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If you take the time to study the material given here thoroughly and thoughtfully
to the point that you truly understand fully the underling ideas behind the French
Defense, you may become a beginning French Defense specialist, and then you
may become one of those Francophiles who can become a very dangerous
animal using this strategy!
1.e4 e6
52 Traps
26 Examples to examine.
13 Games
Total of 91 fine training aids to get you started on learning how to master The
French Defense, plus the new g7-g5 move that will be a complete surprise to
your opponents and change the game in your favor, if you put in some time to
practice using it.
The French Defense has a proven reputation for adaptability and soundness and
is attractive to the Black player who seeks a complex strategic fight in
unbalanced positions, with healthy counterplay and many chances to decide
sharp battles in his favor! Black's defensive resources are based on a sound
strategic foundation, and White must be alert at all times and wiling to play
forcefully and incisively in order to try to prove his advantage in positions that he
may choose against Black's sound Defenses.
Although analyzed by the Italian Lucena in the fifteenth century, the French
Defense was named for the Parisian players who adopted the move 1e6 in
1834 in the correspondence game against London. The contrarian temperament
it takes to play the defense may also remind some of the French nature. Most
young players shun the French in favor of defenses with direct counterplay such
as the Sicilian or the Pirc. With the French Defense, one must first defend then
counterattack. This is not for everyone, but its great exponents, Botvinnik,
Korchnoi and Short, have scored well with this opening.
The French Defense is an opening, which most players either love or hate. With
the very first move, Black tells the Bishop at c8 that it is going to be a long time
before that piece will play a active role in the game, at least on the kingside.
White will be granted an advantage in the center and an advantage in space.
Why then would anyone want to play it as Black? In particular, why should such
superstars as Mikhail Botvinnik, Tigran Petrosian, Viktor Korchnoi, Nigel Short and
many other top players choose to defend it? Unlike most of our FICS impatient
players, these Grandmasters are very patient players. They don't feel the need
to attack from the very start of the game like most FICS players do. As Black they
are content to bide their time and wait for the right moment to slay their
adversaries. Then they can rip open the center and close in for the kill.
Francophiles can become very dangerous animals using this strategy!
It is for these reasons that I feel that the French would be a good defense for our
team to adopt. We would have the advantage on our side by utilizing the style of
these top players who choose the French Defense against the average FICS
player who has little patients for more subtle strategic play like is in the French
Defense.
For a quick less detailed synopsis of the French Defense go here first
1.e4 e6 2.d4 d5 (Black can slide into the St. George Defense with 2a6 instead)
when White is faced with a serious decision, what to do about the vulnerable
pawn at e4?
In general the most principled reply is to defend the pawn while developing a
piece, and there are two possibilities here for the knight at b1. In the Classical
Variation and Winawer Variation, White chooses 3.Nc3. The classical approach is
to respond 3Bb4, which pins the knight at c3 and threatens to capture it. In the
Tarrasch Variation White plays 3.Nd2, this temporarily blocks the bishop at c1 but
does not allow the pin.
With 1e6 and 2d5 Black makes his claim to the center. The conflict between
the White pawn on e4 and the Black pawn on d5 begins the central struggle.
Usually before the tenth move, the pawn structure for the Middlegame is
determined. White looking for the kingside initiative and Black for counter
chances on the queenside. One frequent positional theme is the liberation of
Black's light-squared bishop, locked inside the pawn chain by Black's first move.
This problem bishop may even cause difficulties even in the endgame if Black
does not find a way to free it. One way might be to fianchetto it on b7 or to place
it on a6.
The exchange variation at first sight looks rather boring, but White always has a
slight edge that Black has to neutralize. Remember it's a symmetrical position
with White's move.
Quite obviously, the moves by Black (1.e4 e6 2.d4 d5) represent a counter attack
in the center. If White decides that he wants to avoid some of the sharp lines
listed on this page, he can opt for a small advantage by playing the Exchange
Variation.
