A study o f Schelling's late philosophy o f mythology, despite the re
new ed interest it presently enjoys, still needs som e justification. Why should we spend tim e and effort on a dem anding philosophical text based on often ou td ated an d inadequate historical inform ation ab o u t myths? And why revisit a philosophy that claims to incorporate revela tion. yet has b een criticized for bending revelation to its own preestab lished concepts, while in th e process c o rru p tin g the m ethods o f th e ology as well as o f philosophy? T h e answ er may be brief. Because Schelling (1775-1854) was am ong th e first to recognize the myth as an in d e p e n d e n t form of consciousness, irreducible to rational th ought o r to a prcscientific in terp reta tio n o f n atu re o r history. For him , m ythol ogy constituted an essentially religious p h enom enon, m arked by poly theism but indispensable for the rise o f an inclusive m onotheism , that is, to an idea o f G od that incorporates creation w ithin G ods Being. D espite the undeniable flaws o f his work an d the enorm ou s progress since m ade in this area, no o n e has yet surpassed the scope and intel lectual d ep th of the two-volume treatise on myth w ritten d u rin g the final twenty years o f Schellings career. Schelling understood that nei th e r m ythology n o r revelation could be simply ju x tap o sed to ph ilo sophical tru th . T h e two had to be integrated o r o n e w ould inevitably exclude the other. A first extensive discussion o f mythology appears in th e lectures on th e Philosophy o f Art delivered in Je n a 1802-3 an d repeated in W urzburg (1 8 04-5).' Following August W ilhelm Schlegels Lectures on Mythology, 1 F ried rich W ilhelm Jo se p h von Schelling, rhUawphie der Kuiui, in SammMthr tlM e , ed. K. F. A. S chellin g (Stuttgart a n d A ugsburg: C otta Verlag, 1856-59). vol. 5 ; in F.nglish, The I M&vtfthy o f Art. trans. Douglas W. S tott (M inneapolis: University o f M innesota Press. 1989). T h e p a g e n u m b e rs o f th is tran slation a p p e a r a fte r th e referen ces to th e G erm an text. O th e r w orks re fe rre d to in th b article a re hin/u/iniHg in die IhilMaphis d /r Mylhrdogie, in SiimmUitlu W nkf, p t. 2. vol. I . com m only in d icated as vol. I I : 1hilmophie der Mylholugir, pt. 2. vol. 2. in d ic a te d as vol. 12; rhHmophie drr OJfnihaning, |t. 2. vols. 3 a n d I. o r vols. 13 a n d 1 1 20 0 7 by T h e U niversity o f C h ic a g o . All rig h ts reserv ed . 0 0 2 2 - 1 1 8 9 /2 0 0 7 /8 7 0 1-0001510.00
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he lim ited the subject mainly to G reek myths because o f th e ir su p erio r aesthetic quality (5:392). But the harm ony between finite form and infinite content o f G reek mythology w eakened its religious significance. Philosophy eventually took over part of the religious function o f the myth. O n this an d on several o th e r issues Schclling was to ch an g e the views expressed in the Philosophy of Art. Since o u r subject is mythology ra th e r than art. we move directly to the great works that Schclling com posed du rin g his final years of teaching. His perspective h ere is exclu sively religious an d differs from the vaguely pantheistic philosophy o f identity to which the Philosophy o f Art belongs. In th e so-called positive philosophy o f his later years. Schelliug aban do n ed the fundam ental principle of his earlier idealism, that th e m ind itself contains the Absolute. T h e philosophical idea o r absolute Being does indeed imply an intrinsic necessity. But such an ideal necessity contains n eith er real existence n o r positive content. A philosophy built upo n it could be no m ore than negative." O nly the A bsolute itself is able to convert the idea o f what must he into the reality of what actually is. Negative philosophy, though indispensable for und ersta n d in g the m in d s relation to the A bsolute, m erely form s an introductio n to the positive philosophy, according to which the A bsolute com m unicates it self in mythology and revelation. Schclling refers to the G od o f philosophy as Being itself (ens ipsum). Such a definition conveys no inform ation alxm t G ods n atu re o r about G ods relation to o th e r beings. (W hat com plicates Schellings argum ent is that he uses the term Being indistinguishable fo r essence an d existence. T h e read e r is frequently forced to figure out from the context which o n e is in ten d ed .) But if G od is Being itself, all beings m ust be included in the idea o f G od. To close the gap o f its ignorance about G od. p h i losophy cannot afford to ignore the co n ten t of a possible revelation. It oug h t to analyze the concept of revelation as it has historically p re sented itself in various religions. T h e task of positive philosophy con sists in seeking to u nderstand th e logic o f revelation an d mythology. It oug h t to subject th e reports o f them to a critical investigation. At least they reveal the presence o f a fundam ental hum an n eed fo r an intim ate acquaintance with the G odhead as well as o f a belief that this n eed has actually been m et. T h e purpose, then, o f Schellings philosophy o f myth an d revelation is not to prove" the existence o f G od o r th e su p ern atu ral n atu re o f th e alleged facts o f revelation, but to show their ideal structures. Has Schelliug not left the dom ain o f philosophy alto g eth er an d e n tered that o f theology? How could an alleged m anifestation o f a reality that lies beyond th e reach o f th e autonom ous m ind ever becom e a
Mythology in Schcllings Philosophy
subject o f philosophy? H e him self concedes: Most people un d erstan d by philosophy a science which reason purely an d simply g en erates out o f itself. From that standpoint, it is natural enough to co n sid er the philosophy o f revelation an attem pt to present the ideas o f revealed religion as necessary, p u re truths o f reason o r to reduce them to those" (14:*i). To be sure, positive philosophy cannot lx? justified w ithin the restrictions traditionally im posed o n philosophical though t. But the question rem ains w hether these restrictions are valid. Why should p h i losophy not investigate the logic" o f mythology an d revelation, as it does with o th e r em pirical data? W ithout a positive philosophy, ultim ate metaphysical questions co n cern in g the relation betw een the Absolute an d that of which it is th e g round must rem ain unansw ered. For Schelling, mythology constitutes part o f revelation, even though it requires no su p ern atu ra l intervention. Myths a re natural processes that aw aken the m ind to full self-consciousness. T hey also p rep are the m ind's ability to receive a supernatural" revelation. Schelling's posi tion considerably differs from that o f la ter students o f mythology. To Paul Tillich, for instance, mythical thinking constitutes an early view o f reality, which eventually will break down into a variety of fields: science, metaphysics, and religion. Rationalist philosophers o f the early twen tieth cen tu ry considered mythical thought a defective, prescientific way o f thinking, which contains no tru th , but served as a n early substitute fo r science. In Schellings view, the myth belongs n e ith e r to science n o r to p h i losophy. It is an early bu t essential stage o f the