet, it seems clear that
limiting video production to a simple
point-to-point transmission vastly
underutilizes the great potential of a
connected workflow.
Indeed, on small home or corporate
LANs, people move files around, upload
or share media, and use apps to execute
a variety of tasks online even host
games and compete with others in a
different room.
Imagine if you could open up the
same breadth of connected capabilities
by adding a network switch to your
production kit (or connecting to the
venues LAN where your event is taking
place)then add any video-enabling
INTERCONNECTED IP
NDI (Network Device Interface) is
a protocol created by NewTek to make it
easy to share videonot just send iton
a local area network.
NDI allows multiple video systems to
identify and communicate over IP, and
to encode, transmit and receive many
streams of high quality, low latency, frameaccurate video and audio in real-time.
It can IP-enable nearly any kind
of network-connected video device you
have in your kit, including video mixers,
graphics systems, capture cards, and
other equipment.
Most importantly, it can free you to
explore a stunning range of IP workflows
that dont emulate a broadcast facility
production process, but break out into
the live events you coverand pretty
much anywhere you go.
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Additional Inputs
Who hasnt needed just one more input
at one time or another? You dont have to
directly attach devices, wrangle cables
when moving around, or sacrifice sources
for limited hardware inputs. You can even
borrow inputs from other switchers in the
venue and switch them from a different
location, all over the network.
Source access
You have a fixed number of
hardware devices on hand to connect
to a switcher. But what about video
sources on a network? Whichever
ones you can think of, if you have an
NDI-enabled workstation capturing or
playing themwhether from media
players, camcorders, even presentation
softwareyou can switch them.
Multiple rooms
Say youre covering the general
session, and your second operator is
streaming the breakout panel. If both
of your NDI-enabled switchers are
connected to the LAN, you can access
each others output and mix it into your
shows. Whats more, you can use any of
the cameras or other devices connected
to each others switchersdevices dont
have to be on the LAN, if the switcher
theyre connected to is.
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Find out what makes NDI different from other IP solutions with our 10 Facts to Know. Download at bit.ly/NDI-10Facts
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VITEC Mastering
Live Streaming:
The Bridge Christian Church has installed VITECs IPTV House of Worship Solution for affordable error-free, low-latency streaming
between its two campuses in Tucson, Arizona.
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RECORDING
VITECs House of Worship Streaming
Solution is now integrated with
Renewed Visions ProVideoServer
(PVS), a four-channel HD video
server. This partnership furthers
the capabilities of VITECs end-toend streaming solutions by adding
recording, playback, and time-slip
capabilities, allowing churches with
multiple campuses to tailor their
broadcast services to the needs of
their satellite campuses. The timeslip functionality, much like a DVR,
allows for the immediate playback of
a video even as it continues to record
from the main campus. For churches
streaming more than one camera
feed, the synchronization capabilities
of PVS, along with VITECs encoding
and decoding technology, allow
both camera angles to stream at the
highest HD video quality and at the
lowest possible latency to the remote
site, making it an ideal dual-input,
dual-output time-slipped media record
and playout server.
BENEFITS
Real-time video delivery
between the main church
and the satellite campus
High-quality streams up to
1080p60 for pristine video
even on IMAG screens
Low-latency encoding and
streaming with delays of
less than two seconds
Zero-error Internet delivery with
Zixi Stream Protection
Ability to use public Internet for
significant savings over satellite
and fiber solutions
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ABOUT VITEC
VITEC is a leading worldwide end-to-end video streaming solutions provider for broadcast, military
and government, enterprise, sports and entertainment venues and houses of worship. Combining
broadcasting with live streaming capabilities, VITECs H.265 (HEVC) and H.264 offering is
the most extensive in the market with encoding and decoding appliances, IPTV Solutions for
desktops and mobile devices, and PCI cards with SDK for integration projects. VITECs intuitive
digital video solutions can be tailored to each customers unique market needs, delivering easyto-use technology that ensures high-quality, low-latency HD video, capturing live and recorded
events for seamless distribution in a multitude of formats anytime, anywhere, to any device.
Since 1988, VITEC has been a pioneer in the design and manufacture of hardware and software
for video encoding, decoding, transcoding, recording, conversion, archiving, and streaming
over IP. In keeping with the companys tradition of innovation, VITEC is the first company to bring
bandwidth-efficient HEVC compression technology into the field with portable streaming appliances.
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How to Stream
Multiple Cameras
Live With Your
Laptop and Wirecast Studio
Video streaming is very popular.
Advances in computer networking over
the past couple decades, combined with
powerful home computers and modern
operating systems, have made streaming
media practical and affordable for
ordinary consumers. And as the demand
for video streaming grows, so does the
number of best streaming software
options to service that demand.
Live streaming requires several
components:
a form of source media (e.g. a video
camera or a video game console),
a capture device (if the source is
external), such as the Epiphan AV.io
video grabbers
an encoder to digitize the content,
a broadcast platform (e.g. YouTube),
and sometimes a content delivery
network (CDN) to distribute and
deliver the content (to improve your
users experience in terms of speed).
Streaming software is an integrated
broadcast solution that facilitates the
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STEP 1. CONNECTING
THE DEVICES
Connect the AV.io grabber to your
capture computer via USB 3.0 (or USB
2.0) and connect your video source (a
camcorder, deck, or even a laptop) to the
grabber. Make sure that video signal is
recognized properly by viewing with the
Epiphan Capture Tool.