White players should note that the line 1.e4 e6 2.d4 d5 3.exd5 4.Nf3 Nf6 offers a
way to meet the Petroff as well, to which it transposes directly after 1.e4 e5
2.Nf3 Nf6 3.Nxe5 d6 4.Nf3 Nxe4 5.d3 Nf6 6.d4 d5. The Exchange Variation,
particularly in conjunction with 4.Nf3 or 4.c4 as played by Kasparov offers White
players a possibility to meet the French Defense without having to immerse
themselves in the study of the highly complicated variations characteristic of the
Winawer and other sharp systems. Although the Exchange Variation is of course
equal from a theoretical perspective, in practice White's results are not
encouraging. The reason for Black's success is probably due to the psychological
advantage he enjoys after White voluntarily relinquishes the advantage of the
first move so early in the game.
For many years the Exchange Variation was thought to be highly drawish, and
White players looking for an early peaceful conclusion often found what they
were looking for in the symmetrical positions that can result. However, while
White enjoys the advantage of an extra move, it is often Black who has the
option of breaking the symmetry and steering the game into more complex
waters. Of particular interest is the possibility of castling on opposite sides, when
the resulting mutual pawn storms can quickly lead to sharp confrontations. In
essence, the Exchange Variation is dull only if both player are content with
nothing more than equality, but offers many opportunities for the stronger or
more ambitious player to unbalance the position and out-maneuver his
opponent.
Exchange Variation
3.Nc3 Variation
When Black captures on e4 he gives White a space advantage, but Black is very
solid and can counter attack with the move c5. Its very difficult to prove an
advantage for White here now.
An often overlooked system, several strong players have taken up the idea of
giving up Black's center with dxe4 in recent years, and now without success.
White has not had much success in proving even a small advantage here, and it
is possible for Black to assert certain chances based on his superior pawn
Rubinstein Variation
If Black seeks direct counteplay and positional imbalances, his choice should be
the Winawer Variation, 3.Nc3 Bb4. The battle of space vs. structure, bishops vs.
Knights and initiative vs. material ensure a lively complex struggle. After 4.e5 c5
5.a3 B xc3 6.bxc3 Ne7, White has the choice of immediate tactical play or
positional play.
7.Qg4 (Poison Pawn Variation) is the sharpest try for White against the Winawer.
He tries to exploit the absence of the Bishop on Black's King side by attacking g7
immediately.
If White plays 7.Qg4, the very aggressive ultra complicated Poisoned Pawn
Variation. Black obtains positional compensation for the pawn in the lines
following 7Qc7 8.Qxg7, but more recent practice has shown that 70-0 should
also be satisfactory.
The positional way for White against the Winawer is for White to use his two
Bishops.
In the main line of the Winawer, White plays positionally with 7.Nf3 or 7.a4,
intending to use the advantage of his bishop pair and kingside pawn wedge. Play
can be very difficult. For years, Bobby Fischer had trouble with these positions,
yet with best play, White should obtain some advantage, at least with 7.Nf3.
The players of the Black pieces hardly deserve full credit for the Winawer
Variation. The ideas of the system were not worked out properly until well into
the next century. The opening has also been named for Aron Nimzovich, who
dabbled in it. The real heroes of the line are Mikhail Botvinnik and Wolfgang
Uhlmann. The latter has built an entire career on the variation. Still, the
designation of the defense as the Winawer Variation is too firmly entrenched to
be changed.
Black's basic idea is to put pressure on the White center, usually with c5,
giving up the bishop for the knight at c3, as in the Nimzo-Indian. Black is often
forced to defend against a kingside attack for a long time, seeking counterplay in
the center or simply waiting and playing defensively until the attack is exhausted
and then preying on the weaknesses created by White. It takes a certain kind of
kinky personality, someone who may make sharp departures from the traditional
or usual line of play to be willing to defend the Winawer. (Do you wish to learn
how to become a good defensive Player? My page "The Art of Defense" in the Cat
4 training module may be just the ticket for you in this line if you seek to be a
good French Defense Winawer defensive playeer. Remember what we said about
how the top GM's play the French? "As Black these GM's are content to bide their
time and wait for the right moment to slay their adversaries. Then they can rip
open the CENTER and close in for the kill.") Professionals either love it or abhor
it, and no World Champion since Botvinnik has relied on it for important
encounters. Still, on the other hand, (no not that hand, the other hand) many
challengers for the crown have used it extensively, for example, Viktor Korchnoi
considers it to be a dynamic opening which is unlikely to ever disappear from the
tournament scene.
