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Minute
Master No212
Harmonics, timbre
and recording
Harmonics are the key building blocks of sound, and
are essential to rationalising the art of recording.
Mark Cousins puts sound under the microscope.
Tech Terms
ODD AND EVEN
HARMONICS
The harmonics series is subdivided into even harmonics
which predominatly fall on
octaves and fifths and odd
harmonics, which fall outside
of octaves and fifths.
INHARMONICITY
Inharmonicity is the degree
to which overtones or
harmonics differ from the
mathematically perfect
harmonic series. The greater
the inharmonicity, the greater
the pitch drift.
NOISE
Noise is made from a random
collection of harmonics at
random amplitudes, making a
form of sound without order.
Notice how two contrasting types of distortion one a guitar amp, the other tape saturation produce
different harmonic profiles. In particular, the tape distortion has a bias towards odd harmonics.
74 | July 2012
magazine
Here are the first eight harmonics in the harmonics series in notation form. Notice how the distance
between each harmonic decreases the further you move up the harmonic series.
Perfect harmony
More than being just the science behind sound,
harmonics are a way of rationalising the processes and
techniques behind recording why we might to choose
to boost at a given frequency, for example, or the reason
for choosing one preamp over another. Almost every
decision we make as sound engineers has an impact on
the harmonic construction of our output, so its essential
that we consider the actuality of what were doing in a
harmonic sense, as well as carrying out modifications
simply because they sound good. Although our ears
should always be the final judge, its always the harmonic
content that theyre referring to whether on a conscious
or subconscious level...
Soft saturation
Probably the most interesting application of harmonics
in recoding practice is the role and musical contribution
of distortion, also known as non-linearity. Whenever a
waveform is distorted whether its soft valve saturation,
for example, or an A/D converter slicing off the top of a
waveform the harmonic structure of a sound is
FURTHER INFO
The derivation of waveforms: www.musictechmag.
co.uk/mtm/features/10mm142-waveshapes
Different types of distortion: www.musictechmag.
co.uk/mtm/features/distortion
The use of harmonics in synthesis: www.
musictechmag.co.uk/mtm/features/additive-synthesis
magazine July
2012 | 75