Professional Documents
Culture Documents
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Freud (1962)[5]
Planet of the Apes (1968)
The Illustrated Man (1969)
Music for Orchestra (1969)
Christus Apollo (1970)
The Mephisto Waltz (1971)
Escape from the Planet of the Apes (1971)
Wojciech Kilar
Ri 62 (1962)
Gottfried Michael Koenig
Zwei Klavierstcke, for piano solo (1957)
Quintet for Woodwinds, for ute, oboe, cor anglais, clarinet, and bassoon (195859)
String Quartet 1959 (1959)
Ernst Krenek
String Quartet No. 6 (for example)
Witold Lutosawski
Symphony No. 1 (1947)
Five Songs to Words by Kazimiera Iakowiczwna for soprano and piano (1957); Arrangement with Orchestra (1958)
Musique funbre (1958)
Trois pomes d'Henri Michaux (1963)
Livre pour orchestre (1968)
Cello Concerto (1970)
Mi-parti (1976)
Grave: Metamorphoses for Cello and Piano (1981)
Symphony No. 3 (1983)
Johnny Mandel
Point Blank (1967)[5]
Luigi Nono
Canti per tredeci, 13 instruments, (195455)
Il canto sospeso (195556)
Cori di Didone, for chorus and percussion (1958)
Diario polacco: Composizione no. 2 (195859)
Due espressioni, for orchestra (1953)
Incontri, for 24 instruments (1955)
Polifonicamonodiaritmica, for seven instrumentalists (1951)
Varianti, for violin, woodwinds, and strings (1957)
Krzysztof Penderecki
St Luke Passion (Penderecki) (1966)
Henri Pousseur
Apostrophe et six Rexions for piano (196466)
At Moonlight, Dowlands Shadow passes along Ginkaku-Ji for shakuhachi, shamisen, and koto (1989)
Ballade berlinoise for piano solo (1977)
Canines for voice and piano (1980)
Caractres for piano (1961)
Chroniques berlinoises for piano and string quartet with baritone ad lib. (1975)
Chroniques canines for two pianos with soprano ad lib (1984)
Chroniques illustres for large orchestra with baritone ad lib. (1976)
Couleurs croises for large orchestra (1967)
Crosses of Crossed Colors for vocal soloist, two to ve pianos, six tape-recorder operators, two turntablists,
and two radio operators (1970)
Dclarations d'Orage for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba,
synthesizer), large orchestra and tape (198889)
Dichterliebesreigentraum for soprano, baritone, two solo pianos, choir and orchestra (199293)
Les phmrides d'Icare 2 for a soloist, three-part concertino, and four instrumental quartets (1970)
Die Erprobung des Petrus Hebracus chamber opera in three acts, libretto by Lo Wintgens after Michel
Butor (1974). Several satellite works are related to this opera:
Flexions IV for viola solo (1980)
Humeurs du Futur quotidien for two reciters and chamber orchestra (1978)
Les Icare africains for solo voices, ad lib. choir, and orchestra (2002)
Leons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by
Arthur Rimbaud and Michel Butor (199091)
Madrigal I for clarinet (1958)
Madrigal II for 4 early instruments (ute, violin, viola da gamba, harpsichord) (1961)
Madrigal III for clarinet, violin, cello, 2 percussionists, and piano (1962)
Mnmosyne monody solo voice or instrument, or unison choir (1968)
Mnmosyne II for variable media (1969)
Mobile for two pianos (195758)
Navigations for harp (2000)
Ode for string quartet (196061)
La Paganania for solo violin (1982)
La Paganania seconda for solo cello (1982)
Paraboles-Mix electronic music (1972)
Pdigre for female voice and seven instruments (1980)
Phonmes pour Cathy for mezzo-soprano solo (1966)
Prospection for three pianos tuned in sixths of a tone (195253)
Quintette la memoire d'Anton Webern for clarinet, bass clarinet, violin, cello, and piano (1955)
Rimes pour direntes sources sonores for orchestra and tape (1958)
Scambi electronic music (1957)
Sismogrammes electronic music (1954)
Seize Paysages plantaires ethno-electroacoustical music (2000)