In the Winawer playing 3Bb4 is Black's most combative response. The only
dangerous reply is 4.e5, when Black has a major choice. One plan is to aim for
b6 and Ba6 to exchange his "bad" Bishop, a plan which can be introduced by
either 4Qd7 or 4b6. Although Black usually manages to achieve his aim, the
time lost enables White to maintain a alight edge. The alternative is 4c5 5.a3
Bxc3+ (5Ba5 is a important sideline) 6bxc3 Ne7. Black damages White's pawn
structure, but at the cost of dark-squared weaknesses. The resulting play is very
double-edged, especially if White chooses the aggressive 7.Qg4. Black can
respond in three ways: One, the super ultra complex, "French Poisoned Pawn",
7Qc7. Two, the relatively more solid 70-0 or Three, the odd-looking but
playable 7Kf8. In order to avoid the complications of the French Poisoned Pawn,
many white players prefer the positional 7.Nf3 (or 7.a4). These lines, although
less overtly tactical than 7.Qg4, also lead to very tricky positions with chances
for both sides, but usually the player who has more experience and is better
prepared and more aggressive will invariably prevail.
Playing the Winawer Variation could bring great rewards for the Black player, but
only if he is willing to put in the time to become thoroughly familiar with the
Basic Ideas of the French Defense Winawer Variation and make it a part of his
opening repertoire for further study and experience.
The Winawer after 1.e4 e6 2.d4 d5 3.Nc3 Bb4 leads to some of the most
interesting and volatile systems of all of chess opening theory, and its popularity
seems to continue unabated into the next millennium Extremely tactical and
sharp systems exist next to heavy-blooded strategical positions that exact a high
degree of skill from both players to play successfully. The main line Poisoned
Pawn Variation alone provides enough reason to take up playing the French
Defense, although it has to be said in all honesty that the extreme sharpness of
this system has at times actually contributed to an increase in other French
Defense systems, such as the Classical Variation. The reason for this is, as is true
for any other exceedingly sharp opening systems is that many say they are
unplayable. It is however also true that thus far Black player have always been
able to put the ball back in White's court with the introduction of suitable
improvements.
The recorded history of the Winawer Variation begins in 1861 when the variation
was employed twice in the London match between Louis Paulsen and Kolisch, viz.
Paulsen,L - Kolisch,l - The variation's namesake, Simon Winawer (18381920), a strong Polish master born in Warsaw, does not appear until he played
3Bb4 against Wilhelm Steinitz at eh Paris Exhibition of 1867, viz Steinitz,W
Winawer,S 1-0 Paris 1867. Mikhail Botvinnik wrote in 1975 "to be quit3e frank,
the real history of the French Defense starts with Aaron Nimzovich. "Nimzovich's
original analyses and practical experiments with both the Winawer and the
Advance Variations in 1920s brought the French Defense into maturity as a
formidable weapon for the second player. His research set the stage for further
discoveries by Alexander Alekhine, Mikhail Botvinnik and other Soviet player in
the 1940s.
Perhaps the words of former World Champion Robert Fischer, written in 1969,
sum up the controversy best: "I may yet be forced to admit that the Winawer is
sound, But I doubt it! The defense is anti-positional and weakens the kingside." In
spite of his advantage in terrain, White often finds it difficult to locate a point at
which he can attack in the complicated positions that are typical for many of the
Winawer lines. White theoretically has the superior position, but in practice his
advantage often evaporates. If he does not succeed in quickly developing an
initiative, then the weaknesses in his position sooner or late become decisive
targets for his opponent.
With 3Bb4 black transfers his dark squared bishop from his kingside with the
idea of exchanging it on c3, disrupting White's queenside by doubling his cpawns, but concedes the bishop pair. This results in an unbalanced position
characterized by long term strategic tension and immediate tactical complexity.
White seeks to capitalize on the absence of Black's dark squared bishop by
attacking the kingside, immediately with Qg4 or later following a deployment of
forces. Black's kingside, especially the dark squares, suffer a troublesome long
term weakness, his light squared bishop finds itself blocked by pawns, and yet
Black' position has a definite resiliency both in attack and defense. Black
generally operates on the queenside, but he may also have the possibility of
blockading the queenside and counter attacking in the center. White is plagued
by a certain urgency to commence offensive operations because of his
vulnerable queenside and the disunity between the two fronts, which typically
results from his doubled and immobilizeds c-pawns.
