A aia MOORECold Day In Hell Words and Music by Gary Moore Ctm7 3333 ’ = 100 Intro Cim7 N.C (A7) * N\ N AAW “ao Cim7 A7 “~ IN NA N £ d £ £ rake 9 @ N\ ANI yyw = = = k —~., = = = -Yy_eite or 4 Ld C—O ee ES SSS Le me | mae |) a OE Lf. 2 ee ee ee eee | ee NL nel i 3 a 1/2 1/2 1/2 rake j full ) J AAADADADWYWYYOws Gt? Cim7 G#7(#9) PDADALWLAYYAN oc i \ ™~ h _34 wer [ wee | # tt tt FT yd Sg SRR en ast nl ee LS ee 3 _———— — 3 APAAPALDYAYWN full full Verse Ctm7 * Cim7/F Cim7 Rhy. Fig. 1 ort SETI Ar tot FR Sr 2 r FP Ar 2 Ste A EO _ at Ee) PSY —e Es ee ee ee 1. So man-y times you tried to take the best of me. * Gtr. 2 clean tone. * Ff played by bass. Copyright © 1992 EMI 10 MUSIC LTD. FR) All Rights Controlled and Administered in the U.S. and Canada by EMI VIRGIN SONGS, INC. (BMI) All Rights Reserved _ International Copyright Securedw/Rhy. Fig. 1 Cim7 Cim7 C#m7/FH t STTI Sr 2 - - L 3 an, er ——————— LY I So man-y times; now you’regon-na take _ the rest aubh “~ WN DAA Oe A) ——— allan ep} SE | i Pre-chorus Ctm7 ES . . H | | J J f ; eT ee er of me. Bet-ter look at what you’re do - in’ be - APAAAAN N ae 2 . ARDRADADAADAAAAA Rhy. Fig. 2 most Es Se Fl oe Eel ooo tat | OO TF ot oot ee AAYYAN full let ring vod 1/4 Gr. 3 AAADAAAYYAALN ec F#5 N.C. G5 N.C. FuS N.C _f sie ss. oe Um __”F pO ET _._<.W.._ iF . Cd Pe ex ee ES ee ee fore it’s too late. _ It’sa fine line you’re tread-in’ be - tween love and hate.There’ll be a (end Rhy. Fig. 2) af NN ADAAAWN oN =’ a ye A ee ie, + Ee rE CO eee | | LU CL tst—“‘“$NSCCSS CJ Se ea OT 3 | — a gL ¢ Gul full P.M. _, P.M. ---2.2 28 -- 4 P.M. J 2 1/2. full ADAALAAN JVerse w/Rhy. Fig. | (2 times) Cim7 Cim7/Ft Cim7 co ertes— —_ fF 94 TT TT ED EE A ft a 0 r-N--_ TT OO ES FES OO Oe ee SY! eee ey ee fe — ol -y ti i - d . 2. S50 man-y times AAA you tried to playa dead end game a = = rd = * ra me APAALYY [paw {eNO “= eae at or 7 ey ee ee ee ee ee ee oo —_ p fA SSE Eee Sd S| ff a he tt he eee TO =e | ee Yn ON Tl hg rca Yes, you did. Well, I tried to tell you, _ but you’d nev-er wan - na take A» f CY eine °_ EEE OO Zz oe ET E-“—N—OoOuovwWO ee Tk ?— See htt oT eo ooo ES ee ee EE SS OOOO xy a SE ea eee SS full AAD Pre-chorus w/Rhy. Fig. 2 Cim7 E5 = a $$ oes TF y Frit tft. pr ff j eT 7 ed . . ff TT? Us>sn0WOwvoOuW..nc”_ oa. | | «. we Ss | iT é te LT ee eOO2-———@" ered ee vy > oOoOooNleOS=<«Q LL eeDDwee.wp Set OE ____ ee ee ee the blame. Now you’ve pushed me to the lim-it, and | Riff ARAAAAAAAAAAAAAAAAMMY _W eite ,. ~~ fF Ve | fod ooo OE Oe OEE |. |. _ ai sd ' oT OOo Eee _cncnn-nNn"=w_ [> EEO if. i ae Td ot OT .”"0w”"..... ed ed ef = ET a | eed | — ~~ | F45 N.C. G85 ~ N.C. FHS ' N.C. a te SE OE _ DOD SE OO EE ee a eet ft pe rr ee teen —— — | rea od 1) 3 can’t take no more. _ You bet-ter take one last look _ be - fore I’m out the door. _ There’ll be a (end Riff)(Ckm7) A5 N.C. F4#5 TT | A], 2 Ht lil IIL i : st) = | All ( all s ll a tT IT | i A Di] <| ZH ] ils | : HM} 2 , Lhd B | * Til: : | Hil - 2 Ul = 1 | a J ce = T T P.M. AAAAYAAWwN d PT , PC r™—CC‘dC 5 a - fi, ly lr™—“CsSSC(‘SOCOC‘($YRNNYYY. | 3 5 ee AQ a 3 ~~ ij s—eay tse oo oh ae 1 |. | || 3 — You nev- er list - ened when] cal el a t—“C*drY ---4 Yate. Hate} cold day in_ hell Rhy. Fig. 3--- 77-7 oro rrr ttt ttt crc ccc teense cere eres eena ny i