You are on page 1of 22

/:

(Social Engagement)

()
2007-2010 /
2000
2000
1
2

3
2000

()
1996

2000

(Social Engagement)

(Art
Invention)(New Genre Public Art)/
Community Artparticipatory art
(Socially engaged Art)(Art as Social Interaction)

1996-2014
2007-2010 /
1996-2000
2000
1
1996-1999 2000
2000
1
2

3
---
2000

1.1
2

1989

(Social Engagement)
Claire Bishop 1920

HappeningFluxus
Situationist International (SI)
Community Art
1993 1995
Mapping the Terrain: New Genre Public Art
Suzi Gablik
1
2

, 2014.10.6 15:00-16:00

(Connective Aesthetics)
Nicolas Bouriaud
1998 Relational Aesthetics

2002

2004 Claire Bishop (October)


Antagonism and Relational Aesthetics
Bishop
3
(relational antagonism)
Bishop 2012 Artificial
Hell :Participatory Art and the Politics of Spectatorship
2008 (SFMOMA)--
1950 (The Art of Participation-1950 to Now ) 40
Creative Time 2012
1991-2011Living as Form:
Socially Engaged Art from 1991-2011

90 2000
Socially-Engaged ArtParticipatory Art

the political is the personal

1.2

1987

90
1996 2000
2008
2014

Bishop, Claire. "Antagonism and Relational Aesthetics" October 110, no. 3


(2004): 51-79. Thomas Hirschorn Santiago Sierra.
if relational aesthetics requires a unified subject as a prerequisite for communityas-togetherness, then some cases provide a mode of artistic experience more
adequate to the divided and incomplete subject of today.
3

12

(1)
()
(1983)---(1986)

1984
119
1987

1988

()(
)()
/

1997
1999
/1997

41999

:
2007.06134
4

2000
2007

2000 2007 Kuso


Otaku

5micro-sensible

2008
2008

2008

TCAC2008 09
2010

2011

7 2011
2014

(2)
community
public

public
public art

-- 174
(2007,03)124-125
6
177
(2007,10)166-170
7

((http://www.mocataipei.org.tw/index.php/2012-01-12-03-3646/past-exhibitions/121-2011exhibition/565-live-ammo)
5

/(community)
community

community

(1997)
1999
/

2000
2002
2005

()

(New Genre Public Art)/


(community art)(participatory art)(socially
engaged art )/

(
6

) 2007-2010
/ 2000
1
23
4/

2.1

the political is the personal

2003
8

9
(2014)

/
10
8

http://praxis.tw/archive/post-40.php
2014. 3. 24 2013
12 28
9

10

2014 5 18 20:00-21:30 OCAT


7

(2014)

2004
2007 :

2010 2014 (Lost Society


Document, LSD):

: (2010-2014)

(1998)
(1999-2000)(2003)
2006
2009

2010

11
2012

1871
(John Thomson)

ACT48 2011.1060
11

(2012)

2.2
(site)
12

2002 2004-2006
[ THTP ] Treasure Hill Tea + Photo
13

2008
Centre A
14
2008 2012

-
ACT48 (2011.10)49
13

14

Centre A2008, 30-31


12

10

15--

(2004)

(2008)
88

16

(2006.01):
151
16

LEAP(2014. 01)
15

11

(2012)

17

18

(2012)

2.3

()()

(2010)

:
24
18
26
17

12

?19(2011)(2011)

--(2012)
20

(2013)

--(2012)

96
20
http://archive.avatart.org/mediawiki/index.php/%E5%91%A8%E8%82%B2%E6%AD
%A3
19

13


2009

(2010)(2011)

(2013)

2014

OCT

OCAT

()

(2013)

2.4
14

21

22

80 90

1990//1997
19971998
19942000
/

(2010-2012)
(2010-2012)
2005
(2006)
(2008)

-- AB-

(http://www.ncafroc.org.tw/abc/community-content.asp?Ser_no=319
2012.07.28)
22
/-
2008-2010 99
2011 10
21

15

(2006/2007)

2010

/5
(
)

2012

(2010-2012)

/
-(2008-2010)

23
/

23

16

-(2008-2010)

2008

2010

24
25
2008
2014

(ttp://www.taishinart.org.tw/chinese/2_taishinarts_award/2_2_top_de
tail.php?MID=3&ID=&AID=11&AKID=&PeID=120)
25

24

17

-(2008-2010)

3.1 ---

---- 2000

/
90 90 2000
2006
2007 /
2007 2010
/
18

2010
26(Servo Motor)

2014

2011

27

28

29
30

mediator
31

32
216 2010.09146-153
221 2011.02110-117
26

225 2011.0697-100
28
226
2011.0772
27

2014. 3. 24

29

30

216 2010.09146-153

216 2010.09
146-153
32
/
2012295-309
31

19

3.2

Claire Bishop

33

1. (

2.

/
---

3. /

34

Claire Bishop, Introduction: Viewers as Producers, in Participation


edited by Claire Bishop, London: Whitechapel, 2006, p. 11
34
216 2010.09
146-153
33

20

35
/ //

/
36

37

()

38

216 2010.09
146-153
36

35

37

/ /

/
(ACT) 57 (2014.01)8897

/-
2008-2010 99
2011 10
38

21

--

2000
/

22

You might also like