ABOUT VIDEOGUYS.COM
Videoguys.com is a family owned and operated
business that has proudly served videographers
and producers for more than 30 years. For
three generations, we have been shooting
footage of our growing families and have spent
countless hours editing. We actually install and
use the equipment we sell and we love to share
our experience and expertise with you.
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Requirements
nanoStream SDK 4.6 or later
bintu.live connector
a valid bintu.live API key and a
nanoStream SDK license
Development Environment: you can
be completely cross-platform!
iOS and MacOS: XCode on Mac OS X
Android: Android Studio or Eclipse
Windows: VisualStudio 2013 on
Windows 7 or later
Browser Platforms: HTML/JS for your
own web page based on either our
nanoStream Plugin or WebRTC Client
Player App
Open the project PlayingExample
from the SDK samples folder in Xcode.
Build and run the application.
(your license and API keys should
be used from the same file as the
broadcaster app)
If you tap the play button, you should
instantly see your live video sent from
the broadcaster device!
You can do this easily
on any platform with your own
preferred system environment!
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SUMMARY
Congratulations! You now have
everything you need for your own
streaming platform.
You can now run the broadcaster
app on one device and the player app on
another. You can start a stream in the
broadcaster app (via Start button) and
can play it directly in the player app (via
Play button). The player app assumes
that you want to play the latest stream
on your account that is live.
NEXT STEPS
From here on you can integrate the
live streaming function into your own
application backend. If you want to know
more how these sample apps were created
and how you can set up your own ones,
contact us or read our step-by-step tutorial.
For a more complete sample apps on
how to use nanoStream and bintu.live, see
the samples BintuEncoder and BintuPlayer
in the SDK samples folder. They show a
complete workflow including bandwidth
check, user notification, sharing, vertical
and landscape streaming, and more!
You find similar samples for Android,
Windows, MacOS, and browser platforms.
Get in touch with us for additional
plugin-free live encoding with WebRTC!
GETTING HELP
Contact us for additional help, or
additional functions, full-feature apps
and consulting services!
www.nanocosmos.de
downloads for SDKs and Apps,
documentation and blog
www.nanocosmos.de/apps
download the live streaming apps
Apple AppStore/iTunes
nanoStream Live Encoder
nanoStream Live Player
Google PlayStore
nanoStream Live Encoder
nanoStream Live Player
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RECOMMENDED
READING
AND VIEWING
FEATURE ARTICLES
THE RETURN OF MULTICAST:
WHY IT SUCCEEDS IN A LIVE LINEAR WORLD
By Dom Robinson
By Corey Behnke
Multicast isnt new, but CDNs, operators, and content publishers have
finally caught up to the possibilities it offers for increased scale and
decreased costs.
go2sm.com/aprilsg8
go2sm.com/aprilsg15
By Adrian Pennington
By Mark Alamares
The desire to keep sports relevant to the younger audience and connect
with mobile media consumption habits is driving innovation online.
go2sm.com/aprilsg9
go2sm.com/aprilsg16
By Troy Dreier
The future of UHD is happening right now. Heres how one production
company streamed low-bandwidth 4K live from a South by Southwest
music stage.
go2sm.com/aprilsg11
go2sm.com/aprilsg1
By Jan Ozer
go2sm.com/aprilsg2
IMPLEMENTING REAL-TIME
VIDEO COLLABORATION IN THE ENTERPRISE
go2sm.com/aprilsg14
go2sm.com/aprilsg3
By Tim Siglin
PUBLISHED BY
In this panel youll find monetization experts who will break down the
challenges facing live event monetization and offer insights into
innovative ways to make sure youre not leaving money on the table.
go2sm.com/aprilsg4
go2sm.com/aprilsg17
Todays live streaming viewers are savvy and fickle, and while some
tentpole events might be unmissable, you still need to make sure your
user experience is compelling enough to keep viewers watching.
go2sm.com/aprilsg5
The session looks at the rapid evolution of new streaming apps such as
Periscope, Meerkat and Facebook Live and how they are changing both
brand webcasting and video on social media.
go2sm.com/aprilsg18
From the preseason to the Super Bowl, the NFL is making it easy for fans
to watch all the action wherever they want, on the device of their choice.
This presentation offers a look at how the NFL has embraced digital as a
complement to broadcast.
go2sm.com/aprilsg6
2015 saw a paradigm shift in live broadcasting when Sky News partnered
LiveU for its coverage of the UK general election: the broadcaster
delivered 138 live IP feeds from 150 key counts and constituencies
countrywide using cellular uplinking technology.
go2sm.com/aprilsg20
go2sm.com/aprilsg7
go2sm.com/aprilsg13
go2sm.com/aprilsg21
THE SUPERGUIDE TO
MASTERING YOUR VIDEO WORKFLOWS
This Superguide takes a deep dive into workflow strategies and solutions from an array of
perspectives to give you a cutting-edge advantage.
Best Practices for Encoding to Multiple Screens
OTT Workflows to Create Live-to-VOD Assets
Future-Proofing Your File-Based Workflow
Best Practices for Adding Redundancy to Live Encoding & Delivery
Large-Scale Live Events
Monetizing Premium Content
Unique Deployment Challenges
Selecting the Right Video Management Technology
How to Use the Cloud to Reduce Overhead
Download more Superguides at www.streamingmedia.com/whitepapers.
Questions or suggestions about the Superguides? Contact super@streamingmedia.com or call 250.933.1111 today.
PUBLISHED BY
2016
PLATINUM SPONSORS
TERADEK
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TELESTREAM
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GOLD
SPONSORS
SILVER
SPONSORS
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USA
Phone: (800) 323-2325
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LIVEU
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VITEC
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Phone: +493043032411
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