religious consciousness. He restricted the mythical field to the genealogies o f the gods, as re co rd ed in civilizations o f the N ear Fast. At a first stage of religion, the sacred is not yet clearly differentiated from the nonsacred. It is followed by a long p eriod o f polytheism , indispensable for p reparing th e idea o f o n e G od inclusive of all reality. W ithout mythical polytheism the m ind would never surpass the inclination to oppose God to all o th e r form s o f being, as dogm atic theology still often continues to do. Schelling assumes that all myths follow a sim ilar course, though not all com plete th e e n tire process. A com plete cycle passes th ro u g h three stages. Yet som e barely move beyond the first. He bases his analysis on th e theory o f the th re e potencies (Polcnzcn), which dom inates his en tire la ter metaphysics. T h e potencies are n eith er palpable realities n o r ab stract concepts, but real an d effective (wirkliche) powers that hold the m iddle between concrete an d abstract concepts. They a rc tru e univer s a l , yet at the sam e tim e full realities" (Philosophic der Alylhologie, in SammlUche Werkc, 12:115). In the Einlciluiig in dir Philosophic (1830, but published only in 1980) Schelling describes them as the con d itio n s o f
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Being. T hey raise fundam ental metaphysical questions. W hat p receded Being? W hat is n ee d ed for Being to I k *? Negative philosophy is unable to answ er those questions. Hegel started his Logic with the co n cep t o f Being. Positive philosophy com m ences with the conditions o f th e pos sibility o f Being. Schclliug distinguishes th re e such conditions, or. as he calls them , th re e metaphysical potencies. (A ) First is the sh eer possibility o f Being (das Srinkonnen). This expression becom es intelligible only if o n e as sum es. with Fichte an d Schelling. that a transcendent will m ust precede actual Being. T h e first potency consists o f a preontological drive that ren d ers Being not only possible but im perative: it is that which must be (das Sein-miissende). (B) All u n co nditioned obedience to this call would give rise to Being w ithout limits. This blind Being w ould destroy any possibility of being this o r that. It would simply overwhelm th e re ceptive A m om ent in such a way that no d ifferentiation, no p articular reality, and no freedom could ever exist, /{would suppress A altogether. For that reason Schelling calls the unrestricted second potency tvhat ought not to be (das nicht-sein-sollende). H ence, for th e existence o f con crete reality, a th ird condition must be fulfilled to limit the im pact o f Ii an d ren d e r it com patible with A. (C ) T h e th ird potency, th en , con sists in a capacity of reflection, a n ability o f the receptive subject to w ithdraw into itself an d thereby to preserve its freedom to be this and no t that. T his third potency restricts B's undifferentiated power: B still rem ains the g ro u n d o f d ifferentiated reality, bu t it ceases to obliterate it. Schelling refers to the outcom e o f the third potency as das als-solchesSeinkdnnende (what can exist as such) o r also das als-solches Seiendes, which we might translate as Being w ithin the limits o f essence (UVjc/i ). It is im portant to rem em ber that the potencies are not m om ents o f Being, but conditions. H ence the undifferentiated infinite Being o f the B potency m ust not be eq u a ted with G od's Being. W hereas G ods Being is endow ed with an infinite n u m b e r o f attributes, the second potency is m erely indefinite an d blind. T h e preceding description of the p o te n cies appears in the recently published first version of the Philosophy of Revelation (w ritten in 1831). O bscure as it may be. it is still clearer than any o f the later versions.'* T h e general p attern o f the potencies retu rn s at every stage of the positive philosophy, each time assum ing different features. In the en tire philosophy o f revelation (which includes mythology) th e theory o f the potencies plays a significant part. Schelling denies 1 K rirdrich Schelling. V ijn sw n g tin rhitnvtfihic tier O/frntionnig (1831). c d . W aller K ihardi (I la m b in g : Felix M cin er Verlag. 1992). 27-37.
*1
Mythology in Schcllings Philosophy
that a purely logical philosophy (exclusive o f revelation) is able to think th e transition from u n d ifferentiated Being (li) to concrete, p articular Being (C ). Negative philosophy conceives of Being as an em pty infinite. But how can the finite be. if Being can be thought only as infinite? 3 Instead, a positive philosophy, receptive o f mythology and revelation, conceives o f G od as infinite Being endow ed with, yet not divided by, d eterm in ate attributes revealed in mythology. W ithout this revelation. Soliciting im plies, metaphysics is unable to answ er its most fundam ental question: Why is th e re Being (as we know it. i.e., differentiated ) rath er than nothing? Parm enides, o u r first great m etaphysician, consistently excluded th e possibility of d ifferentiated Being. To him . finitude and determ in atio n were m ere illusions, forms o f 11011-Being. Schelling ar gues that, after negative philosophy establishes the undifferen tiated idea o f Being, the justification of d ifferentiated reality still requires an idea o f the Absolute as including internal determ ination s, w ithout which it would not be able to function as g round fo r the existence o f particular realities. Negative philosophy is unable to provide such an idea. For that reason Schelling declares it inadequate for dealing with th e relation betw een G od an d the finite. Only from the revelation of the A bsolute in mythology does philos ophy learn that the A bsolute possesses in tern al determ inatio n s th at it expresses in finite beings endow ed with an in d e p en d en t existence. Be cause all beings rem ain im m anent in the all-encom passing A bsolute, archaic speculation conceives o f th e A bsolute as Ixdng itself a plurality. H ence th e rise of polytheism . In the m ythological process the potencies p resen t the stages o f the m ind's process toward full God-consciousness, which coincides with full self-consciousness. As the m ind gradually dis covers the notion o f a totality o f Being, it first im agines this all-em bracing totality in the prim itive picture of a prim ary god. Schelling calls this mythical representation a negative concept: it possesses n o in n e r tru th an d functions as a substitute fo r the real (i.e.. self-differentiated) A bsolute. It is what is no t (das Nicht-Seiende) an d . in its relation to the first potency o f consciousness, what ought not to lx? (das nichl-Seinsoltende). Mythology, in S chelling's in terp reta tio n , represents the opposition betw een th e m ultiple finite an d the all-com prehensive bu t indefinite o n e as a struggle between gods. T h e mythical m ind seeks reconcilia tion. but seldom finds it. W henever it succeeds, it usually presen ts the reconciliation between the infinite and the finite in the form o f a young ' F ried rich Schelling. I j n t h l t i u g in riit lh il m o f tltv (1830), c d . W alter F.hrhardt (Stuttgart: F ro m a n n -Ilo lzb o o g. 1989). 9 S -I0 0 . See P eter Koslow&i. I hil<nnfthim ifrr OffrHfxirung (Paderb o m : F. S ch o n in g . 2001). 603-1.
