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Abstract
Although classical sociology was not always oblivious or indifferent to the embodied
dimensions of social relations, contemporary sociology has developed new perspectives
and frameworks for understanding the body as a social and cultural construct and
fundamental element in material and symbolic processes of power and conviviality.
What do contemporary sociological approaches contribute to our understanding
of corporeality and embodiment? What kind of changes does this represent in
relation to classical perspectives? How do different theoretical approaches connect
to contemporary interests and empirical research? The present article attempts to
answer these questions, looking at the development and diversification of sociological
approaches to the body, from Elias and Bourdieu to contemporary feminist, Foucauldian
post-structuralism and queer theories. The authors highlight current research that is
intersectional, international and path-breaking. They also pay particular attention to
connections between the social, cultural and the political, as expressed in and through
bodies, and point to the unresolved nature of the relationship between narrative,
discourse and the materiality of the body.
Keywords
Bodies, contemporary sociology, culture, gender, sexualities
Introduction
Classical sociology was largely bound to the theorization of public sphere aspects of
modernity (Felski, 1995) and perhaps initially, to a legacy in social/political theory and
philosophy that promoted rational and disembodied concepts of being in the world.
Although sociology soon moved beyond Cartesian-inspired Enlightenment thinking and
its paradigmatic bias so well expressed in Descartes famous Cogito ergo sum the
Corresponding author:
Miriam Adelman, Department of Sociology, Federal University of Paran, Rua General Carneiro, 460 9
andar Curitiba, Paran, Brazil 80060-150.
Email: miriamad2008@gmail.com
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embodied and emotional dimensions of human existence and social relations did not
share center-stage with the many other phenomena or issues considered as defining the
concerns of an emergent discipline.
Yet sociology was also borne of concerns that pushed toward a widening of the scope
of modern social thought. Max Weber realized that modern societys privileged rational
action was circumscribed in time and space and Simmel drew attention to the new sensorial experiences of modern urban life. Karl Marx who as Stuart Hall has astutely
argued, was responsible for bestowing a new historicity upon the (Enlightenment) subject can be recognized as perceiving the corporeal dimensions of social relations, evident in his treatment of working-class life, labor and alienation, that is, of how capital
imposed its punishments on the flesh and blood, embodied existence of the working
classes. Although Durkheim may seem to have had little to say regarding the embodied
character of social facts, his sociological imagination, fired by perceptions of the different relations that tribal and modern societies had to the emotional and the symbolic,
led him devote attention to embodied forms of emotional expression among tribal societies, which he understood as social and collective forms of constructing and asserting
bonds of belonging. And to Marcel Mauss, deeply influenced by Durkheim, we owe a
major classical contribution. His essay on the techniques of the body posits a clear
recognition of the forms through which different cultures and societies make use of the
body, molding and educating it in ways that become fundamental to social relations.
Although Mauss did not go beyond dualist conceptions insofar as he conceived of the
body as mans [sic] first instrument or technical object, he did nonetheless draw attention to the complexity of the techniques of the body that particular societies develop,
paying heed to the way societies inculcate different embodied abilities and dexterities
along the lines of what today we study as gender/ed constructions. Thus, girls become
girls and later women as they are taught their cultures embodied prescriptions;
boys are taught how to be boys who then become men with culturally appropriate embodied demeanor and skills.
In the mid-twentieth century, an outstanding contribution to understanding the corporeal nature of social relations was made by Norbert Elias. His landmark work of historical sociology, The Civilizing Process, published initially in 1939, stands out for its
emphasis on social and political processes that unfold through and upon the body. With
his view of the genesis of modern forms of regulation of postures, gestures, demeanor,
actions and emotions, he anticipated Foucaults theory of a disciplining biopower.
Contemporary sociology has moved considerably forward in bringing the body back
in. Kevin White (1995: 188) points to changes in twentieth-century social life that to his
mind have stimulated the sociological imagination to look at the body: The aging structure in late capitalist societies and the declining death rate in Third World countries had
literally made the number of bodies problematic. The body as a consumer of commodities
and lifestyles has highlighted the social shaping of the body, and developments in medical
technology around body parts has problematized what were once taken-for-granted
events, namely death and the inviolability of organs within the human organism.