ete I Pa — i? pt Grr. 3 P.M. _ 4 Ee eeeeeEOeneseseee Pg FD PO Ss — eee Bridge Al3 et 7 —<— ho ._ ——t A ; fe eet ) SA SE oS a or Gtr. . a | | ga CC ™—TCCCCSC“C(CSNCNNNC| Pts ”SC ad SL | a | Cfm11 N.C. cy Erti —— 7 int ft J elena —————_——hnnnapeel | 3 3 that___-_you were way out of ath — ep 1} ott oo SS ES ES ae SD * na ; ee P.M. 24 Al3 AQ Se Lt lis - ten i a r — a ee a ee Oe es ee ee | es } P.M. OE ._._."0". aN TTTCOOCOCOCSCSC*SdS nn iN fi rt i aGuitar Solo w/Rhy. Fig. 1 (2 times) Cim7 Chm7/F3 IN ie ‘ . 4 wy AN va AN sti 5 " 6 EAS ) iS ? = 7 - 0 — a, | C#m7 | “il slight ———— nn P.H. 1/4 | | P.M. __ 5 P.M slight P.H.---~-~- 4 1 fuil full 1/4 ls AWN Wooo =e gf P.H. pitch : E/ G4 Cim7 . 3 3 MADADADAYYYY “Nv ( ) eee vi vy elie fs... 7 yf Ld Tel , | edd es Te [| ee ma 1 t| °»”°”°”»~i| &| ~~ gg. fog 4 ra |. i ao yg ST "= eT ne “~v 1 im waa oo pg WN AA FH we www fe he a . U CY ote | (4 +—$§__ DF OOOO OT o_O [aA S See EZ ES SS es if _ Nn |u Rae rT Ci*CS OO PC Ee ee | Pd i ee ee a 3 7S W412 fu 2 full ful lp BO IB 2 44 Cim7 Gt7(#9) loco 8va =e eee ene a1 | ei a Ci el a ee 1 hea eerie el | Po Md a eee (eee el ee Tt—“(ti‘“‘(‘“isr UY UU EET Ne ten .| | id De erase en ree ee asa ann aL full grand-bend 1; My Verse w/Rhy. Fig. 1 (2 times) Ctm7 ~ Cim7/Fi —__; Cim7 ya atts pe ee eee ee CUP Le ee > re ee Le ee eee Oe EEO Oe OT Ln EEE CN Ed Ltt es ee ee 3 3. So man-y times _ you tried to getthe best of sss me. ___ APAAN is | ie ea ee Lee rere eve reer ere ae on OE ees” pew Tre CU :C~‘“C:sCSCSCSCSCSC‘( a eee es ee es pA a a ee _ |g a full SAAN Cim7/Ft ee a oo. —- aot 89 75 if? Pom ay eae ee Fo | ee ee TT OT tan fe eee euch ee ee ee [lamang ———— NN eel einen | 3 — 3 3 Yes, you did. So man-y times; but now you’re gon-na take the rest °K ee 5 AW oe NN MAA loco Loft ay ié a es Se | bn a rer A ee es poe 2 ee eee ee EEE Eee Lien fe a ae NS, ee eee eee tnee eee rere [Aa >} —__# — eg ee slight . — full full P.H. full VAN WN Sint | eg ———— yr eC a, ,—o———_ att ee Ct | Cd a ee | of me. Well, it’s N\ a . AAW Ww oF ful] gfadual releasePre-chorus w/Rhy. Fig. 2 & Riff 1 o> ' « = o I ae) uv g H © oO = o Pa T - t = r t | 5 : x = — = 5 o T ee aL ea = i z s = a. rr) c °o Outro E5 rs [EJ cold Ce —— Gtr. 1 Cm7 you PM. .-----4 be - fore I’m com-in’ back ee — day in — + Os ml ff | Mil | 3 | LT aed ay TW BE =e ei he | He AL Uh sill 3 | i | ll al tl | Bet-ter take too late for tears. Chorus w/Rhy. Fig. 3 cold day in_ hell dd Lee Ld There’ll be a PAWN ADPAWN es ee sn tf fe a a a mf PAN DAN OTT TOOT |g rr clUmrh, C rrr™t—(..T.T.C.C~™ | ang gaa ty PES Ee NS PS F#5 YE Cea | —— fore I’m com -in’ _ tr you NN COU }—-—- ,t full full | CU Zrts—“‘C‘CSs™SsSsSCSCSCCSCCSYS; fe r—“CsSSCSCSC‘CSA' ZL [im —s—“Cs—SC A Pe Gi5 BS eo TO 2 Lae TCS [oS —w« «4. if | back to > > lag ss faa\ys—‘“‘CS™S™*™*™C™C”CCC*d@CS fag, Cid a - and it’s late for sor-row, too fore I dis- appear. There'll be a C#m7) a it = 5 — tt —¥_f N * se Lc Gt, 3 full Dp J i 1/2 eee EE EEO OOS PO Oe Ce Fa5 N.C. A7 a En ee eee eee et | fore Im com - in’ back to DAWN Ce atts — pe, = > PM..__.--4 P.M. AWS T_T ee PO RS Po le (TC OT ES a f 1 ~~ Lee ee y Hoa eo 2 CY —. <=" °° °° vf | cold day in hell _ be - yet 4 J test #8} o_o. —— ot EOS Od CE eee. a --e -eee eee e--e a ate | Pare ki i Ty i) J LS-_# _# _#_____. Le {| 6S REP..C‘(‘(‘COClZ En eee eee LT A ES (ES Te t—~—YSC COCs (LN DTT | wt PE ee oe EE Ss {FT Yeah. Gon - na be a . rN a .? ww ' “ = 2 pti‘(‘(‘(‘(Cél_idrYS E} |} "4 9 —__+—__}+_"_+ _.