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god who com es to share th e lot o f sulTcring hum anity and th ereb y to redeem the race. In the en d he becom es victorious over th e oppressive old god an d restores th e autonom y o f th e finite. In the Philosophy of Mythology, th e n , Schelling describes the historical process th rough which the m ind becom es aware o f itself an d o f its transcendent dim ension. T h ough the process is divinely guided, the m ind m ust rely entirely on its n atu ral powers. T h e key to the religious significance o f the myth lies in Schellings concept o f m onotheism . In th e past som e scholars considered archaic religions that possessed no polytheistic p an th eo n to lx* m onotheistic." A few even assum ed th at a pristine revelation had preceded the spread o f polytheism . T h e myth ological process thereby cam e to lx* seen as a co rru p tio n o f the p ri meval divine truth. C ontrary to this opinion. Schelling m aintained that polytheism , rath er than im plying a decline o f the religious conscious ness. constituted a necessary phase in the m ind's ascent to a spiritual idea o f God and to full self-recognition. T h e alleged m onotheism was e ith e r a prim itive kind o f pantheism , to o vague to distinguish between th e sacred and the nonsacred. o r a theological dualism that conceived o f G od as a Being opposed to all o th e r lx*ings. T hat dualism has sur vived in dogm atic theories o f the m odern age. which envision the link between God an d the finite to be no m ore than an act o f effective causality. Such a conception conflicts with the idea, adm itted by the sam e theologians, that G od is Being (esse ipsurn) and. as such, must in som e way include all that is. In Schellings view, the idea o f G od as Spirit, so strongly asserted in th e fourth G ospel, requires a m ore intim ate relation than that o f causal d ep e n d en ce. As Spirit, G od m ust be present in the inm ost natu re o f Mis creatures. T h e intrinsic goal o f polytheistic m ythologies, then, served the purpose o f reintegrating the m ultiplicity o f creatio n within th e divine unity. T h e m ythological theogouies, far from being m ean ingless stories, p rep are the m ind for the acceptance of a tru e, that is, a d ifferentiated m onotheism . Still polytheism becam e necessary only because the m ind had lost its prim eval state o f innocence. W ithout an exodus from th e original state of innocence, th e re w ould be n o history. T herefore that first step o f m ankind is th e prim eval event" (13:385). O riginally the potencies m aintained a relation o f harm onious bal ance that the Kail disturbed. In the Kalio f its n atu re we know no m ore than about the period that preceded it the hum an m ind arro g ated to itself control over the potencies (13:360-61). It thereby disrupted the m ind's harm ony with itself and with n atu re. H um ans attem p tin g to b e com e like God" fell into a condition o f GoUentfremdung, which was also a stale o f Selbslenl/rrmdung (alienation from G od an d from oneself) - But
Mythology in Schilling's Philosophy
in accepting this state o f alienation hum anity w ould eventually redis cover the tru e God. M ythology describes the process o f that retu rn . How did polytheism start? S ch illin g argues that th e original co n d i tion o f cu ltu re was no m ore m onotheistic than polytheistic. O n e might describe it as pantheistic, were it no t that prem ythical hum ans lacked th e kind o f reflectiveness that pantheism requires. S ch illin g pictures th e ir condition as being dom inated by th e all-absorbing blind reality o f the second potency. H e refers to it as th e reign o f U ratios (th e sky) w ho. according to H esiod, was the oldest of th e G reek gods. In giving this u n d eterm in ed religious aw areness the nam e of a G reek god the p o et appears to m ake it p a ri o f a theogony, which it is not. T h e wan d e rin g nom ads h e re presented, strangers to themselves an d to th e lands th rough which they passed, recognized no gods, not even the astral bodies that guided them on th e ir ways. T h e stars m erely served as bea cons o f light in an u n d ifferentiated sacred space. Those "Sabists." as Schclling calls them , were m onotheistic only insofar as their religion recognized no distinctions. Everything was sacred and hence n o th in g in particular was. In th e next stageto which U ranos form ed th e transitio n th e (fi nite) principle o f the first potency (/l) rebels against this crushing weight o f undifferentiated Being am i starts a struggle fo r survival. In th e language o f theogony, the struggle ends with a w eakening o f the oppressor. T h e myth achieves this eith er by placing a fem ale principle next to the oppressive m ale, o r by h aring the m ale o n e castrated. U ra nia is th e G reek nam e H erodotus, the fifth-century BC historian, gives to the goddess who at this p o in t em erges everywhere in the N ear East. Schelling describes the lim e o f U rania as mostly o n e o f peaceful co existence betw een m ale an d fem ale divinities (13:392). Yet powerful goddesses such as Mvliita (in Assyria), Astarte, o r Cybelc (in Phrygia an d I.vdia) gradually deprived the m ale god o f all his power. Eventually they achieved a total victory over the m ale god. G reek mythology used a m ore drastic im age for the fem inization o f U ranos. T h e autocratic god killed all U ranias children as soon as they w ere born. Yet Kronos, secretly born, conspired with his m o th er to em asculate his father. O ne version of the myth p resented an even m ore radical account of the fem inization. Kronos threw the genitals o f his fath er into the ocean an d ou t o f the foam arose A phrodite, a second fem ale power, which fu rth e r m arginalized the oppressive male. Driven from his central position to the periphery, th e autocratic single god is no longer capable o f preventing the rise of divine multiplicity. T he intro d u ctio n o f fem ale deities has op en ed the d o o r to a new line o f gods. W hen Kronos, a m ore reflective representation o f U ranoss blind