New sensibilities blossomed in the postwar period and came to a head in the turbulent sixties, urging critical disengagement from the Cartesian rationalism that had
been so deeply rooted in modernism. As Sally Banes (1993) has demonstrated, the
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performative counter-cultural politics of art and youth revolt placed the disciplined,
domesticated, repressed body of bourgeois culture at the center of all it sought to reject,
transcend and transform. Embodied politics fed, directly and indirectly, into the efforts
made by scholarly work and toward a veritable revolution in the humanities and social
sciences, bringing about new understandings of power, daily life and social change.
Thus, in the latter decades of the twentieth century, a field of research that we can
refer to as the sociology of the body emerged. Yet studies on the body and the empirical reality of bodies themselves have presented a challenge to knowledge boundaries,
drawing insights from a wide range of disciplines that provide diverse angles of approach
to corporeal practices and power relations. Not surprisingly then, while this new field has
often manifested close kinship to post-structuralist perspectives that emphasize discursivity how social practices are borne of and develop in relation to cultural discourse
there has also been a certain possibility for tension between this cultural turn and a
more classical sociological approach demanding a concern for bodies that foregrounds
their shaping through the material and institutional dimensions of particular forms of
social relations.
This article discusses some of the theoretical and historical processes which break
through an initial philosophical silencing of bodies and embodiment and then focuses
on contemporary developments, placing emphasis on the rich and diverse types of
rethinking that have been encouraged and the complex, dynamic research agenda that
has followed. We also devote attention to some particularly significant interfaces with
subfields such as the sociology of medicine and health, sex and gender, sport and leisure and sexuality.
Furthermore, although contemporary perspectives are still mired in the struggle to
break with the Eurocentrism of classical disciplines, it is important to keep in mind that
the very mind/body split that so deeply shaped Western thought may be much less decisive or omnipresent in the social thought of the South. Feminist and post-colonial theories have emphasized the ideological link between the suppression of bodily experience
and Western construction of its Others. Sociologies of the global South (Connell, 2007)
may offer unique theoretical and methodological contributions to build upon.
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to the fact that the disciplining and controlling of ones own body and impulses an ethic
of bourgeois self-discipline could be seen as inextricably linked to the way power was
exercised over the (minds and) bodies of others and, most importantly, how this new
modern form of discipline, in the context of modern democratizing society, relied much
more on the development of internal forms of policing and self control than on overt
(and/or violent) forms of external coercion. Brazilian thinker Gilberto Freyre (1998
[1933]) showed how, on the margins of Western world, the process of colonization made
control over virtually everybodys body the prerogative of the master. Freyres research
on plantation sociability, first published in 1933, managed to bring in phenomena such as
menstruation, eating and perspiration, thus suggesting a social science that would be able
to capture the crucial (and bodily) minutiae of everyday life.
Bringing together theoretical insights derived from Norbert Elias (1982), Mikhail
Bakhtin (1970) and Michel Foucault (1963, 1976, 1984a, 1984b), Bryan S Turner (2008:
39) points out that The transition from the Renaissance to the modern world thus involves
a transition from the open body linked to the public world through ritual and carnival to
the closed body of individualized consumer society. He provides a compelling argument for a sociology of the body that is not sociobiology or sociophysiology. It is not
reductionism, although it is genuinely and literally a materialist analysis. [It] is the
study of the problem of social order and it can be organized around four issues. These are
the reproduction and regulation of populations in time and space, and the restraint and
representation of the body as a vehicle of the self (Turner, 2008: 42). He recognizes that,
in modern discourse and culture, the body has been a dichotomously gendered one and
the sociology of the body is also an analysis of how certain cultural polarities are politically enforced through the institutions of sex, family and patriarchy (Turner, 2008: 42).
David Le Breton makes a strong case for the need to break with dichotomous forms
of thinking that have relegated the body to something lesser than (rational) human
essence. He argues that Without a body to give him a face, man is nothing. In living,
the world is continually reduced to his body, through the symbolics that it embodies.