__}_ ____} }_ rf} a F#7 Cim11 _ , 4 é ——-> ‘ a: rite — , UU a TS eS eS ST Sl es es a es Ff Eo EEE YT 2 eee eee eee ee eee oe ™~ Gtr, 1 mf w/dist. full 1/4 1/4 rake AAAS wees nO LA =e SEE aeeeeeeeeremr ss rT TT es OE EE Rhy. fig. 1 (end Rhy. fig. 1) Aol Cd So Eo eee eee ee —=x==E EZ EE] Or) En =" A EO ee | ——C“(‘Ci*s ite. | _—| * Gur. 2 P (let ring throughout) let ring jp TEST = Pe t—“‘ieTCL—tSC——CCT CO ‘“ eC Er (BP O_O Tee STEerre,pr oor Oo OO SS ley TTT ee eo eee eee TT EES TEE 7 * w/chorus w/Fill 1 C C5 D5 Am £ £ N\ os ro el se |. hg Oe eee moo a ee Fe t—“‘t‘“‘(‘(‘(‘(‘(‘(‘(‘ éiC*dr Pei Ud|TCOUTCdTC CSCC‘ FCS C~—‘“‘“‘“‘“(‘(‘(‘(‘(‘iaH +sé~CO;™”TTTTTTTTTLUCUWY AS gee — = 2 ee ee ee ee full = | —_———| __— Ll ee eee eee ee SE ES EEE EE ET | fe eee ee eee ED EO OT eS eg "=p, eg eee __ CO == CO——OOTCST Ne ee eSSSStsSCSCSYCtCt—‘(RNCttCOCtCtC™S*«d a ______ aie | Li a Copyright © 1992 EMI 10 MUSIC LTD. (PRS) All Rights in the U.S. and Canada Controlled and Administered by EMI VIRGIN SONGS, INC. (BMI) International Copyright Secured All Rights Reserved 18% Verse w/Riff 1 (7 times/2nd time) w/Fill 5 (3rd time) = aa Cc ,..tt~—‘“—sSs™s™SC—C—s—sSé SL CO “=e “= oO OEE eee, ee? red A ee ee — —— OO OTOYNOOo S]q@_ "SI S@FT€o_"”[”0.0-No0--’"-"--'-".]._ <0 Oe eee tf Oe EE 1. My ba - by she left me. My ba - by she’s — gone. 2. She said it was Ov - er. She said i’sthe end. 3, Say a bro- ken heart can al - ways mend. Rhy. fig. 2 My sweet lit-tle ang- el has spread her wings and flown. __ A-bad luck and troub-le gon - na be my on- ly _ friends. _ That time is the _ heal-er and sad-ness will end. lm Nene} Na ™ _\ | a > A 2 | [| ¢ #@: | | | [Pgs gs slow bend slow release slow release full Gtr.1 fulwRiff I (2nd time) wRiff 1 (2nd time) Am E7 hg pee ie o——_e——§----}. — [TAS ge | Sem ee fd err rn ern i fener weer errr erway et i baum To think of a reas-on for go - in on, from I © still can’t be-lieve it, after all we been _ through: Ev-’ry But I’ve done so much cry-in’, when will I laugh a- gain? Till substitute Rhy, fill 1 (2nd time) oY Dg a ner rf eg (lS PAS Lene i cf w/Riff 1 (2nd time) w/Fill 3 (1st time) w/Fill 2 (ist and 2nd time) | 1. | Am Dm Am F9 E7(#9) eS nnn baa fo ——$—<—<—<—— a eee this day I will play the blues. day that day, 20Bridge wRhy. fig. 1 (2 times) 2. w/Vocal fig. 1 (2nd time) A Am m A5 C F C5 DS f paeene 2 ee eee a |_C ) Ly] ry = r or a J —— Le ee blues. Gtr. 2 Ev -’ry- bod -y knows what the blues is all a -bout. A rh wee \ \ en ee EO TCOrdSOT OO _ 9 FD Pe TE ee OO SD E558 «C.1.Q] Ae ee (a Pe Ld et UO SP ”t~ti‘“‘(‘C(“(“(‘(‘(‘(‘(‘“C SH ™””O~*~*~””™~™~«SC CULT * Gtr. 1 substitute Rhy. fill 2 for this bar (2nd time). Chorus (3) 8 fr. Eb + E749 Gtr. 1 4 ; C F C5 DS Am ™P ee ee eee 07. Wa a a ee ee eee ee ee Sd ee ee eee ee ee ar pte |CLLTLTCULLCTCUdLC TCC *he CT ja me pita le ee ee It's a pain you can’t live with. _ It’s a wom-an youcan’t live with - out. She came from Chi-ca-go. Could’ve cried me a riv-er Rene ”nr ) “ee Lf 5, |; '| id y Ose —s—“s—sSE"RCO#E | eee = eee oe eee eee eee ee a | PC Ts | °° ,.rrlCUuUMDCmUmOCO CQ = eS 2 i ee ee EE a Pee | | eg | pf rE - pie —|—-| LCs CC re | |} P| ~~” ‘\ __ 3 Gtr.2 (et ring throughout) ew mf vy mp i™ * substitute Fill 6 (2nd time) Vocal Fig. 1 (Background) Ah, 21F9 E7i9 Am Cc Dadd4 Cc —J ie She read me the news. __ In the head - lines was a_ sto- ry of the when they told me the news. __ On that day was a_ sto- ry of the ye 7? yp t(‘ i] FED OOO O—— | es a ee ae a_i. a38-~nW_-_2A~AN’”0—-”"_L._ |. ¥___ hr? dLTTTCO™O™O™OCOCS:SOFSCOCO"“FEEW]Q]—~——S or TF? de “eg COS Ee SE y Le EL. ie hd [a w/Riff 3 D.S. al Coda Am E7 (use 2nd ending) Am E7 6 = a > Net mn ga ww 22£ “ww PACA, Oe p =H Ne N VEE N yo eee oo - oY OF ht Outre Eee Oo Ss a ey san tes

fn S — | Ww, Cd ss ee ee EE ee ey wo Pe Ta pT EEE OT — Hey ttt . rf hid A | Ue Free TT Ee TT Te 3 a en ae aT aay nae ee is | fy iS w/Rhy. Fig. 1 w/Riff 3 E7 Am i Th es deed A ~~. __ rl . “en _ pg ees ee ee oon ee Oo I NS | [_ £.DLs ee OUM r rel mz Pj | ee Eee 1 jf ft gg eT Ce ———=——— IN slow bend 1/2 1/2 1/4 ie we pO ___ =e — Pg gg| | | * | 6 ve MD cH * Catch both strings w/same left hand finger Anv/G — N £ Amit bs , ~~ ctr et tee -——5 oe ooo —3— Epp freee Se ee J i ler yp 0 _ i hh ee rep -_ si = _————— ry 0 3:27 E> Ik > 2 + _ WS RAARAARAMNNS _ A 7h Le. — _ Ly ee eee —_ RS has oO OooOooOEoD0o0§ iE full full full Am rake ~gs.: AN : > ; (Be ete ee oe par] TTT |) ieee —— |_| | ty ( a ob Slight harm, a ein full See ees full wg 3 ee Rae Le x ~ 5 3 rake J +0 wy A g 5 - a w/Riff 3 Am E7 N\ ~ N £ ae 2 [ %—__| + |_, oe tr fF _____ eg — ee or ae oo ee ee Ee — anil a a a oe ee a a w/Rhy. Fig. 1 Am Am/G} Se ewes NN NX a (loco) N N wee (loco) pe oy rr 7 ooo a ooEooOTMTM.EOaO ESS = 9 FO J See ee oo eo Ee | tas oo ES A DO rey a nt oD oor —<— Pe wees full full full full full full ~neans CE EOE EEE ET ETT ET EE ES TSS . CE EE EE SE SS ee Ss 25, 2 ©) OF o> ——~,. © £ full full full full full full 2 2 full ~~ ef wee CT TTTOOCO™—OCONNOOOCCOCONCNOOOCOCOCSCSCSCSC‘“‘CSNSCOCSNSCSSSd POC P—OOOCOCOCOCOCOCSCSCSCSCSCOOOCOCOCOSCOCOC“C*S NT CT OONO*NSCOOCOCSCSCSCSCSsSSSOCOCOCSCSCSC“‘SNSCNOCSCSC“‘(NNSCSEN SSC*dS OVE oo ee eee eee eee ee . E7 N N 5 a a + é . Ls /™ f ~ = “a “a _ fs ZN [| yw 2 ee Ce CTC UCT TT r | gf | fF »5 ff #24 | | |r Tt Lf. os Po [i dC rt CUCU CULL OCU oe rm | Le Lil meee ———_—| a Pt TT 2 EE ee se psy UA DX 2 | ||| {| | ~'| Pee eT Tet eT de ee lel bo ——§ a —3— eo === ee —_—_ jsf esas ~~" uA LS a a —3— full full 6 5 3 full Wn full J — Am leco Ree 8va sseeneeeeeeee 7 AN Gg N\ ate Naw g . AA ~~ e d N= Now ~ a ee Se a ee ae ee eee -—] Oe A OE eee Fe _ ___ hn nd Ta TT 1] Td [1 er a = es full full full full full J —_ ~ ~~ . An ween ae Pg Pe Pt™~—“CCCCCOCOCSSC‘“(SNSC*dSC(RNS SCO Ne eee sd 26w/Rhy. Fig. 1 w/Vocal Fig. 1 (2 times) DS C5 slow release *Gtr. 1 * Two guitars arranged for one ee ee ee eee nen &y Am D5 Cc Arann Nas Fr wy ite let ng ---4 full 1/4 i/4 1/4 TN — : , ; | | Free time = = Td Cede aal mp let ring full Fadeout feedback P.H. slow release feedback pitch: C t P.H. Pitch: D,C 2728 Since | Met You Baby Words and Music by Gary Moore C7 F9 ——, rere : ete : 1312 r37q Swing Feel J = 152 J =e) Intro 3 (F7) C7 VO 0 eee eee eee , loco a I AA, WN ’ £ ~ Cy ot hh or $$ ja —_—_—_____ FF _}__ fd DD, a es Po ee 2s ee ee SE 0 es eee a Tre 7, | | tt ey CL Te Py Cir. ed TCC‘ 2 a. «Gtr. | tS (w/dist.) slow bend 13 1/2 1/2 1/2 A WN wn A TT TD mE eee ee Ns, OO eee SO SV@ ~- ne eee eee eee eee eee N APAAALY “> ey s?