Living on the Edge

Logos of the Loveless Legend

By Al Williams
Illustrated by Jim Weyer

Dedicated to Pa ul E. Burke, Jr. of Baltimore, Maryland

He is my bes t friend, my attorney and fellow

knife collector whose dogged persistance ga ve

me the motiva tion to start this book. 1 am

thankful for his efforts.

Li ving on the Edge

l egends of the Loveless logo
Copyright 1992 by Weyer Illtematioual

Sp ecia l tfJa,J ks to:

Duve Cron, Louise Weyer and Hob Chew.

A chwtvl edge m ell ts:

by
Weyer 11lfernational Book Division
2740 Nebras ka Avenue

Published

Toledo, OH 43607

All rights reseroed includillg the right to reprOOtlCe

this book or portions thereof in any fomr or by any
meallS, electronic or meciulIlical including
photocopying, recording, or by any information
storage and retrieval system, without permission
in writing from the publisher. All inquiries should
be addressed to Weyer Internat ional Rook Division,
2740 Nebraska Avenue, Toledo, Oli 43607.
Libran) of Congress
Catalog Card Num ber: 92-8]531
ISBN: 09613834-5-3

Published October, ]992

Biographical research Flomer Brickey,

Tol,do, OH.

Tee /mical research AI Williams.

"Editor - Ken OrWig, Orzuig Commllnications,

Toledo,OH.

l.ayout and design: Orwig Communicatiof'ls,

Toledo,OH.

Film Processing - Projeclions, Toledo, OH .

Typography- Palatina by Metzger Type House, inc,

Toledo,OH

Printed by Printers 3hree, Toledo, OH.

Technical Informatio n:
Ca mera s: 4xS Sinnr P2 viettI and Nikon 351/1111.
Films: Eklachrome
Lenses: 6Smm, 90mm, 150mm, 210mm all
Nikkor
Lighting: Balear electronic (lash and Colortrnn
incandescent

Foreword
Is it a good idea for a man to have to look at
almost forty years of knife making? When it hap
pened to me a few years ago in my hotel room at tl1e
Blade Show in Knoxville, when AI Williams and Ken
Warner kept pulling my early knives out of boxes
and asking about them, I remember thinking, "Lord,
I wish I didn't have to look at that one again." But the
next day, when Al had set up his tables in ilie show
room and I had my first look at the very rational way
he had arranged ilie display, I began to understand
what he had accomplished. It was only ilien that I came to realize what I had
done all those years beginning in ilie basement shop in Delaware.
Al Williams, at great cost and with true dedication, had managed to
acquire Loveless knives from ilie very first year of work and from every place
and period since 1954. He had the early Delaware Maid knives made for
Abercrombie & Fitch and for other East Coast customers until late 1958, and
he had found ilie first knives made in California in early 1959 including the
special Classic Bowie made for a Los Angeles surgeon. Indeed, AI had not
only found and purchased the knives, but had surveyed the work, traced
down the various marks, placed them in context in his
display and presented a complete array of all my design
efforts and varieties of styles and models.
After spending several hours looking at iliose old
knives, I realized that I could justify every one of them,
each in its own time and place, each made for a particu
lar purpose. Standing iliere, looking at all those early
knives, I knew I had to face my shortcomings and fail
ures and come to tem1S with the old ghosts of my life in
knife making.

The memories came flooding back and I

had to deal with them as best I could. I could
identify the knives made when domestic crises
drove me out of the house into my shop - when
the problems of an increasingly problematic
marriage frustrated my hopes for a peaceful life. I
saw the knives I had made during the 1970s in
Lawndale, and later in Riverside in the 1980s.
If I have done other things in my life
and indeed I have - I have done nothing that
pleases me so very much as my work in knife
making. I've heard that feeling repeated many
times by other knife makers. There seems to be
something about this work that makes us feel
proud and complete - that we have done some
thing very much worth the doing. All the won
derful variety of modem knife making by all the
makers who have come to our craft in recent
years impresses me greatly, especially when I
think of the limits I put on myself during the
early years. This seems to be a common theme:
only as we progress in our thoughts and tech
niques do we come to know the possibilities.
Knife making can be thought of as an
endless chase after perfection in design and
execution - an ongoing pursuit of better steels
and materials, and, of course, of working hard
enough and being lucky enough to realize the
measure of success that will give us a decent
living.

Some of us keep at it, often working long hours into the night after the
demands of a regular day job. Sometimes, it becomes too much and we drop
out. Yet it keeps calling us back - perhaps later when we can afford a better
shop - to try again. The results can be seen at the annual Knife Makers Guild
Show. Quite a show it is with something for everyone at every price level.
If the Williams collection does anything, it shows
various kinds of knives and the many ways of making
them. It shows the design themes, the blade shapes and
handle contours, the surprisingly consistent design
outlines (and the early failures within those outlines).
Some you will like. Some you probably won't. But
remember, in the early days, we didn't really know what
we were doing and if success came later, it was unex
pected and happened because our customers came to
like the work and support it with orders.
About our customers, I can only feel that the
many I've had contact with have taught me far more
than I could ever have learned by myself. That's another
great blessing of this work: the many fine people who
have extended their friendship to me and their patronage.
Of all such folks, AJ Williams stands out. AJ Williams has done some
thing fine by putting this collection together. I had known him for years before
that day in Knoxville, but only then did I realize what he had been doing all
those years, at all those shows, when he and I would buck heads over some
thing he wanted to buy from my table. When I saw the Collection intact and
complete, I knew it was time to listen to him for he had, indeed, become a.n
expert on my work - more so than any other man.
R.W. Loveless
Riverside, August, 1992

Introduction to the Collection

As you are about to view photographs of the knives that make up
my collection, Logos of the Loveless Legend, you may be wondering why [
have elected to collect just one maker's knives. I decided which way I
wanted to go in 1972. Back then, there were not too many men making
custom knives. Those so engaged were doing an excellent job, and yet,
most all of the knives during this period were pretty much the same
that is, good finishes, functional and appealing. So again, why collect
just one man's knives?
Early in my collecting career, which dates back to 1948, I made up
my mind not to accumulate knives but to concentrate on one maker. At
that time it was the goa l of most collectors to collect a knife from each
maker. If one did this, he would certainly have a variety of fine knives,
yet his collection would be an accumulation with no theme.
About this time I star ted some cursory research on the makers. It
soon became apparent that Bob Loveless had moved around the country
more than anyone else and that he had used more logos on his knives
covering his partners and locations. This coupled with the desire to
collect knives which would portray one man's actual career prompted me
to go Loveless, in spite of the fact his knives were more difficult to obtain
and were more expensive.
The result of my efforts is on the following pages which also trace
the Loveless career from Claymont, Delaware in 1954 to the stacked
leather washer handles of the Delaware Maids, and then, to the latest
Riverside integrals of 1989.
Al Williams
Collector

Living on the Edge

Logos of the Loveless Legend

By Al Williams

Illustrated by Jim Weyer

A small skinner with walnut slab:; in half

tang cons truction. The handle is finger
grooved. Delaware Maid is etched on the
choil of the logo side of the blade whil e on
the reverse sid e and also on the choil are the
words, Van Lengerke and Antoine. This is
one of six knives marked with the name of
the Chicago sport store. One can be found
jn the Randall Museum, Orlando, Florida
and three were taken on an expedi ti on to
South America.

he first sharp gusts of an early winter storm slashed at Bob Loveless'

face as he made his way through the crowded streets of Manhattan.
It was December, 1953 and the shop windows along Madison A venue,
decorated for Christmas, held a thousand temptations for a 24 year-old
merchant seaman with cash in his pocket.
Loveless was sailing on a small tanker out of Port Newark. It was
difficult work and one of the few pleasures was the time that he had
during his off-duty hours to read sporting maga Zines. On his last voyage
he had been fascinated by an article in the December issue of True maga
zine. The article described the handsome, hand-made knives crafted by
famous Orlando knife maker, W. D. (Bo) Randall.
Although he didn't know it at the time, that article, with its breath
taking illustrations of Randall's knives, had sparked a flame that would
continue to burn in Loveless' imagination for the rest of his days. Bob
Loveless had always appreciated good design and fine craftsmanship, but
these Randall knives were something special. These were knives with a
soul - the proper tools for a man who earned his livelihood challenging
the whims of the North Atlantic.
On that blustery New York afternoon, Bob Loveless knew exactly
what he wanted more than anything else in the world - the feel of a
good knife in his hand.
At Madison and 45th Street, he paused at the entrance of
Abercrombie and Fitch, the Cadillac of sporting-goods stores, an institu
tion among the adventurers of the world. The old ll-story building held
anything a sporting man could want: canoes, safari gear, the finest in
firearms. It was a store for m en who didn't inquire about prices, a pano
ply of rich men's toys presided over by clerks accustomed to ca tering to
the aristocratic and moneyed.
Teddy Roosevelt shopped there. So did Clark Gable. Ernest
Hemingway always outfitted himself at Abercrombie & Fitch. It was the

----- 1

Distinct mark ings make this hunter truly

ou tstanding. On the logo side, in addition
to Delaware Maid, onc fjnds R. W. Loveless,
M(lker, Claymonl , Del. On the reverse side,
Abercrombie-Fitch Co., N.Y., is etched. A
typical maid wi th brass hilt and a stacked
leather \",'asher handle.

Another old timer with serial number 11.

The handle consists of stacked leather
washers. It is finger grooved with the
typical aluminum butt ca p. Delaware Maid
is etched on the logo side of the blade and
on the obverse side is found Abercrombie
Fitch Co. The knife was probably made in
1955.

A slender ~kinner wi th serial number 77

and the initial, R. W.L. etched on the choil.
Delaware Maid is etched on the logo side
while one finds Abercrombie-Filch Co., N. Y.
on the obverse side. The handle is of
stacked leather washers with a bakelite
insert and a round aluminum butt cap.

Unusual markings make this knife a

desirable collector's piece. In addition to
Delaware Maid etched on the logo side are
found the initials RYVL and serial number 9
on the choil. Not many early knives were
marked this way. Abercrombie-Fitch Co. is
etched on the obverse side. The knife has a
typical stacked leather washer hand le with
finger grooves and an aluminum butt cap.

13

~--

I I

An early skinner with half tang construction and a finger

grooved walnut handle. There is no hilt and the blade is
marked, Delaware Maid, on the logo side and Abercrombie
Fitch Co., N.Y. on the obverse side.

14

kind of store where a loyal customer would patiently wait two years for
the privilege of paying $50,000 for a set of five Holland and Holland
handmade English shotguns.
Abercrombie and Fitch is a store for adventurers, the headquarters
of a special fellowship of men who thrive on the challenge of living at the
edge, surviving through their wit and mettle in hostile environments.
And although he was not outfitted in the refined livery of a gentleman
adventurer, Bob Loveless was certainly a member of the fraternity.
Bob Loveless, a man who had made his first solo airplane flight at
the age of 14, who had lied about his age to enter the merchant marine at
15, who had operated a control tower for the Air Force on the island of
lwo Jima at the age of 17 crossed the threshold and strode confidently to
the department where knives were displayed.
Here, 24 year-old Robert Loveless, a man used to being treated as
an equal by men twice his age - by men whose very lives might depend
upon h.is skill and judgment - was confronted with the nemesis of the
American shopper - an overbearing, self-important sales clerk.
The neatly dressed young salesman sized up Loveless as "just not
our type of customer." Unseasoned and overconfident, the little clerk was
unable to read the experience in Loveless' eyes. He could not see beyond
the working clothes of a merchant seaman.
Loveless asked to see a Randall knife. "Oh," responded the super
cilious little salesman. "Well. We simply don't have any. It would most
certainly take at least nine months to get a Randall knife."
It was at that precise moment in December, 1953 that a spark in
Robert Waldorf Loveless' soul was kindled into the passion that would
impact the craft of knife making forever. Perhaps it was his frustration at
not being able to have the blade he wanted. Perhaps his rage at the inso
lent clerk. Whatever the reason, Bob Loveless was inflamed by the situation.

15

~'-

A landmark knife as it is the first one Loveless made

by the stock removal method (documented on page

16 in Kl1ives '87). The handle is stacked leather
washers in a most unusual coffin shape and there is
an aluminum butt cap. Delaware Maid is etched on

the lower half of the blade. This is one of a kind and

quite rare.

An early fighter with a long double brass hilt and

sub-hilt. The handle is stacked leather washers,
finger grooved and a typical aluminum butt cap.

This may well be the first sub-hilt made. On the logo

side is etched Delaware Maid, and on the reverse side
is found a serial number 26 and the Abercrombie
Fitch Co. name.

~---r---4----1----I -~-+----t----~---I -

--

-r--'--

An ea rly fighter with Delaware Maid etched in the choil and numbered 9.
Weighing 14 ounces, it is 12 inches in length. Atop the blade is a 3 3/4 inch
brass parry strip. This knife has a brass hilt and sub hilt. Handle is stacked
leather washers .

17

A nice hunter wit h a narrow brass hilt and

linger grooved walnut handle. The tang is
not tapered and the open lanya rd hilt is a
bit rare. On the logo side of the blade is
e tched, R. W. Loveless, Maker, Claymont.

Dela ware.

18

His first inclination

was to roundly curse the
rascal. Instead, he took a
personal vow. He swore
to himself that he would
achieve the impossible.
He would create a knife of
his own - one that would
match the quality of the
Randall pieces he so ad
mired.
As he returned to
his ship, Loveless was
consumed with the excite
ment of this new chal
lenge. He took the train to
Newark, then a taxi to the
dock. As the taxi passed a
big junk yard on Doremus
Avenue, he told the driver
to stop.
Years later, in
describing the incident,
Loveless describes himself as if guided by some atavistic, primitive
knowledge buried deep in his mind.
"I told the taxi driver to let me off there to get some pieces of auto
mobile springs. I don' t know exactly why, but I thought automotive
springs would make good knives.

19

A verY unusua l marked Bowie of the

Dela~a re Maid era. Mar ked on the logo
sid e of the blade is wveless Made instead o f
Delaware Maid. On th e o bverse sid e is the
usua l Abercrombie-Fitch Co. name and also
the words Bowie Knife. [t is a graceful knife
w ith a double brass hilt and a finger
g rooved crown s tag handle. There is a
pew ter plaque on the butt but Loveless

On that blustery New York

afternoon, Bob Loveless knew

denies putting it there.

exactly what he wanted more

than anything else in the
world - thefeel of a good knife
in his hand.

20

Not too many heavy and massive knives

were made in the Dela wa re Maid era. This
one has a brass hilt 3 1 IS inches wide along
with walnut slabs, a non-tapered tang and
an open th ong hole. Delaware Maid is
etched on the logo side of th e blade and on
the same side at the choil we find, 139-B,
for the kind of steel used.. On the reverse
side is the name, Abercrombie-Fitch Co., N. Y.
August 18, 1956. Etching th e kind of steel
used and the completion date on the knife is
most unu sual.

-~ .

--~

iI

A landmark Bov'\'ie and one of

three made. Classic in s hape and
size w ith R. W. Loveless; Maker,
North Hollywood, Calif. , No. 1
engraved, not etched, o n the logo
sid e o f the blade. O n the obverse
s id e is etched , HL Walleck, (the
name of the owner). O n the brass
butt ca p a re two dates and Dr.
Walleck's cattle brand. One date,
October 291 1960, was the date the
knife was finished and the olher
da te, Apri l 21, 1906, is the owners
birthdate. There is a 4 3/4 inch

brass parry strip on top of the

blade and there is an extremely

long walnut handle. The lugged

hilt is made of several lavers of
thin brass strips fused together.
Loveless \-vas urged to make this
knife and two others by a good
friend when he was at a low ebb in
h is life. He had on ly been in
California a short time, was
unknown in the knife industrv and
was about ready to give up k~ife
mak ing.

R. W. Loveless. Maker

North Hollyw ood , Ca lIf. No.

22

"The fellow at the junk yard

told me to 'Go see the guy out there
with the burning torch.' There, r
found the biggest pile of auto
springs you've ever seen - maybe
40 feet high and 40 to 50 feet wide at
the base. 1 told him I wanted some
good metal to make a hunting knife.
He got a 1937 Packard spring, and
said, 'This is the best spring in the
yard.' I got four or five pieces, each
about a foot long. I thin\< I paid the
fellow in the office a dollar and gave
the yard man a couple of dollars for
his trouble.
"1 took the pieces of spring
back to the ship and roughly ground
them - with a snag grinder, wi th a
hard -clay wheel - to the outline I
wanted. It took me over a week to
get the knife done and it looked
pretty good."
Loveless had read a general
article on knife making in one of the
sporting magazines. He knew that
he had to heat trea t the metal. He
heated it on the ship's ga lley stove.
A fine looking fighter with the rare Loveless-Parke logo
on the blade. There is a dou ble brass hilt and subhilt
along with a stacked lea ther washer, finger grooved,
handle. The butt cap is aluminum . Abercrombie-Fitch Co.
is etched on the obverse side of the blade which
incidentall y is ground in typi cal Ra ndall style, (See next

page.)

23

"

"

.,

\
~-'\
~

/'<",

"

""

A Loveless- Pa rke hunter with a

brass hilt, s tag hdnd le and hidd en
tang constru ction . Shop number
121 is etched OIl the ob verse side of
the blade along with th e yea r it was
m ade - 1967. One of thirty-six.

Th is s tretched or
elonga ted d rop paint
hu nter has the Loveless
Parke logo a nd a slanted
Seagle-ty pe brass hilt.
What ma kes this knife
partkularly uniqu e is the
two piece stag handle
with crown s lag as the
butt po rt ion and an ivory
spacer. Loveless was
photog rapher workin g on
this knife and the photo
appeared in one of the
leading knife magazines.
Only thirty-six were mad e
with this logo.

A fin e Loveless-Parke
s kinner in pristine
condilion . It has a sla nted
brass hilt and brass butt
plate, a ra re feature on a
Loveless knife. The
hidd en tang constru cti on
is surrounded by beautiful
stag. This knife is marked
\...ith the date it was made,
August, 1967.

"[t got a pretty, cherry red. I plunged it

right down into a five-gallon bucket of refrig
era tion oil - that's all the cook would let me
have - right in the galley . It came out a pretty
shade of gray and all the carbon fell off.
"The knife cut well for a few moments.
Then the edge started flaking away. I went to
the chief engineer and he said, 'You've got to
draw that hardness. You have to temper it. '"
Loveless went to the public library to
learn the secret of tempering metal. When he
returned to the ship, he took the knife apa rt and placed it on a copper
plate which he heated on the galley stove. He watched as the blade
turned a rich dark blue.
" It wasn' t very scientific, but it worked . I had invented a wond er
fuJ tool. It was a tremendous charge! That turned out to be a hell of a
knife!
"About five or six weeks later, I took it to Abercrombie & Fitch. I
was going to show that young punk my knife." Since his earli er visit,
Abercrombie & Fitch had made the wise decision to terminate the young
clerk's em ployment. The
floor manager, a man with
the shrewd merchand ising
instincts that are characteris
tic of a good retailer, was
pleased to look at Loveless'
knife. Impressed with the
craftsmanship, he asked
Loveless to make some more
like it for sale in the store.

27

An early semi-skinner with the Loveless-Parke; Sierra Madre; Calif., logo. Typical of the period,
it has a Scagcl style slanted brass hilt and a finger grooved stag handle over a hidden tang. In
addition to being only one of thirty-six, the name Safari/and and the Safa riland logo e tched on the
obverse sid e o f the blade make this knife very ra(e. Very, very few were so marked . Even the
sheath sports the Safariland logo.

28

Another Loveless-Parke specimen with a stacked lea ther

washer handle and an aluminum butt cap. In this cra;
Loveless was still doing business with Abercrombie-Fitch Co.
in New York as their name is etched on the obverse side of the
blade. This particular knife has many characteristics of the
earlier Delaware Maids but if examined closely one ca n see
subtle design improvements developing. Only thirty-six
with the Loveless-Parke logo were made.

"I made three more. It took

about a month, and before I was
done, everybody on the boat was
helping me. The store gave me $14
apiece for them. I thought, 'My God,
this is great: At that time, a Randall
was selling for $22, $24, $26. I knew
the store had to make a profit."
Loveless has made 35 semi
replicas of that first knife - called
The 35th Anniversary Knives . Today,
those reproductions of his $14 mas
terpiece sell for $3,500 each.
The first knife is gone. In Bob
Loveless' words, it "walked out" of
his shop, stolen by an unknown
visitor who may not even realize what he possesses. "I was proud of it,"
says Loveless, "but it wasn't anywhere near the knife we make today."

obert Waldorf
Loveless is a cha
meleon - a man of many
colors. He is opinionated
and sometimes arrogant.
He alternates between
self-deprecation and
braggadocio, and is alter
nately profound and

This o ld Lamson-Goodnow skilUler

plays an important role in the
Loveless story. The knife was
given to LoveJess by his friend ,
BHly DuPon t, Wilmington,
Delaware. It has a tapered tang.
Several yea rs later Loveless got the
idea of tapering tangs because of
this antique. Here we have a knife
dating back to the mid 1800's with
a tapered tang - an idea revived by
Loveless and now universally
copied throughout the industry.

30

An ea rl y Lawndale gut hook skinner with shop number 70-430. This knife has a wood ntica rta improved
handle a nd it was made in 1970. Not many g ut hook s kinners have been mad e by Loveless.

A Lawndale caper finn with an improved

stag handle and a red spacer. This model
has no hilt or collar and comes with a bird's
head butt.

An early Lawndale utility hunter with a

brass hilt, stag slabs and a red spacer. The
knife bears shop number 70-461 which
means it was made sometime in 1970. The
butt configuration is early Lawndale and in
1972 underwent some changes. It has a
fairly rare brass wrapped tapered tang with
serrations on both the top and bottom of the
blade behind the hilt.

A most unusual gut hook skinner with the edge on top of the blade. It has a brass hilt and black micarta
handle. This is the only reverse gut hook I have seen in my years of collecting Loveless knives. Made in
1969, it was originally designed and made by Loveless for his personal use. There were only tvvo made.

31

A gent's knife as Loveless calls it

with a Lawndale logo. The handle
slabs are black micarta and there is
no hilt. It has a rounded bird's
head hilt and carries a shop
number of 647-8. This is a one of a
kind and was made in 197L

This small Lawndale piker bears

shop number 65-30 and has a black
micarta handle with one finger
groove. There is no hilt or coliar,
but there are thumb serrations on
top of the blade. A rounded bird's
head butt completes this piece.

. i
T

Another early Lawndale fighter

with a double brass hilt and black
micarta slabs. Shop number 70-451
indicates the knife was made in
1970 with the early butt
configuration anl a brass wrapped
tapered tang. The blade has
serrations on both the top and
bottom behind the hilt. This is a
mean machine.

32

profane. He looks a bit like Boxcar Willie but he talks like William F.
Buckley. H e is articulate and cerebral, bespeaking an education tha t goes
far beyond formal schooling.
H e could be described as an eccentric genius. A loner. An inveter
ate tinkerer. A man who speaks his mind. A curmudgeonly craftsman
whose entire world revolves around his workshop in Riverside, Califor
nia.
Robert Loveless was born on January
2,1929, in Warren, Ohio. He spent the
formative years of his life on his grandpar
ents' 17-acre farm about halfway between
Warren and Sharon, Pennsylvania. There
was just enough land to grow a little corn,
some tobacco, rhubarb, berries and a Jersey
cow named Bossie.
Loveless' grandfather, Clinton Huff,
was a friend of horticulturist Luther
Burbank. He helped Burbank develop a
type of gladiolus bulb. "H e was surpris
ingly educa ted for a dirt farmer," Loveless
says of his grandfather.
"It was a grea t life for a kid," he
recalls. "Fifty-some years ago, this was an
entirely different country. It was the middle
of the Depression. There was no TV. I
didn't see a movie until I was 9 or 10 years
old ."
On New Year's Day, 1937, his grand
father died. Soon after that Loveless, 8 at the
time, went to live with his m other in War
ren. He grew up fast and yearned for ad
venture far from the sleepy midwest town.
The teen years were an adventurous,

A most lUlusual Lawnda le semi-skinner w hich was

purchased by A. G. Russell from Loveless in 1968. It
was engraved by Lin ton McKenzie who also did the
intricate R on the sheephorn handle slab. A one-of
.-kind knife due to the humpback configuration of
the handle, a feature I have found in a few very ea rl y
Delaware Maids. The knife is the subject of an
interesting article by Bruce Voyles in the Blnde
Magazine . After the article came out, r received u
letter from a man in Guam who had once owned the
knife and he told me that while it 'was in his
possession the tip of the blade was broken. He
returned ir to Loveless who repa ired it.