Mans [sic] existence is embodied (2002: 7; our translation).
Modern feminist theory, from its earliest engagements with psychoanalysis and phenomenology, has been dedicated to the deconstruction of Enlightenment myths based on
the notion of embodied, sexual, emotional females, occupying a position of notably inferiority vis-a-vis the rational male, who is graced by an inherently greater ability to
control impulse, desire and other human beings. Contemporary feminist theorists have
reconstructed a perspective that considers all human beings as simultaneously rational,
emotional and embodied subjects. This argument originated perhaps with Simone de
Beauvoirs (1949) pioneering work and its thesis that modern culture and society had
characteristically associated women with the body. She wrote that while woman becomes
the body and the sex in which she is (seen as) imprisoned, man chooses to forget that
his anatomy also has hormones and testicles; he takes on a disembodied, transcendental
essence best signified by reason (de Beauvoir, 2010 [1949]: 12)
De Beauvoirs work inspired second wave feminist scholars such as Germaine Greer
(2001), Gayle Rubin (2006) and Susan Brownmiller (1984), who argued that the social
organization of relations between women and men constituted a sui generis form of
power unfolding through historical forms of male control over, and shaping of womens
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place people into neat categories of embodied difference. The power of the white gaze
to make Black bodies inferior (Westmoreland, 2010: 112) and the power of the male
gaze to define and objectify the female body are extremely powerful social forces that
nonetheless tend to be naturalized in common societal schemes of perception, to the
extent that, as hooks (1997) has argued regarding a film made by a popular Black male
film director, many spectators seemed not to notice the reduction of a Black womans
person to some of the cruelest tropes of Western cultures representations of those who
are, in this sense, doubly-othered.
Theoretical movements addressing the body have often drawn on literary or other notstrictly-sociological sources. Thus, authors who write on race and the body derive ideas
from contemporary fiction, say, the works of Black feminist writers such as Toni
Morrison and Alice Walker. Discursive exchange and experimentation sometimes takes
a new turn, as in the work of the Portuguese thinker Miguel Vale de Almeida. Almeida,
known for his ethnographic work, wrote O manifesto do corpo [The body manifesto]
(2004) at the beginning of the millennium a semi-literary treatise that uses the first
person for imaginary subjects through whom sociological reflections on the body are
produced. Another innovative approach that proposes new narratives and sensibilities to
bodies is the work of Canadian scholar Arthur Frank (2000). Listening attentively to
peoples memories of illness and informed by readings of symbolic interactionism,
Althusser and Habermas, Frank transforms personal discourses of bodily experience and
biographies into complex sociological insights.
New themes include bringing the marginal to center-stage. Contemporary examples
are studies that focus on queer bodies, drawing attention to the processes that construct
particular bodies as abject, pathological or strange. Butler (1990, 1993, 2009) combines
social interactionist methods with feminist and Foucauldian insights on the social processes that construct intelligible (hetero)normatively embodied subjects and their corresponding abject others. Her work has stirred debate and become a fundamental
reference throughout a wide range of disciplines, where she is frequently cited for her
post-structuralist attention to the manner in which gender is hegemonically performed
in culturally intelligible ways that provide people with a social existence that is recognized or denied (Butler, 1990). In her second major work, Butler argues (1993: xi) [W]
e might suggest that bodies only appear, only endure, only live within the productive
constraints of certain highly gendered regulatory schemes. Influenced also by Louis
Althussers notion of the subject as constructed by and through ideology, her notion of
embodied performances of gender moves forward from Simone de Beauvoir and earlier
feminist discussions of femininity, gender, parody and masquerade: there are neither
originals nor copies to be had, nor a pre-discursive, biological, binary sex that serves
as the basic substrate upon which a socio-cultural construct is built; there is, however, a
naturalized, compulsory notion of dimorphic, heterosexual bodies which attempts to
force all bodies to fit within its dichotomous framework. The work of contemporary
queer theorists such as Judith/Jack Halberstam (2005) and Beatriz/Paul B Preciado
(1994, 2008) brings into focus the lives of those who lie beyond the pale of (heteronormative) cultural intelligibility, and also helps us to move beyond the bias of the minority