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Sept Versets des Psaumes de la Pnitence for four vocal soloists or mixed choir (1950)
Symphonies 15 Solistes (195455)
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and prerecorded 4 track tape (1979)
Trois Visages Lige electronic music (1961)
Votre Faust (196068), opera for ve actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related satellite works:
Miroir de Votre Faust (Caractres II) for solo piano and (optional) soprano (196465),
Jeu de Miroirs de Votre Faust for piano, soprano and tape (196465)
Echos de Votre Faust for mezzo-soprano, ute, cello, and piano (196169),
Les Ruines de Jruzona for mixed choir and rhythm section (1978),
La Passion selon Guignol for amplied vocal quartet and orchestra (1981),
Parade de Votre Faust for orchestra (1974)
Aiguillages au carrefour des immortels for 16 or 17 instruments (2002)
Il sogno di Leporello: Parade 2 (de Votre Faust) for orchestra (2005)
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Originale, musical theatre with Kontakte, Nr. 12 (1961)
Kontra-Punkte (Counter-Points), for 10 instruments, Nr. 1 (195253)
Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
Kurzwellen, for 6 players with live electronics, plus sound director, Nr. 25 (1968)
Licht, Nr. 4780 (19772003)
Licht-Ruf, Nr. 67 (1995)
Litanei 97, Nr. 74 (1997)
Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
Mikrophonie I, for tamtam (2 players), 2 microphones, 2 lters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17
(1965)
Mixtur, for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
Musik im Bauch, for 6 percussionists and music boxes, Nr. 41 (1975)
Momente, for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (196264/69)
Oktophonie (1990/91) electronic music of Tuesday from Light
Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
Pole, for 2 players or singers with 2 short-wave radios, Nr. 30 (196970)
Prozession, for 6 players with live electronics, Nr. 23 (1967)
Punkte (Points), for orchestra, Nr. (1952/62/66/93)
Quitt (Even), for alto ute, clarinet, and trumpet, Nr. 1 ex 59 (1989)
Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and
celesta (+ 3 antique cymbals), Nr. 11 (1959)
Rotary Wind Quintet, for ute, oboe, clarinet, bassoon, and horn, Nr. 70 (1997)
Schlagtrio (Percussive Trio) [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani,
Nr. (1952)
Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (197577)
Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers),
Nr. 19 (196566)
Spiel (Play), for orchestra, Nr. (1952)
Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
Sternklang (Star Sound), park music for ve groups, Nr. 34 (1971)
Stimmung (Tuning), for 6 vocalists, Nr. 24 (1968)
Stop, for small orchestra in 6 groups, Nr. 18 (1965)
Strahlen (Rays), for a percussionist and ten-channel sound recording, Nr. 80 (2002)
Studie I, electronic music, Nr. 3/I (1953)
Studie II, electronic music, Nr. 3/II (1954)
Sukat, for alto ute and basset-horn, Nr. 2 ex 60 (1989)
Telemusik, electronic and concrete music, Nr. 20 (1966)
Thinki, for ute, Nr. 1 ex 70 (1997)
Tierkreis (Zodiac), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41
(197475)
Trans, for orchestra and tape, Nr. 35 (1971)
Traum-Formel (Dream Formula), for basset-horn, Nr. 51 (1981)
Trumpetent (aka Trompetent), for 4 trumpeters, Nr. 73 (1995)
Trin, for Tr (door), rin, and speaker (versions in German and English), with electronics (2006)
Hanns Eisler
Palmstrm, song cycle op. 5 (1923/24)
Zeitungsausschnitte (Newspaper Clippings), song cycle op. 11 (1926)
Regen (1940)[5]
Arnold Schoenberg
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Anton Webern
Milton Babbitt
Virtually all published works after 1947
