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Oblivion

Stubbs (bass), Natalie Beversluis (voc,


violin), Richard Koontz (flute, fife, bones),
Aaron Miller (drums, bodhrán). Phone
(616) 979-3802. Write 4500 D Dr. S., Battle
Creek, MI 49015. E-mail fonnmhor@cs.
com. Web: www.fonnmhor.com.
Fonnmhòr CD

Forge. Metallically abrasive, an industrial-


sized wake-up tonic. Aaron Greene (voc,
gtr), Steve Greene (bass, voc), Bob
Macauley (drums). Contact Static Records.
Phone (313) 886-7860. Write 17215 Mack
Ave., Detroit, MI 48224. Web: www.forge
music.com.
Decloaking (Static, 1996) CD
Trials (Static, 1999) CD
Forge Demo (2001) CD

4%. Heavy-as-Hell noise rock. Mr. Mueller


(bass, voc), Leighton Mann (gtr, noise),
Brian Downey (drums). E-mail four
percent@yahoo.com. Web: www.
ludicrousspeed.com/~fourpercent.
One CD

S
Two CD
o here’s another band struggling to make a name for them-
selves in a community overflowing with musical talent. Stewart Francke. Midwestern rocker and
What makes them special? Besides getting a mention in lyrical songwriter. Stewart Francke (voc,
Ann Arbor’s premier entertainment monthly, Oblivion is all gtr, piano). Contact Blue Boundary. Phone
set to unleash their debut album upon the masses at the Michi- (248) 568-9091. Write P.O. Box 7025,
Huntington Woods, MI 48070. Web:
gan Union’s U-Club stage on Friday, November 15. If their www.blueboundary.com.
energy and confidence are anything to go by, oblivion is the Where the River Meets the Bay (Schoolkids’,
last place this band will end up. 1995) CD
“I was just sick of not playing with people,” vocalist Tres Expecting Heroes (Wild Justice, 1995) CD
Crow recalls of starting the band. Thanks to Jason, Ben, Nate House of Lights (Blue Boundary, 1997) CD
Sunflower Soul Serenade (Blue Boundary,
and Scott, he didn’t have to wait very long. Their music is
1998) CD
rock that evolves: “dynamic, guitar-driven music with emo- Swimming in Mercury (Blue Boundary, 1999)
tional vocals that stand for something,” says Crow. CD
Their mission is not “heavy for the sake of being heavy,” What We Talk of … When We Talk (Blue
Crow says, and their songs aim to make people think while Boundary, 2000) CD
Wheel of Life (Blue Boundary, 2002) CD
they have a grand time playing them. The band “makes the
five of us happy and when we get into our songs, the crowd Freddy & the Four-Gone Conclusions.
does too.” ’60s garage rock a-go-go. Freddy Fortune
Their debut CD contains ferocious guitar-powered tracks, (voc, gtr, percussion), Chub Marsden (gtr,
ballads and some pretty intelligent lyrics. “It was like five voc, organ), Zach Martinchek (bass, voc),
Will Simmons (drums), Schmiddy (gtr,
guys trying to raise a baby,” Crow adds. “Transferring the voc, lute). Phone (248) 584-2215. Web:
stage energy to the album without sounding artificial was the www.schmiddy.com/band.html.
hardest part,” recalls guitarist Ben Umanov. While it wasn’t (You’re Just a) Waste of My Time (Sound
hard to record the songs after playing them for so many months, Camera) CD
“making it something we were happy with took a while,” Stand Up/Shattered (Get Hip) CD
Umanov admits.
With a sound compared to Incubus and Stain’d, they have The Friars. Forty-three years of fun at
the expense of music. Ryan Morgan (tenor
taken the stage with the likes of Donkey Punch and Six Clips. voc), Josh Breitzer (tenor voc), Larry
From performances at the hallowed Blind Pig to shows in NYC Rodgers (tenor voc), Chad Stuible (tenor
and Kentucky, they anticipate more high-energy shows. voc), Michael Kasiborski (bass voc), Rey
—Prashant Rajkhowa Salazar (bass voc), Dan Bachmann (bass
voc), Jeremy Peters (bass voc). Phone
Oblivion celebrates the release of their debut CD in a free per- (734) 731-0154. E-mail um.friars@umich.
formance at the Michigan Union’s U-Club on Friday, November edu. Web: www.umich.edu/~ummgc/
friars.
15 at 9pm. For more information, visit www.oblivionrockmusic.
Nice CD
com.
Naughty CD
Oogong CD
November 2002 CURRENT 123

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