studies of an earlier period in the history of our discipline. Preciado (2004) offers us the
concept of queer multitudes and Brazilian queer theorist/sociologist Richard Miskolci
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Empirical work
As noted above, it is quite evident that a new sociology of the body has taken shape over
the last few decades. Woven from different and diverse strands, it is nonetheless marked
by a shared project of deconstructing facile dichotomies and understanding human subjectivity as embodied and forged through social relations that have profoundly corporeal
dimensions. In this context, singling out particular works from the plethora of studies, as
focal points for discussion, becomes a Herculean task. Perhaps the best illustration of the
scope and vigor of the field can be found in the texts published in the most significant
international periodical on sociology of the body today, Body and Society. Articles cut
across disciplinary boundaries and range from philosophical and methodological to the
empirical and ethnographic, focusing on embodied social and cultural phenomena from
different corners of the globe, although primarily from English-speaking countries, thus
making it harder to access and compare this work with what is being produced within
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other linguistic and cultural contexts. As Olga Sabido Ramos (2011: 36) has pointed out
from a Latin American perspective, interest in the body and affect may be shared by
scholars worldwide, yet thematic interests at a regional level reflect particularities, flowing from specific social problems and historical experiences and conditioned by the academic and institutional contexts in which they emerge.
Nonetheless, research on the body has converged with a broad and highly creative
project of revision of research methodologies in the social sciences. Exemplary in this
regard is the work of anthropologist Emily Martin (1996). Inspired by ethnographic work
in China, she went on to rethink the ways in which modern Western science creates its
particular cosmologies. Her research in the United States has, among other things,
looked at how women themselves see their passage through different biologically and
culturally marked stages of the life cycle, such as menarch, maternity and menopause,
in relation to womens position vis-a-vis societys hegemonic discourse on these moments
(medical discourse in particular). In her preface to the revised edition of The Woman in
the Body (Martin, 2001), Martin raises the possibility of new metaphors for conceiving
the body (and thereby, embodied selves): perhaps, she suggests, we could move from the
body as machine view that has been the basis of medical discourse and common sense in
modern societies, to the chaos model put forth by complexity theory and incorporating
the notion of non-linear dynamics. If we allow ourselves to think, for example, that the
periodic regularities of the female hormonal and bleeding cycles between puberty and
menopause have been overemphasized just as the regularities of heartbeat have been
(Martin, 2001: xii), our research may very arguably acquire a different starting point, in
which power relations and human agency meet a much more open, less deterministic and
less pathologizing notion of the biological.
Furthermore, this chaos model may also prove fruitful for the study of the range of
post-modern realities in which bodies increasingly emerge as objects to be worked on
through a gamut of new technologies which are, in turn, produced through biomedical
institutions, cultural discourses and peoples overt attempts to defy or transform the limitations of embodied reality. Research and debate of this type is often indebted to Donna
Haraways provocative A Cyborg Manifesto (1991). Her bold approach was precursor to
a wide range of studies breaking with conventional humanist ways of thinking about
human beings and human bodies, and in particular, the boundaries they have drawn
around (between) the human and non-human, and human and machine (cf. Wilson, 1995).
Spanish scholar Beatriz/Paul B Preciado offers an uncanny contribution to new debates on
what bodies become in Testo Yonqui [Testo Junkie] (2008). Her text is singularly constructed through chapters that alternate between theoretical discussions of the current
pharmaco-pornographic era with its post-industrial somato-power (expressing the
vicissitudes of historical power regimes identified by Foucault) and her diary of selftransformation through testosterone application. This experiment, she explains, does not
aim to transform herself into a man but, as she puts it, to betray what society has wanted
to make of me to feel a form of pleasure that is post-pornographic, to add a molecular
prostheses to my low-tech transgendered identity (Preciado, 2008: 122; our translation).