34

if eclectic, period in Loveless' life. Like

the master craftsman who shapes formless
steel into a fine blade, events were forging
an innocent farm boy into one of the
world's premier knife makers.
Loveless was 12 when the United
States declared war on the Axis powers.
Ready to join the military, he was frus
trated by his age.
By the end of the ninth grade, he
had more important things on his mind
than school. He was driving long before
the legal age of 16. And he was flying
planes. In 1943, he started to hang around
a grass-strip airport near Warren on sum
mer weekends. He picked up odd jobs
there, and Ernie Hall, the owner, paid him
with flight training.
Hall had no intention of letting a 14
year-old solo but one day, while he was
away from the field, Loveless "borrowed"
his Piper J-3 Cub. "From the air, I saw Ernie's Studebaker coming down
the road so I landed and taxied up to the hangar. He knew I had been
flying. He asked how I had done. r said fine. He turned his back and
walked away ... never said another word."
At 15, he lied about his age and joined the merchant marine to bide
his time until he was old enough for military service. His first job was
that of deck hand on a 9,600-ton ore boat, the Hennepin, a bulk carrier that
sailed to the Great Lakes ports of Buffalo, Cleveland, Marquette, Duluth,
and Superior.

35

A 1970 Lawndale banana s kinner

with a narrow nickel s ilver hilt
and wood micar ta Over hidden
tang co nstruction . The s hop
number is 70-413. The knife is
extremely li g ht in weight.

A Lawndale one of a kind in the form of a bread or filet knife which has a narrow brass hilt and a coca bolo
handle over hidden tang co ns tru ction . This [are piece was made in 1970 and ground d ow n from a larger
blade to see actually how ligh~ and flexible it could be made.

A be"utiful Lawndale
la mb ulility with sho p
id entifica tio n At. There is
a narrow nickel silver
co llar instead of a hilt and
it has ivo ry sla bs. It
certainly d epicts a neat
a nd no-nonsense d esign.

.. ~~~.

- - ..

..
-

I \!'I

..

36

,i

Q-~
I

_.

-,: loo

A small semi-skinner w ith the La wndale

logo. It has a nickel s iJ ver hilt, sheep horn
slabs and serratio ns, to p and bottom, at the
hilt. Thi.s badly worn knife was returned to
Loveless by a professional hunter with the
request fo r another just like it. He
enumerated the many kills the knife had
skinn ed and Loveless, \""ho likes to see hi s
kni ves used, was so impressed he sent the
replacement gra tis.

"Some guys will carry a $900

rifle and a $10 knife. The rifle's
job is over in 20 seconds, but it
will take many minutes for the
knife to finish its job "

37

This dro p point La w nda le

hunter has a brass hilt a nd
coca bolo slabs. The
unus ua l fea ture about this
knife is the tang which is
no t tapered.

Sma ll Lawndale d rop

po int hunter with a nickel
si lver hilt and well
m atched lig ht brown stag
slabs. There are unusua l
thu m b serrati ons on top of
the bJ C1cte nea r the hilt.

.~ j

A beautiful little Lawndale semi

s kinner w ith a lo nger th an us ual
nickel silver hUt and crea m colored
stag slabs on a red spacer . Wha t is
intriguing abo ut this kn ife is the
nicktd sHve r butt cap beca use
Loveless d id not put them o n
during this era. Apparentl y the
butt ca p was added by someone else.

-r- I----+

"I cleaned and painted all day long, every

day," he recalls. "When we came into port, we tied
up the boat ourselves, opened and closed the hatches.
Those were the best years of my life. There was a
whole world out there. A young man could move up
quickly during the war. I was working
with men in their 60s. People nowadays
have no understanding of what things
were like in World War II. Everyone who
could do a job was needed.
"I had plenty of time to read, take
pictures. I started studying watches, taking
them apart and studying their mechanisms."
His fascination with watches and watchmak
ing would show up later in the workmanship
of his knives. But knife making was far from
his mind in 1945.
Finally came the day Loveless was
waiting for: his 17th birthday, January 2, 1946.
The war was over, but Loveless still wanted to
be in uniform. He signed up for the Army Air
Corps, forerunner of the Air Force, on
his birthday.
Loveless was trained to be a tower operator
and given a two-year tour in the Pacific on the islands
of Guam and Iwo Jima. It was a lonely tour, and with
time on his hands, he got interested in drawing and
designing. "There was an old house trailer on Iwo
Jima. I was fascinated by it and started drawing
variations of it."

39

A Lawndale utility
hunter o f hidden tang
constru ctio n with no
hilt and a two piece
crown stag handle.
ThiS wa s the personal
knife of Loveless and
is marked Bad Bob's.

(See next page.)

An old Lawndale fighter wi th a

double brass hilt, ebony handle
with fi nger grooves and an
aluminum bu tt cap similar to those
found on the Delawa re Maid. The
grind on the blade resembles the
g rind fou nd on Ra nda ll's Model 5.
A ve ry handso me knife.

"
A very early La w ndale banana
skinner with a two piece stag
handle over hidden ta ng
constru ctio n. The butt portion of

42

the ha ndle is crown s tag imbedded

w ith a sma ll compa ~s. The nickel
silver hilt is slanted a nd the blad e
is unusually narrow.

oward the end of his tour in the servi ce,

he was sent to Wright-Patterson Air
Force Base, near Dayton, Ohio. Loveless
decided to leave the Air Force because rank
was hard to come by after the war. "After two
years, ten months, and three d ays, I came out
a PFC - Robert Loveless PFC, USAF, Retired '
I took part of my mustering-out pay of $96
dollars and bought a Rolex watch. It was
November 5, 1948. I paid $48 dollars for it,
and I still have it."
While at Wright-Patterson, he had
d ecided to enroll in the Institute of Design in
Chicago. Though the fall term had started, he
was admitted, without a high school dipl0ma,
on the basis of the drawings he had done while
in the Air Force. Initially, he lived at the
YMCA on South Wabash Avenue and attended
part-time while working as a sales clerk at
an art supplies store.
"The Institute of Design was an out
growth of the Bauhaus school: Avant garde ...
form fo llows function and all that. They were
under the influence of Mies va n der Rohe,
Walter Gropius, Wassily Ka ndinsky, and
LeCorbusier.

_.

.
My first drop pOint hunter. It has
th e Law ndale logo wh ich was th e
only logo ava ilable at th e time. It
has an improved handle o f ivory
mica rta and bears the shop number

216-RR. The cost was $198.00 and

+ -

it was the second Loveless knife in

my collection.

An early Lawndale prototype

w hich was cut in half to show the
Loveless hi dden tang constructio n.
The knife was once owned by Ken
W arner, noted editor .

+ -

Large La wndale semi s kiIU"H~ r w ith

beautifu l multi-colored buffalo
horn in an improved handle
configuration. The shop number is
41 5. This is a fine knife.

This Lawndale straight hunter is special to

me as it was my first Loveless. The
improved handle wi th ivory micarta slabs
ha ve darkened w ith age and handling. This
knife was purchased in 1973 for $188.00 and
bears shop number 23S-RR

"There are very few men who can

regard knives neutrally. There's
something downright atavistic to a
man when he picks up a knife or
regards a knife. It may be a
throwback to the hunter in man."
45

A Lawnda le up-swept skinner with a nickel

sih'er hilt and well matched stag slabs. The
shop number is 70-520 wh ich ind icates the
knife was mad e in 1970 and illus trates the
butt configuration at that time.

A Lawndale up-swept skinner with curly

maple slabs which were furnished by the
owner. There is a brass hilt and a well
tapered tang. The shop number is 376.

. ~ ..

A rath er unus ual Lawndale

crooked skinner with shop
identifica tion in the fonn of the
letter 1. The nickel sil ver hilt
appears to be a bit longer than
norlTh:1.1 and there is no metal liner
in the thong ho le. Thumb
serra tions are cut into the tang
at the hilt.

This is a one of a kind LawndaJe sk inn er made on the order of the Canadian Russell
knife. It has walnut slabs and an open thong hol e with thumb serrations on top of the
blade.

A specially made Lawndale skinner with a

cocabolo handle over hidden tang
construction. It has a thin nickel silver
butt cap. The appearance indicates it is a
copy of an old case hunter. The shop
number is 389. Loveless emphatically
denies putting the finger cutout in the choil.

.t:5'''

47

An unusual Lawndale drop point hunter with a little different

blad e shape. There is a nickel silver hilt with stag slabs. The
tapered ta ng is brass wrapped "vith finger serrations o n the
top and bottom of the tang near the hilt. The shop number,
504, was stamped on the front of the generous siLed hilt, a
most unus ual location . 1 have never seen another knife so
marked. Ano ther personal knife of Loveless which he gave to
Steve Jo hnson during the first week Steve worked in the
l oveless shop.

48

"I began to realize what a phony bunch

they were. It was intellectualized. Everybody at
the Institute of Design was interested in shop
ping centers and office buildings. I was inter
ested in practical architecture - things like
family dwellings. I was intrigued with the
possibility of making mobile homes on a
production line but I got no encouragement
from the teachers. I finally just got mad one
day and quit. I didn't even check out."
Years later, however, Loveless would
look back on the months he spent at the Insti
tute of Design as time well-spent by a future
knife maker. The unhappy experience of the
Bauhaus training had given him a lifelong
respect for functional design. "They taught me
how to think in functional terms, especially
with materials."
After his abrupt departure from the
Institute of Design, Loveless enrolled at Kent
State University in Ohio. "I had begun to
understand the true interplay of basic ideas," he says. "I wanted to study
the conflicts and drives and so forth.
"I was different from the average college frehman. I had aGED
instead of a high school diploma. I didn't know a noun from an adverb,
but I could write. I got A's because I could express myself.
"A basic knowledge of English is one of the attributes of success
for a businessman. You've got to be able to think straight, and that shows
up in clean, simple, straight writing. At Kent, I started a semantic
study group. Semantics is the study of symbols, written and spoken. It's
'language in action' - abstractions, archetypes, stereotypes, linguistics,
logic.

49

..-

+-

A bea utiful little la mb utility with well matched stag slabs over a red liner. The blade ha s been etched on
both sides by Shaw-Leibowitz. It carries shop number 211-RR.

This is possibly an experimental

Lawndale utility wi th nic kel
silver hilt, bu tt cap a nd stag slabs.
The engraver L'i unknown and the
knife is one-of-a -kind .

-i
l

50

- - j-

"I came to realize a long time ago the only way

a man can get along in this life is to understand
people ... to have a high degree of logical skills and
an extensive vocabulary. Without it, you're con
demned to grunts and curse words. I' d rather be an
active reader of books than a passive spectator of a
movie. There's no limit to what you can do if you
have a good vocabulary and understand sentence
structure. I've got very little use for intellectuals, but I
love talking to an intellectual person."
He came to admire the late R. Buckminster
Fuller, a philosopher and inventor of such things as
the geodesic dome. Fuller designed Dyl11axion house,
a home that could be mass-produced cheaply like the
manufactured homes Loveless had envisioned at the
Institute of Design. Another favorite was psycholo
gist B. F. Skinner, the Behaviorist who developed
'Skinner's Box,' a device in which laboratory animals
can press buttons and be rewarded for making the
right choices. "These men were my heroes. To me,
they were giants."
Loveless' fascination
wi th Ii tera ture contin ues
to this day. He is an avid
reader, especially of biog
raphies and World War II
histories. His favorite
authors include Philip
Wylie (Generation of Vi
pers), John Ie Carre (The

51

A fa irly ro utine Lawnda le utiJity

hunter w ith an improved black
micarta handle with s hop number
161. The knife was purchased
from Oa vid Steele, noted writer, at
the firs t New York Knife Show.

.... -

of

An earl y Lawnda le se mi-skinner

with slanted brass hilt and a
finger g rooved stag handle over
hid den tang co nstruction. The
slanting hilt is similar to those
found On Seagle kni ves.

A s pecial ord er Lawndale camp

kn ife of massive proportio ns with

a nickel sil ver hilt and ebony slabs.
Mad e from 1/ 4 inch s tock, the tang
has less taper than usual.

1----"-1- -:
A neat Lawndale straight hunter
with a brass hilt and wood micarta
slabs. Etched near the hilt and close
to the top of the blade is shop
number 0/6. This is a most unusual
location.

This is a large Lawndale semi

skinner with a Seagle style slanting
brass hilt and cocabolo handle on
hidden tang construction. There is
no lanyard hole and on the obverse
side of the blade \ve find the
Safariland name and logo.

A Lawndale upswept skinner with

a nickel silver hilt, coca bolo slabs
and a non-tapered. tang indicating
it was made early in 1970. The
shop number is 27 .

-+

A very rare Lawndale amputation knife that was made in

1969 for a Chinese American doctor living in Los Angeles.
This piece is all metal and can be readily sterilized. I know of
one other knife of this type.

I
I

'r---...
I

i I
.

54

I
I

An early Lawndale utility made in 1970 with a brass hilt and

polished stag slags. It is engraved by Ron Scaggs. The logo
has been put on the lower half of the blade, a most unusual
location. The grind on this knife is a bit on the Randall style.

I
I
I

I I
I

I
I
I

~
I

'-"

I
I

.,
-L

.~

Russia House and A Perfect Spy, among

others), Paul Kennedy (The Rise and Fall of
the Great Powers), Hedrick Smith (The Power
Game: How Washington Works), and any
thing by Barbara Tuch man, David
Halberstam and Nevil Shute. Of Shute,
Loveless says, "[ wouldn't trade Nevil
Shute for 50 Hemingways. If [ had my
druthers, it wou ld be Nevil Shute and
Shakespeare. If it hadn' t been for
Shakespeare, Hollywood would have died
on the vine." He adds, "I like to read
serious books. [like to keep up on what's
happening in the world.
"The subject of the mechanical arts
has been poorly trea ted in litera ture,"
Loveless lamen ts. "To me, there's much
more drama in writing about machines
than in fictional writing about sex and
murd er." Loveless has made a lifetime
study of tools and tool making, of machines
and the men who made them. He can rattle
off the names of countless inventors.
"Knives are, by far, the oldest created tool," he points out. "The
first tools were the club and the stone. Then, man lashed the stone to the
club to make it more effective. Then he honed it to a sharp edge.
"Almost everyone has a feeling about knives. There are very few
men who Cal) regard knives neutrally. There's something downright
atavistic to a man when he picks up a knife or regards a knife. It may be a
throwback to the hunter in man."

A 1969 Lawndale boot knife with brass hilt and big horn sheep slabs. The shop
number is 384. An unusual feature about the piece is the open lanyard hole.
(See next page.)

~ ~

...

.-

~It'

..

..;.

.'

.'

~ Jr

.v'

""

~-

'{'

..

>(

...

...

'

"(
~

'{'
\

,>

~ ...

A rarc Wood-Loveless folder with a stainless steel frame and stag slabs.
Inside the handle casting is the number 101 and th e word s Firsl

Production Model Mark 4.

Rare WoodLoveless
fo ld er with a titanium
frame and stag slabs. The
insid e of th e ha ndle
castings are engine
turned .

58

Loveless also maintains a large

library of movies that he watches late at
night in his workshop. Among his
fa vorites are The Last Emperor and Shane.
While at Kent State, Bob Loveless
met his first wife. The marriage lasted
18 tempestuo Lls years but produced
three daughters which he treasures.
Loveless developed the under
pinnings of his intellectual interests at
Kent State; however, on the whole, it
didn't satisfy his needs. The experiment
lasted for only a couple quarters. Just as
had happened at the Institute of Design,
he grew tired of the academic exercises.
And, like so many veterans who return
to college, his life experiences had
transcended the youthful silliness that is typical of much of
campus life. "I was wearing a ruptured du ck on my jacket
and they gave me a blue and orange beanie! I went back on
the lakes."

or a while, Loveless was content to return to

the Great Lakes bulk carriers, but he soon began
to long for a more stable life than the lakes provided.
He used his Able Seaman's card to get a job on a Sun
Oi l tanker, the Passaic Sun, which hauled gasoline to
New England out ports. It was while working on the
Passaic Sun in 1953 that he made that fateful ar
rangement to sell knives to Abercrombie & Fitch.
He returned to the store three months after

Rare titanium Wood-Lovel ess folder with maroon micarta

slabs. As nea rly as 1 can tell afte r ta lking wjth Loveless a nd
Wood there were only thir ty-seven of the fo lders made.
Twelve were ti tanium, two were aluminum and the rest were
stainless. There was a va riety of handl e materia l used.

~ . --I-

. -

A routine Wood-Loveless folder, if indeed there is a

routine onc, with stainless steel frame and maroon micarta

slabs. This was the first Wood-Loveless in my collection and
was orde red direc tl y from Lovel ess. After a lo ng wait I finally
received the kni fe along with a letter stating that the Wood
association was over and tha t I had better hang onto it as it
was sure to become a collector's item . r pa id $75.00 for the
knife which was the brochure price.

I:---+----r------:--I - - -/--

---_
. ~ 1~, .--

Extremely fare Wood-Loveless

folder with aluminum frame and
maroon micarta slabs. On the
inside of the handle casting are the
words Wood Loveless Mark 4. An
aluminum sample, it is the only
one made.

Extremely rare Wood-Loveless

folder with a titanium frame and
wood micarta slabs. It is marked
on the inside of the handle casting
Wood-Loveless, Mark 4/ Titanium,
Sample, #001. As logos were
being put on the knives Barry
Wood wanted to try one. Not
being familiar with the technique,
he put the logo on the blade quite
low.

:-

<

,I

I
~

4C~ ~

Japan.

~
i

i
J

- -

,
-T

A routine Ri verside drop point hunter w ith a nickel sil ver hilt engraved by Ra y
Viramontez. It has well matched stag slabs on a red liner, It is a good looki ng
knife and ca rries shop order 642.

This little Horn Street Knife with a

Riverside logo has a wide nickel
sil ver bolster with stag slabs. With
its tubular sheath, it was designed
to be ca rried as a pocket knife. It
has been ex tremely popular in

~.LOVELS

"I
I

t.

maker.

i..~ J~

Ilrl'rside. C'3\

Perhaps one of the rarest knives in the collection is this

Riverside boot knife better known as the New York
Special. Its shop number is 838 and it comes with a narrow
nickel sil ver collar and con toured green micarta slabs. A
unique featu re is its flat shea th into which the knife is
snapped. It was a speciaJ order, a special design and only
seven were made during 1972.

Riverside hideout model with shop number 027 comes with

green micarta slabs and a narrow nickel silver collar. A
beautifully designed knife with a contoured handle for a firm
g rip. It has never been a big production model.

-+ -!

t -

~-

-,I -

Occasionally Lo veless will make a special set of four to six

knives with matched stag handles. This set was special
ordered with wide bolsters engraved beautifully by Bruce
Shaw, depicting North Ameri can big game animals. A
custom display box was made with contoured inlets covered

in velvet for each knife, Sets like this are rare.

64

JI

---I
L

--A

R.W;""",,,

=-~

1 --
-+

l--_I_

i
---l,

__

.J. - 1

l,

"By day, I had a shore job with Sun Oil on a relieving gang.
By night, I made knives 72 of them in 74 days. "
65

, -

This is the original Riverside pro

hunter with the duplex grind on
the blade and was made under
shop order AB. It has marOon

slabs over half tang construction.

Being the first and only one mad e,
Loveless lost track of it and had to
borrow it from this collection to
redesign and improve the model.

A new and improved model of the Riverside pro hunter with

duplex grind. Under shop order 221, it features a stainless
steel hilt and black micarta slabs. The tang is fully tapered
instead of being a half tang like the original. The knife
carries the rare Riverside signature logo.

66

delivering the first three knives.

Loveless recalls that, "Pat Devlin, the
floor manager said, 'I've been looking
all over for you. I want some more
knives. I'd like at least a gross.' I told
him [ could deliver half a gross, and he
wrote a purchase order on the spot.
They were going to sell them for $34.50.
I would get 60 percen t - $20.70 each.
"In the meantime, I had been
transferred off the oiler. I took the
purchase order to the Claymont, Dela
ware branch of Wilmington Trust and
asked to see the m anager. I wanted to
borrow $1 ,000. The initial order from
Abercrombie was just over $1,900. I
ended up with a personal loan for a
thousand dollars on a 90-day note. I
took it in cash and went to an industrial
supply store and got some tools: an
anvil, a bench furnace, files, vises, a
drill, and a Hammond VH-2D belt
grinder. By day, I had a shore job with
Sun Oil on a relieving gang. By night, I
made knives - 72 of them in 74 days. I
sometimes worked till 2 in the morning.
When I received my check from Abercrombie, I laid the money down on
the counter at the bank and said, 'There you are. Thanks a lat.'"
Even though Loveless knew then he could make knives commer
cially, he also knew he needed more practice to become great at the craft.

67

.,.~

A rather sma ll drop point hunter

with a regular Riverside logo
under shop order number 697. It
comes w ith a nicke l silver hilt and

..

well matched stag slabs.

-+-
,

----+

+---~+---+---!---~"-! ~
+-~H----L~ r-+-+-

-'

Another routine drop point hunter

wi th the regular Riverside logo.
The nickel silver hilt is engraved by
Ra y Viramontez. A set of well
matched s tag slabs o n a red liner

completes the handle.

A normal sized Riverside drop

point hunter with a .nickel si lver
hilt and well matched light brown
s tag slabs on a red liner. This was
the only Loveless knife in the
Hollifield collectio n and it has an
extremely small logo.

-. -I- .
_-I

----l

_I

/- - - + - - -/-~

-t

---I--

- /----+

~ /-------+------~ ---+---r -~~~-+--~~-

Riverside integral hunter with a wid e bolster and stag slabs. This knife
was first introduced at the Guild Sho\v in 1979. Th e geometric design
on each side of the bolster is done by Leona rd Leibowitz in red plastic
and gold. Only 12 were made.

Beautiful semi-skinner with the

Riverside logo. It has a wide nickel
silver hilt with well matched stag
slabs on a red liner. Its rare
signature logo has only been used
a few times and, according to
Loveless, it will not be used aga in.

'--,

-,

+ ..

A unique Riverside crooked skinner because it has two different logos. In

add ition to the reg ular Riverside logo in its usual location, the famous naked
Lad y appears on the reverse side of the blade. Under shop order 722. the knife
has a nickel silver h ilt and stag slabs.

While not a terribly popular model, this

Riverside Nessmuk has good lines. It has a

nickel silver hilt with dark maroon slabs.

Shop order number 849.

70

He dropped out of knife making for

several years and took a job as a techni
cian for E. 1. du Pont de Nemours &
Company in Wilmington. His icono
clastic style rubbed some du Pont
people the wrong way - especially his
motorcycle. "They felt they had in
vested a lot of money in me, and even
though I never got hurt, they took
exception to my riding it. They fired
me."

Between jobs now, he returned to

knife making to support his growing
family. It was easy for him to re-estab
lish distribution through Abercrombie
& Fitch and things seemed to be going
well until mid-1958 when he was beset
by misfortune. That summer, he accepted an oral purchase order to make
a large quantity of knives for the Christmas season. However, the buyer
who had made the commitment left
the company before the knives were
finished. The store refused to accept
the knives.
Then, in November, one of his

daughters took desperately ill with

pneumonia. The doctor said that the

only way to cure her was to move to

a milder climate. In January, 1959,

he decided to leave the East Coast

and move to Modesto, California,

where his wife's parents lived.

This sub-hilt Bowie was made in 1957. The handle is ivory with hidden tang construction. The hilt is 3 3/4 inches wide and
is sterling silver as are the sub-hilt and pommel (approximately 1 lb.). The name plate is 28 K gold and the 3 1/2 inch
parry strip atop the blade is brass. Delicate and beautiful engraving and ivory carving was done by Francis Monoghan of
Wilmington, Delaware. Without a doubt the rarest and finest Loveless knife in existence and quite possibly the first art knife
ever made. (See next page.)

A small Ri verside boot knife with s hop order l1 S-E indicating it was part of a 5 knife set which
unfortunately was broken up. The trim knife has a small double nickel silver hilt with walnut slabs over
hidden ta ng construction.

This Riverside semi-skinner was

made on special order and bears
seria l number O1 . lt was made for
the A. G. Russell Knife Club and
has a nickel silver hilt a nd slabs of
coral mica rta.

Riverside d rop poi nt hunter with a

brass hilt and black micarta slabs.
The shop order is 123 .

74

"I sold the house on a Friday, and on Saturday morning, I was in

my ca r on my way west. I never had much trouble getting a job. When I
came to southern California, I had a job within three hours at a machine
shop."
By the mid-'60s, Loveless had established a small ma chine shop of
his own, doing contract work for other companies. In late 1966, he ac
cepted a job as supervisor for a precision parts maker, and by 1969 he was
supervising an 8S-man machine shop.
But Loveless had also fallen in with a sporting crowd. He began
selling and trading the dozen or so Delaware Maid knives he had brought
west with him - the same knives he had been selling to Abercrombie &
Fitch. He also began innovating - moving away from the Randall-like
designs. By the end of the decad e, knife making had nearly taken over
Loveless' life. "I was making knives
heavily in the evenings and eating
about twenty Rolaids a night just to get
to sleep," he says. In November, 1969,
he quit his day job.
Loveless continued to make
knives under the Delaware Maid logo.
"The strange part of it is I don' t remem
ber why I picked the name," he says.
Then, as today, many of his knives
featured a reclining nude etched into
the blade. Loveless won't reveal who
modeled for the now-famous trademark
but he does say: "The model made me
bitterly disgusted that I married my first
wife."
In 1971, his first marriage ended
in divorce. "1 gave her the house - she
had the kids."

