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Introduction:
Henry Cowell (11/3/1897-5/10/1965) was an American
composer, music theorist, pianist, music teacher, publisher and
impresario. Born in Menlo Park, CA. He studied music at
University of CA, Berkeley. He studied music theory under
Charles Seeger and Edward Griffith, and counterpoint with
Wallace Arthur Sabin.
The New Musical Resources was started written in 1919.
However, it would finally be published after extensive revision
in 1930. This book is focused on innovative rhythmic and
harmonic ideas used in his composition. This book affects the
American musical avant-garde for many decades after. Conlon
Nancarrow mentioned this book the most influence of
everything I have ever read in music.
Cowell wrote this book under the help of Samuel Seward,
who is his friend and also his teacher. He started written when
he was at Camp Crane, which is an army camp in Pennsylvania.
By 1922, He gave this book named The Unexplored Resources
Details:
Introduction, this introduction is quite different from other
books because the details are personal introduction- why
writing The New Musical Resources? Actually, Cowell wanted
to make a proof on these new theories because some of the
new idea were not grouped or set into theory at that time. He
hope that the composers could have references after he wrote
this book.
Part 1, mentions about tone combinations. The details are
as follows
1. The influence of Overtones in Music, this title was name
The Law of Overtones in Past Musical History in 1919
version. Cowell wanted to use and look at overtone
series from his point of view, which will be mentioned
throughout the book, means he will use overtone series
to describe and find the relationships between them
and numbers to present his new idea. This part could be
considered as introduction through details of this book.
2. Polyharmony, Cowell said polyharmony are derived
from the original fundamental tone. The use of
2. Meter, Cowell had presented 2 methods of how to use
new method for meter. The first is to find the
relationship of vibration and the meter based on 2/4,
which results are as follows (C has 16 vibrations to the
second), so it could be based metrical system on a
simple base
3. Dynamics, Cowell has questioned how exactly each
dynamics are? For example, how exactly is forte loud?
Also, Cowell suggested that the upper pitch should
7. Scales of Rhythm, Cowell suggest idea of finding ratios
between each note and tonic (middle C) and set the
note value, which the results are as follows
from other intervals rather than triad, such as chords built from
P4, or P5. About tone-clusters, Cowell has an idea that the
clusters could be grouped in form-liked chords, such as cluster
built on second interval, major or minor thirds. Some example
could be seen as follows
Sometimes, clusters could be used as counterpoint as
follows
At the end of the chapter, Cowell also mention about using
clusters in melodic line, which some example is shown below
Conclusion:
Henry Cowells New Musical Resources has presented lots
of contemporary ideas, which later affect next generations
composer, such as Edgard Varese, George Antheli. However,
some ideas would be very difficult for performers, such as in
example Some of his ideas might be suited well to the
computer or machine to perform them.