John Cage
Sonata for Clarinet (1933)
Carlos Chvez
Soli II for wind quintet (1961)[8]
Variations for Violin and Piano (1961)[8]
Luigi Dallapiccola
Virtually all published works after 1942
Benjamin Frankel
Film score for The Curse of the Werewolf (1961)[9][5]
His 8 symphonies (see e.g. the article on Symphony No.1 (Op.33, 1958)) either use the twelve-tone
technique, or serial techniques with other kinds of rows, or both[10]
Lou Harrison
Rapunzel (1952)
Symphony on G (1952)
Josef Matthias Hauer
All works written after August 1919 (though the twelve-tone technique used is not Schoenbergs system)
Zwlftonspiele (approximately one thousand works) (after 1940)
Ernst Krenek
Karl V
Ron Jarzombek and Alex Webster (performing as part of the band Blotted Science)
The Machinations of Dementia (2007)[11]
Luigi Nono
Composizione no.1, for orchestra (1951)
Variazioni canoniche sulla serie dellop. 41 di A. Schnberg, for chamber orchestra (1950)
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REFERENCES
Leonard Rosenman
The Cobweb (1955)[5]
Roger Sessions
Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used
rarely follows Schoenbergs system)
Karlheinz Stockhausen
Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950)
Sonatine, for violin and piano, Nr. (1951)
Igor Stravinsky, works from 1952 forward:[12]
Cantata (1952)
Three Songs From Shakespeare (1953)
In Memoriam Dylan Thomas (1954)
Agon (1957)
Threni (1958)
Movements for Piano and Orchestra (195859)
A Sermon, a Narrative and a Prayer (1961)
The Flood (1962)
The Dove Descending Breaks the Air (1962)
Variations: Aldous Huxley in memoriam (196364)
Requiem Canticles (1966)
Van der Graaf Generator
After the Flood (1970, from the album The Least We Can Do Is Wave to Each Other) - includes a twelve
tone piece arranged by David Jackson[13]
Charles Wuorinen
Most mature works
See also
List of atonal compositions
List of tone rows and series
References
[1] https://www.sonoma.edu/users/j/johnsonw/music_300/Cage.Megan%20Bennett.pdf
[2] Jacques Calonne, Aspects d'un resume (Apropos d' Orbes pour orchestre)", Revue d'Esthetique 21 (1968), nos. 24
(Musiques nouvelles): 59-103.
[3] Dimitri Kennaway, notes for recording, Naxos 8.557850, his [Frankels] rst published experimentation with serial technique
[4] Gagn (2012), p.116.
[5] Nicole V. Gagn, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature
and the Arts (Lanham, MD: Scarecrow Press, 2012): 98. ISBN 978-0-8108-6765-9.
[6] Gilles Tremblay, Note pour Cantique de dures, Revue d'esthetique 21 (1968), nos. 24 (Musiques nouvelles): 5158.
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[7] Horace Reisberg, The Vertical Dimension in Twentieth Century Music, Aspects of Twentieth-Century Music, edited by
Gary Wittlich, 36272, citation on 37071 (Englewood Clis, New Jersey: Prentice-Hall, 1975). ISBN 0-13-049346-5.
[8] Robert L. Parker, Carlos Chvezs Opus Ultimum: The Unnished Cello Concerto. American Music 11, no. 4 (Winter
1993): 47387. Citation on p. 479.
[9] Dimitri Kennaway, notes for recording, Naxos 8.557850, credited with being the rst British feature lm score to employ
the method [twelve-tone serialism] almost entirely.
[10] British Library Frankel Biography - Middle Years
[11] "Ron Jarzombek - Frequently Asked Questions", RonJarzombek.com. Q. What is 'The Circle Of 12 Tones?"
[12] Joseph N. Straus, Stravinskys Late Music, Cambridge Studies in Music Theory and Analysis (Cambridge: Cambridge
University Press, 2001), 4. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2.
[13] Christopulos, Jim; Smart, Phil (2005). Van der Graaf Generator The Book. Phil and Jim Publishers. p. 58. ISBN
978-0-955-13370-1.
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