7S

Along with a rare Riverside

signature logo, this drop point

hunter has a nickel silver hilt and
Lignum Vitae slabs. A fairly recent

knife under shop ord er 744 .

Under shop order 330, this

Riverside drop point
hunter is of sta ndard size

and has a wide brays

bolster and black micarta
slabs. [t is a beautiful
knife .

This small Riverside drop

po int hunter under shop
. ~.

order 641 has a nickel

silver hilt and black
micarta slabs. There is a
brass initial inlay on the

tang just behind the hilt.

A neat little knife .

76

A half tang utility hunte r with a Riverside logo and made unde r shop
order UB. The handle is green mica rta and has no hilt.

A nice Ri verside d rop

point hunter with a nickel
sil ver hilt and stag slabs
o n a red liner. Shop
number is 983. The
o riginal owner's initials
are etched on the logo side
of the rica sso.

A min i-wilderness model with the ra re Riverside sig nature

logo und er shop order 526. It has a double nickel sil ver hilt
with coca bolo slabs. This knife is of recent vintage .

\
\

Here we have another Riverside

hip pocket hunter with a nickel
silver hilt and ivory slabs. On top
of the blad e and just ahead of the
hilt are thumb serrations and
behind the hilt on the tapered tang
is a brass initial insert. The shop
iden tificat ion is CH.

Loveless calls this knife his

Riverside hip packel hunter. Under

shop order RL-2, it has a nickel

silver hilt and stag slabs . It was
made in 1971 and has thumb
serrations o n top of the blade near
the hilt.
, i

-t-~-;::i_'-;-_ + _,---1__
' - .~ e---+

A small Riverside drop point

hunter in a half tang construction
with finger grooved ivory micarta
slabs. Mad e in 1979 under shop
order 2016 the knife ha s no hilt.

n those days, Loveless was

seIling all the knives he could
make on consignment. He first got
the idea in 1971 that collectors
might be interested in his knives
after the silver anniversary issue of
Gun Diges t, which gave him a
generous mention, reached the
newsstands. "I had 75 knives on
the order books as a result of the
Gun Digest article," he recalls. "I
had orders from Mexico and Eu
rope. By 1972, I knew I would be
able to make a living making
knives. Every month it kept build
mgup.
"1 have no idea how many
knives I've made. I'm going to be
a nightmare for the collectors."
Today, he makes around 300
knives a year, but he hasn't always been that productive. The worst year
was 1979 when he simply didn't feel like making knives. He produced
about 75 that year.
These days, he and his helper might have as many as 42 knives in
various stages of production at any given time. The backlog keeps grow
ing. He is now working on knives that were ordered up to five years ago.
"It's getting worse," he says. "I'm sure I'll kick the bucket with a lot of
unfilled orders, but there's nothing I can do about that."
Loveless' first knives - the ones made from Packard springs
were forged. "[ beat them to death," he says. "It's hard work, and a poor
way to change the shape of metal. Forging is a cheap way of getting

79

A Riverside hunter of half tang construction. It ha s no hilt and green micarta slabs which
are finger g rooved. Loveless says he made only six or seven of this model.

A rather o ldtime Ri verside drop

point hunter under s hop order
1098_ It has a nickel silver hilt, stag
slabs and the original owner's
initia ls on the obverse side of the
blade.

-,
A specia l order Riverside semi
sk inner with serial number 100.
This knife was made for the A. G.
Russell Knife Club and has a nickel
silver hilt and coral micarta slabs.

,
shape, but not the best way for knives.
Then I got smart."
Today, he begins with a slab of
metal and grinds away everything that
doesn't look like the desired knife.
Like Michaelangelo who professed to
"liberate" his statues from the grea t
blocks of marble, Loveless frees the
blade that he visualizes within the
stock.
"Stock removal is primarily a
development of the Loveless shop," he
says, adding, with the hint of a smile,
"This could be taken for boasting."
Before long, Loveless began to
make knives from the type of steel used
for saws and lawnmower blades - a
nickel alloy steel with tremendous
toughness. Loveless went so far as to
personally visit the president of the
Jessop Steel Company in Washington,
Pennsylvania, to find out more about
how this special steel was made.
When Jessop stopped production
of the alloy (which was called 139-B),
Loveless tried oil-hard ening and air
hardening other steels. He experi
mented with hot-work die steels, shock
resisting steel, high-carbon / high
chrome steel, and various tool and
stainless steels before making a commit
ment to a Japanese alloy called ATS-34.

81

""" f ,

f III
I

A yachts man 's knife o f dubio us

o rig in. Und er shop order BER-L
this o n e~of-a-k ind has a nickel
si lver hilt, g reen micarta slabs and
the new Riverside signature logo. ]
am toJd that w hile g rinding the
bJade for a utility hunter a mistake
was made. Rather than throw i t
away Loveless ground it to the
yachtman's shape. It is a one of a
kind.

ThiS Riverside utility hunter has a

nickel silver hilt and ivory micarta

slabs. There is a brass initial inlay

on top of the tang near the hilt.
Shop order number is 642.

Under s ho p order 115-1) this small

wi th the Riverside
logo has a nickel sil ver hilt and
wa lnut slabs furnis hed by the
o rig inal owner. It was part of a 5
knife ma tched set tha t
unfortunately, was broken up .
semi~ski nn er

This smal[ Riverside hunt er under

shop order MOL has a nickel ~;i lve r
hilt and black micarta slabs. Not
tuo many of these sma ller knives
have been made.

The qualities of ATS-34 closely parallel

those found in American-made lS4-CM.
Loveless keeps a couple years' supply of
the high-carbon, corrosion-resistant,
stainless tool steel on hand at his work
shop.
The basic tools found in Loveless'
Riverside, California shop include a
Deckel universal milling machine; a
Sixis tool maker's milling machine; a
manual milling machine; two tool
maker's lathes - a Maximat Super II
and a Schaublin SV70 - and drill
presses to put the holes in the tangs. He
also uses a Burr King model 1272 belt
grinder - a model that he helped the
company to design. He recalls that,
"they were going to call it the Loveless
Grindmaster."
Loveless executes every step of
the knife making process in his shop
except heat treating which is done by
Paul Bos of Cajon, California. Bos, a master in the field, heat treats knives
for many American and foreign makers.
Although his maker's mark, R. W. Loveless, Maker has always been
reserved for the bench-made knives from his workshop, thousands of
pocket knives designed by Bob Loveless are machine made
in Japan by Gerber International.

hile some of Loveless' knives may, indeed, sit on

velvet to be admired by white-gloved lovers of art,
he insists that each is a tool for hunters, for adventurers. He
crafts his knives for men who do the hard work of skinning
deer and cutting hawsers.

83

... -

r::-"

A fine Riverside fighter with a double nickel silver hilt engraved by Lynton
McKenzie. Hand le slabs of green mica rta complete the knife.

H-- f---'---I---'---J-...!......----I-- - - . - J----;---+-.- -- .--

A ra re Ri verside semi skinner w ith a w ide hilt engraved by Giuseppi Forte. The
knife sports a green mica rta handle and there is no thong hole or handle pins .

84

A bea utiful Ri verside drop point

hunter w ith a wide brass bolster
engraved by H. H. Fra nk a nd big
horn sheep slabs. The logo was
etched a t the special request of the
O\vncr. J\ pictu re of this knife
appears on the cover of Knives '82.

/(.t.,vIfI.I!J$, Mrl/<ti/?
I? lV't-f~'!li Ii. (".....' .... r.~

J'oI-/"'"\.

A rare Riverside dagger under shop order 003. A beautiful and deadly knife w ith a double
stainless steel hilt engraved by Steve Lindsay and a black mica rta coffin shaped handle. A mini
logo appears on the obverse side of the blade ilt the ricasso, a unusual place to put a logo.

This sti ff horn model has two Naked Lady logos-front

view as shown and back view on reverse side. Ha ndle
has red pick bone scales and bolster is nickel sil ver. O n
the under side of the bolster is a unique square checkered
finger g rip.

A 1985 Riverside stiff horn with a wide nickel silver

bolster and fine grained stag for the handle. Comes with
a tubular sheath. This is a mean package.

86

Loveless proudly refers to himself as a

tool maker and expresses his conviction that
without the tool maker, society could never
have afforded the artists. "In primitive societ
ies everybody works to survive. There are no
artists. People come up to me and say, 'Boy,
Mr. Loveless, you're a great artist! ' I say, 'No,
I'm an artisan. I deliberately took a common
hunting tool and refined it to its ultimate
degree.'
"I abhor the term art knife. The term is
an oxymoron. We make working knives. A
Loveless knife is the anti thesis of an art knife."
He also frowns on the expression custom knives.
"We call them 'bench-made knives. '
About half of the knives Bob Loveless
creates end up in the hands of hunters even
though he no longer hunts himself. "l stopped
hunting in 1970. 1 realized there was no need
for it and no sport in it. Using a modern
center-fire rifle with a scope, there's very little
excuse for missing.

Under shop order 11S-B this Riverside big bear was part of a set of five
that unfortunately was broken up. The double hilt ilnd sub-hilt are
nickel silver and the walnut slabs were furnished by the original
owner. A brass inlay is found on the tang for initials. (See next page.)

87

I
I

I
~

I
I

i
I

!
< S-'::',;:;' ,

I
i~

.:2'=>

I I

, I

I I I

I
! i

~h

W-

i I I I I I I !
, I I I
I I I [
,

I
I-- I-
,

I
I

The Riverside steak knives pictured

above are not found in the Loveless
brochure. One is a right hand
model and one is a left hand
modeL One blade is serrated and
one is not. Both have stag on one
side of the handle and are of
integral construction.

I
,

This knife and fork set was made

in 1979 and is of integral
construction with a long bolster on
only one side of the handle. I have
never seen another knife and fork
set by T,oveless although he does
make steak knife sets occasionally.

This stretched semi skinner with the Riverside logo has a very narrow nickel silver collar
instead of a hilt and black micarta slabs with a subtle finger groove on the lower side.
The tang is extremely narrow. It it a very sleek looking knife.

Loveless hunted groundhogs

when he lived on the East Coast.
"You haven't lived until you eat
groundhog. Best way to fix it is in a
cast iron skillet, five to six inches
deep. Put the meat in with pork lard
and one inch of water. Slow cook it
all day with some dandelion
greens."
In Delaware, he hunted
grouse and duck with members of
the du Pont family. "I was raised on
fried and roast chicken. To me, duck
is a poor substitute."
Deer hunting was a fall ritual
for Loveless for many years. "My
last hunting trip was October or
November, 1970 in Del Norte
County, California. I got a little
Columbia blacktail deer on Thurs
day and Saturday I got another. I
got 80 pounds of meat out of both
deer. It took the whole family two
years to get it eaten. Venison makes
good meatballs and great sausage,
but basically it isn' t very good
meat."
"If you have to kill to eat,
that's one thing. All life kills other
life to exist, but if you don't need to
do it why do it?" He pOints to a
volume on his bookshelf, Gail

91

r
Small Riverside wilderness modt-;! under shop order 27. It has
a nickel silver hilt and polished stag s l ab~. This particular
kn ife has a small Riverside logo on both sid es of the blade.
Sometimes Loveless wou ld add an extra logo at the request of
the buyer or if he were in the mood .

An unusua l Riverside chute knife under shop order 805. It has a

double njckel sil ver hilt and stag slabs. \oVhat makes this piece a bit of a
rar ity is the blade. It is one inch longer tha n the standard model.

92

This Bowie is the only one made at Riverside to date. It is fairly large
with a double stainless steel hilt and cocabolo slabs.

93

This standard size

Loveless-Johnson semi
skinner has a nickel silver
hilt engraved by Ray
Viramontez and
beautifully matched stag
slabs. The shop number is
236. The knife was
purchased at the 1976
Guild Show in Dallas,

_O
_+ ___ j_ _
-~-

Texas.

-c--

I
A rare Loveless-Johnson capeT, it is
one of a kind. Under shop order
786 the knife has no hilt and an
ivory micarta handle with ODe
finger contour. The bolts are
engraved and on the obverse side
of the handle a big horn sheep's
head is scrimmed by Adam

---t--+--'--+--I-+-+-I-++-t --+--"-+--t-+-~--+----t-i-,--I - . - .-

Funmaker.

-r-r

t+

-+-I-7-~-I-J-~~4-~~4----L-I-}---4--~-i~-~-o---I_ o ~-

94

---t-II---'--j---t-I--+--,--+-t--+-+~-I---r-+--I--+--+-H- ,-1--'---1

Sheehy's Passages. "Peer pressure accounts for

a lot of hunting. I love guns, but I love them as
an example of ways man can manipulate them
to serve a purpose. My sport is popping beer
cans with a .22.
"'That might seem hypocritical- I make
hunting knives and yet don't personally be
lieve in hunting. I don' t insist that other
people feel the same way. If you want to shoot
ten deer a year, that's your business. I think I outgrew it.
But [ sure as hell know how to make a good deer knife.
" Unless you've had field experience, you can' t make
hunting knives. I see knives with cutting edges tha t are too
thick. Wi th blades that are too long - 3W' to 4W' is fine for
North America. With awkward and ill-shaped handles. Too
many knife makers don't understand their own hand.
Their knives are not use r friendly . You can't teach a guy to
make a good hunting knife if he's never been in the woods,
shot a deer, and been up to his elbows in deer guts. It's like
giving a typewriter to a man who is illiterate. "
Loveless says of the dropped hunter, perhaps his
grea test stroke of inspiration, "The dropped hunter was
obvious to me in the 50's. It is almost a spitting image of an
autopsy knife." TI1e dropped hunter got its name because of
the way the point drops away from the back of the blade for
greater ease in deer skinning.
And, how does Bob Loveless differentiate the sea
soned hunter from the tenderfoot? "When I ask a guy where
he likes to do his hunting and he has an answer on the tip of
his tongue, he's a hunter. A lot of Loveless dropped hunters
lie on a coffee table to be bragged about."

95

This Loveless-Johnson drop point

hunter has a nicke l silver hilt and
black mkarta slabs. It was made
under shop order 746-8.

A one of a kind Loveless-Johnson

dagger with a double brass hilt and
black micarta slab on a bird's head
shaped handle. The exact number

of Loveless-Johnson kni ves made

ma y never be known . Loveless
estimates fewer than forty; wh ile

Johnson feels the numbe; was

closer to one hundred. ]n anY event
there were not too many made and
they are desi rable add itions to any

collection .

A five inch Loveless-Johnson utility

with an improved handle of wood
micarta . There is no hilt with this

type of handle. The sho p order is

772. This knife is unusually light in
weight for its size.

+
- --t-

Loveless admits that demand for his knives has driven the price up
to the point where very few men can afford to actually use them. "We
could sell all we could make at $750, but there's stiU a limited market. I
equate the price of a Loveless knife with a good bolt-action rifle and
scope. Some guys will carry a $900 rifle and a $10 knife. The rifle's job is
over in 20 seconds, but it will take many minutes for the knife to finish its
job."
There's no question that Loveless knives have strong symbolic
value among men who should know about such things. Ernest Heming
way took five Loveless knives with him on his last trip to Africa. And
legend has it that each of the four commanding generals of the South
Vietnamese army carried a Loveless fighting knife on his hip as a comple
ment to his Rolex watch and Dehner boots.
Many Loveless knives found their way to the jungles of Vietnam.
But Loveless is quick to point out that he is very selective about accepting
orders for fighting knives. "We don't make fighting knives for soldiers of
fortune - men who work in clandestine military service," he says, con
temptuously adding, "There are many good service knives available at
factan) prices."
Bob Loveless' knife making is governed by his personal ideals.
"We won't do an ivory handle. There's one in the leather room. That will
be the last. If enough people would stop using ivory, maybe they wauld
stop poaching elephants in Africa. Ivory is a second or third-class handle

'I"

III

97

There were only three knives marked with the I m}cless

Johl1sott, Riverside, Cal logo. This one, 002, has a hilt of
nickel sil ver and Lignum Vitae slabs. There are th u mb
serrati ons on top of the blade near th e hil t. Directly
behind th e hilt there is a brass inlay for init ia ls.
Ex tremely rare.

Rare Loveless-Johnson d rop p oint hunter with serial

number 003. The knife has a ni ckel silver hilt and ebony
slabs \vith thumb serrations on top of the blade ahead of
the hilt. l)irectl y behind th e hilt on the ta ng is a brass
inlay for initials. Of th e thre!;! kni ves so marked, 001 is in
Taiwan. A rare knife.

This I::; a specjally designed knife to commemorate thirty-fjve years of knifcmaking by lovel ess. A refined
version of the old Delaware Maid with s tacked leather washer handle and an aluminum butt cap. Origi
nally sold for $2,000.00 only thirty-five we rc> made. This knife is number 10.

The first knife is gone. In Bob Loveless'

words, it "walked out" of his shop, stolen
by an unknown visitor who may not
even realize what he possesses.
99

A naked lad y d ro p point hunter

w ith a na rrow nickel silver collar
instead of a hilt. The stag improved
hand le is a bit different than usual.
Very few we re made.

An unus ual naked lad y drop point

hunter wi th a nickel sil ver hilt and
stag slabs over a red liner. The
unusual fea ture of this knife is the
wide ricasso. The shop number is

435 .

..

---!

100

-r--'\- '

'

A naked lad y chute knife w ith

a double nickel silver hW and well
matched stag slabs over a red liner.
At the special request of the
original owner, the spine of the
blade was rounded instead of
square.

This lamb semi-skinner has a nickel

silver collar instead of a hilt and

well matched stag slabs. According

to Loveless there were only three of

this model made.

A beautiful semi-skinner with the naked lady logo . The wide nickel silver bolsters are engraved by Michael Collins. The
stag on the handle is extremely well matched .

A naked lad y drop point hunter with a slightly wider than

usual nickel silver hilt engra ved by Angelo Bee. Ivory slabs
on a red liner have a big horn sheep's head scrimmcd o n the
logo side by Mr. Bee. An inlay behind the hilt used for initials
is one o unce o f pure gold instead of the usual brass. This go ld
inlay was furnished by the original purchaser. The owner's
initials appear on th e rica ssQ, logo side.

223J3VOJ .W.8
83JW1
IJ A3.1012UVU

.. ,
A fine drop point hunter with the naked lady logo. The ni ckel
silver hilt has been engraved by Ray Viram ontez. The stag
handle slabs are very unusual. On top of th e bJade ace thl.lmb
serrations and direc tly behind the hilt is a brass initiaJ insert.

This knife was purchased directly from Loveless at th e 1976

Guild show. It was at this sho\\! that the naked lady logo was
introduced .

102

material anyway. Now, mammoth

ivory, that's different." At one time,
Loveless didn't think much of micarta
as a handle material, but now he has
come to believe it is the best material for
a working knife. And rounding out his
views on handle materials, he notes, "I
agree with General George Patton
mother-of-pearl is for New OrleanB
pimps."

hould you come to California to

visit with Bob Loveless in his
workshop, you would find yourself in
the presence of a man at peace with
himself. Here is a man who has tried
just about everything he ever wanted to
do and succeeded at most.
Loveless would be comfortably
dressed in Levi's and one of the striped,
zippered Five Brothers shirts by M. Fine
& Sons that he is so fond of wearing.
On his head, would be his trademark
cap which was made in Japan by a
friend ' s wife. The cap is designed to
shield his sensitive eyes from the the
glare of the overhead fluorescent tubes.
His pot belly would lead you to
believe that he likes his food in
ample quantity and you might imagine

R.W. LOVELESS
MAKER
RIVERSIDE , CIU#;'6~

Under shop number 004 this beautiful naked lady semi-skinner has a
wide bolster engra ved with a gold animal inla y by R. Scaggs. Scroll
engrav ing appears on the obverse bolster. The knife has walnut slabs.
It is one of the best looking pieces I ha ve ever seen from the Loveless
shop. (See nex t page.)

103

Loveless's ow n na ked lady semi

skinner. Und er shop order, R. w.L. ,
the knife was made on October 12,
1986 for himself. There is a n ickel
silver hilt with a rare th ree piece
stag ha ndle over hidd en tang
construction w ith a crow n stag
bu tt.

..

. ".

...L _

++-

1.

-::: ~

Lr:

j"

..

I'

..

-j- .

""""I

.. I

1--
.

-~

H~-

"' . . .,.". ll l

._
.. -
~

' - -

"-.. ,

- f ..

II

t- 1-

,
,

I
I
I

Th is small na ked lad y utility is a very g raceful k nife w ith a nickel silver co llar ins tead of
a hilt. The handle is mad e of three pieces of stag w ith the bu tt portio n of crow n s ta g.
The stag sections are not only pinned on the sides but also on the top, an extremely nice
fea ture.

Stiff horn mod el w ith naked lady

logo. This kni fe is an integ rC'l l piece
with sta g slabs (m d an open area
around the th ong hole. The
geometric design on th e bolster
"..'as done in red p lilstic and gold
by Leonard Leibowitz. Onl y six
were made.

This is an integral semiskinner with serial number 28. It is

milled from a single piece of steel with stag slabs. In the wide
bo lster is an ivory micarta disc scrimmcd by Rick Fields of
Florida . A limited number of these integrals were mad e and .
according to Loveless, no more will be start ed because of the
time it takes to make one. Loveless estimates he ca n make
three regular knives to one of these. Most of the integrals went
to Japa n but a few, possibly six, Wer!;;! sold in the United Stal es
for $1750.00 each. A rather expensive shea th knife.

An integral drop point with serial number 25. There are

beautiful stag insert s in the handle and the small ivory
micarta di sc in the bolster which was scrimmed by Rick Fields
of Florida. Loveless swears no more will be made becDusc of
the time involved . Most were sold in Japan but a few
managed to get into Am erican collector's hands. It is a very
handsome knife.

107

t
~~-~

~~

. :

-I'

: _1

~ ~

u~
p.,-.

It-.
~L

~~

-+

f---

- -~ 1 ~ r--.:.~

I--~

--r-

I
'

I~

1---

..!.

!~

1'- __
I

"r'--. ......

,I

I i
I

'

/\

'

.
,

---r
.;

- J~

0
--+
I
~

. _

II

~I

.,
\
j

'

~:;t!

-.I I
~-

II

A gentlemen's set with the naked lady Jogo. A special order

made in 1985, the kni ves we re designed just for the set.
Only one set was made.

.,..,

.j -

.-

108

"

him enjoying his favorite dish, Can tonese-style barbe

cued pork ribs washed down with T'sing Tao beer.
Today, Robert Loveless is happily remarried.
He and his wife, Yoshiko, share a comfortable life
together - she watching Japanese-language TV
programs while he makes knives and enjoys his
diverse interests. He has a cat named Chrissy, a
poodle called Alfred P. Loveless, and two Labrador
retrievers, Brandy and Buddy.
Loveless' three daughters are grown now and
living in CaWornia. One is a California deputy attor
ney general. One is married to a research scientist.
One operates a bistro. Loveless also has three grand
children. Yoshiko has two grown daughters.
In 1986, while at the Munich Knife Show,
Loveless learned that his mother and step-father had
been murdered in Warren, Ohio by a man with a
knife. Loveless is haunted by the irony. "Here I am
selling knives. My mom and step-dad were mur
dered by a punk with a knife. At times I wonder if
there's a heavy karma coming down."

itting in his Riverside, California workshop

amidst the toob and the partially completed
knives, Bob Loveless has a great dea l to say about the
development of his knife making skills and the evolu
tion of his philosophy.
"I arrogantly feel I' m the best damn knife designer in
the world. I hardly ever make a knife I didn't design. I
make knives to please me. Those who do it just for money
hate their wives and kick their dogs.

109

This naked lady drop point hunter was made in February, 1978 with a
wide stainless s teel bolster and green micarta slabs. It was ca rried by
Loveless during a course at Jeff Cooper's Gunsigh t Hunting School in
Arizona.

A stretched naked lady semi-skinner with a nickel silver hilt and green
micatra slabs. A reverse naked lady logo appears on the obverse side
of thc bladc.

110

"1 knew what r wanted to do in 1954 when 1

started. I didn't know how to do it. 1wanted to
make fine k.nives for sportsmen. It took the better
part of 10 to 12 years before I began to understand
what I was doing.
"There wasn't anybody you could learn from
in those days. There were no books. I sometimes
made flat-out mistakes and had to do it over. Self
taught is sometimes the best way. You work up your
own philosophy as you go along."
Loveless may have known from the begin
ning that he wanted to make fine knives but he
had no interest, whatsoever, in sheaths. Indeed ,
he used to include the following note in his early
catalogs:
If you consider yourself a good leather
worker and want to make your own sheath
for your Loveless Knife, say so on the order
blank and deduct ten dollars from the cost
of the order - I don' t particularly enjoy
leather work.
"When a man's not good at something, it
bothers him," Loveless observes. "When he gets
better at it, he enjoys it."
Nowadays, Loveless is very good at it. He
makes his widely-copied sheaths from 8-9 ounce
cowhide purchased from a Los Angeles dealer.
He designs the sheaths for a tight fit - to cam in
so the knife can't fall out. Loveless has no use for

111

A beautiful naked lady utility wit h an engraved

nickel sil ve r hilt and well matched sheep hom slabs.
On top of the tang a nd behind the hilt is a nickel
sil ver insert eng ra ved w ith R. W. Lcyveless.