After White's main reply 3Bb4 4.e5 the position takes on a semi-closed
character, which does not appeal to all White players. Several 4th move
alternatives exist, namely 4.a3, 4.Qg4, 4.Bd2, 4.Bd3, 4.exd5 and 4.Qd3. Although
none of them threaten the soundness of the Winawer, each enjoys periodic
Winawer Variation
Steinitz - Winawer
Bronstein - Uhlmann
Viacheslav - Botvinnik
Bogdanovic - Uhlmann
In the Classical Variation of the French Defense, Black's plan is to firmly defend
the light squares in the center, and then try to undermine the e4-square with
moves such as c5. White now chooses between 4.Bg5 and 4.e5. For many
years 4.Bg5 was considered more popular, but not anymore.
The classical Variation has been eclipsed in popularity by the Winawer Variation
for some fifty years. However, it is currently experiencing a revival, and many of
the nearly forgotten lines have come under considerable theoretical scrutiny,
and received much needed revision and updating in recent years. Players like
Victor Korchnoi, Nunn, Kortschnoj, Short and Jan Timman, for example have done
much to energize certain lines with new ideas, and a number of systems in the
Classical Variation can now be employed by ambitious second players looking for
more than equality. It can also be said that much of the material has undergone
quite a exploration offering an attractive practical opportunities for well prepared
players.
While most of the systems are not as unbalanced as some of the extremely
chaotic main Winawer lines involving Qg4xg7, they still offer a variety of
interesting and rather difficult problems for both player. Black aims to combat
White's central space advantage with more traditional means than he does in the
critical Winawer main lines, but he does so without incurring the severe penalty
of giving up his kingside. White generally enjoys a small edge due to his space
advantage in the center and on the kingside, but Black is able to develop
comfortably and can exert sufficient pressure on White's central position
provided he plays energetically enough. Some lines, particularly in the AlekhineChatard Attack and the MacCutcheon Variation, require detailed and up-to-date
Glek - Short
The MacCutcheon Variation is a sharp weapon which must be taken into account
by anyone who dares to play 4.Bg5 against the French.
The Richter Attack is a lesser-known variation which is easy to play for White but
which can be quite dangerous for Black.
Most Grandmasters prefer to hoard their Bishops, hoping that as the opening
moves unfold and the position is opened, their Bishops will powerfully rake the
open diagonals. While the Winawer Variation means parting with the f8-Bishop,
the Steinitz Variation holds onto the Bishop and intensifies the pressure on the
e4-pawn.
The Steinitz Variation is White's alternative to the Classical Variation, with similar
chances for the advantage. The difference is that White's dark-squared bishop
develops inside the pawn chain to e3 instead of outside the pawn chain at g5.
Black should avoid the old line in which he sacrifices a piece for three pawns. The
pawn grab is sharp but very risky for Black against a good attacking player who
has read our page for Cat 4 players, "The Art of Attack".
Steinitz - Golmayo
There is only one variation in the French Defense where theorists do not suggest
that White has a advantage, (however slight) and this is the Seirawan Variation.
Maybe this is because the Seirawan Variation is not so well known. I cannot find
the Seirawan Variation listed in either the MCO (Modern Chess Opening's), the
NCO (Nunn's Chess Openings) or Standard Chess Openings by Eric Schiller. I
don't have the set of ECO books (Encyclopedia of Chess Openings) because it
would cost me about $132 for the four books. And I don't have the set of
Informants books because it would cost about $130, so I'm sure it is listed in one
of them because in my Mega Data Base it lists this variation as a C10 ECO.
Maybe masters don't use it because they believe they have better chances with
variations that there is a lot of material written about them that they can study
and lots of games to analyze in these other variations. But I did find four games
that Seirawan played the Seirawan Variation in my Chessbase Mega Database
2002 and all four ended in a draw against other GM's. However Seirawan claims
that in his tournaments his score is "quite favorable" with black, using his idea of
3Be7 that he devised and championed as the Seirawan Variation. However, he
claims that this variation "requires careful study!"
