Professional Documents
Culture Documents
allow f
a
cir
the
Stakeholders affected
Type o
Impacts on SMEs
Proble
for the
ghts
Doctor Who
Territorial exclusivity
Comm
Stakeho
Stakeho
regulatory framework
Stakeho
Stakeho
to tackle [ ] measures to
ensure enhanced cross-border access to broadcasters' services in Europe
Restric
Approac
Source
Proble
of righ
other t
ion
ans
Comm
Source:
* Dat a n
Stakeho
015
Stakeho
Stakeho
Approach
Transaction costs:
Licensing costs
Transaction costs:
Licensing costs
Contractual blockages
Low e
low remuneration
osts
Stakeho
Stakeholders' views
Stakeholders' views
Restric
Approac
ders
and dis
supra
ght
holders
Proble
institut
difficul
age
by
old
Suitab
type
rks
Lack
Stakeho
Stakeho
Stakeho
Approac
a priori
Impact
higher
oa
films de patrimoine
Stakeholders affected
Impacts on SMEs
Problem: Teachers and students face legal uncertainty when using content in digitallysupported teaching practices, in particular across borders
ight
Insuff
9/EC
ment
ning
Stakeholders' views
Stakeho
Stakeho
Stakeholders' views
Approac
.
'Assessment of the impact of
the European copyright framework on digitally-supported education and training practices
Transa
'An
economic
analysis
of
education
exceptions
in
copyright
Licens
Transa
Problem: Researchers are faced with legal uncertainty with regard to whether and under
which conditions they can carry out TDM on content they have lawful access to.
Fragm
Stakeho
Stakeho
su
Stakeholders' views
Stakeho
Main elements:
Stakeholders' views
Approac
certain
limitations
and
exceptions
to
Problem: Preservation by cultural heritage institutions (CHIs) faces legal uncertainty in the
new technological environment
MS
Dispro
et al.
et al.,
to
be published (copy available on request)
access
acquisition
conditions
Stakeho
Stakeho
Stakeho
Approach
all
and to
Stakeholders affected
Impact
Proble
provide
users.
for the
vice
heir
ion
de facto
http://www.rolandberger.com/gallery/pdf/Report_for_GESAC_Online_Intermediaries_2015_Nov_EUR
.pdf.
https://www.youtube.com/yt/press/statistics.html and http://www.statisticbrain.com/youtube-statistics/
meo
-0700mysisr-
ion-
gle-
https://ec.europa.eu/eusurvey/pdf/answer/6b37d157-1c33-44f8-893eaf86b3c96aa1.
"it has been frustratingly difficult to enter into
licensing arrangements with online platforms in respect of images that have been uploaded by
unlicensed third parties"
https://ec.europa.eu/eusurvey/pdf/answer/6acf2b21-865a-402c-876a-e2b67c0ceef9.
https://ec.europa.eu/eusurvey/pdf/answer/4ebd8857-927d-411f-9ff1-282e9f822ff3.
n-toay/.
italnitySubmission-in-re-DMCA-512-FINAL-7559445.pdf
prior to reaching a licensing agreement with
the popular music focused uploaded content service Soundcloud from April 1, 2015 to April 2016, Sony
spent hundreds of thousands of dollars to manually review 1.5 million metadata matches and to send
takedown notices to remove approximatively 218.000 infringing copies of Sony recordings from the
soundcloud platform. Despite the scale of this enormous effort, it was only sufficient to monitor
approximatively
15%
of
Sony's
catalog
on
this
single
platform
https://www.regulations.gov/document?D= COLC-2015-0013-90111
: "around 90% of infringements that IFPI locates and
addresses with a takedown request could have been avoided if the relevant services had taken measures
to avoid that infringing content reappears after the first notification. For example, in 2015, One
Direction s Drag Me Down reappeared over 2,700 times on YouTube following the first notice",
https://ec.europa.eu/eusurvey/pdf/answer/138c7b30-556b-4b7b-adf1-fe5ab8406f4c.
uch-
ntify
cks"
/.
e
they
ways
master the modus operandi and the functioning (it is particularly the case of the small players)",
http://www.culturecommunication.gouv.fr/var/culture/storage/culture_mag/rapport_lescure/index.htm.