Stretched naked lady semi-skinn er w ith a nickel

silver hi lt and stag slabs. A reverse naked lad y is on
the obverse side of the blade. This knife was made in
1986.

'.W~IhIELm
.
'

........ "".

KIIIII

112

'.

Small naked lady hunte r of integral hilt and

butt design. The handle has light brown stag
slabs and an elonga ted thong hole on the
butt. Only six were made.

Loveless won 't reveal who modeled for the

now-famous trademark but he does say:
"The model made me bitterly disgusted
that [ married my first wife."

113

-r - -

A one-of-a-kind naked lady prototype fighter. All metal with a

skeletonized handle, the finish is dull or anodized. This wicked
looking instrument was designed by Bob Angelo, a noted weapons
designer. The knife is held in its sheath by a snap fastener. When the
knife was made, it was the first time Loveless ever worked from
another's design and he made just this one. However, another maker is
producing this same knife.

114

keeper straps. His sheath design has been

widely copied in the United States, and at
leas t one Japanese knife m aker employs a very
similar design.
Bob Loveless shares his hard -earned
knowledge with other knife makers both in his
workshop and through the Knifemakers Guild,
which he helped found in 1970.
"The fundamental philosophy of the
Guild was my idea," he says. "I got together
in Tulsa with ten other guys. Andy Russell got
th e meeting together. The first membership
directory was put together right here in my
shop.
"Our goals were to promote knives and
knife makers ... to encourage more ethical
practices and help others make better knives."
He has had several apprentices, and has
worked with Japanese stud ents for weeks at a
time. His first full-time helper, Steve Johnson,
came to work for him in May, 1971 when the
Loveless shop was in Lawndale, California.
Johnson had learned the basics of the trade
from Gil Hibben . Later work with Harvey
Draper and in the Davis shop in Spokane had
given him a good foundation in knife making.
Johnson.remained with Loveless for three
years moving on to become a well-known
knife maker in his own right in Utah.

115

An extremely ra re naked lady straight hunter with a nickel

silver hilt and sla bs of Japanese micarta called Snow which
resembl es ivory. The logo on each side of the blade reverses
within itself. There is just o ne o ther knife marked this
wa y. Loveless has sta ted he \oviU never use th is handle
materia l ..ga in .

116

This Loveless-Merritt l1ilked Jady

integral is one of three so marked.
Compared to other integrals this
particular knife is ground much
thinner and, therefore, lig hter in
weight. This classic shaped semi
skinner has the most beautifullight
tan stag handle and has to be one
of the prettiest knives to come Ollt
of the Riverside shop.

A Loveless-Merritt new model called Field find Stream. This attractive

knife has a nickel sil ver hilt and green micarta slabs. This model is
made for the Japanese trade and when sold over there the naked lady
logo is substituted for the Loveless-Merritt logo. Only six of these

knives are known to be in the U.s. It carries shop order 587.

0'1 E1..E 5 S - M R R '-"

., \#~ _
makers
- t -,. /.

IVerside . C a \ \ '

----+-~_r----I-~--r-~-~--_7--~~--~--~------ ----1---~-----

4~""';'U:t)o
..
....I"..~

- ----

Various sized Gerber knives known as the Guardian have been designed by Loveless. These particular models come as a set of three
with cast matted handles and a signature of Loveless on the blade along with a mark saying the knife was designed by Loveless.
Both marks appear on the same side of the blade.

1lI'",Q"" h

It w. LI)~e~~II~

118

A Gerber folder designed by Loveless with his signature engraved on the logo side of the bronze
bolster. This knife is 184 of 2000 and has a bronze frame and checkered rubber inserts for a
handle. The knife is extremely heavy. There appears to be some doubt as to whether Gerber fully
adhered to the original Lovesless design.

Loveless had a full-time Japanese helper, Koichiro Oda, for a while

during the late 1970s. Jim Merritt, his current helper, started in 1981. "Jim
is not only my right arm. He's both arms and more," Loveless quips.

he craft of knife making can be lonely work but Bob Loveless

doesn't mind the solitude. It's not unusual for him to labor well
into the morning hours . . . sipping cold coffee ... crafting knives and
sheathes. "The shop is the world I love, where I want to be. It's my
refuge," he says.
Bob Loveless' many passions, hobbies, and interests provide t.he
psychic fuel for this effort. His movie videos and books, his music,
mostly jazz and blues, are all close at hand. The workshop is also outfit
ted with a shooting range which he shares with visiting Riverside police
men.
On a whole Loveless' hobbies are solitary ventures. And his tink
ering is endless. The shop is
cluttered with remnants of an
amazing variety of gadgets.
Noteworthy among the clutter
are a couple one-of-a-ldnd items

Schrade-Loveless drop point hunter designed by

Loveless. This particular knife has no serial number and
was sent to Loveless by Schrade for final inspection prior
to production. Typica l maroon Delrin improved handle
with a brass collar instead of a hilt. The blade is l S4-CM.

A drop point hunter by Schrade w hic h was designed by

Loveless. The knife has serial number 0922 and has the
typical maroon Delrin improved style handle with a
narrow brass collar instead of a hilt. The blade is lS4-CM.

Schrade-Loveless drop point with

serial number 0045. This knife is a
surplus piece from the American
Blade lS0th Anniversary
commemorative that was offered
in 1977. It has a white Delrin
improved style handle and a
narrow collar instead of a hilt.

Schrade-Loveless drop point hunter with serial number 0027. This knife was
made for the 150th Anniversary commemorative of the American Blade but 150
of them got through production with the logo on the VVTong side before the
error was discovered. These oddities were sold at the 1979 Guild Show.
Because the logo is on to wrong side of the blade they are fairly rare.

A Beretta-Loveless drop p oint hunter with seri al number

0260, It has a ni ckel silver hilt and contoured stag slabs over a
red li ner. Designed by Loveless, made in Japan and ma rketed
by Beretta, US.A.

~.\.OVELS
DESIGN
;
'EREITA. \J,~.

"'~.
122

II>

- the Loveless pens. One is crafted from titanium;

the other from a combination of aluminum and steel.
A third pen is gone - sold for $2,000. He also ha s
lots of watches. He is quick to point out tha t, like a
Loveless knife, a good wa tch lasts forever.
Loveless has owned four amateur-built single
seater biplanes. "1 don't take it seriously," he says. "r
just go up and have fun." But one time, it wasn' t fun
at all. He crashed his Pi tt Special in 1983, fra cturing
th e tibia in his left leg - an accident that laid him up
for three months and reduced his knife production
that year to fewer that 150.
He used to ride a motorcycle - a 700 cc
Yama ha - until he broke several ribs in a nasty spill. He still has a sou
venir of his motorcycle-riding days, a ticket he got for doing 130 miles per
hour on the freeway. "A Porsche was ahead of me and the driver was
falling asleep. I had to do 130 to get alongside him to blow my horn."
But now, he says, he is playing it safe. 'Tm
trying to be more laid back. "
The thought of retirement has no appeal
for Robert Loveless. After all, why would one
retire from his hobby? "When 1 can't make
knives anymore, I'm going to swallow a bunch
of pills and quit," he says. "Retirement
doesn' t interest me. In every society dOINn
through history, a man had to work until he
died. Who said people should quit work at 65
and play golf or tennis or sit and read?"

123

! /

R. W. LOVELESS "
MAKER .. ,.r;;;;;;:::<:~
BII'EBSIDE.t

On('-o-a-1Ond naked lady hunter with integral hilt and butt.

A beautiful knife, it has a wide bolster and well matched stag
slab. One logo is placed on the obverse side of the blade, a
most unusua l location. A narrow cross section of the round
steel stock from which the knife was made comes w ith the
knife. On the polished disc or cross section are the words,
Olle of a Kind, a naked lady logo and serial number 2011 .
When Loveless started to make the knife the steel stock
weighed 8 pounds and when the knife was finished it
weighed 8 ounces.

..

This prototype Howie

style fighter was made on
August 20, 1957 in
Claymont, Dela ware,
home of the Delaware
Maid . It is made of 139-6
Jessop steel with a narrow
d ouble brass hilt and
stacked lea ther was her
hand le that was painted
and decorated. A bird's

head type butt cap of

aluminum completes the

dfort.
A unique prototype of a
hunter Loveless wa nted to

make to sell for $100.00.

This one-of-a-kind model
has stag slabs with an
aluminum frame into

which the blad e is

mortised. The blade has
never been sharpened and
it has not been polished.
In Dallas during the 1976
Guild show, Loveless

decided not to proceed

with the production and

sold the model.

This prototype dagger has a nickel silver hilt and butt cap with green micarta
slabs. It has hidden tang construction and it is set up so one can remove a small
pin from the butt and take the knife completely apart. It "vas one of three

prototypes made for Pallidan Press.

-r-f--\-+-+-+-+-f- ~\ .-f-- f.--L-f-- '-\-+\ --,

d Ot-JJ PA T //ii.. t<N

;::IG1JT/NG KJ\i('-:"'~E
.'-.:, {"O\;4.~-L(,.;." ~,.s. I'~.):':J.::, ,<

In a major Sports Illustrated article

on Loveless published in 1980, J.D. Reed
wrote:
"Sometimes he speaks of

having his ashes placed, along

with those of his wife, in her

parents' burial plot in Mito, 60

miles northeast of Tokyo. But

then he'll laugh, grab a bar of

stainless steel and head for the

grinding room. 'Hell, they'll just

find me dead at the wheel with a

knife in my hand,' he says.

'Dead of a broken heart.'

"What would keep Bob

Loveless' spirit intact is the
certainty that in a couple of
hundred years his knives would
be in the hands of cowboys and hunters and soldiers doing their
jobs. For him, it would be a perfect world, where the collectors
had moved on and a man and his knife were back to work."
Perhaps. But in the meantime, the collectors whom he likens to
Renaissance patrons of art will patiently wait for as long as five years to
own a blade crafted in the shop of Robert Loveless, the man of so many
contrasts, the man who most would agree "took a common hunting tool
and refined it to its ultimate degree."

127

This prototype gut hook skinner was mad e

primaril y to illustrate th e first improved
handle with a checkered thumb res t. It was
not made to sell and was never sharpened . It
was retained in the Loveless shop collectio n
for a long time. After refining its design, he
offered the impro ved type handle as a n
optio n in his brochure.

128

~.~~~~, ~~#&A,~vTT17'~v?~-~~~
~~-~~F,~~~~7~-~~-?~2=7~*S~.W,
;:*~tr"t~ -::>'bl~t~fF-::> T

< n/21&:~!t~:t'-JI};/))j.>!t&lm1" ~o

4Off.rt!lli('-fF-::> t'::T 17 ~ ~,;t ~.:,~ I') til V T Ji.t.t < '5 {.> ~ '~tt.H 't".tNT, 7L~~f1! C .~,tJt"..:~ ''b' ? "tn;/)~ft1f!lli, T
17;; g-;/)1fi~n T~'/2/'~?:A t::,t.-Jt;'r't.--~1'~'z..ti);: -::> t.:::f;t,ht.::tio 7,t.- "J{ IJ 7 b:Ac'T), '7
-T-'b1~1JJ1InT17 ~M'~?:A ;/)l':'~ I') til v, ~q c~ru'~lIlilbt2(])tio
"t(/)~ r7 7, rt 1=l:lc ;:A.,t.t;: c
'biiti:l;: t) ;tttA.,~ 1(<:. J c,!lht.:::f;~i:it;ti'l:;t T~'~.
vt)'V, ~B7 't.-;/)iV g-'r-::7,t.-J:.(.:M(/)T17~iE
t<:;iHlt.:.llilJiLT"i""1' :A/v 1
7i1!rFI~~,

Vn'~(])~J!T, 1&:(])~I2!J1" ~;:

c: A.,t.ttt:f;~ v n'f.::;/),

c HlI!Wl v IIlilbf.::fi -::>f.::.

;!i,tli,

~iI''r'7ry::r:

;:(])PHJJlbT;t!t~~t) ~ '? l" Ji.~;: c'b~l'~ f.::~'b'";So

7 ,t.- r'J..., I) 7 b:AG;t, ~I')~t) tz.t.t-::>n'td954iF;/)'':'lJJRn37'v:A T17~'t<:An~klb~*t.t'!fj1JHb.

-::>T<ntc.. lIt(;t7J\-?o)'t::-&7"""~1':J'G.:,nn'k.:r3"J::r:7 ~1 F 'T17~, 19581fjjt-'t';/))':'.iJ!H/iji'/"
'#t,-fF-::>/2 rt, ;tf.::O:A 7 ~~ ::r:)t.-:A,,~o)f~~11!1 (tk? 3V ,,? Mry1 ~il"lb~, I9591f1Jlili'Mn I) 7

~-71'~fFvkT17~J!?~tilvT~k0~"?ko

.~1&:ct"tn~T17~J!?atilv~Av/2~~1')1't.t<,

c: t), l~WJT 17:A 'J 1 )t.-~::f:7')t.-flIi~j'j, ~1jJ:'~ V

tlbl" < nt;:JDthk.
~1r~'T17j!Ht~rJlI\jElbTL' ~ t, "tn 6-*-*~fF-::> t2mfflC~r.W, "tf~gIJt.t 9'3t"..: c'ti'lit\Jn'tB}l

~~;t l'tt:f;~!imif.:tz.iiIlI"'l:.W, :i!t!it.t~.:r )t.-O)JE1*~ f.::

kUllilt",,:c'~7i:~t"..:Jf~l'En!v, ;I:

~~Ji.#~-::>T~/2o
g.~"

;:':'>vTlJJGT17.~J!~t,"t;:~ct"tnt.t1')0~~~~8~~"?k(])f1!ffi,"tnc~8

T 17 ~fF-::> T*t2 A!t~~t);il& t), 1ttt An ;S~;/)tlitz.~jjn l"L't2k -::> t2.

~Tijl;* J; ':'> t<:JIll v~ttT*t.::,~,L'tilt (;t, 1'~ ~~N I') ':'>;t < 1t~g."? n';/))t"..: < l"t;t t ,~."? k.
1i(~rp'b' ':'> ;I:
< H'b)t.t < t"..: -::> l", I~t,-M 1.J ;: ~ ~ J; ':'> t.t:.\:~r.'lru'IHl;/)''(.: i\;t t"..: < t"..: '? l"!titt;t;:"t.:: ;:'t2 v, A P 'v :A (/)t(1
;t i> B q fif-::> t.::,,,~tl!~f1' v t2 T17 tz., ~HlfliEl !t~~tiil-tJtt i>;: c'b'l'~ i>. "tnttEnDiFftt,-o-)'7"
-Jt.-l!fF-::>k ~t, ~t'-19801ffttz.A -::>T I) }'i'-ij'1 F l'~ti.
~ vli'bt Ntl'iiil'b'it!!(/);: t ~ V n't2 tv
t(1':', t .'~B;: t (;t~ i>titJ1, V;/)l v, .~~t,- c"? l"T 17 ~fF ~:f;tl C'~U~7-;t T < n;S <t())t;tit!!(.:1iil~ t.t~\(J)
td:. it!!-r17 ~-tJ-.;/)l':' ~;: J; "'> t"..:,\!l.L'~jilJli'~th'lL\ f2;: C ;/)i;lj, ~o
; : Q)f 'lH,-tH..:(.: fl';: -:), CT~~~t
i>f:f;~ v l" L' i>Nt~ c~-:), ~$; I') bIiiJE!t&c~'-:) J; "'> t".t~;/)'i. ;f:;(J)t~'. ~:ilIc:(])tI!W(.:f<jlr"lA I') v T ~ tdJii!

T 17 ~ -n-1"t;n v L'T 17 t,-t;t;. *~t;:!t&Jc.'~it ':'ni>, "tntH!f(.:~;/)f~~ttil v t'::->f.::tIi~~ t);il&;S c 7;t;l5~

':'~i>.
;:nt;t4l<Jii7'--;> r.\!l.~ct)t~~4l<t,-:ft!i~tti>~Ji., ftqt;t"t(/YiiJ&~ttHni>J tL'-:), iEtZ..:tfJ!
nJ; '3ti.

J -1

1" 1 '7f'F t) t;L c A"tJt<:ft;!ltJ'Tit' 1 ;;~ttl:1i Vl>tJ, >tJ.oJ.::tt l:'~h t) t~")':: t t;ttJ~ \ , 1 ; t) !ll:~\f:f~~:A 'f
)[,a)ifi;j(t;t*~h"iS i: t t;ttJ ~" m~, -!!f;,l(Z.IIIJ~, ':h *-(Z. >tJi!&~f!jHta)IiX:I1J~.f.i<: Vt.:!ttl:'~ it '>'tnt;tfl'l] 15

-*

1" 1 '7 )i -j}-(})tpi<:t;t.:: A"tJi: tn> ;:'~(})*IIi(})tt~aYi~, :Bri! < ;1; l:'fiil8~r.Hd"17 )i
ffi'ft VL'tttt;t'1ii'Ftil:', WHt't '? eu,;:~ (})t.:i'.
ViI> v, 1" 1 '7 )i
;;'7(;t~i', ~ptf!i'i! l; .......

-*

Im1iML"iS~.(})Wk"t~->tJ,,)-.~~1~~"iS(})~

)[,

SI ::/ -l:'j! ~.:: t

~ \ SI g -

b~l:' ~ ~.

;;'?,'~j"'

"iSttM' ''is.
'tn(;t~(<:'> c:> t liH\

'tl;L't(})M.~ ~~ffin~-t17)i-j]-

i: n(;t, 'tnt,;: I) (})itl!i.f/fez.j!1i c:> t~~6ili':'

v ~ '-t 1 '7 (;tn\ I) il1j!':' n ~.

~H~':'

l;

tJJlJ ti.

r'J -( I) 7 kA :t [..,~ SI g;; (;t, ~ <(})fjO(})-t -( 7 t't(})t\.,) ~\;;t":IT I) 1J~ j! ~L <n~. :rit' 1 ;;(})T-X~
7[..,-1"(}):/ J: -{:1, )\,;; r)['(DifIi~L 't l; l1';< (:Ic~!M1!If~'7"tf 1 Y(})7r'J r ~1 ,;;~~ ~L < n L~\~ ('ttto?>
.:: i: l:'1!t~'td'(})
(})7 r'J " ~ -( ;;ez.t;nJJIIIl(})~Ia'>~':' n~). ~\(;:A~ '>(}),>, ~(;:AO?> tWM)~<li:> ~ ti;; ").
l;t, Itt;Ib(})tfil;tj"''''Ln).f.t~ I) tI:!.~l:', 'tnMIiX:JtJr ~ b>c"J b>'>:' < ft1)\':' tJ b) c:> ti!Ji)t:2.
l; iI) l;f'F,fI,~'jj\(;:A -;> L
<nkj]x'X-~~?L*l,~X~l;L<nkS.l:''tn~m.t~c:>k(})~c:>k.

j]:A' ""-b)':' t;t, 13 ft- Al:'1;tt:) n \~"'t;t~" *;'Jt.:~ <(lJ':: t ~fth c:> t~.
'::(})it~~:ii!i l; L~(tk ~")
-::>(})<li:> I') b~t~ ~,,:: t, 'tn\;t~(<:}zffitlJih;1; l; ~4it l <nNi'l~ <a)j;~;:' l; ~'A q(;::lil'it t~ tiS")':: t ti.
i:n':'(lJAqv)t';:b)l:''>. t l'):tJ(t7)[" r'J-{ 1)7k:;;(})1fft;t*~~'. 1Itt;t.::")t'"J::1 ["'~Slg';;~-::>< ~tt,")
~~t..:.:: t ~~c:> L(})(tL <nt~.
~t;t / ''J ~:A l: )['(})(l)B J; I') n$~ilUb) ;:,1It~~b L~)t;: b~, 'f(})B1Itb5~(})T
-7' 1[, b) .:, -t 17 ~ftS ") t~t~ft~~ ~ f'th~t;:B~f'':, 7 )[,b~fH \HnllJ~HHt, .:: (})J; ") t":::1 [.., 'J SI g;; ~ l: J; '? t l;
L~'~

i: t HJlIbLj;Oc:>k(})ti ,>t;:.

*t.::.(lJti. t

~'"J'::

1i~t;ttth 1::.

1&'G)i:(})7'{;lIt,;::t [.., ~ SI::/ Y~ !3(})~k %:

vr.

'tn~~@:(;:~(t An;';'"b5

~ .::n(:Ic~(})tt*~~~al; L~'~(})I;t, 1It1i~ LS~'L1I!g<:Mt~~ ,t..:t '(})ti

R. W. LOVELESS
1))'1 - tf1 r e.: l, 1992if.8/l

J-2

:fA<D:Z v-7 V::I ;;rLogos of the Loveless LegendJ<D-r l' 7jf<D'i!lVillll'l;t;:tJ-:'l, ~? U T-A<D-r l' 7 x-'j]
t;:;: t-ib'?T, 11/i(J)-r1' 7 (J)Jj.t:Ji.t" ~(J)bq~~,liit;:~,bh~1J~~)':;' '? u 't.I ~ '1:' u.l;. ?
;:ht;t1972Ft;:~,t'Ldi:
;:~ti<D'1:'t".
~(J).~'j]~1~-r17t:~~.~~~~~~<~~~,?~(J)'1:'t".
Wh~.,11/i':;'(J)tl.~ .:;,
u C ~<Dlijf-tt;:fF"'ht.::-r17j!t;H"rhMjjtiJu J; -:j t;:m:~)tll:.bH) '1:' flmt:~'5, ~ uTti1JI-J'1:' ut.::.
~h'1:'~,~~-A(J)-r17x-'j]-~;:~b~~(J)'1:'u~-:j~?

lAbi:z v-711-t;:tJ'? T:U~'r.'~tJ~)., ~h(;t1948Ft;: ~b)<D(;t' ~ t"b1, ~(J).tUdri-r17t:.~~<D'1:'tH.t<

- A(J)-r17 x-'j]-t;:i(;S -:j bi)(;:~~t2.<D'1:'t". ~<DH~f-t<D(;l~~~<D:Z v-711-jf(J)IH;t, iI!) ':;',fJ~-r17 x
-'j]-<D-r17t:.~~.'1:'u~.

~ u. ;:<D~t)1J'1:'Ht(;tftq(J) ':;' u ~\-r1' 7'1:':Z v~ V::I ;;iit%h~ '1:' u

-:jlJ1, ~;:t;:i;tfiiJ(J)7--::(~Jt':;'ht,H\'1:'u~ 7.
~;: '1:'. lAiii'1' 7 x-'j]-jft:~' '? ~ I) ~-'f u/IIJ~ti?(J)'1:'t".
~ u T, t" ("t;:!.I!!!-*:lisllJ)ht2.<DlJ1;t{7" 77'v
~ ~(J)A '1:' lt~.
11/ii;f.c'<D-r17 x-'j]-J; t) ~ft~< 7 x I} 'j]<Di1!!t:shitl&u t: u, ~ht~'lt-r1' 7<Drl:t. -::(
-7Mt~<. 1ItlJ1ft~t,iIllJ<D::g~, J'\- r -r-<D::gJlljb1-r17Hihn\~<D'1:'t".
;:<DJ; 7 U:-A<D!11<D$!;<D!tftt:
1~HJllt n)~ l' 7:1i:z v ~ V::I;; u~ ~)~ ~)-:jw:;.~m, 11/i<D-r17bt A:'ft" ~<Db1'#'~t;:.u <, ti?iiii1il!i'1:'iI!)~<Dt;:
~M))b':;' -r, lAt:'77'v A(;:[l;JlJ)b1tt2.(J)'1:' u~.
;:<D*i;f.fA<D~1J u T~ ~;: ~<Dli'i~'1:'iI!) ~ ~lUJlijt;:, '77' v ~
(J)Nt<D ~ v- ~ '1:'t>iI!) i'J. ~hi;f.1954fF<D-r7 >J:t: 7<D~ v 1'.:f:;; ~ '1:'fF ':;'hti.:, vif-'7 ':IV ~-J\;; F JI-<D-=r7>J
:t: 7 x 1 F t;:l!lJ)f t), lii:. lii:i!f<DfFJ'bii 1989F<D I) }'{--If l' r '1:'fF ':;'htd ;;7'~7JI- -r1' 7 itt" C' IHf~ t".
~

-r

7)1-' >J 11) 7

~~

:Zv~1-

J-3

Living

Logos

of

on

the

7~'~~~7L~
~.

-the

Edge

Loveless

Jilfflf~;!:/m8Hl:iE

~.

(x

~ I)

x Y J\ ''J $' YO)Ai~JJ.~iJ)~~wrtr <iK7' '77' I.-- ~O)mH;:,

Legend

VLry1~

''J ~

71-),,)

JI[~~'"9 J;

-? t.t**jIj'; uiJm't.-.::>lt ~o

19531f:12,E!

x~~Y7~=~-O)rn~w-?rnO)~~Yf-~~~~x~-@~,5~~~0)~.~0)~~u~~~~~V2~

<b 0) ';tJ~~Dn t.t ~'(;f c' 0 ~ ti!.