In his game as Black with Larry Mark Christiansen in June 1997 he did play 4
dxe4 to 4.Bd3 as he suggested in his example shown here. But alas, that game
played out in 55 moves as a drawn game. To bad Seirawan. Maybe playing this
variation against strong GM's is not a good idea?
In his game with GM Hracek, Z he did not follow through with his advice in the
example he gave in 1998 that you can see here on how to play the Seirawan
Variation. Seirawan says that the best test of the Seirawan Variation is if White
plays 4.Bd3! because then Black can now play 4dxe4. When Hiracek did play
this move of 4.Bd3 with Seirawan in 1998, Seirawan instead played Nc6?. So is
he saying don't do as I do but instead play as I say to play? Did he forget what he
advised on how to play against 4.Bd3!? or as he says "I've played this position in
a provocative style as Black on several occasions" and this time against this GM
he did not feel that against this GM his chances with this move would prove to be
a good choice ? or maybe it was because in 1997 when he played against Larry
Christiansen using his Seirawan Variation idea that game resulted in a drawn
game?
We will never know but only that since he said it is indeed a good move that we
should indeed try it out to see if transposing into the Rubinstein Variation is a
good move. But then on the other hand in the Rubinstein although Black will aim
to trade pieces for a solid position, White has superior Bishops and greater
flexibility with his King position, (he can castle on either side of the board) and
opening theorists believe that White has a slight advantage.
Should you choose to adopt this Seirawan Variation to use in your French
Defense Repertoire you would be well advised to first study the given example
and his four games with this variation given here well and when you play it win
or lose be sure to analyze the games afterwards and put notes in a spiral ring
notebook that you have put aside just for this purpose of correcting your
mistakes and making improvements in your play, only then would you have any
chance of any significant improvement with this variation.
Hracek - Seirawan
De Firmian - Seirawan
and Anatoly Karpov. By putting his Knight on d2, White gives his opponent little
scope for counterplay and in many lines ends up with a slight positional
advantage that can prove extremely difficult to neutralize. This has led to Black
developing various sharper approaches, which complicate the play considerably,
but also expose him to greater risk.
256 Pages. List $24.95 Retail $22.95
Black can pressure pawn-d4 directly by bringing his knights to c6 and f5, and his
queen to b6. White normally defends with his queen on d1, king's knight on f3,
and frequently the queen's knight by Nb1-a3-c2. His queen's bishop may assist
via Be3, Bd2-c3 or (after b3, or a3 and b4) Bd2 White needs to consider Black's
possible response Qb6xb2 vs Be3, and thus prepare it with a2 and b4. Instead
b3 could be inconsistent because it weakens the dark squares on the queenside,
in particular the diagonals a5-e1 and a3-f8. In response to Be3 the exchange
Nf5xe3 tends to play into White's hands by supporting the d-pawn and opening
the f-file after fxe3.
A further strategical motif for White is to exchange Black's knight while en route
to f5 via Bxh6. In theory he exchanges his bad bishop and weakens Black's
kingside pawn structure. However, in practice White may find that Black's
kingside weaknesses are extremely difficult to exploit, and that he has in fact
given Black additional possibilities to exert pressure against pawn-d4 with Bg7
and f6. Critical for the soundness of Bxh6 as well is the evaluation of Black's
Zwischenzug Qxb2, instead of the immediate recapture with g7xh6.
Depending on circumstances, White may be able to TRAP Black's queen at a1 or
simply find himself down an exchange!
Advance Variation
The French Defense, 1.e4 e6 is a sound positional response to 1.e4, which aims
to construct a firm foothold in the center with 2d5. There are many replies, but
the only one of any significance is 2.d4 d5 3.cxd5 exd5. However, this line
presents Black with a few problems; indeed, White often uses it if he is
specifically aiming for a draw.
Also Black usually has somewhat of a cramped position but he has chances to
counter attack against the White center with moves like c5 or f6.
The French Defense allows White to gain space in the center with the move e4 to
e5. The pawn structure is then fixed and the strategy then revolves around the
pawn breaks for either side. Black plays c5 or f6, White plays f4 to f5 or
occasionally c4.