Coming from a similarly contemporary angle, the edited volume, Somatechnics:
Queering the Tecnologisation of Bodies (Sullivan and Murray, 2009), examines different
experiences of body modification within frameworks consistent with Preciados notion
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of new regimes of power that act on bodies and produce subjectivities. Somatechnics, a
critical neologism that attempts to clarify the double and interdependent process of
incorporation of technologies and the technologization of embodied subjectivities
(Miskolci, 2011: 649), is a concept that has brought together a number of recent studies
on contemporary technologized forms of producing and/or resisting the embodied politics of normalizing regimes, from editor/contributor Murrays own experiences with gastric banding to queer theorist Kane Races deconstruction of common approaches to drug
(ab)use based on empirical research with gay male users of Crystal Meth. In a somewhat
similar vein, Pitts (2003) ethnographic dialogues with body modifiers suggest ways of
thinking about such practices that challenge sensationalist stereotypes qualifying them as
self-mutiliation. She proposes looking at procedures such as tattooing, piercing, branding, scarification, stretching, suspension, surgical transformation by subdermal implants
rather as David Le Breton suggested (2002) when he interpreted body art as public discourse that problematizes normalizing regimes.
If, as alluded to above, many early contributions to a sociology of the body were born
of a feminist literature employing diverse strategies and methodologies to discuss
embodied battles around the meanings of womanhood, there is considerable ongoing
research in this domain, including many works which adopt a primary or secondary
focus on the media as key cultural forces in the contemporary world (Berger, 1972;
Bordo, 1997; Edwards, 1997; Furnan, 1997; hooks, 2009; Illouz, 1997; Lasch, 1979;
Mulvey, 1988; Santaella, 2004; SantAna, 2001; Wolf, 2002). Susan Bordos (1997,
2004) work has provided some exemplary and thought provoking discussion on how
image-based technologies become a part of the construction of bodies and subjectivities
and to a large extent continue to promote debilitating notions of what a woman is. The
question of beauty standards has created a field in which media, activism and social critique come together, through a series of diverse cultural productions that are influenced
by and feed back into academic debate. Il corpo delle Donna (dir. Cant et al., Italy,
2009) and MissRepresentation (dir. Newsom, USA, 2011) are documentaries of this sort,
promoting critique through independent mass media. On another front, the performatic
activism of the internationally disseminated Slut Walk movement enacts ways of representing female bodies that are inspired by queer and feminist theories. In this context,
commercial phenomena such as Fifty Shades (James, 2012a, 2012b, 2012c) become pertinent and perhaps urgent objects for research, whether the focus is the texts themselves, readers responses to them or the broader public debates on sexuality that they
have instigated (Deller and Jones, 2013). A special number of the journal Sexualities
entitled Reading the Fifty Shades Phenomenon exemplifies this. The methodological
and ethical debates that have also sprung up around these discussions have drawn attention to the way consent is defined, not only in the sexual sense but also in relation to the
production of knowledge in the social sciences (Barker, 2013). Moreover, as contradictory as the cultural discourse of Fifty Shades may be, women readers who have been
interviewed enable the argument that [i]n being able to participate in public discussion
about sexual practices portrayed as kinky, potentially pleasurable and feminine, further
political possibilities arise (Deller and Smith, 2013: 947). Other interpretations, more
attentive to the confessional apparatuses that this literature deploys, question editorial
and commercial interests in sexuality, confronting the notion that through an exploration
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of sexuality the inner working of subjectivity, power and knowledge may finally be
uncovered or discovered (Grosz and Probyn, 2013: 135).
From another one of the many contexts wherein women live their bodies as embattled
terrain, several young French writers (Battarel et al., 2005) narrate their battles poised
both against external demands, standards and strictures and against the contradictions
within themselves. They explore and take part in ongoing struggles to create new feelings of and languages for self-worth, body image and bodily pleasure, reminding us of
the argument that appears in Touraine (2006) about the centrality of these arenas of the
construction of the self in the decades that follow second wave feminist struggles.
