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Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago,
it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of
birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art
explores the unique connections between melancholy and the art historian's craft.
Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost
to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art
and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing
questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art
objects and those who write about them? What institutional and personal needs does art history serve? What is lost in
historical writing about art?
The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic
writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and
Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why
to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy.
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"Nostalgic and plaintive, this title's examination of the work of art historians is an enjoyable literary exercise that will foster
discussion among art historians and their students."--Library Journal
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"To consider melancholy in art beyond the limits of despondency, loss, and grief is a refreshing way to induce a different
space and energy between the past of the artwork and the viewer's present. In these erudite essays, art historian Michael
Ann Holly makes case for works of art--'these beautiful orphans'--that reinvest in melancholia as the signifier and the
signified."--Greta Aart, Cerise Press
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"In support of her argument, Holly marshals a wealth of erudition indicative of formidable trans-historical, interdisciplinary
expertise. . . . With the utmost refinement, Holly's own poetic resonance echoes from artful analogy and suggestive
imagery."--Giovanna Costantini, Leonardo Reviews
"While the driving power of melancholy remains unclear, many readers will be intrigued by this highly personal take on the
profession."--Choice
"Holly's elegant and thoughtful book focuses on the encounter of the viewer with the work of art."--Kathryn Murphy, Apollo
Magazine
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Notes 133
Bibliography 165
Index 183
Series:
Essays in the Arts
Subject Areas:
Art
European History
World History / Comparative History
For hardcover/paperback orders in Europe, Africa, the Middle East, India, and
Pakistan
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