If White meets the French with 3.Nc3, Black has a choice, he can play Nf6 the
Classical variation, Bishop b4, the popular Winawer Variation or he can play the
sound dxe4.
The Advance Variation, 3.e5 is more dangerous to Black and can lead to complex
play, but again Black should be satisfied with his prospects with correct play
against it often playing 3...c5! a quick counterattack in the center to undermine
the d4-pawn which supports the e5-pawn.
In the Advance Variation Black often tries to attack the square d4 as much as
possible to prevent White having time to expand on the king side.
3.c5 is Black's other main move against the Tarrasch, White's normal reply is
4.exd5, after which Black can recapture with the queen or pawn. 4Qxd5 has
steadily risen in the popularity stakes, and is nowadays the more common move.
White tries to make use of his slight lead in development in order to drum up an
initiative, while Black can rely on his extremely solid pawn structure to rebuff any
premature attacks. 4cxd5 is still Black's most reliable way of meeting the
Tarrasch, but many players are put off by the lack of real winning chances it
offers.
3.Nc3 The most common replies are 3Nf6 and 3Bb4. But, 3dxe4 deserves
attention (this can also be played against 3.Nd2). 3dxe4 is a solid option which
may not offer Black many winning chances, but it certainly dampens White's
attacking ambitions.
3Nf6 gives White the choice between 4.e5 and 4.Bg5. The former is currently
the most popular choice, but the resulting positions have strategic depth and
offer chances to both sides. The latter has a long pedigree, but the wide range of
reasonable replies for Black, 4Bb4, 4dxd4, and 4Bc7, means that white
players have a lot of ground to cover if they intend adopting this line.
OPENING REPORT
Chess Base Opening Report for C00, French Defense 1.e2 e6 2.d4 d5
Result
Lost
Won
Kortschnoj,V
195
317
62%
Gurevich,M
106
185
57%
Bareev,E
93
182
51%
Petrosian,T
84
130
65%
Portisch,L
40
71
56%
Jussupow,A
39
69
56%
Morozevich,A
33
59
56%
Beliavsky,A
22
37
59%
Shirov,A
17
31
55%
Ivanchuk,V
16
32
50%
a)
b)
c)
3.e5
d)
e)
3.Bd3
f)
g)
3.c3
h)
3.c4
i)
3.f3
j)
k)
Learning how to use traps properly can lead to a completely new way to play
chess! You can develop a system of using traps just as you learn how to develop
a system in a new chess opening. Consider why and when does a trap become
successful? Usually it's because your opponent provided the opportunity by
making a mistake or blunder.
Look at the trap Ivanov - Martinov. If Black had not moved his pawn to g6, Nf6
mate would not have been possible. Black made a serious blunder and provided
that opportunity. In almost every trap that is successful there has been some
imbalance, mistake, blunder or violation of some principle of chess basics that
allowed the trap to succeed. Go back over these traps and find out why the trap
was successful. Many times, it was because the player violated basic opening
principles that we teach here. In others, he failed to calculate his opponents
reply to his intended move before he moved, or maybe he just did not see it
because of his impatients to look more thoroughly. Or maybe time pressure
caused him to just move quickly with out even looking at what the reply to his
move might be. This is the price you must pay for playing quick games. If you
ever intend to learn how to master an opening like the French Defense, then you
must resolve your self to playing only long games that give you the time to
consider the possibilities of a good combination or plan a trap.
Whenever that opportunity comes for you to spring a trap you must be alert to
see that opportunity or it will be missed. How many missed opportunities do you
make in a game? May be its because you are not really being focused on this
new way to play chess. This new way can be your secret weapon or new system
in trapology! The system of looking for opportunities to spring a trap must be
learned and planed for just as much as developing new openings.
In fact your new approach to playing chess could be one of a waiting game.
Instead of playing like many who think that one must be aggressive and attack,
attack, attack to win the game you can play defensively developing all your
pieces and wait for your opponent to simply make a mistake or blunder to cash
in on it with a vicious trap!