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power, repeated the habits of his fath er an d devoured his own ch ild ren . Zeus, th e son w ho had escaped his fath er's infanticidal drive, at the next birth o f a sibling swathed a heavy stone in bandages an d . in lieu o f the infant, fed him to the voracious Kronos. While the fem ale gods m erely w eakened the pow er o f the suprem e m ale god in the m ythologies o f Egypt an d G reece, Schelling claims (with insufficient evidence. I think) that in the Assvrian-Babylonian re ligions th e goddesses simply replaced the male god. T h is dram atic rev o lution did not pass w ithout causing a feeling of guilt in th e p eople for having ab an d o n ed the old god. Schelling detects a symbol o f half hea rted rep en tan ce in a selective form of tem ple prostitution described by H erodotus. O n a day consecrated to Mylitta, th e Assyrian goddess, m arried w omen had to s u rre n d e r themselves, once in a lifetim e, to the first m an who asked them , at any price he oflered. T hus th e nation attem p ted to expiate its guilt for allowing itself to be seduced by the new goddess and thus to break the an c ien t covenant. Schelling com pares th e m otivation o f this custom with the charge of adultery by which the H ebrew prophets den o u n ced Israels tu rn in g to foreign gods. In the Book llosea Vahweh even orders th e p ro p h et to m arry a prostitute to den o u n c e the p eo p le's adultery with o th e r gods. T h e fem ale cults o f the N ear East were closely linked to the seasons o f nature. Still Schelling rejects a naturalist reading o f the m yth, as if it m erely symbolized fertility processes. Even the celebrations o f the seasons had a spiritual significance, he argues. T hey prep are d an aware ness of God as all-encom passing Absolute. Mis in terp reta tio n follows an earlier, mainly N eoplatonic tradition. In his treatise o f the Egyptian myth o f Isis and Osiris. Plutarch wrote: We oppose all those uncouth m inds that so readily equate the activities o f the gods e ith e r with sea sonal changes in atm osphere, o r with harvest, sowing, o r lab o r in the fields. They speak o f the burial o f O siris' when the seeding grain lies buried in the earth an d o f the resurrection an d reappearance o f Osiris* w hen the seeds lxgin to sp ro u t (Dr hide el Osiride, 377B). N onetheless, the link with nature rem ained strong. As th e religious consciousness advanced, representations of the divine moved u p from lifeless structures (huge boulders o r m ountains) to anim als whose sen sitive awareness m ore directly reflects divine life (ibid., 382A). Even the theologicallv progressive Egyptian mythology still abounds with anim al symbols. Those prim itive form s never disappear com pletely. The h u m anized G reek mythology co n tin u ed to preserve sacred m ountains, m onsters, an d hybrids, not to m ention Zeus's anim al disguises as a swan, a bull, o r a serpent. In areas w here the fem ale victors- h a d been less than absolute o r
Mythology in Schcllings Philosophy
w here it was eventually overcom e, a young m ale, eith er god o r half-god, e n te re d th e scene as a liberator of the oppressed. Me m ediated between th e gods and the people. In G reek mythology this mysterious figure, Dionysus, had been at work long before he received a nam e and a specific place in the theogony. A sim ilar god appears in Egyptian, Per sian, and Phoenician m ythologies. T h e ir behavior is identical. T he young god first places him self in the service of th e old god who. though relegated to th e sidelines, retains m uch power, at least w here h e has no t been replaced by divine m atriarchies. Soon the old god com es to suspect him of u n d erm in in g his authority an d tests his loyalty by im posing dangerous tasks u p o n him . Such were the works o f H eracles (a sim ilar half-god, possibly o f P hoenician origin). T h e servant survives his trials and. th rough the good works he has accom plished, wins the favor o f the hum ans whose harsh lot he shared. Yet eventually h e is killed an d thereby pacifies the old god. W hen in som e way he is brought back to life, the old god is finally forced to recognize the pow er o f the newcom er, even though he may no t acknowledge his divinity. C onvinced that all myths followed a com m on p attern . Schelling te n d ed to eq u a te the various m ediating gods of the N ear East with the G reek Dionysus. H e followed H erodotus, who had referred to th e Egy|>tian O siris and to the P hoenician M clkarih as Dionysus. As long as the first god. whom we also call the rral god. absolutely closes him self to (th e new com er], th e young o n e cannot ap p e ar as god. but only as an unintelligible m iddle-lxdng betw een god an d m en. So he appears as the h idden god, negated an d hum bled, who must first m erit his divin ity" (13:394). To Schelling, this m ediating god prophetically announces the G od-m an o f revelation (13:347-45). In his fam ous poem Brot und Wein," llo ld erlin had in veiled term s com pared Christ to Dionysus: he had com e to proclaim the en d o f the ancient gods, but to com fort us o f their absence, had left us his gifts. Schelling also regards the suffer ing an d dying gods, Dionysus, M clkarth, an d O siris, as prophetic figures o f Christ. Mythology, th e n , had been indispensable fo r discovering th e tru th o f m onotheism . Yet m isinterpreting its instrum ental role, hum ans con verted th e potencies active in the m in d s response to the Absolute into in d e p en d en t, divine substances. By thus tu rn in g the in tern al forces o f the m ind into gods, they actually arrested th e process o f religious d e velopm ent. Most m ythologies rem ained frozen in the struggle between the two first potencies, as if engaged in an u n ending fight between divinities. In that respect. Mazdaism, the noble religion o f ancient Persia, con stitutes an exception. Schelling ju d g e d it to approach m onotheism , as
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he understood th e term . U nfortunately, being almost entirely reduced to G reek sources w ritten well after th e founding tim e o f the m ovem ent an d long before the sul)staniial changes it underw ent in the Sassanian kingdom , he knew little o f the origins o f Mazdaism. We now know, o r think we know, that Z arathustra, an Iranian sage who lived som e n ine h u n d red years before the present era, in his poem s an d serm ons con verted an old Indo-lraniau collection o f beliefs and rituals in to a sim ple, highly m oral religion. Mis d o ctrin e has often been in terp rete d as a dualism in which two ultim ate principles. O rm uzd the good an d Ahrim an th e evil o ne, were locked in a p erm an en t struggle. In fact, evil was to Ik* perm anently overcom e by the o n e principle o f good. Despite his inadequate sources. Schelling perceived th e m onotheistic n atu re o f Z arathustra's thought. A fter the p ro p h e ts death, Mazdaism began to slide toward a com m on polytheistic religion. At som e point, th e suprem e god. A huraMazda (th e wise L ord), was believed to have bad a fem ale consort, A nahita. C onsidering the original purity o f the Mazda faith. Schelling surm ises that she may have e n tered the Persian religion u n d e r th e in fluence o f nearby Assyrian-Bahylonian fem ale cults. In th e H ellenistic age, w hen Mazdaism began to be called Zoroastrism (after th e Greek nam e o f its p ro p h et), th e young god M ithra. not nam ed in th e original sources Inn m entioned in the Indian Rg-Yeda hymns, cam e to play a cen tral role in Iranian mythology. His m ediating function may be com pared to that o f O siris an d Dionysus. A god of light, usually rep resen ted with th e sun. he was believed to have overcom e the opposition between O rm u zd s kingdom of light and A hrim ans reign o f darkness. Eventu ally he appears to have m erged with Ahura-M azda him self a n d , as allinclusive A bsolute, to have co n tain ed both light and darkness. As th e cult spread d u rin g th e H ellenistic an d Rom an periods, a lux uriant p an th eo n grew around the figure of M ithra. But the co re o f the m yth, the young god who passes (the iransilus) through great pain and d angers to cap ture an d kill the wild bull, rem ained rem arkably stable. Som e scholars have in terp rete d this bull as the prim eval anim al, from whose body sprang plants, grains, an d anim als to serve h u m an needs. O th ers identify th e bull with the zodiac figure Taurus that is visible d u rin g the dark period of the year an d in the spring m ust yield to the new light. In e ith e r case. M ithra appears as a hum ble god w ho labors in the service o f hum ans and, after his full divinization, incorporates the qualities o f all gods w ithin himself. Even in this later mythical form Mazdaism differs from o th e r m ythologies in that it bypasses th e struggle betw een the old e r an d th e younger gods. M ithra does not light Alntra10