> ore ..LCCOC Cd if eT ODT —————__E__ "ce... Esa“ ee rt~—“—OCOCCCCCCCT..COCSSCOC(‘“(“‘“#S$NNNNN’NYNWN’UCENS“C“ ON#NCO#OC#C*ti#é‘*SCQY:C“:i‘C#sg *Gtr. 2 (clean tone) mf full 15 J APDAMN J eee OOOO LN Pee TT eee ee OOOO * Gtr. 1: Gary Moore. Gtr. 2: B. B. king. Dm7 G7 uw ch nw KS : N\ = . be L eo of _ fe —_ oo —__ ft ft 7 o_o 7 lm LPP ernie Ca ee ne ee ee ee _ eC 1/2 full full AY u AYY eet eS YT...” a a Oe 8a .-- e+ e ee 4 me AAA AAAN yt he Ee Ll Td CO ”—CO SJS\FIPEO TT TTTTCSC—SY RE ET __] NS Ee EE 3 : Copyright © 1992 EMI 10 MUSIC LTD. (PRS) All Rights in the U.S. and Canada Controlled and Administered by EMI VIRGIN SONGS, INC. (BMI) International Copyright Secured All Rights Reservedwith an in the morn -ing wake up to *1.1 used C7 $ Ur li J . 7 vy & 8 —_— ue zz ° 5 y y | 5 & ~~ ” c ate y A] 5 2 a n = ae Z a) p v 5 S G od 6 & = = . s A : 2 5 Ih ly 4 » o] ' OD GS ” [ -. | og > = 5 Hi} a o Tc il ell ow UZ a a 3 Hi} 2 So to = ut . 3 2 | | oo OE EE o wo mn ’ s ( ( ~~ 2 + & . ( Sc a | + 2 wl | ~ € | sl Ceres l Oo > ' > ' a 2 a 4, 3 g ( 8 a> 3 5 s 8 5 ll o - 3 & a TT 3 i P Act > a i : : | . ~ > cr & YD S o = O—-|[] E ~ a Siean z - | | s o OQ — f ~ ] | nm a & | Nos th | . | | in i u os . = oO ao = | @ rte ob : yi] r I = a 5 & ° wn ° z =~ ‘'S ra ~ nN t — a _~ s is a ~Y s . OQ i o © Lt | al Kr) s a ) ~ AE E Che et « (i PS Pe PY YHw/Rhy. Fig. | C7 G7 C7 N.C CY = Td wv, ae ee eee |. |). ss pp fF Ff Ff TeX | lk Li a | gy Ba ee TT (Spoken:) Yes, I am! *2.1 used to think that I was Gtr. 2 APP EO -_ # pe 3 WWW ry [8 oo 8 i (oe EE ot in ees So oN ae: ce ee ee Gtr. | — r ARAYA mf full i FO N.C, C7 N.C. * Lead Vocal: B. B. king bet-ter than the rest. Ain’t no doubt a- bout = it, I was no se -cond best. Did-n’t seem to mat- ter what was right or what was wrong. I did some cra- zy things be - Chorus w/Riff 1 C13 (F7) a o— et EE | A A Pe] ae |g ~yY Ume EN er | ee ie ii |_| Td eae pe ere rare ner ere rere gree rrereenpp Dee] fore you came a - long Since I met you, ba - by, (you’ ve) 30by, I'm ba I met you, Since Tm rt we ee rr ee ee er ee eee ee ee ey 8va ( \ | = we i ‘3 3 o Hy wT i oy I I ANY ed Peg sisz” pn __] N N oh — full J full a , 0 ee OOO... ] OOO A could 2c ih Wh l “| i it 7 in ri vn | ell | ii || Hl se I eH . hy Guitar Solo 4 he | | —az ‘ | 3 % my — $ x ‘Sr. | - | a = C Oo 4 dp ~ ty i HL O ft TT SH TSH pe pe pT pT G7 Lele a hap - py as a man may full |) eee) Jt et mene! full full 1/2 1/23. Since 1 A- AM - ll. | 9 all) 3 Sli 9 cy 2 a ac |? * i :¢ i rT i Ty . i. I : to 5 P = i! . , LD eS ee es ee | met you, babe ee ee a Re | ry Gtr. Co a a em Yan OO C7 co 3 CC TTTCT™F—FF a Eee ooo TFN. [Oe eee “8 CT Tr ee Oo ; Since [| met you, ba - by. Toco ocerrssssscsersccsccsscsccsceseesccssa lace AY — vd ean TTT | ss - #1), #4 ee 7 —_}- —_+—f_$ OTC PEO Oe Eee ee i — $$ —— $< ___ 3 3 Gtr. 1 AWN eee Pe a Qa G7 C7 \ es er | CL). Teds TO Eo LS ee —— oF — ee | eg Ose hap-py as a man could be.. (Spoken:) On more time, yea! a Oe a —22-.DT VW (_ TT (VO Te a PT Since I nl e | all u lm met L so OUONN poe ET IO an: fr a | Tr! Le EE Oe lee eet Py ~~" 3 ~ full : ; NY A TO Le Le Verse C7 hy - (ar |\ sf #fF f.d TTSCS™ tr wv | |) 7; J Vga.) CS Ee Td met you, ba - by. fo an «TTT COU TTC ih EE —— $< rr $f v Gtr. ? mp C—O TO 5 Ce Y F7 —3——, te se eee in. | | fF. sf Ff Tai | | [A A Pay met you, ba - by §va f | é ns | i; CisSCS? A -_ SS TTTTTCOUrr:™—CO Sy iLL fT } Gtr. 2 y} Ce CS Ce Ce Dm? ct —@$ FOU ae aS ee you, ba - by,Guitar Solo C7 TOE mn ns mmm eae mn ee mw ene na nn ee nen ne ee ee ee eee — o-—— _———~ — An — — Yt |__| i ‘ | ll Re TTT Hh, 4 \ Pa aa r i lle | tt iin il l | wer rrr er ene ee ee eee eee, ~—__ | fi PT Lg} full 1/2 TS _ e=en ea tS PE OOO peers Orr TT VE oe Sy NX —, Yt 7 0 9 2-2 9 2 —_______ A Ee oo ea or Co oe Lee Oe full 3 — . . . ——~ PE DO ETT TEE TT a C7 loco A ~. a, need tre a ng TAS ~~ een... ES MS rN =... | —, wre c ett fee eee va ll t Le Ly i A, i ; ir —, a, a) 5 w U2 & ci o £ = bb S Ee s w — A = = i _ a * 33C7 a 1/2 1/2 G7 Dm7 i by. I met you, ba - 4. Since met you, babe.__+) I (Since z | ti Y dy. Hl ty el ll ay f< TT : i ) | ll ATL NL TY by. ba met you, I Since I by. ba you, met I (Since ) babe. met you, I (Since Gu. 2 * Push Ist string into 2nd string.Since I met you, ba - by. Well, since __ met you ba - by.) (Since I met you, ba - by.) ee APAADALYYYDYWN Dy Dm7 G7 N.C, - t a ——— [Le ae LE DG eee Lf Te eee ee eee EE EE Oe OE EOS ee EE eer nner nr nn Ca __. += met you, ba - by... I’m hap -py as a man_ could be. (I’m hap -py as a man_ could be. ) L loco SS ————— — — tH poe SE OE Guts. 1&2 f fee eee proooaeeeeoe em, oT TTT EEE OO eS se esse ee aaeoeseeee ee | Free time D7 C7 N.C. eo ee Lr a a SS ES OS es Hey Hann ET ey (Spoken:) Yes, I am! Hap - py’s a man can ALN i —3—, b _ X J 5 SN —— —— Le ee Le yp en ee eee | ee Fe Oa ll —* Gw. 1 full Z . I a be. (Spoken:) You teill’em, Gary. Ha, ha, ha, yeah! 3 DAADADAAAAAYWW, r— i | yee UT TTCUdTC™~—“C—;CCSC;*'SC(YCO CCOCCY:COOUUOUTUUUU by ees ee a ee 8 800 _ Bh Te Re EL EE i. 1 Ny. LDLUmLSDlrrt—t—s—OS—C—C....CCLY] Sf. a a ee ee eee eee eee i. | | | mo. ht) (C:C*C*C‘(CéiézCO i Ly Pog — Pi eT Ee Eee ee EEE N\ AAPRAAALAALAAAY ag enh fp aS 5 a><46 5 H 0 5 o G 0 O S 5 6 | 5 : p 2 35Separate Ways Words and Music by Gary Moore r U a SY Tee Le CU ULTC™™~—CC.VCCCC‘C(#(#Cd 6 Sema * ee” ee" Gtr. | mp (clean tone w/chorus effect) Sees eee eee eee Oo Fa Oe bi esse" o—g ee (Bm) D/A Gmaj7 AT ' N\ — oN N\ yh ON A ener —— 5 {ee ps Sp fH] Tf EE ET = , enrO-ONN ei ee | C“‘“CSSC#*SSCOC*CDCS*“C($S‘CN‘NCN’NCé*NTSTCSCSST YS]: ss? EE TT _ Ya0-vnv’”.".vr-nr~"”nv”"”n-0-”--—] eg we MH 3 — : tl oe = wa o a 5 & ~J [fe a 7 — | — of — Fo i -— tf a” 1.What is it that you want from me? I real- ly wish I knew. ___ A7 Bm D/A SS SE U) re ee | ed —_7 s oe GA ° > fo = cL ct 5 o ° 3 net o om Wa aad to | -_ w “+? : ( | i Copyright © 1992 EMI 10 MUSIC LTD. (PRS) All Rights in the U.S. and Canada Controlled and Administered by EMi VIRGIN SONGS, INC. (BMi) International Copyright Secured All Rights Reserved a 7Pre-Chorus Gmaj7 A Fim1 1 s™~ nn {| ee PY eee ST ze ee = u a | =| Cs, ™~—“(r OY LhUUvm? LU C—O ar TTt—:C eee ee ee ee Ed tT. | eee Ct—C—Cs—C“(‘(‘CSNCCCrL:C*drSCOC ML Ed ee a SS ee |... 1 eer ee not good en- ough for = you. O- ver and O- ver a- gain we will eee OO: o@a@mn@mn-——] Cm ee eT eae e—= eT Ce eC CT) ne a Td ap | make the same mis - takes. O- ver and o- ver a- gain there’s a =a > EE-F=>=-— 80 —>=—>=EXQX?