A further arena in which battles over womens bodies are played out emerges from
political and religious discussions involving Muslim communities. As Naila Eljaouhari
(2013) points out, control over the bodies of Muslim women has been at the center of
heated political and cultural conflict in which different groups have their own interests at
stake, from Western feminists and French defenders of secularism to staunch Islamists.
In specific reference to polemics around the use of the veil in French public space and
womens right to drive in Saudi Arabia, Eljaouhari concludes that what is truly at stake
in this confrontation is neither the well-being of Muslim women, laicit, feminism, or
Islam. What is at stake is the desire to guarantee control over territory, culture and identity in these two nations. For such purposes, male dominance is sustained and racist
mechanisms of exclusion are discursively reinforced, whether in secular or religious
terms (2013: 1). For American feminist scholar Zillah Eisenstein (2013: 137) veiled
Muslim women became the decoys of and for wars of terror by both imperial and
Islamic insurgent misogynists.
Lisa Beljuli Brown (2011) also writes at a distance from Euro-American realities. Her
ethnography of poor favela or slum-dwelling women in the Brazilian northeast portrays
womens embodied subjectivities as they emerge in a context of social exclusion and
male dominance that, from the authors psychoanalytically influenced perspective,
reduces their social value to the sum of specific body parts and their functions (vagina,
womb, and back or shoulders the latter terms reference the ability to carry the burdens of work and labor). The tragic scenario she reconstructs is, as Brown herself argues,
very similar to others that can be found in different corners of our Planet Slum.
On the other hand, the growing field of literature and research on bodily constructions
that defy gender binaries brings resistance to the forefront. The wide range of differently
gendered bodies and subjectivities that we can roughly place under the rubric of
transgender are generating new perspectives on embodied being. Halberstams (1998)
Female Masculinity, about women who feel themselves to be more masculine than feminine, represents a pioneering incursion into experiences that attempt to shake themselves free of a long history of silence and stigma. Yet the cultural bias she addresses at
the end of the 1990s why we seem to take so little interest in female masculinity yet
pay a considerable amount of attention to male femininity (1998: xi) has not been sufficiently undone or redressed, as our easier access to sociological and anthropological
studies of feminine/feminized men reveals.
Certainly, among the many works that represent this latter trend, there is a veritable
wealth of original research to be read and enjoyed. Rupp and Taylors (2003) study of
drag queens describes in great detail the embodied performances that make a man a drag
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girls and women, through all arenas of sport, education and physicality (Benn et al.,
2011: 7).
Another extremely influential piece of contemporary sociological work that also
looks at the body as it is constructed and transformed through sporting practice is
Wacquants (2004) ethnography Body and Soul, which probes deeply into the intersectional (classed, raced, gendered) dynamics of embodiment. Disciple of the French sociologist Pierre Bourdieu, Wacquant eloquently recreates the life conditions, struggles and
subjectivities/corporealities of young Black men who frequent a gym where they train as
boxers. Returning, in this venture, to his mentors creative transformation of the (no
longer) Marxian concept of capital(s), Wacquant contributes to an understanding of
how a particular type of body capital may be developed and deployed by those to whom
class, race/ethnicity and gender positions have denied access to other sources of power,
status and prestige and which, however creatively employed, tends to reinforce the way
a dominant culture has defined them as the body. Wacquants work has inspired others to
study sporting masculinities as embodied subjectivities (see Bridges, 2009; Spencer,
2009) and probe the processes whereby constructions of gender/sexual difference persist
as perhaps the most fundamental organizing principle of bodies within the realm of sport.
Other issues, such as pleasure and pain in athletic practice, the emergence of high performance sport and human limitations, and the contribution of sport to contemporary
notions of the perfectible body, bring out the connection between sporting and other
social institutions, such as medicine and education, and other industries, such as fashion
and health and fitness (Lupton, 2003).