'77' I.-- ~,;t=~ -7-~miJ)';, /J'~$' Y:f]-1!MIte,*,t;i~~o

~mrt'"9 ~

'btft~M.t~'~uJJ.t,hti!.o

t.t <tJ. ~ n'ti!.o

-.::>h~~:ilIO)AA;iliI,*,(;:~A,t.:!'

"tn';tli~t.t:;t-'7 Y

.ljI:t.t-t 17 (;:-'::>~'lti~ ti!.o

.!l!,~fXt';f c'(;:~ u ~''7 Y

~'-)[,

Tr u

ft:t:t;t~-.::>

*.O)~ ~ ~~-'YI!I:~~~t;: ~

e~o)l2,E!~O)t:po), 0~~G.ljI:iJ>il.B7\H~t:p~0)!llliJ).;ftn

F (7 a I) -)"1+1) O)-t 17 x -:f]-, II. D.(H'7 Y

-t 170)1'7 ~

~'-)[,(;:J; ~ ll'P'; nti!.~

~ ~ti'!tti!."tO)~G.ljI:,;t, "to)~O)~(;:W:t~'<b

J; .; t.tiJ)~ ti!.;: ~ ti

~~~-?~,.O)A~~'77'1.--~0)1xV*-Vg>~~~~~~~'!t~~~.*~~tJ.~~0)~~~o

iK7''77'1.-

x Y V ''J:1 ~~, -? <bO)(;:*~Hb ~ l~ ti!. 0) t.:!' iJS , ;: 0)'7 Y f -)[,0)

-t17 (;: ';t"tnV)J::, 1PJiJ)~~IJO)<bO)iJS0 ~ ti!.o
~0)-r17 (,:,;t, jK ('nt.t~t*g'i:(.:fjtJJ., ;;.; u ~1z:ln' ~~
1.t(;:mt <l,;tt.t'; t.tH~$!.~ u lO)i;JI!iJ'ffb l~'ti!.O)ti~ ti!.o
~ti!.~'JliJs~~1iI:n~=~-3-~0)4., iK7" '77'1.-- ~iJs;:0)1!fJ;::q:(f'"9~1PJJ; ~ <b-.liXUl~'ti!.O)';t, (0)J;
Ill.; u ~'-r17~"t0)'H;:'"9 ~;: ~ti~ ti!.o ~';tx ~ 'J Yffi4 5 TI::H;:0 ~ 7 J'i-~ ay 1::'-& 7 ~ ''J'fO)rnO)AD
:;u;t','f;(;:~~'if 1

YJ(>,

~1z:'t.J.l:. ~ ti!.o

;:O)rn';t~~-'Yffl.ParnO)~~~, 1!!W'*'O)~J;t~1.tO)r"'l~~nIJO)rnti~ ti!.o

(;:t;t, :f]-X-J(>if77 I)

"to)~. u

ti!. ~ '77

mJ(>~M''t.~t&~'fflntdttJU!,1.t~;:;: ~Wmhn, ~~~

flO)ti!./5I)(;:;: O)rn';t:q:(f u l~'ti!.o

0~o

E~'=Wi~O);:O)rn

:'7'b).;i1t0)fi.i!..lJ'a~, 7~ ~ f7:;(xYO)w:uiJS~<bO)iJSt.tIV~<btiibn'ti!.o

7'- ~ )!.-- :;(~)H

l::iffcWi

'? <bO)(;:~' ~ /5I)<b1-;Ht~*~~~-?, "t -?~, -? A

<b;:;: ~i'{ H~~ U ti!. U, ~ '7-~ 'l-7' )!.-<b ti!.!'& ~ ~
u l;:

-?~,

7-*~~'~~Y~~I1~, ;:;:7~-~aY~-&7~~'f~.0)~*~~~~0)~','f;~~~o

.~tJ.

T*I!O) Holland and Holland (.H'J~)o)J\Y f x 1 fO)V 9 ''J ~ jj'y (;: 57FJlfb -? O)(Ui!./5I)(;:, 21f:MlI.ft(;:ffl~
l ~,~ ~ ~'-? J; -? tJ."t IV tJ.lIlO)rnt,h ti!.o
7 J'i-~ ay 1::-& 7 ~ ''J'f';t~J;t~1.tO)ti!./5I)O)rn~0 t), EI~(;:1'fIJt.tlil:fl:O),*,~<b.O)J; -? tJ.~;i!;~ ~ 1 ''J ~ ~ <b
~ l"tn~.1J il!&~ ltJ <.' ~i*~~O)*(;:i!!~'J(>.;n l<b"tn(':1z:'t.loJiJ)~ltJ <J; -? tJ.~1.t0)1;J~IJt.t*l!.~0)~~<b

~iJ~ 5

0~ti!.O)ti~ti!.o

;:O)rn(;:.

~J; -?t.ti1i;.~nti!.~f.5~~~~M''t.O)~J;t~1.t~~IoJ~';tjf~l~'ti!.~'

iK7"

'77'

I.-- :AiJsli/riJ)(;:"t0)1"'r"'l0)-J!.~0 ~;: ~ Wllljf~'t.tiJ)~ ~o

h~iJ)14~nnO)lIl.~m:tJHU~ u, 15~0)~(;:';t~J!.t;: t.t~ ti!./5I)t;:ij:~ <= iJ)
l~'ti!.iK7'

'77'I.--:A';t,

u,

17~~itJli'J0)~~I{!AilJt*~1Ib~'

fpJO)qli<bt.t<1tq~, 9':J0)-r17iJSiffl~l0~;:0)~mrnO)ti:I5~ti!.~'tio

J-4

~~~~~h6~.~~-AMtGTWh~T~k24~W~757~~~.~~~~~~m.~~kD*wm.t

[DJ:/))l'ibTl't.::o iJt.~~td!f:R~~/f(;:*lh t.::-AW'E'l'mi'i(;I:. r i:wm(;:'f ('htJl'~J t VC57~ ~(;:-'B

~-9-;tt.::o
i: W:ffl'mi'i(;:(;I: 57' ~ ~wit(])rp(;:. i:~ i~<I)i!li:wU~H"tJJ.!N~ </'. R\llJl! ~ WJII!~~WM(;:lz:~T
l' 7" 'fw9~ll!.ti~t~i!li:~*IJIIJTG t.::W~ 7,,0
57 ~ ~(;l:5:; ~'-)L-W-t-1' 7 ~ J~;ttT <~7" J; -:>'fWmi'i(;:1ll1l't.::o
rilI>. 'f~(;l:J mi'i(;l:MI!!l!!t+LtJm"f~i:
-:>~*kr~~~~~.'f~6WSH~R~~6GTS~iGTo
9'rJ-]S1~~l't.::ti< i:t(UJ~ i~:/)~o

5~f-~~-1'7~. ~G~tt~~~~T~~.

19531f,12FI W'fwlll:lr.,(;:. 'f~:/))67ki!(;:7--1' 7 ~1'F ~~'HtTl' <i: t (UJ7" 01\- ~ '7;t ~')L-7 57' ~ A <I)i,lM
t.:: T 7,,"*li~H;:*iJ'fj~t G~t.::Wti~ t.::.
'fWB~(])1!li:(;I:~7t. M<C7 ~ - F ~~(;: ~ ~ tJl'::fi~t. t/4'fflitJ
Dm:wmi'i(;:;('1~ 7"rnTI:~ ~-Ht;:t~ t.::~'5 -:>0
G:/)) GJ1!!f13(;l:1iiJ~ ~t.::(;:tt J;. i:A>tJW5/.:/)~~7 57' ~ ~~~
MAA~ D' ~

It

-1'7;(-;;f~?""\.t~~lz:TTl'~t.::O)~.:[,o

.~~~~~~~~~~t~.:[,tl7}~~k~.'fW"~'f~~~~ti:6*.7"i:t~~~W~kW~~ko

'f

~~-B::f~~~wm~B*7"i:t~~~-1'7~7}/f~~7"i:t.'f~~1!li:~m~k5:;F-~~~~~7"HmWm
tJ~~~~~TJJ.tt7"
R\l(;:~7,,~rp.

t l' -:> i: t t,h t.::o

57' ~ ~(;l:i:W'Wi Gl'7-t-

6F7?i~~,?~-~re~ko

~ :;V'''\.W!RIIf~~;t 7".\l;'f.l't,ht.::o

:::::l-7-? :t~(U''\.~. 'fi::/))

'?~-~F~L~ili(])~1577~~~~~G~~~kQ.1!li:UF5-1'K-~.

J; -:>iiA>tio ~~~. i:WJJ\~tJ*1}H;:~l'T57 ~ ~ /f. l'37}WrpW~i~l' t i: '5(;: 7,,1"J:/)):/)i7t~,.

l'Tl' 7" J; -:> t;j:~ t.::. t~HJl GTl' ~o
r~(;I: f 5 -1' J'i-(;:. J!J.w~ 7',) :;~t'~fpJ*:/))rel't.:: l':/)) 6'fi: ~~'5 G T <~ ~ J; -:> (;:iiA>tio
C -:> GTtJW
:/).(;I:~ ~ ~ t (;l:7}:/)) 6 tJD)~t.::lt~c W~ 7',) :;1 (;I:-t-1' 7 ~~~W(;:Jl\:l' t.llh t.::lvti'J; 0 J
r~? 5 '17i1~~W*f~PJTW~:/)i W'f i:W ~ -7wt i: '5 (;:l' ~l1~(;:Ml'T JJ.tJ~ t~-:>W~. 'fi:"\.tT~T JJ.':['
t~i ~(;:~t.:: i: t ~tJl'J; -:> tJ8*tJ.w~7') :;~t'Ww:/)'\ ~ t.::o
~7tmn-\;)'fi: 6W~~(;:(;l:fJtA>~ ~t.::t,\l;'f,
-:>. a:~ ~12~n:/))615*n~m;l: ~ tdJo ~(;I:'fi: (;:l't.::~(;:. )\>7' -( :;1j' ~-1' 7 ~~ ~w(;:Jl\:HJIIM~~ G7}lt
TID:G l'tiiA>ti'o ~ ~ t1!li:(;l:1937~j:\W)\ '171- ~'W~ 7') :;lj"~*(;: GT~~T*T Wi:~:/)ii:(])rp~--&:H'~
~.tl:Ii!)7"

7~:;1j'~Jt~-:>A>~0

'f~~~uw~mw.~(])~W~4*~5*7}~T~6~ko

W~.*RPJT~~k~~~

:;?"HllGT*T <~t.::~(;:(;1:~~~:/))ltt.:: t.\l;'f,l'. 2 -3 rnf'Hl,~ t"t.\l;'f, -:>0 J

r~(;I:'fW~7"} :;lj"HJ.l(;:f~~~~. ~~'f <Iitf6Wlj"5-1' :;'1-~~;t Tl't.::J; -:>tJ7"J
'fGT. -iil!r"'~m:/))~t.:::/)'I~-1'7(;l:7'C!Il(;G. tJ:/))tJ:/))Jl\:l'~~**ti~t.::J;o J
1 ~,~.

~ 7',)

5-1' :;(;:i'f'hTJJ.t.::o

57~j~~~~-~.~~-1'7w~~nW~~~~~tGIi!)Gk~*~~A>~.~~~wftn~c~-~~.~T

l't.::o 1!li:(;l:R\lwlHtmW~"-7'~~~T. 1!li:W7'~-F~. AAGt.::wtJ.'~tco

r 'fl'~(;I:~G l'if? '7 :;;t<WJ; -:> tJ~(UJ~ t.::o 'f~ ~19litWj:JiA~iIII~A~t.::J\JrYWc~A>rp(;:'fl'~~3'l!~
~A>ti'A>t;j:. m~::l'1? :/)i;;f '17 :;~~(;:~~T~H'tff~GT <~ Tt.::A>tJ.':/)'ItJ.o
9h~&~:l L,TJJ. ~ t. 'f~(;I:
'1-?lj"v-(;:~h~. *iliiW71-;f(:;(H:llBWi~n't.::o J
r'fw-t17(;I:~+m;l:tn~D*~Jl\::/)'~ t.::A>ti'~. :f#i~(D: 1:J:/)1~l'Jt<?(;:fJfIJflJbtMt;li!)t.::A>tio
I.:;~/':::: 7(;::l~J1~M

<t

wli!m:~Wit

G t.:: (1-:> iliJl\:l'.

j:Ji~ G ~

J-5

'fi:~.

GtJ <T(Hi'li!)tiJ t l' -:>1I1J~:/)i8i! ~ T

7-7

~ t.:: A> tio J

'77'1,; .At;t.Q)t!E~vQ)~~~1i~~tcltJ~WEJ\,.JE1iifhJtiQ)ti-:>t~.

i?iJ)l/ItJ4' 'YT YQ).A

"-71:'~VLi.H't~illfiQ).H;:~L'tc.

jQtz:~~

C, 7' 1'71iJ\'7 v, 7'1,;- r 1i<lf,

'f vT, 71,;- F h1~L':?'-?7')[,-t;:~h-:>TL' <

Q)1i ~Sf-:>tcQ)tiE-:>tc.

'fniJ1J'j < L' -:>t::.hJt;.1:... ilt;t, ~ltii? VL'jI1i:.!'!,1ifF t) ill vti.!hJti. h <
J;"3 t,J..A I} )I-ti -:> t2.! 'fL ''Jt;ic:t i? L'7' 1'7tUJ -:,fchJt:'.'iJ) i?:h ! J
r~(;t'fn1J)i? 5, 6J1!!IIfI:j:~Hz:'fL''J1i Y I\-? oY t'-& 7 -{ 'YTt;:t?h Tfi-:>tchJti.
<If,Q):fi'~t;:ilQ)7'1'7 ~
Ji'ttT<p.:t, '5 c.~, -:>tcMi!.'. J
V1J) V Y I".-? OY1:::'-& 7 -{ 'YTt;t'fQ)r",,;:, BUJlt;: <bi!i>Q):fi'L'Ti5ji~WliWvT v~
r~ G Lf4"FIi'rtJJJti(1:'t;ttJL 'itnc,

h <T

--'TL't~.
TL't~.

iJ)h ~ :Z:*~1iJ!~ < f-lEONHI:ttc70Y- ~ ~,-V 'I- -iJ~, '77'L<~' 7' 1'7 ~i~JE vtclfii~-t;,1:'J!
mlt;t'fQ)?'77 ,,~y. V':l7't;:!i&'L'v, fOJt:iJ;'5tt-t1'7~tb'51i1J*t.)}Ti5t;:~t))ttT<nc'77'I,;.Atz:JlJ\.,

tiQ)ti-:>t~.

r~t;t 1 7' F! iJ)itT, ~.:s tz: a*Q)-t 1'71iJip -:> ti.!o

jQQ)JJ.hJttt;t~1Jl'f:Jti -:> IZ!.
r.!H;t-*t;:'J~ W)~~iltz:Xf'&
'?T<nlZ!. W<:'L''J<IP;, T<:'L'~~ c,rg-:>tdJ.. 'fQ)~mt'7YF-)[,Q)-t1'7iJ122~)~, 241')~, 261')\cL'"3j~$~1:''fe';'
n 1." L' t~ 1J) i?:h.
rnt>, !ilII1J)~ hJtitt c,\!h I':: J;. J
'77'1,; A (;t 1990Xf;t;:-t l' 7 X -4' Y7A1j:.:35Jti1Xf;Q)~a~t;:, 2: Q)ftfJJQ)-t 17 ~ l' x-V vL35*Q)i? ~ 1,;'}'I):JJ1i

fFl'J, 'fnt;t ~TIIe 35th AfI{l/versary Kflives ~ J:::p,(;tnTL'~. mlQ)~mtI4')~Q)~fFt;t, -0-Rtf.fF~nNIlOlcNIl35

(;t 9,000');, NQ02hh ;,09Q)-j;fjfH;t 5,OOOr,;, NIlIOiJ'i',34i1:'(;t 3,5001'J\1:'!Jei?nlZ!iJ1, n;t;:71,; ~ Y A1J'ltL'TL'~.
viJ) v, t-Q)ji:f.1JQ)-t1' 7 t;t9;;hn Tv;t '? teo
'77'1,; AQ)1ti!i1il~ I'J n(;L 'fn(;tmlQ)I~iJ'':' fillTL'-:>teJ C L'
-32: c r;:tJ'f"Q)ti.:t,"3 iJl, <If, ~ B, t-nt;tI~Hjjntc ~JD.;,tit.l:jltQ)'f:tz:J: -:> T~;tn 1." G;t -:> 1'::Q)1:' i!i>~. ~;tt-Q)
AIIfI(;t, i!i>Q)-t 17iJlt\f'J*~Q)1iIIi1LI'l.ttC'@'J3t;:7}iJ''? TL,tJL'ti.:t, '5.

rilt;ti!i>Q)-t1'71i~ I'J

t;:,\!,h TL't!J t- v

T'77!- AI;ti: "3lireitt2. r i!i><If,L' '5 v)t;t, -0- t:i -\'> <b"31:' ~ tt L':hJ

rV*

Robert MlOdorf Loveles..<: (;I::JJ x I,; yQ)J: -3 t;:~;t ('nti.

tit;l:iii'lIl1:', IJ(jc v Tta'Wi(;:<bJ!:t~. 7''711
(&lUi: E, A""'Yif-Q)fFJ'ltt;:~ijllT UHt~) Q)mt;:~A1ilJ\.,ti'? tciJ)c.rg -3 C, ~i't, El c.~(;:~libte I'J T ~o
~l'ifcJ~1J~f\f'? t~::/ I} Y A ~ C, :;r:~tl~ iJ'Ij'\;h ~j'\;h ~-fQ)M1iQ)~iJ'tt ~Q)ti.
-t;, ~ '? c J!t~ 13 t;:~;t, Boxcar
Id /lIe Q)J; '5 t.}.b~, ~'i Illam f. Buckley Q)J: "3 (;:ffi5T b ' '? tc~ v t:'o
t&:(;tEl;tQ)~:t cjfl~H:if-t;" ~~1:";t~
:t 1." < ntJ1':ktJltt ~ c Hlh T < n~. I!U:h I'J tt7i::;t, -1J!;~1l!, .\!tt\'!~1ilk'? I'::~BJI~, $$1*, i!i> ~ L't;t:JJ I) 7
*J[,::::" YQ)I} I\-if-{ FQ)Im1itj:l,t'(;:~t!!W1iI~fi;~itn'~~ft!!!!tt? '77 ,,~y, i&:~l'lJl1:'*T c v tc i',-fJ\.,tt
~1f:~1Jll;:q cr$1J)J\.,1:'

<~.

OJ\' - ~ '77'!- At;tJ929fl: 1 fJ

2 B* 1\ -{ ;t#l'71,; ;;C'!t.~n~.

.(;l:t-Q)*lJfl:lIij1i"-':YV J[,~::::" 7#1Q)'7I,;;; c

.:t:Q)/lIIIIC'(;t1>GtiJ) I') Q)c -:) <b;l) i: v c ~ 1'i:::1- ti
~,~ -3, ~1)-1iJ&tlT ~Q)1Jl<p-:>c ti-:>tco .:t:ht;:ifb V-cl'l-3;EQ)::::":t -V ;+-V-fiQ)tj:iJ~-li}'jJ;hn TL'fi!.

::/ 'I- OYQ)r.,t;:<If, ~ 7~fllQ)/lI~1?fIl)(BJ:c:!t(;:~L:v n'~.

'771,; AQ)fIl)(~

I) Y

" y ;1\ 7 (;l:III~~Q)J[,-if- l'i-I". Y?Q)li.Ati'?tz.o i&:t;tJ\-J'\Y?Q)PJT1:'7''7V;t'7

r i!i>Q)t;fjQ)/lI;1i:tz: v n;I:J1< tlf c~.Q)<If, ~ Ati '? tz.J C, i&:t;tEl;tQ)tJl)(1iilj ~o

.AQ)J*mQ)fJTfil:ll\~'f:fi-'? t~.

J-6

r::r-t!H<: t:"? Tt;t~mti"? t~J t: "f(J)I;It~I!iIIl"t."5.

r1i+ftiFtflt;L"f'Z. (;t ~ "')~ t: (;t~ <:it.., ktl!Wt.i"? t:c. J;.
TV \:tJIVTtJtJh t.:: Ld;). 9::ttJ)1O::t{;:tJ."5 1:', ~jiIij~IVTlit:c.;: t:tJtJ)-o t~J;. J
1931iFt;:tJ -0 t:c. m;:f.ll:X:tJ5t:: < tJ 1'). 8 ::t(J)'7 7' V :A (;t "t <t;: '7 v ./t;:liS~fJmt: .;, "t;: t: t;:tJ -0 t.::. 1&:(;1!f!.~1:'
ii~fi*/li)Tt 'k(J)1:', fpJ(J)!!l~~i;t L'm~IIIJ1:'(J)1;.UH<: 1I ~ C;:i!1ffi V T V it .., t~.
1&:(J) 1 0 f"\:(;t~l!(J)i;t L' J; "') t;:Jl

*~fi(J)$bHtp1:'>

~."5~>.(J)A1;.(J)tp1:'~~<~~v./Yv>@~~~;:t:~~&"t~qUt:~"?k.
~~i;tL'-*(J)iJU.:ttJ)

G -r 17 fif'Ft) 1:1t."5 J; "') ,;:,

*~vk1'77.~./~fpJ(J)R

@~~altb1;: (J)f~i;taf~M1>4fitl!W.lI9tJ-r 17 )<,-j}-(;:.

~ T 1:~fTL \ -of:c. (J)1:' 4il~.

'7Jv:Av'I12::t(J)Q, 7)<' lJ j}f;!!/i:OO(;t~illOO(;:l'ivti~fi~i!r vt~. jIt(H''':')1:'~.~t;:lllUiM:'':')'b t) 1:'L'ktJ1

9 41;.(J)n.t> I') t;: (;1, jIt';:t: -0 T, "'~(;: "ftd?J.1:fiI ' ~ ,fi!JIo1;(;ti;t < tJ.., TL' t.?.
"f(J)t;ili, .t;ttlH~1:'(;t16::ttJ)'::'~/li).;,n Tt'~.(J)1I~fi v. "fn(;:~D;t T1ll1rtl(J)lt~~'\'!>-oT(J)~tTt'k. 19434
(J)J(l;IttJ).::., il!!:~t;:~."5 t: '7 V ./t;:jlfL ,~tj'~1:', ~t: !..tt.:!i{hE:I1!p.i]ll!fi "') ;S ":') < .(J)~b) M.::.n."5 J: "') C;:i;t-o k. "f
(J)?~.(;t"f;: 1:'Wfflfi-t ~ J; "') t;:tJ 1'), ;;t--r-(J)7-_-;t;- )!.-(;t"fn(;:l1v T~MfijtjM', lll1TIt~(J)ftn~
ft~ T < nt~.
;t-)\.-t;t14::t(J)I:J,':!ft;: '} 1:J1:'~fj'''t."5;: t: Hrv T < n~tJ)-o t.::(J)1l, .;lR:I::ltJ)(ttdtit;:, '7J v At;t
.(J) Piper J-3 Culi/i: r~ J: -0 t:m:~ "t ~;: t: C;: v t:c..
r'l'i!tJ)G, 7-:::" -(J):A ~:l F ~-j}-b1?ith T < ~(J)b'l
Jl;tt~.
"fn 1l~t;t:lf~ v T J\'/jJ-(;:jIUj'.fi~vt:c.lVtibS, .(J) (;t;::' iMttJb)? t~. .(;t~ 'P1Vt:lt~7l~
'kV)C'",)tJ).t;:~t;tkMi. ~"') ' < L'?'k~ t:1!l-'i t:.(;t < ."51') t:'WtpfiJliHtTtj"?T v it ?t~'fnJ;),)'H;t-tJJfpJ
titJv'I G"f(J):!flilltJ1$l!tfi Vt.?.