-0"-#""—"9#$——wo—rcVryTOFOooNOO LA ee ee ee i... oe eT eee eee —e ee | kn rym err ee eee er Em7 Fim7 Gmaj7 Bm Fim7 —— 3 4 . aoe | f) 5 yt —F iT sf. 4 Ee OE —=p eee ee — | re | =" TS ge ee a es es ee Tea a eee ee eT ed Pee en nn mmm pC Ley Ce Oe ee EE rr ) 5 Em7 Gmaj7 Bm le oe —— OT Te oe — (Is it time to go...) — — (end Riff 1) ~~} Lory ee ——_—— ed ) {A ll) , w aoFim Em7 Gmaj7 Fd] See - - ? os Our sep ar-ate ways’ oa —— f a F ) A ty a Tse OOOO —e eS OT oT ee eee Ee ee TT ey se Eee ee esi T_T A en ee ee | a . * Do not slide 2nd time You know I need your love so_ bad. Can’t you see what you do to (Ah. ) (Ah. ___) (Ah. __) CJ ~ ll | fis pare ee Oe eee A+ eee eB OO er”... ,. Oooas27™@— MN Eo ten. pe eee EE eee me? I try so. hard to un- der -stand. But the . I: P | ¥ KI ee | Tan fi # amen Le Oe fa EE Ee Ae eee ee EO truth’s nev -er plain to see. (Ah ee _~ = + a — 7 - 5 o —- ©Coda Bridge @ Bm Fim11 on ~~ MN Time af-ter time, we will try to un - der - stand. AS MP L 4 | CT * fi Ly a) eee ee Eee ."(-Nr7--——— oo oe A. le“ yd Cs Pn a ee OE DS .Hic-nN™NNYSoDDDNE Ne eee eo rn fe eee eee TT ee. i [| Le I don’t know where we went wrong, but i" ‘ — , AAW _y a lee Cd Csd Vd 2. TOTO) pee ee Ld Nr’-’-’-"’”--— oars Ay beet — aS rae gg AYN Gmaj7 Fém7 N.C. Bm7 ES ETc ___ pee eee ee ET SE oh there’s no use in hold - ing on. Mmm. eS es nenGnne ener weeny seme 5th rg $e —= Der re eee ~ mee” poo” pT Ee oT pT pT EE OOO Ee >~—oNv0NNNvW_ TT T= TT Guitar Solowe will and ver Harm. _---~ a O a aa ee eT Ce C7 a- gain | / : | g gil ant | 4h q eM, - | i : | T i 1, || / ~ | 5 ial : Wil , , : WEL Y Gmaj? ee — ver Oo Fim7 ——— a can take a ee than a man oY ee ed ee and - ver O and it’s more DIA DADAWN —, : : hem ' é : il bE : i! A ! . oe ! ) Tall : a. | (| ' | | | I I ' To , : : ys ‘ ' =} wo Ss CH, zat BS He I Hs CH ral el) ti: t =! a i rane EN | _ 8 eT I > 2; 2 : “tt tL i * tt Ft no ty a t HT all PL tre TU he He the The the Phew/Riff 1 (3 1/2 times) Chorus { | | our sep - ar - ate be] a _ fe PE — ee e ™ 5 | Y oO A A > > > os a o z 3 = y il ' 1 1 4 3 a 1 t a. . 2 2 s 5 Cine S Z. — bay hey ‘Tot 3 3 = r } © O > < Ct Cm ' aI = ! aa ae ; . om ' . . 1 . ' oS . 1 an : | > « & A S ; dj D Go ae Hy ° — : 5 OE s 6 S BY ed oD 5D on & —_ ° ° S 2 il , wo wv wo & & E | a il - v s = NI ¢ we” = = > a a — t~ 3 : § E E S 5 © aa Ht 3 BF Br TL UL wr er} re a) 1 TY T T T T wm ee ee rr eee ees A, -------++-------- 225 T ce a NS 1/4Only Fool In Town Words and Music by Gary Moore Moderately fast ¢ = 126 al rom ° oderately fast J = Intro Ne SEO nr _ N ———3—— — = 2’ 2) ee eee - a — EN eS ee 1 i. w+ oe ——— Cm7 F Cm7 \ (F) ae i —— Hey ee “WJ 1.She’ll tear you \ /~ J ea_oaq@m”>2>> ~~ Ho + | FF 2 a i —_ — + ft of Be yl gl (| — lp eS To mee | TT Ft LI 1/4 semi. P.H. a 1/2 full 1/4 full 1/4 | Verse S * w/Rhy. Fig. 1 (D.S. / 3rd Verse only) , Cm7 F Cm7 F Cm7 F/C ot be , . a Yo eS Oe re rma” i —_ if; a fg’ | -f fT tTijA\yLLULUKLLULULULULULULULULULULULULULULULULUTLULULULUMElC LULU Oe | teed _— IS 3 3 up She’j! bring you down. __ She'll leave your heart in thelost and __ found. _ Ta? oo eS ee See ee OT TOE NONE i jo Te Ci‘“C;CCs*S gf gE a td P.M P.M. _4 P.M P.M PM ASDAAAN, * Rhy. Fig. 