The beserker attacker is probably going to be your best bet for finding many
opportunities to spring a trap because he plays so impatiently and aggressively
not really calculating very far ahead and consequently making many mistakes
and outright terrible blunders. He flagrantly violates opening principles that he
either doesn't know or brushes aside if he does. He fails to castle quickly
because he is hell bent on attacking your king as early as he can. He fails to
mobilize his entire army and develop his pieces for an attack and frequently tries
to win the game with just his queen alone. If you're lucky he may not even
survive the opening against your mounting threats. You can hound his king until
real concessions are made or you win material or you get the big prize, a traping
checkmate.
You strategy is to bring out all your pieces in the opening and then try to set
problems for this opponent on each turn. The goal is to prevent him from
completing his own development and from safely castling his King. Don't let him
get away, Keep on hounding his King and keeping him occupied with mounting
threats till he makes that serious blunder or mistake to provide you with the
golden opportunity for a trap. This strategy is bound to work against a opponent
who flagrantly violates every opening principle in the book.
In fact, there cannot be a more rewarding chess lesson to teach your inapt
opponent, than refuting your opponent's illogical errors and winning the game
with some vicious trap!
Outstanding Traps
Most of these traps have annotations to explain why the trap was able to be
successful.
Going through all of the traps shown here will give you a good understanding
behind the ideas of the French Defense. There is no better way to learn how to
master it.
One eternal question in chess is whether a player is better advised to play a wide
variety of openings, or to stick to just one line. The advantage of one approach
over the other are not so obvious to the average player. The player with a wide
variety of systems is less likely to play routinely, whereas the player who studies,
and prepares for just a few systems gains experience and if he sticks to his few
lines he can build up a tremendous depth of understanding of his chosen lines
which the part-time practitioner can never do.
To be able to have the tenacity to engage in a regular routine of study and stick
to becoming proficient in just a few lines of some openings is what is going to
make the difference in whether one becomes successful or mediocre. Mediocrity
is commonplace in todays society. To excel does not really take a lot of extra
effort. You may become surprised on just how far you may progress in just
spending a few minutes each day to study an opening.
Perhaps the best example of this is the German GM Uhlmann, whose 40 plus
years of exclusive devotion to the French Defense has brought him so much
great success. The following game was one of his easier victories in his beloved
opening.
(Note: The color Black or White indicates either a mate or a win of material by
that color)
Although there are many examples of well known names falling for opening
traps, there are naturally very few examples of a really world-class GM doing so.
Unfortunately, for him, the Russian GM Jussupow makes three appearances in
falling for traps. In this one, he falls for one of the oldest of French Defense traps.
3. Illescas - Jussupow -Black
4. Ivanov - Martinov - Black
5. Clech - Tyrant - White
6. Dake - Pauli
7.Velimirovie - Ristovie
8. Diemer - Buerger
9. Durao - Horta
10. Mate 1
11. Pin 1
12. Fork 1
13. Fork 2
14. Traping 1
15. Mate 2
16. Fork 3
17. Trapping 2
18. Trapping 3
19. Fork 4
20. Discovery 1
21. Discovery 2
22. Unpin 1
23. Trapping 4
24. Fork 5
25. Trapping 5
26. Mate 3
27. Mate 4
28. Fork 6
29. Trapping 7
30. Galileo - Fritz
31. Trapping 6
32. DoubleThreat 1
33. Jettison 1
34. Unpin 2
35. Fork 7
36. Trapping 8
37. Fork 8
38. Discovery 3
39. Pin 2
40. Trapping 9
41. Trapping 10
42. Skewer 1
43. Mate 6
44. Trapping 11
45. Trapping 12
46. Trapping 13
47. Trapping 14
48. Skewer 2
49. Discover 5
50. Fork 9
51. Trapping 15
52. Discovery 4
The Games
1. McConnell -Morphy
2. Poisoned Pawn Variation
3. Fritz - DeSaint
4. Geller - Petrosian
5. Nielseen - Portisch
6. Rublevsky - Beliavsky
7. Mitkov - Shirov
8. Zapata - Ivanchuk
9. Papaloannou - Gurevich
10. Kristiansen - Chernin
11. Stefansson - Morozevich
12. Berthoiee - Kortschoj
13. French Sicilian
Here is two Chessbase French Defense CD's. by Knut Neven. These CD's are
standalone products that can be used in combination with Chessbase or Fritz and
come with Chessbase lite for easy viewing. List $24.95 Retail $22.95 ea.