Developments of the audiovisual markets and
creation of original contents
omdieoffer
and
otify,
ence
c in
d by
very
s.
s for
Airfield
SBS/Sabam
[ Prese
https://ec.europa.eu/digital-singlemarket/en/news/full-report-results-public-consultation-regulatory-environment-platforms-onlineintermediaries.
http://www.musicbusinessworldwide.com/youtube-is-paying-less-than-0-0009-per-stream-to-
Stakeho
Right ho
-adwith-
https://techcrunch.com/2013/10/25/pinterest-inks-deal-with-getty-images-will-pay-a-fee-for-the-photoagencys-metadata/.
http://www.theguardian.com/technology/2015/jun/04/soundcloud-signs-licensing-deal-independentlabels
https://societe.sacem.fr/en/press-resources/per-publication/Press+ releases/a-new-deal-license-sacemuniversal-music-publishing-international-and-soundcloud-strike-new-european-deal.
https://ec.europa.eu/digital-singlemarket/en/news/full-report-results-public-consultation-regulatory-environment-platforms-onlineintermediaries
Main elements:
Stakeho
ders
https://ec.europa.eu/digital-single-market/en/news/full-report-resultspublic-consultation-regulatory-environment-platforms-online-intermediaries
https://www.hadopi.fr/observation/publications/qualification-et-quantification-des-contenus-suryoutube; https://www.hadopi.fr/actualites/actualites/qualification-et-quantification-des-contenus-surdailymotion
Consumers
Main elements:
https://ec.europa.eu/eusurvey/pdf/answer/452cd1fc-7e4f-4102-aae3-254d219876e8.
Stakeholders' views
Right holders
online
service providers
Other content service
providers
Consumers
Approac
http://libereurope.eu/wp-content/uploads/2016/04/Open-letter-Copyright-Reform.pdf
http://www.ft.com/intl/cms/s/0/37dcc5fc-0ca3-11e6-ad80-67655613c2d6.html#axzz47ANNJ4A4.
GS Media
Brein/Ziggo
Stichting Brein/Wullems
Stichting
y-
'that balances the interests of creators with the interests of the companies who exploit music'
http://www.mediaset.es/inversores/en/GoogleYouTube-Mediaset-Espana-collaborativeagreement_MDSFIL20151021_0005.pdf,
http://www.panoramaaudiovisual.com/en/2015/10/21/Mediaset-sign-peace-with-google-and-willcirculate-its-content-on-youtube/.
http://www.impalamusic.org/content/youtube-issues-contentblocking-threats-independent-labels-win-and-impala-raise-concerns.
http://www.ft.com/cms/s/0/2c310ae8-fbc211e5-8e04-8600cef2ca75.html#axzz4CK050l97.
https://www.theguardian.com/technology/2015/oct/28/deezer-ipo-music-streaming,
http://www.musicbusinessworldwide.com/another-streaming-service-fails-ipo-guvera-move-blocked/,
http://www.hollywoodreporter.com/thr-esq/rdio-was-losing-2-million-840977.
https://ec.europa.eu/digital-single-market/en/news/full-report-results-publicconsultation-regulatory-environment-platforms-online-intermediaries.
https://www.regulations.gov/#!documentDetail;D=COLC-2015-0013-85992.
freedom
https://www.regulations.gov/#!documentDetail;D= COLC-2015-0013-90806
https://ec.europa.eu/eusurvey/pdf/answer/6acf2b21-865a-402c-876a-e2b67c0ceef9.
Study of fundamental rights limitations for
online enforcement through self-regulation
right h
Proble
nes
and oth
ons
increasingly difficult. In addition, publishers face difficulties as regards compensation for
uses under exceptions.
a or
s at
the EU
Differ
Stakeho
Stakeholders' views
e of
clickab
o
o
o
Stakeholders' views
Svensson
Stakeho
Introdu
other t
Approach
ons
Amazon v Austro-Mechana
Proble
relatio
remune
ual
what
in
return
possible exploitation
actual exploitation
remuneration
possible exploitation
actual exploitation
etry
and
erent
Weake
Stakeho
Stakeho
Authors' Group
Declaration towards a modern, more European copyright framework and the
necessity of fair contracts for creators
Information note for President Martin Schulz
Stakeho
Stakeho
Approach
ibid
Operational objective
Operatio
Operatio
Operational objective
Operational objective
Operatio
Operational objective
Operational objective
Operatio
Operatio