1 replaces following 4 measures on D.S Cm7 F Fm7 BEF Fm7 B/E —~ — [vy Tg P|. BO _le—=Eh.._._C EE ..rCST——eEaSS ye by ro ; | ee Fé Or er Pp Ce TTC Nee | _—_ AIO | 3 She’s just wait - in’, wait- in’ ‘til the sun goes down. __ \ is mm {= 2 ee iy Th Ue TT Oe ee | —_—_ —_ tt oa ee ah Oe > o_o —_} os ir a ss se en a - eg tp TE 0 eee eee es ee ee eee, eee ee eee P.M. P.M. _ P.M. let ring Pg lg gt Pg Copyright © 1992 EMI 10 MUSIC LTD. (PRS) All Rights in the U.S. and Canada Controlled and Administered by EMI VIRGIN SONGS, INC. (BMI) International Copyright Secured All Rights Reserved 43% you're Take it from me, * w/Rhy. Fig. 1 (Ist 2 bars on D.S. only) _ bad _—— — P.M good times je—_—__4 FY _ P.M ll CU el a - round | Sh Li make you hap Fsus4/C E/C || _— _—— — I P.M | Bbsus4/F BI/F ;-trtC“‘CS;SMCOCOWTCOC~™SNCCY even bend | tcc CCU LT — fool — [/———# PM 2. She'll to make your | GF? i om ie tr fi. | uy 3 i iH i i | ill 2\ WE il (| Tl Til. | i ul ft i a all Cm7 kind that likes to | _ ; 8 way __ L ht N\A TT | CI r | ; mt. | Al HI : PR ald bbe ll. i= . | | P.M ee ae as P.M — LS a the | a ee Cy a P.M | ee pp en fate 1/2 fs—“sSSSOSCSCSC‘ésC a ee eee ee ee ee [ {| ™~—OOCTTCSCSC(#CS F ee LL et Lite ny ~~ ea OS CE ee SSSCSSCSCSCSCSCSCS#”SONNNT* | easeanel | — Cm7 F ie a ~~ i 3 - She’ll__ find a eo — Ll P.M. 4 a ee ee | lll LT™~—“CSOCSOTTTCTCOC‘(’S’NWCSCSd Fm7 Bb/F OT ETE OSE oe OF OOO OOOO To Coda $ Cm7 5 ( iL T g | ( w SPC eae x g = ema lll + at | r * Rhy. Fig. | replaces following 2 measures on D.S. F9 —————— a BM Py- an, Li i, hg N\ ee ae — full \AAYW wort full py Neg eT al a Le G7#9¢45) Cy — Fo NFL not the on - ly fool in @) os ——— ee Pd . paar | L 44 | A o 0 0 we 2nd Verse Cm7 Fsus4/C F/C $y 0 p+ ——_ | —-—__—§_heet | She’ll make ya sad La ee o—_—__+0—_ +} —_—_ ty — 9-1 AN LF ee ee P.M a -- e pe de Pg ee Oe aes Pg Cm7 F/C Po) ee” +} +f 44Li TY, i CU sooner ee OE PT iw Fl ese Te CU rae? Oo FE "=F hE CC lLUECT CL 2 ee, PASO OL an Take it from me you're MAAYAY 3 ' ADPANW - a a 7 s ey || C e Xd —_E —SE __ir e E o LAU ia... CULT T CTT CUD eS SL CDC QTC eT NN lh ti‘“‘C~CC RE A | el, a er ol le es eT OL FE—=e TE LE TE Ee Ly Te ”™LD.t—OSF_llghLCLLlULUT elf ETT — <3 |! > ) — fo DAWG ADWN, el i eT C—O yy Se eS ST Po r—“‘“ Ll, el ee ig 2 ee” Cty EEE EE S| F9 Gm7 Cm7 — FT? - Ff - | “« # \ YL ULULULULULULULULULULULULULULULULWQlLlLlLUee. ye iw fT el a al De —‘C;ti‘SC*dr ¥ YT] wa” PY | fT. lL LT CO “=e , CEC ie |__| i] not the on -ly fools in town,___EO There 4 ‘ ‘=~ N bes No LL Ow | yy ea >| ———_}|—_} | __}___aanrnrrtann a —— | ff tt tt CT Pe a a a | sas banat eee ee i EEE + ee 2 Sy te a rrr ee Uy | | ae eee even bend full full full full F Eb Bb be . Yd 2 a | eee eee ee Le ee ee on PO ee ed A Te Es “> LO O_O ee "ed "Cm ips Eames a a LO ™ Oe Td ee rte Le Laem EET nl. ———— agent” y — some -_ thin’a-bout that wom - an, she tries to drag a good man down MAAAAAAAAALYAAY *, MPAADAAAAA, eo of ‘ “ a . . h a . | iy | Pe a Dg Eno Eo Ber x! ee ett ST beeen ere APDAPADRYAYYYY YW WAAAY —a a Y —— rr Ee O_O ee ee, EES] Nl ee ee TA (Ed ee a I ee ) There’s some - thin’a - boutthat_ wom~ - an, ARPAAAAAAAYY —3 ADPAADPAAYAAAYYYW ————~ iy Ty, aa fg Pg | A gs po netted Ty CU” Dd ed . Ss * . . L semi, P.M, ------------------------- : Lene 4 45