Just as control and perfectibility have been high on the modern agenda from the early
days in which the human body and its limits brought considerable unease (and fear) to
positivist-inspired projects, so all that poses a threat to ultimate control death, disease,
illness and ugliness has haunted the modern Western imaginary. In societies in which
the management of health and illness has fallen within the dominion of Western biomedicine, studies on the body have often turned their gaze to the medical institution and its
apparatuses. Taking a critical turn on the path that classical sociologist Talcott Parsons
initiated through his concept of the sick role (1951), numerous researchers have fruitfully explored the socio-cultural, bodily and subjective dimensions of experiences of
illness. Carol Thomas (2010) has contributed to methodological and epistemological
discussions on how to work with illness narratives (Atkinson, 2010; Bochner, 2010;
Frank, 2000, 2010) through her summary of the contrasting interpretations of story analysis and storytellers. The subjective narratives of bodily experiences given by the ill
acquire not only centrality but a new status as legitimate knowledge. In a similar vein,
empirical research on surgical practices (Doyle and Roen, 2008), blood donation
(Copeman, 2009), human organ traffic and medically motivated migration (Roberts and
Scheper-Hughes, 2011; Scheper-Hughes, 2011) and assisted human reproduction
(Martin, 2010; Tamanini, 2009) has made a major contribution to academic knowledge
that problematizes the body in medicine today. Approaches that consider the experiences
of lay people, patients and medical professionals involved in these processes as well as
scientific and media representations or discursive constructions of these issues and
problems come to the forefront, drawing urgent attention to those ever-expanding, pervasive and invasive arenas of contemporary social science and discourse.
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using a discursive paradigm, Michael Shapiro (2003) looks at how peaceful citizens
become warring bodies, suggesting the influence of a linguistic claustrophobia in which
people endowed with a limited stock of signs are more susceptible to the symbolic
coercion of societies at war.
Gendered dimensions of bodies at war are also brought out by Hopton (2003), who
argues that, as national hero, the soldier becomes an extreme expression of hegemonic
masculinity into which heroism, camaraderie and the competitive processes of medical
classifications of the body pour. Corinna Peniston-Birds (2003) study of the British
army during the Second World War shows how lack of aptitude for military service made
ones masculinity suspect. Kittler (2003) looks at the relationship between bodies, technical development and war tactics, describing how trenches were transformed through
the use of machine guns and motor vehicles during the First World War, rendering infantry less effective and creating new training techniques focusing on elite troops and their
use of armament and equipment in specialized attack functions.
Studies on the militarization of civil society, or the effects of war on those not directly
engaged in it, provide another side to the picture. Kenneth Saltman (2003) argues that
body building may be seen as a promise of safety, security, and freedom; exercise and
diet are used to turn the body itself into weapon. International research has focused on
how violence affects, injures, and traumatizes the interior psychic formation of subjects
(Aldama, 2003: 127). In this vein, rape and sexual violence have also come into focus,
generating a new body of literature as the twentieth century drew to an end and the new
millennium began. Militarized sexual violence is studied through the prism of Kristevas
concept of abjection (Diken and Laustsen, 2005; Russell, 2013). Sabine Hirschauer
(2014) argues that although rape has always been a regular element of war contexts and
practices, it has only recently become a significant issue on the international public
agenda, particularly in the aftermath of the Rwanda and Bosnia wars. Mass rape has been
considered a weapon of war, understood by those who study it as a profoundly asymmetrical tactic that is used to instill trauma, destroy family ties and destabilize group solidarity, linked to historical projects of ethnic cleansing. Blent Diken and Carsten Bagge
Laustsen (2005) look at the case of the former Yugoslavia and show how mass rape in
wartime contexts produces not only the victims oft-silenced shame but a brotherhood
in guilt, a tragic way of creating solidarity among soldiers.
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intensify research on the embodied experiences of war and violence, of economic and
ecological crisis, so complexly woven into a global symbolic economy haunted (and
policed) by the specter and representations of terrorism.
We can also hope and expect to see more work focusing on virtual realities, new technologies and disembodiment, which may very well reveal how boundaries shift and
what has been disembodied later becomes re-embodied through different forms of
social and sexual encounters as in Sharif Mowlabucos recent book, Gaydar Culture:
Gay Men, Technology and Embodiment in the Digital Age (2010). A further area for
research might be comparative approaches to bodies and embodiment, encouraging not
only the circulation of work by sociologists and social scientists from Africa, Asia and
Latin America but also theoretical and methodological reflection on perspectives that
may in fact have some significant differences in terms of their socio-cultural points of
departure.