~1!lt>tJb)?t~. J

15::tt;:tJ."5 t:.(;t41i!l~;:-'tJ) v T, .~(;:Atl.."54;i1:' fiifljil)O)iI)Jt t: v T~;::'''t;: t: t;:ik/li)fi!. .(J)~JJJ(J)f.

t;t Hetlnepill-l'j- 9,600~,,(J)IfI'/H!l.t.i'?t.::.
;:(J)iI)(;tJ'I'1:771:J-, 1IJ-:7''7./ V, ~-'r'1 ~, ?f)v-:A, -fV'L:A
"" l};;t )vtJc'1ij;:iIiIl(J)HMfIlHit\lii v Tt'k.
r*~B~, *~B~, ~(;t-BtpMlIIJ;'\'!>""'/""~l')fivT~'t<::. J

t:, jIt(;t'f(J)t;ilifi;:lVtJ!l\(.:.l8...,n'."5.
rA
fi(;tT' v t<:: ~lVti. 4il(J)l;IttJf~(J)A1;.(J)tp1:'-~!li vtJh t<::. .fHI1t;f tt(;H;: (.:t;t
~iH;ti$;? t: ~,~ rs'(<:tI:ltl!"t.'5;: t: t, 1:' ~ t<:: IV ti.
~t;t60ft(J)At: ~-*IH;: lilt ' n ' 'k. ~
(J)Ar.IJ(;:(;t~=lx*tivfc'lVi;tt.i'? t:c. ;b)tJIVTIl{t~ 1:'~tJt,t.i';S:> tJ.
"t""T(J)AtJi~ftt~(;:1?5;t L'i5f;fi v L't'te
IVt.:!'J:. J
r'fL'~IVt:*fi~lVti 1'), ~!!!;Hth t~ It) tJlVtJ)t, V t<::.
lR~tC.:lJij~H~"? T, "fnfi?tWl vT)<' j}:::"AA(J)W!5~
tJ.lVb)'b v'k. J jIt(J)n~~t'\'!>~atf'FtH;:l'i't ~ ;:(J)ffl~,;t, ~(;:-r17 fifF ~.A~~t;:":')~bh T < ~.
V b) v,
19454(J).(J),t.'(J)tp(;:(;t-r 1 :7 )<' - ""./~t'(J).~, H;t~b)? t.::.
t!"t.'5 t:RQ(J)Hfi i3;S v,
1ilJ1:'~4il? t:c..
tilRtp,

j\)<'

'7 J v :A tJff~'f>1!tJ1n T L' fi! 'f(J) B i,Ji":') L' t;:~Jjnt~. 19464 1 fI 2 B, 1/t(;t 17::tfi:@;t k (J)1:' 411."5. ti$(;t"tC'(;:
n.t>? n ' t~7Jf, 'fn 1:'t, tJi3.t;t.JII1fi ~ ~~filtiL'T(H' i;tt)'-:;> t~. jIt,;ti@1;.B(J)'f(J)EL JJl:tE(J)*OO'l'i!.(J)i!ii#
t:tJ'? k~"I"ft:'l'i!~(;:A~ v t<::(J)tb 'kG
'7Jv:At;t, .1:'''ififi!JtlHlj,t: vn.llllt~n, !iJi! ,\,!>~7 AI\~~;t:IJZ~(J)A%~fi/li)<'~ 2:!fr~9(J)tHli'':~~'k. 'f
(J)t;R(J)1/t(J)lJija.*(;t.::r'if 1 ./ ,\,!>~fi1f <L: t: t.i..., k.
rlit.1\lIlM;: ~tii t, ~ v -'7- J\":A iJl;ji)? t.:. IV ti.. 'fn i,Ji"t;::' <
~t;:A ..., T, L';S IVtJflfg{bH;,fpJ~~~fi1ft 't.:.lVt.:!'. J

J-7

ffltD'blH)

t)

t;:i!f-:5t' t!t;fi, lIrt;t:;t 1\ 1 :;t#tt;t"11

~ :;;j[f < (})'71 ~

J\:? - ') :;;?:!1;;;it!!"\.fi;ffc tJ .:;>to:.

vIH,
r ).J~2if.c lOi/!lc 3 8~\;:itt;t P F C

~Itl~~())fiit(;t:~fc lvt'iI. V < tJ? T~ ,tc! t!~\;:, lIrG;t~151:'f ~~'C.'~T~.

(J::~~) (;:fiitvto:lvti. r*OO~1J::~~E1J\-~ ''77'vA, jjli5l:!~

1.'[1- V "~ AQ)a~~t~fi.? t!. 1948if.l1fj5 BQ):: c ti? tc!.
[1- V 'J J

C~)"Jc::~iJ)tJo

it(J:~~~(})96"'~

Ai;:48';~fb? td~1.''b, itQ)i~H;:t;t: i

ti'

~u19jhTt'tc!. J

J\ :?-'J :;;t;:t, ~I'IIH;:, lIrt;tVj]:t(})"1if 1 :;;i1f~mt;:A~v J: "J c~.lI:>n ,t~. fXQ)fJi~l!q(})A:?- HI)
c i;:tJ? tC!o
~fX:$~(})aiES1l1!H;ttJiJ)? to: iJ~, ~1\;:~ \ t!B~fW~ to:.lI:>td'j;,iJl'fJJ.~6ntC!Q)ti
-:> tc!.
i <f(;t:ifry A '1-::;:z. in(})YM c AQ)-!li;:fnj1o/.J~(ft'~, 'fniJ)':;' (;t@jM~(})fi5~c L Tifh < u'tc!:o .,ijf~
m"\.Jm"Jf.i!5iJ1l@;j:?tc!.
r 'fQ)::;tif 1 :;;i1f~P1T:;t:J\ry J\ry AQ)eiJ~lI< ? Tb. W7 J\:;; ~ v ,L- 1 t ' J ;;t-l. t;t:lJlthEQ)*li*-ra;, ~~ ci3"J
'71

O?,

~(;t'~:~t Anl?n~::

J:"J~.~~?t!Iv~.

TJL-'

~-A''J7:;;:r~'E1-L, ry:;t~'-~D~ryA,'1V~-j]:;;:r~:;;A*-,'fV

::1JL-t:'vI~lvu)Q)~.~'b(})T,::'<1t.tTt't~. J

fiiJb':: "J Wl-r -:J iJ)-/;' c t) 1~ tJ th t.z. liJf~PIf-rt;t~'bllr'b

j)~:: f!? T:::; 3 ''I t::::;;:1 -'e >'J -ti C il):;t'Jf AI::" JL-c jN)? t! 'bQ)t;:~tp(.:tJ? Tt) t.z.
~(H~ -:J c JH1i-rJ.l!~a9
t.t.'b(D, f9IJ;t';t'-Rltli't~lvfJ)t;:l!\IR.Hl(1i)?ti2lvti.
~ (.1-'7-' J\ryA~*.f.t'~c~'''JilQ)71-r7'b, "i-::
())9t;!f.ilt;:t;t-~t;:lt~n Tv i? t.z.
(Ii) ~ 8 ?H;:tttG!JtltQ)~bH;]Jn T, IiJf~pfi"\.jj < <lJ~{,>Dt>T vi? t!lvti.
r~:;:(;t"i-:: iJ1:f;j1q

t;: 1 :;; 7*~ <,fJ;,;tl@.lI:>t",Ivt2'.

~~~t!.lI:>Q)~~~*.~~;t'b."~~~~.J

Vil) VtJiJ' .,~if.Ht, '77' V A (;t'f())~n~~ I) l!& IJ, 'f())~(})-r 1 'Jl'F t) t;: C ? T"1if -1 :;;liJf~PIf-r~.::' v t.zfiiJ '" flI;t
v T1!H:!k-r(;t!!\IifJ) -:> tc! ci3? Tt'~. it l; t, El q 1't;ttJiJ) -:> t", fJi, }\ry J\ry A~(})~ff1', lRl(;tlJltoEa9tJ'?'if1';; c
t, "J 'b())~~1.~jj;t' ~ J: "J ~7:. ~-:J t:,:,fJ) <? tic r"i-:: l' ~;t, .I!Ett~ c Q) J: <)~;: c .,;t ~ ill, ~t;:~+t~z: -J~) T ~~Iv t.
Iv ti'o J
"fif1 :;;liJf~m~~~~Z:~.lI:>tc!~, '77VAt;t:;t J\ -{ :;t:l+lQ)#tTI:7:;; ~ *~t;:}\~t'~.
rfl(t;t:liHllI9tJ~Uli1l(})m~
~(;:?~'TJi\-j~l@Dt>n\t",lvt-io J lRl~;ti3"J rfl(tU;J1tcfJ)~~Q)if.in, tl!!t;::'ba;,n::ncjtlgn,t~h)?t:lvt2:o J
rfjlf~;t:tI!!Q)~Af.c t;tlJ; ~ T ~ \ t;:..
~fX:$~~iSmiEiJ)I"1:tll') ~;: G E D (-NIl:!I;~'iH~l-'i1'fm) <:: ),,/'1' l; t21v t2.o
~&il
c b)~q,lilc fJ) 'f "J ~ \ -J <:: c WiD., tJfJ) "J t2 il', c t;:: V' < fit < :: c (;t<:: ~ t..: ii)'; no
EI ~(})~ tJ t..: i H'~ \TIlX:*it;t:A

~'bo?-:Jt!.k.

r~~O)Q~Dil1i;tl::'::J

-* A "'< :;;(})IiJGJjjO)-":)Q).~ c,~ "Jo

~;t T~' ~::

~~~t'~T&~iJ:"J~~.~fIt~~c~'1<::cU*W~<::c~0
~*.C(;t~a~, ~<::c, ~lit'::c(;:-..lt)T.vtc!'b())<::,

c ~Jit <!'8J11! L'Tf'I!I~t;:,

~~fJ)":)"i-(})

7:;;~*~-rilU (})~~A~a?t!

~1jl!JcvT(})i3~~, flll~It~,

mtff3,

~ilJ~ta)tJlvfJ)

(1);!j!,.-I;:'ii@,(})~1tt"tlvii)~fiJf~T ~~rn'W/vt2'o J

-J < ~? T~' <1I1f..--(}):n?t;\;t~R:~ \~j;1J.Wlt' .:;, <:: c ti -:> t.zlv t2

'fn(;:i;t~~) vJL-Q)!'!Il.a':JtJj~ij
-I;">~*~~jljil:l'~c~~.
'f"J ~\ "J 'bO)fJl~~tn,;t, ::f'~~\ "J A~, ,1I~~lr~t;: -1;'> I) i2::Dt>o?n T It "J. fjlfW~
rf't:;t!:f::'.ii5~

.~.~R~0~1~~~.~~17J:1)'b,m.~~ '-17Q):n~ ~h.

.JI.*';t"i-(})I'FJ1~ C Ivt.t.Jlt7:.-r'bJ1l!M-r. ~lvt:.h'i?bo

t"tAc1li5~t' ~Q)i;t*.;:!

tzih. J

J-8

ilt;:c

"J

E1~(})~*v7~~-~!'!Ilm~-r

T?:[Jtt'J T~":):;t'f IvtJt;:'~~Htnc,

~UII9

~:b'l.*vLf>;l:t,H'O)';L t!i'~~1:'(!!, t), ~:t7'V'';I-7 t-AO)~HJI~1:'(!!, ~R.)\'';I-7 ~./ fi. J;'- 7?-1:'(!!,~.
7 7-,:tiJ)"JL7/ I,; 7..:b~Tij' 1 ./!ilf~ffl1:'~;ttz J;. '3t..:::k.~Ef~O)1t::t1:'(!!,~ {)yrJtaxion 1\'7 7..fi~v t<!. 1I!!t;:
':tli:"l!ll~~O) B.F. 7.. 'f-r-1:', ~(;trji1J~O)?t!f1:' 7.. 'f-r-;K '';1-7 7..fi~;UI:l V tz.
!:O)*it;tq:ttz.m lI~li'J<bntzJlJ
~:bl;K.>y .':It'!I't l::, -rO)~!RiJliE v :tn/t'fnJlliJ'lf"<bn~ l:: ~'-:> tzftlllf.t;:t..:-:> L~'~.
r!:O)=A/;t.O) t -r:I-til
b ~l::-:>L~.*~rr~J;..J
'5;8 t;:~ -:> L1f:,77 I,; 7..O)3t"Ftz.'i<I't ~!iltM:,/;ta;t ~!: l::fi~D<b t..:~).
~/:t1f:,O)T;:'~,~W~1:', ~t;:tiacf>~fC(.x
t!!:Ji!*ft5t:~fitifA..1:'~A..1:'t,~J;. '3ti.
:a~tz.AIJO)fI'~/;t, 7 -Ilj'';I?'' ....J 1lj- (Generation of Vipers),
~ '3.':1.)1-. jJl,;(Tlie Russia House, .4 Perfect SPY. -r0)1I!!~ft), if.-JI-' '1'*7'-1 (The Rise and Fall of the
Grate Powen;~, ""f"lj''J-7' 7..~7.. (The Power (,allles:How ~'ashington ~'orl(s) , -rvL)\-)\7' J;"'J-7x':;;O)'i'W
~L' -rnt<:7'-!:'';I ~ )\)1-)'1-7..1':;; l:: !:)I- V:::L. -T"/;J.C. rt, v
1:)1- V:::L. -Tfi501llt0)""~ ./~ry:d l::
~JIil!v L < nl::~tJn L1f:,1if!~1~'f>ti!,b.
t:'J1.- V:::L. -Tl:: V.l: --77.. 1:7, <::'O)=A/;t~iiitib. )\ IJ ry'';I nt
~Hfit;t''(v nEt<:tJ < 1f:,0)<b U'b. J.
~ <bt;::~t;t<::. '3~W ~ ril~Bn'*j)~tif~ t.tA..ti.
t!tO)q:t1:'fii1h~~<::' '?
L~'~iJ)t'''Jt.tHivL~'tz~'A..tiJ;.. J
r.W~fI'tR~jiz."Jt'LO)~Ufs/;t3t"F-ct;t'Hfl~n n)~. J
77 V;~./;t-fn~~vt""~ <::'l::til::lt'3. r.tz.l::
-:> L/;tt,)/ -7 7.. ~WAt..:A..iJ)fil1ii~)t2. 7..( -7 V 3;; J;.IJ 1f:" .Wi;: "J~'L1JiJ)n L(!!,~ t,O)O)(if'3 j)'lJ;. -:>(c F 7xfiS
1I ~b. J 771,; 7..t;t<::.n;l: -C'(-:> l::'Y-JI.-f>'Y-JI-.x-'f;;~, -r vLllfilf>-rnfif'F-:> tzA .qtz.1iJijj~.mtl:l vL*
tz.
~iJ'l <::. '3 ~) '3 taJl~O)i1.iilffi (!!,if/;t 1Ili'Jtz <b ~ IJ j)'lt..: < t..: -:> L V ;I: ?
r-r17(:tAniJ'l~ht<::ii1f:,~~"Y-)l-t..:A..ti. J l::, lItt;trnliti't~.
rlll;;l:t)t;t, !:A...l::1Jti-:>tz. -fn'b)<b
Ar.,t;t-rO)<::, A..*'ieEHfiv, 1f:, -:> l::1i!1JJj}{jtz.~:a '3l:: v tz. -fO)i~HZ.<5lit':tH'''J~fi!);E1:'JJf~' Lilt ~ '}Ji\;fif'F-:> tz

*
*

A..~.

r tif l:: A..cO)Ah'l, -r 17 tz. "J~' LfiiJh)~~ 1I ~ l::.[I: '3. v;: < ~t<:: IJ iilftz.Hk? .0)1:' ~ ~ At" q:tlZ.(;t ~,~ (ttl. C'
tJb. -r 17 ~f:tZ.J&-cdc: I'J, .:fttfiHk-:> L~' ~ l::liiJiJ)-$" 1 I,; -7 ~ iz.lll9i;h)<btitJ -:>L < ~tJO)~SlI ~,{,ti. ~JAl
.fto)~.~.~L<~J;.'3t.t.:fA.."/;J.~?t~A..~.J

".7:7 I,; 7..t;t.:x., 115::kt.t7..( )1-1.. 717'7 1J -fiM'-:>n'~. <::'n<bt:tDfII< iZ.~O)Im1: ~n~ 1f:,0)1:, .:f0)q:t
1:'1f:,:a~~A~0)~T~~r77..~I~~7-Jl::rV.l:-.':IJO)=*l::~'3<::'l::~

Jr':;;

HtHz.~'~II'HZ.;K7 77'1,;7..,;tjHJJO)lI'l::tI:l~-:>tc:.

18iFt;:tJtc:~t.Ii~~it5G;t\tt<:~J.I:Q~I.@;t"/;J.'b)-:>tc:iJ~,-r

O)lI'l::(1)Fp'i<:, lItO)3ii<:1f:,~ v~, 3AO)~~ t, '3 'ttc:O)til-:> tz.

"7:J I", 7..G;t'T;; ~ +ti1:'lIto););O~O) 6'~ ~~, L~' -:>;Ie iJ1, l;:Q' l;t..:iJ~ <b, f,3f,j}<::, <::. -C1f:,lItO)W:~fi+?ttZ.~;Ie T <::'l:: /;t
1:'~t.t~~tz.

~<::'1:'O)~~1f:,.i~.<~~~t.t~~;leO)k~k.

7".? ')/ 7 tJ~~i<:gHhl:: l;!li;(/)t..:.

*~tz.{i~ v L~ t<::~

~ij'1~!ilf~fflO).l::i~t;::~G<,lIt~7jJ

< 0).I'\T7 ;;O)J;. '3 tz., lIto)<::' tt i1:'O)A~~lfH;t'f ~./)'i

7.. 7170)1.1' ~ ~ l:: GH)'tfttttc: l:: <::. "Stz.. -:> tc: O)til-:> tz.
r~ ~Jr', "O)J:.(<:(if "S'iii~'(h :Q)"'-;-:> L~' ~ilt<:, i~
1I <bttt..:~, <::'l:: ie, ;ifq:t(:t7')I.--l:::t I,; ~~O)~~liWfiiJ)"'-;nl::~' -:> L J;. <::. V[ ~tzA..~tl! -rn -cil'G:t1i*~0)4<b
v"\.l::.-:>tc:A..ti. J

J-9

'77'1..- ::;U;I::tt:kt&lQ)I\1).,7 *.,. I} 7-*H;:~':;';: l:: (;:i~Jl! v'n'ti'.il1, !If <?l:: t>-::> l::, ~}'.lJ Q)Jit~'tt4i1tl'~
~~'iI)l::,~-:>J: -:>(;:~-::>L~'ti'..
~t;l: ~Af&JJ<;J<;~ G)~iEaJl~iEfi:t'hL~'ti'.Q)l', :JJ'J I} './fi:::;;':r- 1 './'7'7;; Fm'
1'~kl'~'':;'XV7~~7.'./l::W-:>~1~''./~-~.hni;:l::~~-::>k.
~'L~\td953$(;:,

7)'1-70;; 1:-& 7

~ ''J T(;:"t 17i1~"ltln i

~vL;:Q)XV74~7.;;1'~

l:: ~\ -5~lilifl';J~tl*4i11/ti:;: -:,f;.:0) ti .::,fi'..

AmQ)3*Q)"t17fi:~fivL~6.~U~~.fi:tlL~Q)~~Q)3~R.~-::>k.

r~Lk~707'~*-Y'"

-Q)!\ ''J ~ 77'1) ;;iI" ~~;: 6 t:I ~ -:>. :t'tfi:}1Ivlf:i]-, 'n'kA.di J:. t> -::> l::, "t17i11W; U'kt~. Aill; 1 2 '1
::::{t;tW; V H l::W-:> kt.i.
~n 1'.!;I: 6 '1- :Atb t~ ~fiif l::iI)t~':;'l::~;t t~.
i'"':;'l::. ~t;l:~Q)i.Ill'lt"Z~fi:~~'L
<nt~.
-t17t;l:Ji51'34.50 ')j,l'''ltl~n, ~(;I:~Q)60%. ?t) 1*(;:?~20.70 F)j,tb~;t':;';:l::t;:~-:>t..::kti. J
r"tQ)IIIl(;:.t;l:~ 1 '7-Q)$!lii<:~I1:"';t l:: t~"':J 'n,t~.
~t;t~(J)il~1!lfi:tb L, -r'7rJ I 71+1.1J 1.-1-t:;; r i;:~
.:;. rJ ~ I)., ~;; ~ ;; r '7:A ~ )'\;;7 (j')7-'7'J.:t 7)tU.r...fT-::>~. ~;: 1'~ *
-(;:tiHtfi'--:> L 1,0OOl')d~ t) J:-:>

-y.,.

l::.r~b

71\-70'./ t;:::'-iJ) 6 A':;' S~(;I:.

~n 1'90BlnI!N1' l,ooo'"Q)o
7,/1:::1)., (~f.l2) -l;-:''''''./Tiji~i'"t), 75th Fll})." J\'E;;F
UUQ) VH-2D""J)"" 'f'7 1 './'1-~Q)I~fi:~ HIlIi;tti'.kti. ~niJ)':' !;t, 1i\!;tilijj;\':l'lib Jj.n l'~~\L. 1!;t"t17
H'p':;'l:: ~,-:> ItliiJ1rc~\ ti'.. ~ VL. tl)(Q)72L$:fi:7<18l'fF t) J:Jft::. kti. lIli;:t;t4iJjQ) 2 III ;t l'/IJ~,t::.;: l:: {, i!; -::> ti'.
t~.
71'\-70;; I:::-il' .:.:Jtrkfi:5tGtlN':;'l::, ~ -::>~ <jlnr.r...~T~, ~(lJ~rJ './ ,-(;::iR Hft/v l' ;: -:> W-::> t::.kt.i.
r~-.5t~IN?L<ti!.~~.
S~M J
'77' I..- :AtHHhD-t 17 fi:5l!-:) L+~H;:~-::> L~'Gt':;'l::~' -:>l1It~JH;ti!; -:) t~ il1, ~j)j:jll'3t;:!;ttb-::> l::Sf!L~iI~x,~til::~t:lL
~,t;:..
~t;tft$-t 17 fF t) fi:f*il: v' rJ >( })., ~ './ r './ t<:Jil':;' E. /. du Pont de NU/IIOurs I Company (<:r~j)j:j1t l:: V LIJJ
~'n'':;'. ~Q)lt;r'flnl!!ijjfl;t;t;: ;:T:r~;;Ul'tbtl~;:~Q)I\ 17 t;tJ~fi:/ti:.:: vt::.. r~rH;t~~;:*::iRH~~
v L t \':;'l:: l' {,.~ -::> 'n \ t;:.kti. 1J1itfi:/ti:;: i'"ilIIiJ)':', J\17 ~;:~':;'Q)fi:~il: v t<!k~J:. "t v L~fi: tit;: v t~1iR ~ J
;:Q)tt1JQ)ftr.'H;:~w~nQ).!i!vt;:i'" .:;.t~~,l. ~U-t17 x-* './'fHt;~n't;.:.
~~<:l:: -:)L, 71'\-7 o,/!:'-&
7 ~ ''J'ffi:JI VL-t 17 fi:fIi'{f'1e~ /IG/II) ':;'Q)(;t1!ff.~;: l:: th t;:.. ~ VL' i!;Q)1958$Q)::f~iI~~n.:;. :1', ~L b1 -:>

td... ti..

'./H!lkt~kti!..

A~]JQ)i.t)(l' 1,9001')~~

-::> t;.:.

S~fi:5h?iI)tl::. I~Ii5.r...1T~,

<fi-:)L~\':;'J:-:>~.;tkQ)~~k.

~Q).,~~D~.1'7Y:AV~Q)~~Q)*~~tl)(fi:~~~.

v~v~~

~,"tQ)X1~-~-t17~tl*~~':;'.~~~~~lifi:ff/ll)Lv~~Q)~m~.Ii5~-t17Q)~fifi:ffi~v~.~
nt;:51~rc~, I1FH;:!;I:~Q)P!M-Ail1JJ1i~~;:iI'iI) t), ~1*il1i1)t~

~Q)~glli't.i:i.Ilm.r...f~':;' vil,t~~'l::L'-:>Q)il11K1tO)~1Wthti'..

::t }).,::;;. 7Q)'ET~ ~ .r...fj.:;.mA)~

riiilll8 (tli(fi:7'ib"(,
ill-:) t~ (tn

Ij ~lt v'n,t~. fp,j~\fi:1ffi1I~ tt .:;.1Ift--Q)n71;(;t, ~

1959$1]'i, ~t;t~iliitffi:$Ij, :rIQ)~~iJ'Jil{>~ IJ7

v t<!Q)t;-:) t~.

1II8Q)~t;:t;tJ.l!hlaJiI)-:) "(.fi:jf~1tn'~ J:.

c;', ;: Q)1I%t>~:7:J1) 7

::t }).,::;;. 7 (;:li~ ,"( 3I1lr.'1~i;:t\ltiltI~(;:%t1lt v

Ii.Il~I31tl;, fl!lQ)~nQ)tt4Q)rlj~Htfi:~-:)L~'k.

1966$.~t;:~':;'l::,

~ 51 ~ 5t(t,

:en "tltbtt:!Jitl; (;:(;I:~hti'.;: l:: t;l:~

ti'. kt.i'. J 60$1t~tf(;:!;t, ~,;t.tilt
~lJ;ffM:'x-:tJ-Q)I~ftl:: v "(Q)tt:!J

1969$(<: t;t85AQ)tt~~:bt~Q)rl'lIH' 'n' ti'..

