Published in the Landscape Journal No: 20, Summer 2008.
Summary:
Site area : 3,51,250 sqm
Architect: Rahul Mehrotra, RMA Associates, Mumbai Landscape Architect Mohan S. Rao ; Integrated Design, Bangalore Introduction: The elephants are employed in the tourism sector in Amber, 11 kilometers from Jaipur City, which ferry tourists from the foothills to Amber Fort along a steep incline in a dry, hot and drought-ridden climatic zone. Animal activists have raised concerns over their living conditions for a number of years, taking cognizance of which, the state allotted 85 acres to develop an elephant-centric settlement, christened Hathi Gaon. Master Plan: The primary concern of the master plan was to recreate an ecosystem, which addresses the physical and psychological comfort of the elephants. This project has landscape as the centre and architecture has evolved around it focusing on the landscape and using the precious resource of water as the actual instrument around which the decisions were facilitated. The idea to create a sustainable living habitat for the elephants as opposed to a conventional zoo. The primary determinant towards the planning of the site was articulated through the understanding if its topography. The analysis was not only listed in identifying buildable and no buildable zones for development but also ascertain landscape-planning techniques towards a water sensitive planning approach. The estimated annual water requirement of this habitation including drinking, irrigation and bathing (for the elephants) is around 150 million liters. Scanty rainfall averaging 600mm per year renders water closure on site an unrealistic proposition. To reduce external dependency, design initiatives encourage the retention of the surface water and its recharge. A network of vegetated swales, punctuated by retention basins and larger ponds, feeds a series of large, interlinked reservoirs at the central low-lying region of the site. Islands within these water bodies function as nesting grounds for avian life. Wastewater from the mahouts housing is filtered through a decentralized wastewater treatment system (DEWATS) and reused for irrigation.
The approach to such a landscape articulation focuses on the conversion of a
terrain that contradicts the traditional vocabulary of its location but mediates and expresses itself to the larger ecosystem setting. Such a landscape project in particular probably stages a more impure an unstable organization of landscape as it attempts to intermediate between disparate and at most times uncomprehendable forces working within the territory. The space produced is more the nestling of user demands against ecology and environment and moving further towards cultural and functional tendencies and adjacencies. Though the need and the functioning of the landscapes has an embedded quality and quantity, its appropriation remains more open ended due to the constant oscillations between the user and the consumer of the space.
Elephants tortured, starved in the name of religion
Article by India Today TV under their Campaign #SavetheJumbo
India Today TV has accessed exclusive footage from two documentary
filmmakers who have captured the persecution of elephants on camera. Tortured, blinded, starved, chained, the soles of their feet burnt with torches and spikes dug deep into their limbs...these are just some of the ways in which elephants at temples in Kerala and the Amer Fort are brutalised in the name of culture and tourism. In Amer in Rajasthan, filmmaker Brigette Uttar Kornetzky finds mahauts literally burning the sole of the elephants' feet. Activists say elephants suffer from severe abrasions of the foot-sole and joint and muscle damage because they're forced to walk on concrete, often over loaded with tourists. The mahauts burn their soles to make their feet numb and force them to work even when they are sick. Most elephants used for tourism purposes also go blind, thanks to spicey pastes used to paint their eyes. Often they're deliberately blinded with smoke...so they become weak and dependent on the Mahaut.