Mythology in Schcllings Philosophy
Mazda: he incorporates him . Not w ithout reason does Schelling regard Mazdaism as having prep are d the religions o f the future. T h e coining o f Dionysus an d his P hoenician. Egyptian, and Persian co u n terp arts introduces the th ird potency, which reconciles th e first an d the second. T h e struggle between the two form er principles has e n d e d in a defeat o f the dom inant principle (in G reek m ythology rep resented by K ronos). T h e dom inant godw hether Kronos o r Cvbele being exclusive o f all others, lacked the com plexity o f a spiritual reli gion. With the advent o f th e m ediating gods, the celestial kingdom acq u ired a spiritual, that is. a com plex, inclusive quality. T h e new gods still rem ain m aterial* substances, but they differ from the old ones in that they directly p rep are a different in terp reta tio n o f the mythological process. In them the th ree potencies rem ain active at each o f th e three m om ents. T h e struggle against the dom inant principle h ere en d s in a final reconciliation (13:395101). T h re e religions com pleted, each in a different way. the cycle o f the potencies: the Egyptian, the Indian, and the G reek. T hey directly p re pared a spiritual m onotheism . T he Egyptian strongly em phasized the struggle betw een th e old an d the new gods. H ere also H erodo tu s served as S chelling's principal source of inform ation, though P lutarch 's trea tise on Isis and Osiris assisted him in perceiving som e of th e m eaning o f the historian's confused narrative. Typlton. com parable to the Kronos o f the Greeks, was originally the god o f th e desert, w ho with b u rn in g winds dried u p th e fertile land. T h e benevolent O siris restores fertility by in u n d a tin g it with th e Nile. Typhon kills the young god and disperses the m em bers o f his body. Isis. O siriss sister (o r brid e), col lects an d reassem bles them . B rought back to life, O siris defeats Typhon and. according to o n e version of the myth, kills him . while Isis, who h ere appears as Typhon's spouse, lam ents his death. In a n o th e r version, Osiris, now Isiss spouse and b ro th e r o f Typhon. com m its adultery with Typhon's wife Nephtys. Isis's changing role in these different versions illustrates the am bivalence created by the young g o d s com ing: people p refer him but still fear the old god. In the en d the myth takes a sig nificant tu rn : Typhon m erges with bis young antagonist O siris and in this reconciliation the myth reaches w hat Schelling considers to lx- tinth ird potency. In the Egyptian myth the gods begin to lose th e ir fixed, substantial identity an d to present the im personal powers o f the religious con sciousness. W hen Typhon m erges with Osiris, he reveals that b e was not th e aboriginal oppressive, undifferentiated substance, but m erely a po tency' o f Being confronting a n o th e r potency an d b o u n d to u nite with it in a third one. Osiris also gives up his substantial identity in o rd er
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to becom e a symbol o f spiritual unity. At this final stage, th e god. as well as the o n e with whom he m erges, becom es truly the one who rnusl be (tier sein ioUende). T h e most significant episode in the story is the dispersion o f O siris's limbs. It symbolizes the plurality that must en ter into the tru e (i.e., all-inclusive) idea o f God. It also suggests th at to fulfill th e ir ideal function th e gods must lay down their earthly lives. Tvphon an d Osiris, it now appears, were no m ore than opposite facets o f the sam e reality. T h e tension am ong the mythical characters was m erely a m eans to restore the divine unity. T h e goal is th e rep aratio n o f th e original unity, o f the m onotheism that was given with th e essence o f m an an d that had to be raised to a h igher level (aufgehoben] in o rd e r to be recognized not as a |x>teutial o r m aterial (m onotheism ), but as an actual unity o f (k>d an d consciousness" (12:374). T h e O siris myth seem ed headed for a spiritual idea o f God. Yet at th e en d Kgyptian mythology retu rn s to its earlier, m aterial rep resen ta tions. even though the thinking that had m otivated the story had al ready moved well beyond them . Precisely where th e myth seem s to at tain its spiritual conclusion, it exposes its p erm anent inadequacy. Instead o f opening up into a vision o f the o n e G od who contains all things w ithin Himself, the myth once again descends into a coarsely m aterial representation o f the multiplicity o f beings im m anent in God. A fter the concept was ready to assert th e spiritual n atu re o f G od. the m aterial principle intervenes and breaks up the spiritual unity. T he unity dissolves in an abu n d an ce of anim als an d half-animals. With these anim al gods the myth regresses to an earlier stage w hen the gods, afraid o f Tvphon, hid themselves in anim al bodies. But the appearan ce o f dogs, ibises, and hawks seem s singularly in ap p ro p riate after th e com pletion o f the O siris myth. T h e fact that Egyptian religion retained its mythical form allowed it to celebrate th e yearly recessions and expansions o f the Nile. Myths develop in tim e, bu t they never attain a historical ending. T h e events never cease to repeat themselves. Even the old gods, suppressed from th e present, never fully disappear. T hey still enjoy a m odest veneration an d rem ain objects of a vague fear. Next to the large tem ples d ed icated to Morns, th e son o f Osiris an d Isis, who incarnates the third potency an d the en d o f the mythical struggle, small ones w ere erected for Tvphon. Egypt never ab an d o n ed its mythology, but constantly co rrected it. Schclliug saw o n e such correction in th e existence o f agenneloi (un b o rn ), prem ythical o r m etaphysical" gods who, though presen ted in h u m an forms, are products o f thought rath er than o f the mythical im agination. A m ong them was A nnin, th e Zeus o f T hebe" (as H ero d
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Mythology in Schelling's Philosophy