This is one of the easiest and best ways to really learn how to use the French
Defense because of their thoroughness with numerous games, training exercises
with quizzes, questions, examples and elaborate text to complete your
understanding. Unlike books that the reader usually has to use a chessboard
with, these CD's allow you to easily move through the games, examples and
training exercises with ease and allow you to even back up to review sharp
moves, analyze positions and see sub variations with out getting lost in its
complexity.
The first CD, is Bobby Fischer's favorite, "French with 3.Nc3" covers all variations
arising after 1.e4 e6 2.d4 d5 3.Nc3. Covering the Classical, Winawer, and
Rubinstein. The main database contains more than 44,000 games, about 1,000
of which with annotations in 15 database texts the author explains not only the
most important variations but also themes and plans, with links allowing you to
immediately play through the relevant sample games. Furthermore, the CD
features a theme key granting specific access to all motifs and games, a large
variation tree as well as a special database with 23 training tasks with quizzes
and questions.
The 2nd CD "French without 3.Nc3" covers all variation after 1.e4 e6 2.d4 d5
without 3.Nc3. Covering the Advance, Exchange and Tarrasch. The three main
databases contain more than 70,000 games more than 1000 with annotations in
12 database texts the author explains not only the more important variations but
also themes and plans, with links allowing you to immediately play through the
relevant sample games. The CD feathers a theme key granting specific access to
all motifs and games, a large variation tree as well as a special database with 37
training tasks with quizzes and questions.
Views on chess strategy in general and opening theory in particular are rapidly
changing, In recent years, systems formerly considered unpromising have come
into fashion, for example the Dutch Defense and the Giuoco Piano are having
new directions in its theory being pioneered by innovative players. Fifty years
ago, the Sicilian Sveshnikov (Pelikan) Variation would simply have been rejected
as a anathema, a solemn curse and intensely disliked, Black simply doesn't have
a position. He just has a conglomeration of weaknesses. It looks anti-positional
as Black immediately creates a backward pawn. Even worse looking are the
doubled f-pawns Black is forced to accept in the main line. For this reason, the
variation saw little use until Sveshnikov showed the dynamic potential of Black's
position in the 1970s and 80s.
In the Benko Gambit, Black sacrifices a pawn in the opening, then dreams about
the endgame. Yet both systems are at present highly popular. At times, in fact,
White looks for ways to avoid them now days
Major changes are also taking place within particular Classic opening systems;
players are approaching them differently, altering the methods of playing them
and assessing them.
The French Defense is one of those Classic old defenses that has seen many
changes in its numerous variations and is still being transformed. One way to
make any improvements may be to look to the classic presuppositions about the
French positions, which arise after White's pawn has advanced to e5? Black's
plans have always been associated with pressurizing the pawn on d4 and
working up a queenside initiative. Some times Black also plays f7-f6, after
which a struggle develops around the e5 point. White meanwhile, fortifies his
center and tries to organize an attack (with pawns or pieces) on the kingside.
However, modern chess has become a matter of "Total War!" The battle is fought
with all the pieces on any part of the board. And so in the French Defense, a
I came upon this unique move for Black to attack on White's Kingside in my
research for French Defense traps in the trap, French Wing Gambit and will
proceed to show why this can be such a significant factor and key idea in many
positions, changing the game in favor for Black such that a whole new opening
variation may be built around it, because to my knowledge no refutation has
come to light. This is not surprising because this move is positionally well
founded and wholly in keeping with the modern attitude of "Total War!"
Summary
It appears to be essential to try to fix the enemy king in the center and then
break the center open at any price. Nearly all Black's forces are grouped on the
Queenside; yet he begins tactical operations on the kingside where his
opponent's pieces are more numerous. Anti-positional? Not entirely, because
Black does have the better development, and it is very important for him to open
lines. Furthermore, it is on the kingside that the white king is hiding. So in the
French Defense together with the classical methods of play, Black can and should
employ sharp plans for seizing the initiative. The start of hostilities in the
opponent's territory is frequently signaled by the counterstroke, g7-g5!
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