As the re-launching review of the Sage journal Body and Society (Blackman and
Featherstone, 2010: 5) so aptly suggests, contemporary research can be expected to
both incorporate and go beyond an earlier focus on the disciplining, normalizing,
regulating techniques to a new concentration on the relational dimensions of corporeality (what bodies can do, for example). This can include new work on performative
bodies and their politics, as suggested by performance artist/activist Diana Torres
(2013) writing on her own conception of pornoterrorism as cultural revolt and Fisher
and Shays (2009) volume on men in contemporary dance. Another urgent task would
be to build on contemporary work on emotions in social movements (Jasper, 2011),
delving into their (overt and subtle) embodied dimensions, as Sutton has done in her
study of women and resistance to Argentine neoliberalism (Sutton, 2010). Furthermore,
the challenge of working out methodologies that enable us to go beyond dichotomies
(nature/culture, embodied/disembodied, mind/body, etc.) remains, calling for more
research, for example, on embodied subjectivities forms of embodiment linked to
subjectivity, desire, ways of seeing and acting in the world particularly, perhaps,
within less explored social and cultural contexts and including cross-cultural or comparative work.
Funding
The authors thank the Brazilian funding agencies CNPq and CAPES for travel and research grants
providing partial support for the writing of this article, within the context of broader scientific
projects.
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Author biographies
Miriam Adelman is Professorof Sociology and Literary Studies at the Federal University of Paran
(UFPR), Curitiba, Brazil. She is currently engaged in ethnographic research on southern Brazilian
equestrian cultures, with a focus on gender relations and representations of tradition.
Lennita Oliveira Ruggi has degrees in sociology and post-colonial studies. At present, she is
Assistant Professor of Sociology at the School of Education, Federal University of Paran (UFPR)
where she conducts research on gender, media and the body.
Rsum
Bien que la sociologie classique nait pas toujours t insensible aux dimensions
corporelles des relations sociales, la sociologie contemporaine a dgag de nouvelles
perspectives et dfini un cadre de rfrence afin dapprhender le corps comme une
construction sociale et culturelle et un lment fondamental des processus matriels et
symboliques du pouvoir et de la convivialit. Mais en quoi les mthodes sociologiques
contemporaines contribuent-elles notre comprhension de la corporalit et de
lincarnation ? Quels types de changement ont-elles apports par rapport aux perspectives
classiques ? Comment ces dmarches thoriques contemporaines rpondent-elles aux
besoins actuels de la recherche et des tudes empiriques ? Cet article tente de rpondre
ces questions en examinant le dveloppement et la diversification des formulations
sociologiques du corps, depuis Elias et Bourdieu jusquau fminisme contemporain,
au poststructuralisme foucaldien et aux thories transgenres. Dans ce travail, nous
mettons en vidence le caractre multidimensionnel, international et novateur des
recherches actuelles. Nous accordons une attention particulire aux liens entre le
social, le culturel et le politique exprims dans les corps et travers les corps et nous
mettons en vidence la nature non rsolue de la relation entre le rcit, le discours et
la matrialit du corps.
Mots-cls
Corps, culture, sociologie contemporaine, sexualit, corporalit, genre
Resumen
Aunque la sociologa clsica no siempre fue ajena o indiferente a las dimensiones
incorporadas de las relaciones sociales, la sociologa contempornea ha desarrollado
nuevas perspectivas y marcos para la comprensin del cuerpo como una construccin
social y cultural y elemento fundamental en los procesos materiales y simblicos del
poder y la convivencia. Qu enfoques sociolgicos contemporneos contribuyen a
nuestra comprensin de la corporalidad y la incorporacin? Qu tipo de cambios
esto representa en relacin a las perspectivas clsicas? Cmo los diferentes enfoques
930