- - --

fan asia.__ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _-'-

A IIem ande (fro m Lu t e Su ite in E m in or, BWV 996)

Et ude op. 6 no. 9 .... ____..........__..______.....................................-....------..--..-------------...- - 6

=-

~=

art arr. A lmeida

Blue Moo n ... ......

..... ........... 8

Fandanguillo (no. 1 from Suite Castellana) ..

................................. ...10

Nor tena (A homage to Julian Agu ir re) ..............

.........12

B
~

orrob a

Se ela perguntar (Waltz) ..... .... ....

.................................

.... .. .... 14

Preludio trist6n (no. 2 of Cinco preludios) . . . . ..

....... 16

Le quartier latin (from Le tango parisienne)

......18

Technical Suite (Scales, Arpeggios and Exercises)...... .... .....

20

- -:e,.. a ive pieces fo r this grade (2010-2012):

PA
Etude XII a Mr. Holm [de Copenhagen] (from 25 Etudes op. 38)
__

arva ez

e Ia Maza
-=.-ega

Schott GA34

Differencias sobre 'Guardame las vacas'

(from Hispanae Citharae Ars Viva ed. Emilio Pujol Vila rrubf)
Paseo (from Platero

Schott GA176

v Yo)

UME UMG21738

La Mariposa (from Opere per Chitarra vol. 2 Studi)

Berben E1532 B

PB
Etude 19 (from Etudes simples 4 e serie)
-

Eschig ME8495

Yacambu - Vals Venezuelanos no. 4 (from Works for Guitar val. 1)

:::=m am bu co

Grauna (from Famous ChOros vol. 1)

Mambo des Nuances (from Mambo des Nuances et Lille song)

.2 S

.., --:;ar arr. Burden

Ashokan Farewell (from Certain Hits 4!)

Caroni Music C2001

Chantere lle 761

Editions Henry Lemoine 26193HL

Garden Music GM21

Pieces
ee pieces to be performed, at least one from each group, chosen from the pieces included in this book or from
- c alternative pieces listed for the grade, to form a balanced programme. Full details of alternative pieces are
; en above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition of
::.similar length and standard to the other pieces chosen.

echnical work

:ce inside back cover for details.

Supporti ng t ests
:.C

idates to prepare i) and ii):

Sight Reading
ii)

:=e

ural

or Improvisation

he cu rrent Guitar Syllabus for details.

:ant
idat es and teachers must refer to the Information & Regulations booklet for all examination requirements
egul at ions. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative
ity's Head Office.

Guitar Grade 7
Pieces & Exercises
for Trinity Guildhall examinations

2010-2015
\

Published by:
Trinity College London
89 Albert Embankment
London SE1 7TP UK
T +44 (0)20 7820 6100
F +44 (0)20 7820 6161
E music@trinityguildhall.co.uk
www.trinityguildhall.co.uk
Copyright 2009 Trinity College London
Unauthorised photocopying is illegal
No part of this publication may be copied or reproduced in any
form or by any means without the prior permission of the publisher.
Music processed by Artemis Music Ltd.
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

Fa tasia
(. =

Ant hony Holborn e

(c. 1545-1602)

2 - 88]

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poco a poco cr

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A e an e

from Lute Suite in E minor, BWV 996

Johan n Sebastian Bach

(1685-1750)

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(1778-1839)

Andante allegro [.. = 84-96]

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49

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All Rights Controlled and Administered by EMI ROBBINS CATALOG INC. (Publishing) and ALFRED PUBLISHING CO., INC. (Print)
All Rights Reserved. Used By Permission.

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no. 1 from Suite Castellana

Federico Moreno-Torroba

(189H982)

_-illegro, tempo di Fandango [J = 58-66]

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Copyright renewal 1954 SCHOTT MUSIC Ltd London. Reproduced by permission. All rights reserved.

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A homage to Julian Aguirre

Jorge Gomez Crespo

(1900-1971)

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Reproduced from Latin American Solos for Guitar (CO 313)
Used by permission of Columbia Music Company Inc.

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Waltz
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(1916-1977)

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Copyright 1954 Bandeirante Editora Musical Ltda.

1990 Guitar Solo Publications (thi s ar rangement). International Copyright Secured. All Rights Reserved.

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re dio trist6n
no. 2 of Cinco preludios

(born 1957)

T mp o di :\1ilonga [ = 72- 80]

Maximo Diego Pujo l

1_.. ~

-u= ]

ben cantando

a tempo
=CX -------- -l

"

l""""CY

rail.

a tempo

piu mosso rJ = 108-120]

Copyright 1985 by Universal Edition (Australia) Pty. Ltd. I UE29180.

Reproduced by permission. All rights reserved.

47

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60

[nat.]

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-=-

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--

l-

Le quartier latin
from Le tango parisienne

Lee Sollory
(born 1959)

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-r .