otus calls him ), adored in th e huge tem ple o f K arnak. Schelling ranks them with th e Sabist" cults o f the beginning. But th e ir cult co n tinuing until the C hristian era rath er seem s to indicate that Egyptian religion resists being com pressed w ithin his rigorous mythical interp retatio n . Schelling regards Vedic mythology also as com plete." Its gods rep resent all th ree potencies. Yet. according to the Philosophy o f Mythology, they rem ain in d e p en d en t o f each o th e r an d thereby fail to resolve the tensions that divide them . Brahm a, th e passionate, rash, an d blind god (12:448). whom Schelling com pares to Typhon, has been com pletely relegated to th e past. Virtually no tem ples a re dedicated to him . and he receives little cubic atten tio n . Shiva, the destroyer who replaces him . never becam e m ore than a destructive principle. T h e religious m ind, dissatisfied with these negative deities, simply moved on to a th ird , spir itual godhead. V ishnu, the god o f Being (Sattwa) an d o f light, who incarnates the th ird potency bu t has little to do with the o th e r two gods o f the suprem e triad. Iu S chelling's presen tatio n . Indian mythology developed in a direc tion opposite to th e Egyptian an d the G reek. Both co n tin u ed to m ain tain a cult for the god o f the beginning, while Indian religion, ab an d o n in g the original principle altogether, shifted w ithout transition to a spiritual principle. It thereby lost the foundational principle, the g ro u n d of the en tire process (13:403). T h e ab ru p t move to a spiritual unity may have satisfied a spiritual elite, but not the ordinary believer. Indian mythology could not have survived in such a thin spiritual atm o sp h ere, and people reverted to m ore m aterial gods. S chelling's purely mythological and overly simplistic treatm en t o f H induism fails to account for m uch in Indian religion that was barely co n n e cted with the th ree gods. N or does the alleged in d e p en d en ce o f th e th re e principal gods explain the uni<|uc status o f H induism . In fact, by Schelling's own account, a very real relation does exist between Brahm a, Shiva, and Vishnu. T h e balanced, differentiated pow er o f V ishnu could not exist w ithout Shivas destruction o f Brahm a's auto cratic "m onism ." A text q u o te d from the P uranas (mostly w ritten be tw een the first and the ten th century AI)) describes th e ir intim ate re latedness: As light shows a difference, g reater o r less, accord in g to its nearness o r distance from fire, so is th ere a variation in the energy o f B rahm an [the A lolute. distinct from Brahm a, th e suprem e god]. Brahm a. Vishnu, an d Shiva are his ch ief energies. . . . V ishnu is the highest an d most im m ediate o f all the energies o f B rahm an. O n him this en tire universe is woven and interw oven: from him is the world and the world is in him : an d he is the whole universe" (V ishnu, 1:22). Let us assum e, however, that the link betw een Vishnu an d th e o th e r
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two gods is to o weak to support V ishnus spiritual piety. Does that ex plain why he becom es fragm ented into an infinite n u m b e r o f avatars, as Schclling maintains? In the P uranas Vishnu appears in th e guise o f th e young s h ep h erd Kama, c e n te r o f num erous epic com positions, o r o f K rishna, the god of the M ahabharata's war an d of the epiphany o f th e Bhagavad Gita. T h e theory of the potencies provides little assistance fo r u n derstanding this fragm entation. As fo r the Vedanta, th e mystical com pletion o f th e Veda, it is not so m uch an in terp reta tio n o f Indian m ythology as an attem pt to free th e religious m ind o f myth altogether. An even m ore forceful rejection of mythology appears in B uddhism . T h e early, practical T heravada as well as th e later, m ore metaphysical Mahayana abstained from any kind o f thcogony, as Schclling duly notes. Was Buddhism a twig o f the mythically sober Iranian religion to which it. particularly in South India, appears close, o r did it originate in the ascetic a n d / o r mystical trends o f the Vedanta? In eith er case it rem ains far from the structural principles o f the Philosophy of Mythology, although no t m ore so than C hinese religion." which, by Schcllings own adm is sion. possesses n e ith e r au to ch th o n o u s myths n o r gods! R ather th an at tem pting an artificial explanation to save his elusive schem a, the a u th o r proposes an ingenious hypothesis to account for this absence. Myth, he had often asserted, requires the conscious identity o f a peo ple. But the inhabitants o f the gigantic C hinese Em pire never regarded themselves as a" people, but ra th e r as hum anity itself. T h e ir enorm ous territory and su p erio r institutions presented no occasion fo r com paring themselves with o thers. Schclling m aintains that only with th e begin ning of a national consciousness do people ab a n d o n th e prim itive state that precedes mythology. This requires that they reject the exclusive d om inance o f the all-encom passing sacred. C hina followed a d ifferent direction: its people never developed a thcogonie rebellion. Instead they transferred th e ir traditional religious expressions o f respect and subm ission to the Em pire. Not even the idea o f heaven, so p ro m in en t in C hinese culture, refers to a transcendent power: it constituted an integral part o f the social universe. T h e ir religio astralis in rrm publiram (12:531) allowed the em p e ro r to rule by the heavenly m otions. This civil religion, in which the secular becam e sacred, prevented C hinese cu ltu re from passing th rough a theogonic process to reach selfconsciousness. Finally. Schclling turns to G reek mythology, the o n e that had p ro vided the m odel for his theory' since the early Philosophy of Art. He regards it as the most spiritual because it im m ediately prepares the transition to the true" idea o f G od. H e notes that G reek mythology, m ore than any other, displays a certain rationality. H esiods history o f
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Mythology in Schclling's Philosophy
the gods raised thcogony into an intelligible system. A concern fo r ra tionality appears also in H erodotus, who claim ed that th e G reeks first gave nam es to the gods. Yet the religious reason never becam e abstract. At every stage, the G reeks recu rred to im ages an d often earthy rep re sentations for expressing a n ideal content. This balance between ma terial form and spiritual significance gave G reek myths a natural ap ti tude for being tu rn e d into poetry. Indeed, they form ed th e original co n ten t o f G reek poetry. T h e story o f the gods starts with Chaos, a n ideal concept as well as a physical one. From Chaos H esiod moves directly to Gaia (th e F.arth), the first fem ale principle and the source o f the mythical process. She bears U ranos, but also the m ountains, the sea. an d the Titans, am ong them Kronos and Rhea, his future wife. In a second generatio n , Gaia bears th e Cyclops, whom Zeus later used in his battle against th e Titans. T hese prim itive creatures populated the earth before it becam e civi lized. T h e G reeks despised them yet never forgot them . They moved them