the public its entire collection. There is a great temptation to do
the latter, for military museums often acquire extensive collec tions of the same type of weapon, with each item in the collection having only slight variations from the others. The museum staff may feel that the public will be properly impressed by the museum's inventory only if it shows all or most of such items in its possession. Often this is the convenient way to solve the problem of storage, for many museums have a large number of objects and very limited space in which to place them. It is logical to assume that the custodial function is the one emphasized in most military museums, for the viewer enters expecting to see weapons and the other paraphernalia of warfare. He is usually not disappointed. Often he is inundated and gets the impression he has come into an armory. Educational.
military museum
Regardless of the form its exhibition takes, the
attempting to tell a story. The story may be,
is
and often is, very simple. A collection of arms used
ticular war may be displayed without any references of the war itself. The same may be done for uniforms A visitor to the museum might be able to discover
during
par
to the history and insignia. the evolution
of the cannon or other types of artillery by examining a display
In this manner he is which has been arranged chronologically. able to achieve a familiarity with objects somewhat apart from any context of military history. This is the simplest educative technique and about the extent to which it is attempted by some very impressive museums. Experience has shown that museums must exercise some
restraint in fulfilling their educational responsibilities to the general
public. All semblance of deliberateness must be avoided, for the average visitor develops a certain amount of natural resistance when he detects that an obvious attempt is being made to in struct him. The museum must employ considerable subtlety in presenting the information it desires to convey to the visitor. This is largely accomplished through attractive displays which present ideas through tested visual educational techniques, ac companied by explanatory material which is both brief and con cise. Dr. Walter Havernick, director of the Museum fur Hamburgische Geschichte in Hamburg, Germany, spoke of this to his colleagues attending the First Congress of Museums of Arms and Military Equipment at Copenhagen in May 1957 :