V iI) v~Q)tf{, '77'I..-:A(;l:Jil':;'ri'1IIl'f}).,-7 l::U J; k~;: l::iI'i?m v < tJ.-::> ti!.. :II1it;tJ!ilijj;\':iJ) ':'1hitl&vQ)IIl(;:~-:)
L~ t;:., 71'\-70'./ 1:::-& 7 ~ ''JT"tl'iti.:;.t;tt't; -:)t.:, T'7rJ I 7 x 1 f -t 17 a) 12L$:f3'.fi: , "tQ)'f }).,-7 l::1N51
LIIt:i~n\kQ)t;-:)t;:..
:~. '7'./ F-))'" -t17Q)m~iI)~ ..
Tif1 './_L $IJi~i1!!fi:l;1J~IlIl~IIt:i/ll)'n\kQ)tb~
(;t t) ;: Q)tf{ti -:) t;:..

n,

J -10

10f())1~t;:, 1"17 ;(-~:;;~t;t"77' V :A.())A.1:())~Tt;:t.t I:) -:)-:)&;-:>t.z. r 9n, I~iJ)':'~."5 t 1" 17 ;( -~:;;~
t;:M:Ii::J1J.z. 20*iI)"fc::.':'(lJ Nolaid :Ii:--~1:'if;jftv-L ft(;ttt;:iI)<ftliJ."5t~'-:>fic1iRti-:>t.z. J t, "77'I.-:A.I;I:
:In. 1969fl1Fi, ~(;l:Il:i,l())fl)::Ii:~~."5.
"77'I.-:A.(;t, ry~"7rJ:r3';( -1 f (1Jelaware flaid (;!:, .:r"7rJl:7(lJ~~Iv()):lli,,*) <lJ[1:::t<lJ1"17:1i:f'FI:)~!Wfic.
rtJtJ' v t.t c::. t t.t!vt;i'ill, c' '3 VL'''f(/),:gillH<:L, t.:. ())iJ)~it T ~,t.t ~ 'Ivt2.'J;. J t, :/lIi(;t13 '3. :tc))D~iI) ':'<5'R t;:~."5
' 1:', :/lIiC))1" 17 <lJ~ < (;: (;1- "f(lJ7' I.- - n;:~t.::h."5 5{ - F <lJ~ftM~IJ' n T~'."5. "f(lJti~t.t5{ - F <lJ.:c'r' JI.-il1lljt
iI), "77' I.- :A. (;t<5'm<>* v TPn ":> iI'(;: v t,H' tJ.'" '3.
ViI) v :/lIi<lJffi5VJ,*,t;:;: Iv t.t < ti I:) iI'IiIi)~.
r iIi)<lJ.:c.:rM;l:tL
~t;:~1JJ(/)'I't*ffWi l t.:. c::. t :Ii:*~,;::jitli~ 'ttficlv t2.'. J
JB71f\;:lI!j\}ili !lXQ., ~m(;J*ff~';l:li!Iiffij:li:i!l!itt.:..
r1tt;t:/lli~t<:*:Ii:*-:>t<!J;. fJ't;t'fiftitt-ilti-:>t.:.iI)':'fd. J

c::.())tI:,

"77'I.-:A.t;t1"17:1i:~n:1:'~-:>TL'ficilS, :/lIit;:-:)L'T())~lIBtd:~[!l):ilS.bt.z1971f<lJ fjJ:;;.

"11vl::A. ~J
I.-? ~ -itil~~<lJ1' 1 7 (<: !1l!9,* Htj ?<lJ1:' (;ttd:~ 'iI)t.tJ t ~,'3 'f~ilJ v t.:.
rjJ J 71 v l: A r t;:!1( N[!l):<lJllili1:', 75*<> <lJ:;t- ly' -il:I*fic Ivt<i. tilt;:';!:;( ~:/:1 f.>.3 - [1 '1

(;J50HiJif~a~~iI~t!fr.5())r.5!i!H;:ilV:1v t;i~,
(/)t~ t:.!.

X~~()):;t-"1-<>&;-:>t.:..

~:1

'C)

;:1vtd:c::.t<>iIi)~, 19nf~~1'171:'.Tfi~~J;~~td:?ficlvtJ..

Fi:li:m'3~t

t;:, liX(;l:c'lvcIvJlH'J6Iv1:'i!t..::. J
r~) 1:'filJ*1'17 :li:f'F -:>12 iI)t.t1v T~;it Ttd:~' J;. ;: n l,;i -\'> iIi):1 I.-? 5'-<lJiiJl!M<lJf!I!:li:ilW~ 'T ."5 J; '3 td:'blvtitJ.. J
fJl.t', :/lIit;l:fFR,*"l 300*<lJ1'17:1i:fF?n'."5i1:1, ~'?<>iI:I;:<lJ~'ft(;t~~t.t~,. 1'17 ;(-~:;;-?,'{;::~G)'l":>td:iI)
? t.z 19791f.GJ:A. "7 J 7"Hllt;: (;I: 1'j'F.'1:'75*:Ii: fF ? t.zt;i't t<i? t.z.
~i!i, :/lIii;l::/lIi<lJ.I\Jt.-j\ - t T, n;D~42*J;).J:.())1' 17:1i: 7 }1.-1Hlfi;1:'iitfF,*, tiil:l, ?i)t~jH;tj;fit~'t, "fn:li:fJI1 ~ ~ ntd:
~ ':ttl~iI:I~L 'n'."5.
~t;l:<5', 5ifliiH<:"iNtt.z:;t-"1-:li:iitfF,*,t.t())ti.
r'b '3, T Iv T ;:.~, ti J;. r.J~:Ii: t -:>
< t;:jlih!'T ."5:;t-"1-il:lWiiC' iii) (lJi;l:, +?tjjX~n v T ~'tnC' c::. nitil) I:) tiC' '3 v J; '3 <>td:t'lvt;i'. J
"77' I.- :A. <lJjk1JJ())1" 17)\"", 11- F' <lJ:A.,/I} :;;~iJ''':>fF.:,nt.:.*-:)';l:iWi1i:~nt.z rf><lJt;i'.
r "f~'?Htdl(i
C'lIllt't.:.lvt<i. J t11t(;I:~'3.
r"fn';t*~t.tl\-F '7-?til, c::.1vtd:1JH;1:'lIf;f(/Jlf3:1i:~itn'<t.tlvl, ~b)
td:1JiUci J;.
liIIiI)(;:l@)9'(i3(J:iJl ~ td:1Jii;tib:l, 1'17 t<:t -~ l ~!i!<lJ1Ji1it (;1:13 it t.t~, v fd. "fn 1:'<> '3::J..' v Jjj:li:
11iJiJ''tt t~ m ~. J
J.llt:E(i, 11tiJ:I~ it:J v td~t;:lI';f())~:li:J'{)J., r -?,'71 :;;"1-1:', l' 17 <lJJfJW<:~IJ I:):J v n ' < t ~,'3 ni1itU.t? T
~'."5.
~ I) J'{ I.- 1 ~ ~ (M~) :li:fllfi:t v, *11I!-5<lJl:!UiI)':',~? iJ:I) ' t;:/lJa{t:li:fF I:):J v T~' -:> fic .'l7"7:;;V l: []<lJ J;
~ t;:, "77' I.-:A. ~ 13 Blt;:I3?}()),~~ 'm < 7' 1.-- r' :li:lIU<lJ~b) i?i$iI)UJ:bi ':''ttn' ~<lJti.
r;: <lJ:A. r '1? & IJ L - J\}~it;t;J:, 77' I.- A(/)I~1:'jk1:lH;:~~~ nt.z rf>(/)t.t,{,t;i'. J tj!Hilt~', "fnil) i? t;:* tJ t
~"?lc::. ?ftItlJ[Jitt.z. rc::.hi.:t'5.t -:>t v tc: lI<lJfitd:lvti. J
"77' I.- :A.tib)t.;: I:) ilIIiI)':' , .*z~II" 1!())}}t;:1!hnn'."5 J;? t.t, ~;S v < @t,::::,':,,7)l.-ft:lil!lIf;f1:'1'1'7:1i:fFtJlIl;
"fnG;I:"77'I.-:A.iI:lJ'{:;; y }J.,::::. 71+1 '7 V :;; ~ :;;(;:&;."5, -:J l: 'J ':,. '/ .7.. '1--}J., 11:;;l'i::::'-:li:fiAa';(<:ViI1ll
v, U~iI) ,,:>~l1(, ;:())~BIJtJ:A. '1-- )l.-il1C'<lJJ; '3 ~<:fF.:,n."5<lJiI):li:i~v < ft;;t T'b':'? t.z<lJti!..

~Tt'."5.

J-ll

V':t'J,,:r'b~;::(Nnt

(JESf,VP 139-8) O)!t)fE~ll:lt:lt.::.~, '7:1v;W,flt!O)~7'-J).,O)l!!l~j:JtA.n~, ~~M~An~

4TS-34t lfiji.i;l:'n ~ t te~-? 1.'(;1:- AAr.'~!l!iffl.~, ffii;llti"T~., J\ 1 11-;1;:; / 1\ 1 :7
C1-.L..~ t..::~qt..:I~.~~ -r::; v ~.1.'1it~~ vn'~.
4TS-:i'DIiX?tt;l:, 7 X IJ:tl~O) 154-Oft~W;(<::fJ;J.jjji -:) ll'~. '7:1 V ~o)T1;H;:i;t, 't17 X-.:f>~'t<::fB 21f?t
0)1\ 1 11-;1;:;, IililJ!tto)A -r:; v :;{I~.;I.;l:;{ P ',:7 ~n ll'~.
11 1)7*)).,.::.7#1, 1)/~'-i}-1 F'O)'7:1v~o)T~iZ.G;I:, lJecke!O):1'::'J'\-i}-))., :;'-I):;;~'. ?V:;;, Slxls 0)',)
))., x-11-'A'~ -If :;;~' ?V:;;, ? '::'.:17))., ~ _I) :;;'1'. ?V:;;, 2#0)'')-))''x-11-'AtifUklxllJl'at Super I
I Schaub! in SV7O'kfn(Z. -7 :;~(<::1\~ <li>et M2~0) F I)))., :r I..- ~;I.;~~A.,l.'~'~. 'fnt<::jJn;t, ~;I.;~-r-!f 1 :;; ~.f.iZi:
-:) t.::., I'{-of .:;;~:r '\/1- P ~''71 .:;; '7'- Model-1272 , ~#O)I' -of:;;~' Model-960~, Model-760 <bfilh L~'~.
r;:: ni;t'7:J' v:;{ ~''71':;; F ?:;{ 1- id:A., Lllftfn L~'tC'id:. J t, ~(;l:1'i--?
t/t(;I:'t 17 fF \) O)~LO)If:i~ 13 ?to)T1J}l.'tT-:5 ;I.;~, AA~J!!!(Z.lIIv Li;t11 I) 7 J).,.::. 7#1'T-V' g :;;0)*-))" ;1;:;{(Z.

~ld21)

<b vll'~.

'b)itll'~.

*:;{i;l:'fO)7t!llfl.'i;l:~-Attl.', ~*0)'t17 x-11-O)tt~~-.f.t<::V'~? etL~'~.

i!tO)x-11-:A' ?-71.'<Ii>~ WR.II. iove!e6'S, I1akerJJ t;l:t/to)T1J}l.'fFi?nt.::.'\:;;'f X1 F' 't170)3;.(Z.~IJn

tC', '7:7'1..- ~;I.;1-r-!f1 :;; vtC'~~ <0)*'T', P 't17t;l:B::$:0)1i-Fi-t<::,1 -:)L.fiit!t)fE~n ll'~.

'7:1 v ~ . 't170)~' <?'b)i;l:, 1itJSH;:, )).," "O)J:l.'S.f.~~t;l:lt:ltC'~j;flitt#:f~O)~.~, tt A., liL~N'll' ~

O)tJ (Ih ~;I.;s, t/t(;I:"fn~~ 1\:;; 1-~'ii1~'b~1itII'H;:~? l1Utt v LfF-:)tC' O)ti t ::f:S&vll'~. t/to)'t 17 (UlO)Hi
~~IJ ~'ti I), ."lUfLfflGfJ [1- :r~l;)J {, ,1 -? tJ.J\- f' '7 -:7 t;:t1Ilt.> -:) L ~,~ ~ilO) tC'lt:lt;:~A I) t;:fF~ ntC' tJO)t..:O)ti.
'77'v :;{(;tEl ~~')I-))., x -i}-ti, t El1jljH~-:)L13~'l;)J~. "fnt;l:')I-)J.,.>I-11-tJ. <VL, U~(;t~Wi~.~
!ttl: t tJ l.':!t..:~,t~, -j ~O)fa~t;:eHIET~.
rm!~O)~ftl.'t;t~LO)Ai)i!t:! ~1Z~t;:fJIJ~'1Z.
'f;:: t;:t;t~Wi~
id:A., L~,tJ.'b)-:)t.::.kl:!. ,1. r~Hh '7:1 v ~ ~ A.,, <li>TJ.td;l:1tt::VJ.7-7'-1':;{ P l.'1"n~ t, A qi;tj&1'~'L:!L'fA.,T..:
:lJ~flt;:l~h t2 IJ 1" ~ A.,tti)t, flt;t I: ? ~;t ~A.,t.i n' ~,;t, flWNIlA1.'1" J;.
'lfiiO)I\:;7'.{ ./~' ')1- )).,~~fllY:J
(z'~~o)~~l.'GkttN'id:A.,l.'1".~tn.J

r7 - P 't 17 t ~'-:5 13:j!~;:(;tslt-bsjf~no ;:: O)lt:j!(;U ~ 1.'~J v L~' ~ li -\'> id:~ '-b). i\tq i;l:,,-of:;;~
't 17 HI' ~A.,A.,t,. J t/tt;l:11:;{ 1.L. 717 t It?D'I'U!n;:J;Jv LMte~~vn'~. rfl~ (;I: f.:;;7' x 1 F
't17~tllifi.';n.J

lK:1 '7JV ~'b1fF-:Jt<!'t 170)**t;t/\':;; -7 -il-bt.f.t;: VLt' ~ 'b~, i!tEl"i;l:I\:;;7' -1' -.:;;~~ vid: <tJ.-:)L!J,. V~'6
r J\-':;;-r -1' .:;;~,;t1970:lfl.'~~tC'A.,tio ::$:"iO):Gilltl.'O)I\':;;-r -1' :;;~i)11.'~T": <id:-:) tC'i))~ ti,1. ~:l-:Jjt~O).
1T!l!i0)i:; -':;;:$1 - 7 71-t- '717 J).,~~-:) LtC' i?, !I!Im~~;I.;~~TJ.A.,L<Ii> I);t t..:~';I.;H;' ~. J
7:1vAt;l:*lfif~t;:11A.,1.'~'t2H\'ft<::(;I:, ?-'C', HA(~ GL~'ti!.
r<li>O)?-'C" P ~*t2~iJ11!!1i~'T.lA.,LAfIl1li
-\'><Ii>TJ.~'n.
,JI,J!!!1" ~O)t;:t;l: 5, 61 :;7'0)f.}.~0)7 '71 1\ .:;;~~? O)M~iii. 'fnt;:~tIlJO)'7- F ~An, *~
11 :;;7'fl1mxL, ftiB':;;**O):j!-:)'ft-UHa~ 18, ;:-:)Lt)t~;::t;A.,ti. J
r7 '71 F 7'of:;;~[1- ~ ~ 'f.:f:;;-bt1JO)#:f~tJ
7"'7 '7:r; 71.'t;l:7" .:1*:;;0) x :;; 1\-t1f.l\il;~~.IilJtl~ v n'tC'.
A.,ti. ti'b)~~.'it;t, fl~;:(;t1-tffl*-:)L t;:: :.<)iJ)id:. J

J -12

/lln.lIU;t~~

'1m, <:77 I.- .:AO)fXO)tl!f9IJ1T~ti -:>t::..

T -{ /7 t

I) '') 7"t:E -:d:.:..

riJ I) 7"* ,I,,:::.. 70)'T)v .J-"i'li!!1J"'-ilitlHtttO)iJ1,

~:/t0),,)I

lB70:q:v)IOFi tMIFI tz!'-:> tt, *1118 '':JH!~(J):::Z (1 / 1.:7 1'<:7 ''j lJ "i' 11J;~, lIm;:

~.~~-.M~~ttk~.

~0)2.~~~~0).~.htt.

:::.. '.J)I

;f{-}H~'J-i:t-~';t~l"thC:'. ~-. "'*!l9\.:~td;t.c uT';t~ktJ\.:J:.~t,t~o)

(Jll!:~) TtF~~

- t

~~T~h~t~(~0)~i~2~~~-:>tt~.

lJ ~ t,tl'tl. J
r~ ut -lii t::.~t;:JAl~~ ~kt,t'::;. ~h'HU!JH;:iJit,t -:> T~.
!t~ ~ -:> T c: c ~;tfiiJi;iO).ttO)J:.t;:mi; 1J:it-:> T~'~
IVt~'U.
T{},.:8 Vt?~ ~',NI~iJ~tJ (t,ht::.'::;, tJtl'w..H"Ht~kt:E? J 77' I.- .:A';t*i!III\.:~~, (jail Sheehy 0)
pass.ages~m~ u t:.:..
r c ,;:;1;) (, t:~JJ.'\:J\)I"i' -{ >?'Ii u ~~~. ~t;t~~~ l:T~' -lii, u:/)) u1ilJ:/))!> {:>/vc u
tt 131i30)tt~\;:~t\,,;tf~t)h~ ~ ti c ,~/) t:t. ~t;t~I~'::; u~. 22DflT 1.:::- )J;O)'?i:ffi~lht:.:. !') ~ Mvti. J
r c:? ~)~ 13l'n'C;tm~t;:Gflc::;t ~iJ~MDhtJt\ ,. ')\)I"i' -{ )1';1 -t-1' 7litF? T~\~ (ttl;:. imAli3t;:t;tJ\/"i'-{
T{}. it!lo) A t.: I'H}O)~;t liJlu -::>(t ~? tJk T,~, -:> T L't.;:L'. lif:1:'IOIiil
0)Hl!li1\!li~~? c. ~h';t~O)ro'IH!LJ -\,>t,tL'.
td:.:., ~t;t{) -)~u t::.kt;}..
(thc:RL'-r -{ 7' )\)IT'' )llJ"
/';ft.:IIt*IJli3t,t~~1i c -:> T ~t.;:k Ttl.

-t170)~!,)1J~W-:>T~C:c~R~~~J

r 7~I~:/)ttJHlj\,:,

}\)I"i'1')I';1. -t-1' 7t.1:k TtFhtJL'~. Jf.t\iJ ',)T l' /';1 ::r. '') V
" , ~t7 )(1) iJ1:'t;t3"h) ~4"OJ7'1.-- f'iJSRt'ti -3 ?h. }\)I F )J.,t>::f
ru~1:'UH";: ( L' utl.
~ i IJ I': {)~ (0)-t17 x-iJ-ii:/), 7}OJ'(':-::>L,no MJ~~~ -lii~.
ilJii6O)-t 1'?
(;t .:J.-if-(;: c -:> Te;t~ u T~L,g ( t,tL 'kti. ~(;:fh TI&1i:V!>. Mil: 1:'I&O)I;I;lil!(':'li3ibjbA.,ti~OJt,tl,jl
r7 l' -)J., r' T0)7"

OJ-t -1' 7h1~l' U,

~'t'~ ~ 7" I.- -

~~l 'tl

ec:. L't')\)lT 1')17, -t 1'7OJtFlJ 1JH'i;t -lii t,tk Ttl~I1tJ<: c t.l:Mit.

cL'-:> U.l: ti~. J

xi1f(})"','(:'::$' 1'7"<:71' :$'-liEj.::t ~OJ

F(1~7""/:$'-US~~(

O)tt.OJ~1:'~~0)~~c<:771.-.:A~131.
rF(1~7",,)I:$'-0)71'T7~
'fh(;tWfil IJ fflO)-t17 (:.:!t~~ ut.:? t:.:..
~ (1 ''j 7')\/ :$'-O)~IliHHl Ta)i.lIJ. /lll(})liZ.
~IJ~-h~ u'\~~L' ~ -) (.:7[...-- FO);f{ -1 )I ~ hH,''j lJ b> ~ ("-:> cfi,-f5 T~' ~ /J'o!' tJkt:i. J
'fh 1:' i;trK7 77 I.- .:A0)t:p1:'. '7"<:7)1 c m*O)}\)I:$' -O)[~Jiln;tcOJ ~ -) t.:-::>'tT~' ~O) ti -31 iJ~?
r c:' c: 1:'JAl
Ii u N'h)c~'?llfle.:HP~1:' ~~. ilJiiJ~*~OJ)\)I :$'-ti~. t:ietc. ~(OJ<:77'L-:;;\' J:' (1'')7"}\)I:$'-e;t. 1311
~h~tt~(i::::l-!:::-' "i'-7')j,.O)H;:il:iJ)hTt'-'5Q)iJ~~L"tctl. J
1950if:1-\:t:':i!j1.h'kt~'kt~'.

ilJiOJ-t1'7e;:1<J~ ~A~iJ~, f!'jiJHtOJA uiJi~;ttJ~\(;tci'1'70)7'<:7.f AIi-::> I) Hf'n\~ c: cli~9;lI

r 750'n(.:'t'hi;t'. ~iW1i'l~:,ciJ$1:'~~. -fh1:'~::t~. ~'::;ht:.:.~-"T':;l ~1:'O)ffilit~"thC:'tl. ~
';t<:77 I.- A -t1'7 c A:::l-7'1'-t;! OJ;f{)J.,j- 7lJ -;,,1';3 / <:71'? Jvt;t[iij lJfti!I'~1:' R l' c ,Ilb n'~. td t;: 900 v)\OJ
71'7 Jvc-ateu.::? t.::lOv)~O)t'.f 7u h)f~-:> T~'t,t~ 'AiJ~L' ~ J;tl. 1:'~. <:7 -1' 7 )j,.(J)1.t;t2Of:t:/)~'f<: ~ tilt c. -t
1'7 O)tt~t;t~O)fiiJ+ffi-t>lijorp'iJ!iJ)h)~lVtitl'. J

<:771.- Ai;t,

un'~.

P-13

*~o)i: .!:fi~-:Jl~' ~JJG<::.!: -:J It:L '77v;{' l' 17bSH)(<::;l:D;f;tIf> ~1i1IiI!lfi~'? l~' ~b)t;tD'3~ft!!~fJ~,t.i,)
-J. 7 ~
~ y~'ry l: 1 t;t~O)liimO) 7 7 I) ilbtfjG<:: 5 *0)':17 v;{l'17 fit1!i'lff U t<2.
;t t<2IW-'" ~ t' k~
0)4AO)l!6Jf!ll:t>1, ~:tl.'f:tl.llli<:: ':17 v ;{0)7 71 "f" >'f 1'17 filf\ U, 0 - v',:? ;{O)II;'jUfi U. f'-0)7'-"}
filil~ 'l~' t2 t~, '316~tIf> ~ < i?~' tio
iRwo)'77 J...;{ f'17 iJ~/\ r l' ko)V '\> ':;7")1/'(:', ~:tl.tJ I) 0) rt:JG<::~-:J l
~'t>':tl.t20)t;t~~L'tIf>~.
Ld)'v. 771"f,,':;7'" f'170)::t--fi~Gt~i:.!:i<::?~'li;t.!:l'bijUli<::T~, .!:
~'3i:.!:fi':17v;{ti~,?~I).!:.'?l~~.
r i: ~ i: ~ U t2:l'~f,t H~ ;:::: Vl ' ~~*0)1f ilfi ~ .t l ~ , 16 J:. ') t.d9.O) te
t/)tJ.lvb)G<::771"f" y~'. f'17t;!:fFo?tJ~'. J ~v~.titi~T16J:.-J~r~IvQ.~ti,~;{7dL'StIf>?i?
.tt~0)f'17t>~~'< i?'btlf>~\J~Q~,t. J t*1CGtt2.
if{7 ':17 V ;{O)f' 17 X
Y ~'(;:(;!:~0)1i'l;;tiJfitt:tl.l ~ \~.
r71 if{ I) -t;t}\ Y nl-,<::(;tfie~ \ te < tJ. ~ 'lvti.

*;{ .-"

-*

J...-~-k(V-;{fifF16kt/)O)e.)~-*tIf>16ff~.tIf>:tl.L'.m~fJ.

t;;: ib, 77 1)

ilL'O)~O)~Wt;t.LI:.t/)~it 16:J:iJ~L'~ ~Iv II ~ tJ.~'O)iJ'Q.

M.!:Vlti=.~~.:?'7;{~~ibh

'bv,W~71if{~-fifie-JO)fi~t/)

7.

~'t>

ibG;: v)) 71 if{l) -t;t}\Y FM;j

.t.~Y~;{0)71if{~-~-:>l.~-JQ16tMti~-:>l<16J:..J

':17 J... ;{t;t~ 1 il)v-$' G;: ~:tl.t:f~1I!:~ fi<l:H'l~'Qn' -:>t2t>i,

~L't;ti:o)~ 1

il)1- -$' i: ~n~.

F)I-~Mt ul.~t,:'tliif~T~(;:3bl~'~.
Y~~'H'IO).j!1t;:!5II12iT 16h,

ill) 7

~?l

'7-* y:?' f'170)J\ Y

~O)}\':; rM:ti;:t-JT16~;t:ntilJ!t;:*1C<. rit:;!:y 3-V' }'\',

}'\ -)1-0))\ Y F )l-tJ.1v T.::::z. - ::t)v I) Y:AO)if{ YiJl ~ t;: i: ~ SWl'i5~ 'ti. J .!:.

* 11-.:: 7t;:iIf>~if{7 ':17 J... ;{O)Imfi~fjhT ht;;: ~'.!:.!,ntt~'n).

ulfPJiJ'fill2iit"9i;:t;t~'i?:tl.tJ.~\ti))-J.

~l)t<2~\i:t~Tt;:'f'\>

vYVv.