to the past, bu t that past rem ained vitally linked to th e present an d even to th e future. Thus Kronos. th e h o rrib le ancestor, was still n ee d ed to understand Dionysus, the latest o f th e gods. In Schcllings view, th e m any gods owed th e ir origin to the disinte gration o f the o n e hom ogeneous reality principle. As Kronos. who p re sented that principle, started losing his power, it broke down in to a n u m b e r of increasingly m ore spiritual principles, which to g eth er form ed a harm onious universe. "G reek mythology consists in the soft d ea th , the tru e euthanasia o f the real principle which, after its dep ar tu re an d dem ise, still leaves a beautiful, fascinating world o f ap p ear ances in its place" (13:405). T h e am biguous figure o f D em eter therein occupies a central position. She stands between the real world o f the past, dom inated by the oppressive pow er o f Kronos. and the ideal world o f th e future (12:031). Still, the m em ory of the sim ple life o f th e age o f Kronos (in Latin, S aturnus) continued to evoke nostalgia in the G reek m ind. It was rem em bered as the golden age, a time w hen no b o rd e r stones divided the fields and when the earth was recognized to be a com m on possession. Surprisingly, it was D em eter, the rem em brance o f the past, w ho in troduced people to agriculture, the beginning o f h igher civilization. Indeed, this is how she was com m only rem em bered. Yet she was much m ore than a seasonal goddess. T h e G reek m ysteries revolved aro u n d her. Obviously, agriculture requires no foundation in mysteries. Nor was h e r d au g h ter Persephone, abducted to the underw orld , a m ere im age o f th e seed buried in the g round to reem erge after six m onths
The Journal of Religion
as a living plant. W hile distressedly seeking h e r daughter, D cm etcr is. in Schellings view, looking for the lost god o f the beginnings. T h e Kleusinian mysteries enact the goddesss errin g search, h e r res ignation. and. at last, the advent of h e r son Dionysus. This god o f the fu tu re conclud ed the m ythical cycle, even though at an earlier stage Dionysus had very m uch been part of the polytheistic struggle, lie even had been killed. Yet he had risen to new life an d in the en d was to survive all gods. His m other. D em eter, symbolized the transition from the dom inion o f the old god. th e o n e who should no t be ( drr nichl srin solIif). to th e h ig h e r potency of the new god who oug h t to be ( drr sein sollte) (12:634). P ersephone plays herein' a significant role. T he myths relating to P ersephone co ntain the key to the en tire mythologya key provided by mythology itself. . . . T h e origins o f mythology present in th e Per sep h o n e doctrine move into the innerm ost dep th s o f h u m an existence" (12:181). She represents th e dangerous odyssey o f freedom as it begins to assert itselfwith tragic consequences an d eventual com prom ises. H er life begins in a state o f innocence, yet she is vaguely aware o f h e r ability to move out of this prim eval state. As sh e tests h e r freedom by w andering off on h e r own, th e god o f the underw orld abducts h e r to his kingdom of darkness. In response to the pleas o f h e r m other, Hades allows h e r to spend half a year al>ove g round an d half a year with him in the underw orld. Beyond the obvious seasonal reference o f the myth lies a profound aw areness o f th e destiny o f freedom , which moves from innocence to fall to rebirth. Consciousness has to die to its natural life in o rd e r to attain spiritual awareness. Yet a third god plays a m ajor part in the Kleusinian mysteries: Dio nysus. In G reek mythology he appears in th ree different im persona tions. First as the ch th o n ian Zagreus, the wild son o f Zeus an d Per sephone, still very m uch a figure of the rustic, prim itive age. T he second Dionysus, the so-called T h eb an Bacchus, son o f Zeus an d the nym ph Sem ele, incarnates th e joy and revel 17 that accom panies the liberation from the old god. In his m u rd e r (sim ilar to O siriss) by rag ing m aenads who tore th e limbs off his body, Schelling sees a symbol o f th e fragm entation into many gods. It is, however, the third Dionysus, Iakchos. the son o f Zeus and D em eter, who stands central in th e mys teries (see 13:465-83). Iakchos assum es som e features of the first and th e second Dionysus. T h e h ie ro p h an t still referred to him as Zagreus. an d the suffering and death of Bacchus played a considerable part in th e holy ritual. Yet, as we shall see, his significance lies elsew here. He is the god of the future. T h e mysteries form the transition from mythology to revealed reli
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gion: ill them th e esoteric m eaning o f the myth becom es revealed. De m eter. reconciled to h e r fate, the loss of P ersephone an d o f th e old god. resolves th e existential tensions rep resen ted by th e struggling gods. T h e dram atic presentation o f the m ysteries forced th e partici pants to confront the initial te rro r that lay hidden in the mythical nar ratives. Yet in th e en d the initiation prom ised lasting beatitu d e after d ea th . T h e rein in g o f P ersephone's d escent to H ades concluded in an e n c o u n te r with the god o f life. H ades an d Dionysus are o ne. Plutarch had cryptically w ritten. W hile reenacting the mythical events, th e mys teries liberated the initiates from the endless con tin u an ce an d oppres sive m ateriality of the mythical process. T h e initiation into the m ysteries has often been coni|>ared with an introduction to philosophy. In the Phaedrus, Plato likens the goal o f philosophy to that o f th e mysteries, namely, to move from th e material to a spiritual realm where d eath has no m ore pow er over life. Still the m ysteries contain no philosophy. T hey have m ore in com m on with the G reek tragedy, which was believed to have originated in songs th at com m em orated th e suffering and death o f Dionysus. T h e classical dram a still began with a sacrifice to the g o d o f th e mysteries. All that evoked pity an d fear in the tragedy, hum an fate with its unprcdictivcness and inevitable en d , th e initiates intensely experienced while participating in the trials o f th e suffering god. Why were th e m ysteries secret? T h e stories o f D em eter an d Dionysus w ere universally known. T h e ir im ages appeared everyw here, poets had sung their adventures, and playwrights had presented them o n the stage. So, how could what was publicly known lx* kept secret? Schelling linked the secret to Dionysus's third im personation, lakchos. the th ird Dionysus, popularly d epicted as a child at D em eters breast, was called "the god who com es, the god o f the future. T hat future had to rem ain secret, fo r th e prom ise it held o f th e god who was to b rin g the theogonic process to an en d th re aten e d no t only the national gods but also the state itself, which rested on them . T h e mystery was revealed only to the initiates. Even the gods should not h ea r about it. It was to be "shown." not told. W hoever betrayed it risked capital punishm ent. Even Aeschylus, the great dram atist, narrowly escaped death because he allegedly had revealed the secret o f the mystery w hen, thro u g h the m outh o f Prom etheus. in the play that bore his nam e, lie had p redicted that Zeus would lose his throne. Such was S chclling's in terp reta tio n o f the still unsolved problem o f th e secrecy o f the mysteries. Today it im presses us as highly speculative an d probably incorrect. T h e mysteries almost certainly con tain ed no prophecy' o f future m onotheism . At most they may have suggested that