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r
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a/iss.

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Copyright 2009 Camden Music

Reproduced from Le tango parisienne, CM244

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Technical Suite
-=-- ::.::::-:=:.:: c oosing Option ii) Tech nical Suite in the Technical Work section of the examination must prepare all the following
:::~

=.-:::=;gios and exercises.

Sc les and arpeggios cto be performed from memory)

-- ~ =-

Guitar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

:==. == :~

e prepa red apoyando or tirando, * at candidate's choice. Straight rhythm .

- -:=:;:; s o be prepared tirando.

:-::.~-E

c -'her Group 1 or Group 2.

pl
ajor scale (three octaves), im fingering**
armonic and melodic minor scales (two octaves), ma fingering**
- ajor arpeggio (three octaves)
::r:ninished 7th arpeggio starting on A (three octaves)
oup 2
major scale (two octaves), ma fingering**
harmonic and melodic minor scales (three octaves), im fingering* *
minor arpeggio (three octaves)
ominant 7th ar[Jeggio in the key of D, starting on A (two octaves)

yando =rest stroke; tirando =free stroke

.3. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum
..::-car Scales & Exercises from 2007.

,. -

Exercises

\0

1. Mirage (harp arpeggios)

J=

t=~ ~
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3
p

60-72
6

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mf

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6

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Copyright 2009 Trinity College London

\\
2. Perfect Sky (tremolo)

J = 52- 66
p a m i p a m i

etc.

~~~

molto rail.
9

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_J_J_J

l~

\v
3 Rasqadenza (scales and rasqueado)
i

t ttt ttt

~~~ ~~~u E

f ~

nJ
i

'"!{ etouffe __________ ____ J

,.

......

nat.

;..

22

- o tJe played apoyando and staccato:

A major (three octaves), "!f. imam fingering. Straight rhythm. norm. tone
D major (two octavesl. 11ff. imam finge ring. Straight rhythm. norm. tone
To be played apoyando and legato:
A melodic minor (three octaves).p . imam fingering. Swing rhythm. pont. tone
D melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone
To be played tirando and legato, with tone colour gradually changing from norm. to pont. to norm. again:
A natural minor (three octavesl.f. ma fingering. Swing rhythm
D natural minor (two octaves),f, ma fingering. Swing rhythm
To be played tirando and legato:
A harmonic minor (three octaves).11ff. im fingering. Triplet rhythm. pont. tone
D harmonic minor (two octavesl.11ff. im f ingering. Triplet rhythm. pont. tone
To be played tirando and staccato:
A major pentatoniC(three octavesl.f. im fingering. Straight rhythm. norm. tone
D major pentatonic (two octaves),f. im fingering. Straight rhythm. norm. tone
To be played apoyando and legato:
Mixolydian starting on A (three octaves),p. ma f ingering. Triplet rhythm. norm. tone
Mixolydian starting on D (two octaves), p. ma fingering. Triplet rhythm. tasto tone
Arpeggios
The following arpegg ios to be performed tirando and legato:
A major (three octavesl.f. pont. tone
D major (two octaves, ,f. pont. tone
A minor (three octaves).p. norm. tone
D minor (two octavesl.p. tasto tone
Dominant 7th in the key of D (three octaves, starting on A), mf
Dominant 7th in the key of G (two octaves, starting on D), r'!f
Diminished 7th starting on A (three octaves), r'!f
Dimin ished 7th starting on D (two octaves), r'!f
Exercises
The following exercises to be performed tirando, legato and '"!f.
D major sca le in paired slurs (two octaves)
A major scale in 3rds (two octaves)
D harmonic minor scale in 6ths (two octaves)
A melodic minor scale in octaves (two octaves)

or

ii) Technical Suite

Scales and Arpeggios (to be performed from memory)

As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.
Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm.
Arpeggios to be prepared tirando. Choose either Group 1 or Group 2.
Group 1
A major scale (three octaves), im fingering**
D harmonic and melodic minor scales (two octaves), ma fingering **
A major arpeggio (three octaves)
Diminished 7th arpeggio starting on A (three octaves)
Group 2
D major scale (two octaves), ma fingering**
A harmonic and melodic minor scales (three octaves), im fingering **
A minor arpeggio (three octaves)
Dominant 7th arpeggio in the key of D (two octaves, starting on A)
* apoyando

=rest stroke; tirando =free stroke

** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exercises fro m 2007.
Exercises
Candidates to prepare all of the following exercises, printed in this book:

1.

Mirage (harp arpeggios)

2.

Perfect Sky (tremolo)

3.

Rasqadenza (scales and rasqueado)

Fantasia. .. ...... .

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ACI<erman Music 01293 537900

G:;i{_a r Exam PH:~ces - Grade 7

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