Professional Documents
Culture Documents
line
37
and
the
frozen
in
line
18
can
both
show
a
method
of
preservation,
a
method
in
which
things
can
last
over
a
period
of
time.
This
importance
of
the
gold
to
the
poet
is
shown
starting
with
the
first
stanza
of
the
poem
where
she
says,
gold
so
thin,
only
an
old
woman
would
notice
its
weight.
The
fact
that
the
poet
makes
this
comment
suggests
that
she
realizes
the
weight
of
the
gold
here
means
the
quality
of
the
gold,
which
is
important
to
her.
The
gold
is
precious
to
the
poet
as
quality
and
not
quantity.
The
value
of
the
gold
is
compared
to
the
wisdom
of
old
women,
as
only
they
are
able
to
distinguish
its
unique
value.
The
poet
writes
in
the
third
stanza
I
sense
the
mood
of
many
women
who
wore
the
new
moon
showing
that
the
display
of
these
ornaments
take
her
back
to
a
time
of
different
cultures
and
make
her
imagine
relate
herself
to
the
women
of
the
time.
This
is
because
she
understands
the
value
of
the
gold,
and
wants
to
be
part
of
the
era
where
such
values
were
appreciated
more.
Another
image
that
shows
the
poet
is
close
to
the
gold
is
in
the
seventh
stanza
where
I
linger
in
the
locked
room
of
the
gold
showing
that
she
imagines
the
gold
all
around
her,
so
she
feels
like
the
gold
has
a
strong
power
because
the
room
is
locked
and
she
lingers
inside
it.
The
word
linger
shows
no
movement
as
if
she
is
hypnotized
by
the
amounts
of
precious
object
in
the
room.
This
word
can
also
mean
that
she
cannot
get
away
from
the
gold
that
surrounds
her
which
is
shown
in
the
last
stanza
where
she
enters
the
thin
gold
remains
of
autumn.
The
fact
that
the
room
is
locked
also
suggests
that
only
certain
people
have
access
to
these
imaginations.
The
interest
of
the
poet
for
the
ornaments
is
shown
in
the
last
two
stanzas
where
the
custodian
shows
that
the
ornaments
are
not
very
important
as
regalia
of
this
soil
and
not
for
the
British
Museum
showing
that
they
are
not
important
enough
to
be
displayed
at
the
British
Museum
and
they
are
only
kept
as
a
regional
treasure.
However,
the
poet
buys
a
postcard
of
the
ornaments
showing
how
much
she
liked
them
and
how
much
she
connects
to
them.
The
idea
of
the
thin
gold
in
the
first
stanza
is
repeated
in
the
last
stanza
where
the
poet
refers
to
the
leaves
on
the
trees
as
she
says,
the
thin
gold
remains
of
autumn
showing
that
she
always
feels
surrounded
by
gold.
Although
the
small
crescents
are
a
rudimentary
work
of
art
they
are
not
grotesque
but
fine
pieces
of
art
as
shown
by
the
line
threw
no
barbaric
shadows,
suggesting
that
the
poet
imagines
the
women
who
wear
the
ornaments
as
lively
and
energetic.
The
thinness
of
the
gold
can
be
related
to
the
web
of
the
spider
in
the
ninth
stanza
because
they
both
seem
fragile
but
actually
have
the
potential
to
be
very
powerful.
The
power
of
the
ornaments
is
shown
by
like
40
in
the
safe
once
more
suggesting
that
the
crescents
need
to
be
locked
up
because
if
not
they
can
be
dangerous,
very
powerful.
This
poem
also
shows
feminism
as
the
history
of
women
and
the
poet
presents
their
culture.
The
poet
shows
this
unity
in
the
third
stanza
where
she
writes
women
of
the
lunulae
showing
that
there
is
a
certain
group
of
women
who
use
these
ornaments
and
the
gold
connects
them,
unites
them
because
they
own
a
common
treasure.
The
idea
of
unity
between
the
women
is
also
shown
by
many
women
who
wore
the
new
moon
suggesting
that
these
ornaments
are
a
universal
object.
They
give
all
women
of
the
lunulae
a
form
of
supernatural
power,
which
helps
them
last
in
time
as
shown
in
line
17.
The
poet
relates
herself
to
the
women
because
she
is
locked
inside
a
room
but
the
images
of
the
women
that
she
pictures
are
also
locked
in
the
box
that
the
custodian
puts
back
in
the
safe
showing
that
even
if
they
do
not
have
the
same
ornaments
to
connect
them,
they
find
another
way
to
connect.
The
women
are
however
joined
by
the
end
because
the
poet
sees
the
importance
of
gold,
her
fascination
is
shown
throughout
the
poem
and
the
old
women
show
the
same
interest
so
therefore
the
objects
they
treasure
always
bring
them
together.
The
idea
of
culture
and
archeology
is
shown
by
the
poem
as
this
old
atmosphere
gives
the
whole
poem
an
aged
air.
The
old
women
who
recognize
the
value
of
the
thin
gold
could
show
a
group
of
people
who
are
cultured
and
have
knowledge
about
the
past
and
the
value
of
certain
artifacts.
The
word
bones
in
the
third
stanza
shows
something
old,
something
deteriorated
and
the
fact
that
their
bones
lit
up
could
show
the
idea
of
reincarnation,
that
the
poet
is
picturing
these
women
as
if
they
were
next
to
her
in
the
museum.
The
dusty
snakes
could
suggest
something
dangerous
but
because
they
are
dusty,
they
can
also
show
something
archeological,
or
something
old.
The
fact
that
the
ornaments
are
locked
again
shows
that
they
are
being
hidden;
they
are
kept
safe
from
the
eyes
of
visitors,
showing
that
they
are
being
well
preserved.
The
word
regalia
shows
that
the
artifacts
are
something
sacred
for
the
region
of
Cornwall,
they
are
well
taken
care
of
and
well
treasured
but
are
not
suited
for
the
British
Museum,
maybe
sub-estimating
how
much
they
can
influence
people
who
view
them.
Overall,
the
poem
shows
the
connection
between
cultures
from
the
past
and
the
present
and
how
to
some
people,
old
ornaments
are
a
treasure,
as
they
feel
captivated
by
their
value
and
unique
appearance.
The
poem
also
shows
the
passing
of
time
and
how
power
the
imagination
of
people
can
be.