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Dionysus, the god o f the fu tu re , would b ring the titling divine hierarchy to an en d . Schelling was undoubtedly right, however, abou t th e con solation the mysteries b rought to the deep-seated m elancholy that, d e spite an exuberant vitality, possessed the H ellenic m ind. Even in its most confident creativityin d e ed , th ere particularlyo n e senses a sad aw areness o f the irredeem able finitude of existence. T h e mysteries prom ised a b etter life after death. S chelling's exclusively religious in terp reta tio n of the myth has found scarce approval am ong contem porary scholars. In deed, for som e, such as C laude I.evi-Strauss, religion has hardly anything to do with myth: it consists in symbolic m odels o f social structures em ployed by th e savage m in d to justify the existing ones o r to prom ote alternative ones. LeviStrauss's theory has introduced new elem ents, but it has left out the religious significance of myths, which m ost scholars (particularly Mircea Kliade) continue to recognize in o n e way o r another. W hether o r no t the prim ary significance o f th e myth is religious does not affect Schellings thesis, that it constitutes a necessary stage in th e m ind's developm ent tow ard transcendence. It prepares th e idea o f a G od who. ra th e r than excluding finite beings, includes them w ithin Himself. S chelling's decision to build a general theory o f myth on th e limited basis o f N ear Eastern an d G reek mythologies, while om itting O ceanian, G erm anic, and Slavic ones, is indefensible. Vet what has been m ost se riously attacked from the beginning is th e philosophical schem e, in sufficiently supported by em pirical evidence, w ithin which he has com pelled all myths. H e thereby w eakened the success o f his inten d ed project, namely, to explore the internal logic o f the myth. In his Philosophy of Rnielation Schelling attem pted to show that C hris tianity. the only revelation he considered, was the ultim ate goal o f my thology an d the fulfillm ent o f prom ises im plicit in the mysteries. In that p rofound but controversial work, h e applied the theory o f th e po tencies to C hristian m onotheism and, once again, gave that theory a different, trinitarian in terp reta tio n . T h e history o f polytheistic religion is no m ore than an episode in G ods in tratrin itarian dram a. It consti tutes th e first act o f th e Son's attem p t to re tu rn hum anity to its divine destination, before appearing in risible form the Sou directs hum anity in its mythical search fo r a spiritual m onotheism . T h e potencies, which in various m ythologies stood in opposition to o n e another, thereby gradually move toward integration and unity. G od does not in terfere with this essentially natural process. Inn acts as its natural moving power. To the ancient C hristian claim that the O ld Testam ent prej>ared Israel for the appearance o f the Messiah. Schelling adds th e o n e that pagan mythology induced the nations to wait for the god who comes."
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Mythology in Schcllings Philosophy
In m ost m ythologies he detects a longing fo r liberation from a blind, oppressive power. W hat paganism in terp rete d as the crushing pow er o f an ancient god h e com pares to L u th er's w rath o f G od and to B ochm e's Unwill. To som e Rom antics. C hristianity itself ap p eared to be no m ore than a continuation of th e myth o f th e lilxTating god and Christ a new im personation o f Dionysus, lint according to Schelling. o n e fundam ental difference separates the C hristian revelation from the myth: w hereas myth is entirely a product o f the creative im agination, revelation rests o n a historical basis (14:229-33). Sagas an d legends may have em b el lished its historical core. But they could do so only because th e history possessed an extraordinary significance. Schelling does not define the ex ten t to which legend and mythology could infiltrate the sources o f revelation w ithout je o p ard izin g the message itself. He adm its th e pres en c e o f mythical elem ents in th e O ld Testam ent. T h e proph ets fought an unceasing battle against the influence o f th e myths o f the N ear Hast. But he draws a sh arp line between the C hristian G ospel an d th e con tinuing presence o f myth in th e H ellenistic culture. His unqualified defense o f the historical tru th o f Christianity m ade his theory vulner able to the attacks o f David Friedrich Strauss. B runo Bauer, an d R udolf B ultm ann. C ontem porary philosophers have objected to Schellings m eth o d . T hus W alter Schulz, in a classic study,1claims that Schellings "positivephilosophy rem ained essentially idealist and as negative as Fichte's an d H egels. W hat Schelling ascribes to divine revelation has in fact been p red eterm in ed by th e philosophical structure o f his own theory. T h e allegedly real G od o f revelation still rem ains the God o f philoso phy. Schelling would probably reply that positive philosophy is indeed philosophy, but philosophy m ediated by faith. Viewed from th at per spective, his positive philosophy might not be essentially different from A nselm s fides quaerens inteUeclum. Still, it would be h ard to deny that the theory of potencies, which Schelling im poses upon revelation, basically determ ines the nature of its co n ten t. What at the lx*ginning still appears to be a m eth o d fo r u n d ersta n d in g th e co n ten t o f mythol ogy an d revelation soon turns into the co n ten t itself. Symptom atic o f this dom ination by philosophy is that Schelling unreservedly eq u ates th e C hristian idea o f reconciliation with the philosophical category o f m ediation. O u r final ju d g m en t on th e Philosophy of Mythology, then, m ust rem ain * W aller S chulz, Dir Vollrnitunf itrs tiniluhrn IHmlismus in ilrr Sfttitfrhilmopkir SrM /ings (Pfullin g cn : N csk r. 1975).
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The Journal of Religion
a conditional one. To the ex ten t that Schellings theory assum ed a gen uinely receptive attitude with respect to myth and revelation, rath er than p red eterm in in g it by philosophical categories, we may regard it as legitim ate. But the traditional nam e o f such an enterprise has been theology, no t philosophy. To the extent that philosophy a priori defines th e limits o f mythology and revelationas it definitely did in th e theory o f the potencies it was indeed philosophy, but not positive philosophy.