!~!~

.!:f:J:fi VT~\ 16~fiI3O)lliH;:

~O)t~.!:Iv~~lt;:lJj(;J1Jvk~, ~:tl.t>s,

;t ~ u <~QO)tJ.'.
S'Ji\i;:AI)O) 11. Fifle I Sons O)v"J'\-O)f1~'t;;:;{ r '717' v,\>'yt<::l)-)\"{;{O)V-::;;(fit;t~. ~~~O) r J...
r'~-:?'!:Q '?l~'~.:\' '\> ',7fin,h. '? t2 ':17 tJ.1/:!n1~0)~t<iIvO)flf!JJ!~t;;!.
~AO)~h\ i;, 7'v-!f Y " ~:tl.t2 i'0).:\' '\> '7
/(;tB*I.'l1'ImO)::.n:j'(;nO)'l!i~'ffffi<?, iUIIIQ~O) fi:'V~ J; '3 G;:~~'?etniH~'l~' 16. t<2~O)i;:~IlU\i? vr~
iJ~*1tiiL', M~(.I)Ib*J!i;{"" 7 I) 7'fi'f Y -$'::t l:::-II-L'-'Ji\t<::ilit u~:t;~(.I)m+;/)~, ~,t <bi'JJil!(;:m1ll! l' ~ 'Mil)) '3.

JJltf, 0)\-" ':17 J... ;{w*'itQ:j'ij!ll!ifi: u t<2. ~(.I)iIl(+;Ji;:At Jtt;:t;J{~tJ.tEii5fi:*il''t>'i5'? lS I)

ijX'f~ Iv~;t
:#7iJt f'17 fil.'lfFv n'
f~.''' Qd!l!D;f;fi:~vlvL'~\~.
:? I) v-~\ -:) ;%O)Jiiit, 7)1-7 J... " P' P ':17 J...;{.!:
IliJ'tt:tl. n' ~ 7'- P' )I-~, .::c u l2 ~<l)':17'7 F-)1- I} ~ I) )'\-, 7':1::;:;" - t }'1T of -il1i: (J)'ij!O)ttAti. 77
v ;{(J)~A(.I)It!H;t~~:ll:ijiH.:!ltlL5, Will) 7 }l;':: 7t':1!1v L'~\~. - At;til l ] 7 )1-':: 71110);~~.t t.t I), 'b-J
- At;tt:t~liif~~ t t!i!ll!i, !i 16 - A (H: A r 0 H~-g uT ~ \ 16 77' V;{ G;: (H t2 ~ A O)I* <b S I), ill( 'f1i': A :<: (;tJJX!ll:
0

.;,rn',

ldd&il~=A~'~.

19861f:.l::z. ':;-"Y T 17V 3-(!, ':17 J... ;{(;t~O)mtll~b1, ::t)\ 1 ::tffl'7 J... Y1'f'1 / fi:t'\-::> kJJt;:~~tLk
.fi1'Di? ~:tl.~. NtO)~'t;!"9 "" G<:: u Tl;tilf>;t I) (.I)&:~ti-::> 1:::.
rf'f 7 fi7'(b n' 16 i:(.I)~O)BJ:tft5Cil>. c:.' i: iJ'O)
'f Y t" ':1(<: f' 1 / L'W~:tl.k Qiv l. ~(.I)lI;'jt;tfPJiJ), i?/1l 'Wttfi!i2'!ifj'(;: (H';:':tl. tJ.il)-::,f<2. J

.J -14

I}J\-'f}"1

F'lDImL'If:!'\'>'tn'fnQ)iilIfFI~(;:<I; ~-t17(tUl!1n,

n;7" 77'v :;U;i:-t17 x-~:;;~lDllie:,

El2.lD~~lDJir,.'(;:IB~

fi: lMtTt''? ti:..

1it;!:EJil'fi:t!l:W-Q)-t17 "iif1-t-tie: l3j'{vn'~. l3#lD"iif 1 :;;L'tit'-t17!;t
IJI~flfhtJt'n.
1iW'3 il'(J)~UG)tdbc;:717 fi:fIf'? Tt' ~A...t.i. ~~,\,>, fI!!(J)A<l) Nt) u \'> tit 'A...t.:!. J
rJ954if(;: 717 fi:fF I) im/1)ti! e: ~, ~'HHHifOJfi: V ti:. ~'lDfJ}fi:9;h T~'ti!JA c:lDJ: "Ht V t<! 0:, J: t't)}1i:9;lIo:, tit)}
'?ti!..
~G;t, try r fi7-:::t"';;lDti:./1)ez.Jjg'-t17fi:flfl) ti!i;}'?ti!.A...ti.
'tlDti!./1)e;:c;tfliJ1i:vti!.o:,.IlH'JMtiJ}l)im
/1) ~ 1 1.' ez., t'f e: A... C:'I01f.i)} 0:, I21f. H!I.,\,> V t2 J:. J
r -rlDtiHH~;t T < :h l At;tA... Tt'tJiJ' '? ti!.A...ti. -t17 x-:l;;:;; 'j'lD;t.tiA...TtJiJ}'? ti!. v. J: < $t;l!jfi: VT(;t,
I3#L'/!ili1l;lD;imfi: J!Ht)'n' '?t2.
El71Tl!i'1.1' VtJ'tn(;t, fiiJfJ)fi:~<: e: tJA... TL'~ tJ~'e:,\t', -3. 'f -3 Vt,tiJ) 0:"
El?t ll't(J),\,> I) 11 e: t, -3 {)Q) fi:tjl q (Z.rif 5H:fTfr < Ivt;i' J: J
77' v:7,\;t-t17 fi:fi' I) im/1)ti!. ~+Di)o:" "tlD~~ V ~'-t17 fi:An~ V-:7, e<:?~'T(;t:i: < Jjljn*fi:M',? T~'t,ti;)-:J
ti!.o 'tQ)<:e:G;t, lJ~, ~lD~DJ.ijlDj]1t17'(Z.<I;~I.xlD)(:;:i)o:,fliJ;t~.
wv if-'7-? 1)'11J:~fJ~, '77' v:7, -t170)V-:7, fi: El:7tL'fIf -:J rf~~'o
'f -3 TMf, i.1)(~lD1ilIimiJ)o:,W'~
'31 ~ ;t T, e: ~'-3 (J)(;t~(;tCb;l: I) v"f-'7-7 bi!if~ 1.' (;tt,t t '(J)L' 'f~
r~*iJ}MDhtJt'iJ),

r Ar.9G;t1~~ 11 \'>tJ~'<: e: 11,<1; ~ e:, 'fn1i:ldtt'tz.t;t -::> Tv 1-30 J e:, '77'v :7,!HlmlH;:~/1)n'~o

rti(t c:'p

vL'{)-31<ff<e:,.B<t;t~{)A...~J:.J

JJl:(f, '77'v:7,t;tv-:7,flfl)(;:B!lvT{), *'11;(<:-31 <t,.:'?n'~o ~(;t, t1:7,' 7:;;Vx)i-:7,Q)~~iJ)>>fAn~

8-9 ::t Y:7, (ft 2 mQ)j] ry J\ 1 t:' 17, t!l:WcplD-t17 x -j]-it11~-f:*(;: v n'~, <l;Q):tf:%t,tv- :7,fi:fi'l(J)ti.
~Q)v- :7,G:t"tn"tn(J)-t17c;:1t;:<F.C;: 7{ "J ~ v T<B I), -t17i)'ttHtfi1;;l <: e: b)~t 'Q)L', :7, ~ '7 '1 7'(;I:~'~B3
c;:f-r:to:,n n'tJt'. ~Q)V- :7,0)'ftf1 Y/;I::i:*T{)1t; < ~hn, B;t.L'{)-AQ)-t17 X-j]-iJS, e:T{)J: < fl.1
t::.:Fif 1:;; 1i:t*ffl vn' ~o
n;7" 77' v:7,b1i>;'~vT14T*ti!.{)Q)C;t, ~lDImt;:li"iti!.-t17 x-j]-,\,>,
L';J;~ w-t17 x-j]-:::t ,')i- r~ (J)-t17 x-j]-ite:?ti;)1;;fI-:>n'~o
r'\i)HlD:;\!;*1l3tJ~~(;t~(J)~;tTn. J e:~(;t1",>.

19701f.(;:~13 J1tiJ1~!tj[x

:'/J,-lD-A

r7Y"i-f' ?'1t)vQ)IIlJ'UnUtT, 1t!!lDlOAe:jt:t;:::tJ\1'

::tffllD'~~T.1~ti!~~ mQ)~.~~~~o:,~~~;J;~J:oJ

r'\i')i- FlDB3t:t-t17'\'>-t17 x-j]-lD/'t1::t-V '" :;;fi:T ~ ~ e:'iEv ~,t1iWjQ)W&'\'>,

< lDAh~~~'-t1

7x-~Y~fi:L'~~J:~~.Dvti!I),"tA...ti~e:tiA...~.J

1!Il(;I:~1L'(;:{)fOJAh)Q)jnn'~iJt~'T~ti!

I", lti.!!Irp'-~(;:-t17 x-~:;;~~ uti!8*AO)I1.iliM\~o ~Q).

7)i- 11 AQ)A,)i-J'i-, S.R.::; g Y 'J Y ht~Q)Im(':3I!:ti!.lD(;I: 1971if5F1, '77'v :7,Q)ImiJt j] I} 7)/' )1-::: 7fflt1
- Y"i-)vC;:<I; ~ tdl~T <I;~.
::; g Y'J Y(;I:-t17 X-'\' y~flDlIfi::)i- t 7' :;;11)>>~'t:rJ, :tlD~, }\- t::-. r'
v-)\-'\'>'7V Y "YTIi:7,M-'T :;;0)'7" l' t:::7,Q)iJTL'fU;:1i: v, "tlD~nttJ1-t1' 7 x -':li: Y7lD:;\!;1I1i:~t'ti!.o ~hl:;;
'J Y(;I: 3ifr..1'5 7'v:7, lD{) e: L'fIIll!, 'tQ)~(;t.:l' ffl(;:W t), "$C"-]i I) :tf:%t;t-t1' 7 X -j]-e: t,.: -:> ti!.lDti -:> te.o
'57'
v:7,(;:(;I:, 1970ifQ)~v(i~ < Q)flIl- IJ\mit-f!lSe:~\-3 B;t.AlDA,)i-J\-M'ti!.
IJl:(flD7 )v' 1 A J,)i-J\-L';J;~, :)A' X I} '1 H;l:198Iifh)~Q)f-rl!fl-~\tio rVA(;I:~lD:tiRti':t l:i -\>:,t~H'J:.
~(J)f:(f';t, iiliJllib)"tnV)J:Q) {)Q)tJA... ti. 'J e:, 77'v:7, (;l:RJl~ < 1llh n ' l.
~J]O")

J -15

-r17 x-~:/'f(;t.J!I!tJit~tiiJ1, ;r-7'. 77'VA(H'n~ie< ~e: l;TtJ~'J;"'j ti.

:bfe:c '?T, ~O)~IllH:1b

< O)(;I:~1:J~J!'"9 ~iJli~te: < tJ'? te: :I-I:: -~m:ilUtJiJl is-r17 f>V- :A~it ~O)iJ"I;v;e:tJ'? T~'~.
z: (J)ImiJ~*~~ 1!, z: z: e: t, te: t'A,t,t.
Ji(7

r~(;I:

z: z: (;I:~O)Mifl:mtJA,ti J;. J

77v:AiJ~}if-:), <!;J..n~(icO)~~,L,cil!l!D.t, 't"l;TOOD.ttJciJ1:bfe:~~ll3tJ~~,~~;t Tt'~.

;;$:, 't" l; Tfi~(ic A,ciJ1:) v A'f>7'JL-- :AiJ1,

.f.~j$(;J:"it(;J:"JIjJ

< c z:

~ e:~A,1!~'~.

I::".:r;tf>

te:, "5 J; '? c Jt"5

'fihte: I ) J\-if1 rO).~-g c-me:.1Q~~l;cte:~0), V:J.. -T -( :/Jf v :/~)<bZ: z: e: (;I: <!; ~.

57'v :AO)iI!I!D.tO)(ic A,c(;I:- AO)1!!:we:~"", ~ <bO)(tiJ) I') ti. 't" l; T, ft~ I')~~'. Im(;t:1!1 < (i c <!; is 11> ~!I:1!
C:::. '? td~ l; T~'~.
t:p1!<bilJJ'"9"",~ (;I:, 57 V :AO)=;;$:O)Ji(-JL-:/1! <!;~.
-;;$:(;1:'7" Y' :/1!itiS n, <b "'j-;;$:(;I:
7 JL- ~:::: ry b cjJlo):I:/ t':t -V 3:/ e:tJ'? T:l3I'), '::::;;$:EI (;I:

2,000V,~ 1!1en Tl;

ft;t tJJntJ~'(icO)D~~tHif'? Tt'~.

-r17 O)mt:, fttif"5 '"9 ~iJ) is t~'t""'j toto

!il:t'D~~H;l:57v:A

77v :A(;I:~1!e;:, 7""?'7":J.. 7 X 1

~A,1!, ~l;CA,t~.

L"

tc~~'lttJT l; Tl;
~(;l:Uc't'~fflJ1!,

J l;iJ)l;,

FO)1jj.~1l~l!!I~ 4l!!1m~l;T~

t<:..

't"nt2"t1!(;l:m~ntJ~'tI:l*:jJl:iJ'(ltez:'?te:.

H',

r~BWiS

19831:j.',

~(;I:<b "'j.f.:n:e;:~t'.

te:,

l; t~J;. J c:bf(;I:~"'j,
~(;l:I::>J ~

rtdi

:AVvJL-1!~Yi

'? te: O)t~. z: 0):jJl:tt1!1Ili(;I: 3 Jr Fl r.'ihWf', 't"O)1:j.'t:it'? t<:. -r 17 (;I: 150;;$:t: <bi.,t.::.tJiJ) '? t<:..

~J\1t;::.~lhTt'te:.
1Ili(;I:,;t- ~J\1 51
T'{ :/?'~~ l; A,1!~,te: B '< O)t;fiO)ftfIJ.PoHif'? -n'~. 't"n(;t;\ 1 ry J: 1 H~i! 130""? 1 JL- ("J 21Okm/h) 1!~'?;iE
'? t<:.D~t:tJl is nt<:.tJJ11t.:.
r~(J)il1J~;iE '? l t, t<:.Ji(JL-V J: 0) F 71 J\-iJ1/liiUlI! I') iI~~ l; l t, t<:.A, t~'.
't"n 1!ili t '-:)

ft;;$:O)Rh'ltHJT"iS1!(;I:, -v""?J\O) 700cc(J);t-

t'l,.~lteZ:'"9k~~?5?V3:/~~iSl;kiS 1~""?1~tI:llk'?lh~~.J

tJ'?t<:.,

r?-JL-t:l;J;"'jC~~l.:sA,t~.

ijljlg'"9~c~?~;t(;I:,

? z: c

~ ~"iS (J)t~'.

1&:t;::.c

J C,

-:Jl~~O)J; "'j1!<!;~.

g..'<~;t l<b,

r<b? z: nj;"(J:.-r 17 iJ~fFntJt' '? l:jJl:(:tJ'? te: is,

rij Ijig tJ A, l z: C t:OOD.t(;l:tJ t 'A,t~'.

l;~l;,~~'t"A,~~~<bl;~<

~(;l:E"'j.

c'"'j l;lil!l!D.tiJ)iSijliJl!ittl(;ftJiSliIliJ),
~1iIl(ic'fJHj:A, 1!~*, I') ~

J;. J

c~,

c~"'j.

ijiJ) is cA, tJU~1!<b, Ar.,(;t?EIiIl 1!1i!JiJ)tJ ~ '(> tJ is tJiJ) '? t(! A, t~' J;.

65::t

1!1:jJl:~~$~l, T:::::Af>:tJL-7~l;te:l'), ~'?l~ifT<bl;l~tJ/vl, ~IW~~te:A,tnJ

17:A r V-T" FO)t:p1!, J.D. I) - n;l:77' v :Ae:-:)~'Tin'l~' ~ :

W5 7 v:A (;I:, < E! ?1O)@(~~O)'t"n c :ttt;::., ~:5j'!;iJ) is ~tji" 100kmt;::.1lZ[f'"9 ~}j(Ffifjt:<!; ~, ~O)filijmO)

19801:j.'t:tI:llli~nt(!, ~;%tJ:AJi(-'y.

~t:iJl!~'"9 ~ -:)<b I') 1!~' ~

> C,

?E1~H5Dt;::'l;

:/T' -( :/Jf JL--b ~tIri I') [Iij~ tJ;/)l is,

1!~'~O)~'f{j.w.~n~A,t~';ldtJ.

iIiIM~ U

'?IIA, 1!, Jf 51

r ti't c', t;!jf,ij(;I:-r 17 ~.f.t;::'l;l, Jf51

:/Y'"'-(J)il1J1!~A,

c~'?t(!.

te: 't"O)'t"(;tiJ) is 5{~' t~' l;,

rllJi~O),'.!'.t'1!~'"9, -:Jlcz:~titl.

Ji(757v:A0)~~,~ryJi(-1f>A:/Y'-,'t"l;l~~:)V-.0).f.~.iSn,'t"O)tt:jJl:0)t:p1!

z:n~iS=1:j.'~~~~~~~~lt'<1!<!;~?

~0)-r17~:Zv?Y'-O)k~1!~~<,'t"0);;$:

*0)~a~.k'"9k~~m.1!~~'"9~J;?~~~,'t"n~1Ili~MC~l~0)1!<!;.:s.~

<b l; iJ)-g ~ C, 't" A, tJ~iJl~'-:)iJ)(;l:f> '? T* ~O)iJ)<b l; ntJ~'. l; iJ) l;,

~O) c

z: ~, JL-:t " if :/ :A~t\:O)J'i r [1:/ ~

~~iSO):Iv?Y'-.~,g..'<~.~M~,.~o)A:/~1:/'f~-~~.~Il3~~&0)~~~1!l;k, [1~-r'

57 v :AO)-r 17 ~'t"O).f.t: t" ~ 1!, te: '?.t I') 51:j.'(H'Itt.::.tJ'tn(;J:tJ is ~~'0)1! <!; ''is.

J -16

~PJlh~:lIt~tj~t~.::5~i1fi(;I:, :lIt~~Pf6lliti<:'77'vfi.lX.i<:l1JtilRQ)?
~,!lH;l:Ji-g-Tt;l:aPJ

i it A.d)~,

iD~ ''71' ./Q)r.'1~~(;I:q6.35mmt t~-:> T~\ i

["'7\::)" ~

)1-

I::

~''7./'

bf{,x)).,

7' [.,- r

.1J{"

1']

t;l:fi. "}_I} >'1"

Cfi~i!)

Q)'ij'(;:t;l:":J89mm(J)~~(J)), I} -

r ./Q)7 '7./ Vfi. t

f'F L t<.: 7- r 1" l' 7 l' &..::5;: t
[3

SS=fi.~./Vfi.fi.~~-~

Sub-Hilt Bowie

,,}./'l ('J./'fi)~J\./ FJI-(;:~,1li,nT~\.::5) , 71';K1}-. ~1'tJ)I-'J J\./ FJI-.

<J ,01- ~./

P-8~9

1957~flV:fF

l' >f (24.5mm)

TQ)C', ~~ii:t~~ -:> T <: ti~ h

~~Q)~a:NS=_~~~v~n-

P-I

;ilniE IAi! {,Q)C'T.

J\'~ ~Q)mNQ);t~ ''71'./q)r.'~I:ii)q

5J1J!f:1~-t1'

7]

":J95mmIfJijiOY11' F' I::

V )).,)\-flV:L';:nt<i'Wf~.":J450g.::5. -1--.lSv- r t;l:28K Q)*'1i~flV:L',
VUIllL'flftt~~~IJt~~Q)~~IH;I:.:r'7

(i)'f) l;) b1 t;l:(lI)J6/vl' .::5.

IJlffT.::sj!,l:{,I~l;

J:!1./(;:J;.::5.

<: ,

l; ~''77'v J- 1"171' &. ~,

r'

RIverside I Tile 35tll 4IIniversary Knife

:.fto'~7iJtft~'t.::.,

~T(;:#"'l'iJt~;;'nTili>~, IOJ t#35

:7")I-T{')''1rt13hn.::5-ffJJ:'''l'Q) #2/)';' #9 (J)1"1' 7G

.::s.

ti?.

(;I:~W:O)

vi!- '7'~ V to-

&'Q).:r'7<JI7 x1' r~I}771' ./vt.::.{,Q)L'&..::5.

35mJ~t;:~Jj., 35*f'F.:,n;:Q)1"1'70)i:"'l'(;tIIOL'ili>.::5.

:1 [., ~ 7 A b~-::J~ \ T~ \.::s. 101

7#1

t;l:ttj~11llt;l:t~~ '.

;: (J)1"1' 7 t;l:, '77' v fi.Q)-t l' ") x -:.f./ :7'35Jti]~~c;~(;:1;'f~IJt;:~-!f'1' ./ ~ nt.::. {,Q)L' &..::50
J\./r)).,(<:7JI-:s.Q)J"~

"1:

~b$m(ll)T~

;:Q)1"1'7t;l:

(;I: 9,OOOv'I- V./

5.000~", #JOi)'~#34,;I: 3,500~'ITr.;i!>nt.::.iJ$,

1&(;:

Natl'i1-AlfJ4 (;:. ili> ~ #.15 (;I: 7 XI) tJQ);:1 v? 'J -(j) J. II .:r./ " ./iJq~,? T~'

35*t;!itf'F':'nt;:;: tt;:tJ-:>T~'.::5i):I,

~~t;:(;1:1"'/ )\-Q)A -:>T('i;tt'{':i-*i)tfUfT.::s.

;:n(;I:"!;

tJi3'77 vfi.O)~(;::&. ~> ;K7 t~~iH+~A(J)*~(j)x t I) 7 J)" 1" l' 7 t i;t-:>Tt'.::5.

P-IO

[fi.*-t-]

Delaware Naill I SAl/mer

~*~-t~~(~M)J\./~~~J\-7'J./~.

iEiil (.j- l' 7

(;l:7'i:9,\\i~li:(:

r.5~;f,i11iC'&'.::5

LT w...::5) (;: Delaware Naid (T''7 <J x

7<J)~ ~

rail Lel1,geke al/d 4ntoflle ~O;:1'tn,-:>T~'.::5o

/v<D:\l?:P*) 0)0;:1. lit;: (;I: V1J ;:1'0) J-M-'Y

;:~fi5~;f,lljj(J)}.,-:>t;:-t1'7(;l:6*n'tfF~nt;:iJ'I

~Q)~Q)1*~. atQ)1*~70~#I~-~'/~Q)~./r-~~ ~ .::5~t~L'., 3*~.7x~tJ~~.~

ffl'-:> T

~'i)'nt;:;:

P-12-A

t iJ'f)iJ) '? T

[-'T"'''x7')l-(

~,~.

Delaware lfaid

~O)J\'/"}-Q)J!I!~i;t;f,i11i~An1:n:1~~i)ili>.::5. -t1'7jiilt;:~;.t

ClaYllfollt. DeI.i)l}.,n.
-

'7''1

P-12-B

1I:::;t

[-'T"'''x7')l-(

':l7i):)ft~'T~'.::5.

iI1lji'~IJin T~'.::5.

P-12-C

~~):1'7J- (~~) 1::)1-

t 1'. vi!

V to - J\./ ~ )).,t;:. 7))" ~Q)J~":I ~ :.f + ':1:1 (b~~/-::Ji)'!ll'D tMn'T~\.::5.

-t17i:"'l'JJO)m~Q)fFfio

:.f to

Delaware lfaid tt{'(t 1f.II.Loveless, HakeI',

AIJercrOllf/)fe J Fitch Co.,N.'1. t~IJinTt'.::5.

HIi)t1955~~f'F

Delaware !1ald

vif-'7~Vto-J\./r~L', 7~./ff-'l~-7~~~. 7~lQ)K~r'

iEiil(:!;I:. Delaware Naid O)Tz."'i-iJ'. 7[.,- VlIflIIJ(;:: (;I: AbercrOllfbie i Fitch Co.,N. r.

(j);%

J9 ~~T'7<J I 7' X l' f' ~;I:~W:~ ,'latrix-AIDA (;::&'.::5.

[-'T"'''x7')l-(

Delaware lfaid

;:1 v? 51- 71'~At vTfIlfiflliQ)&'.::5. Jff)-:>t~;%iI1lQ)AnnQ) l;Tili>~-*.

fi.Q) l' :::'V 7)).,0) 1f.II.L.

vTV I) 7)1- -t./ J,-O) 19

iJ'I~II

.1-17

T~\.::s.

iEiilC;:

Delaware l"Iaid t '77v

;:Q)J; -:) i;t;f,ilfjQ)}"n1:H;I:, mJlJJQ)-r1'

7t;:~<J!.:,tL~M)'r';tt,H'.

I((;:';t,

'77L.-:At;:lBd.lT-r1'":7~il)(ut~, '::'::t-3-70)~m7ry ~

''J'":7' AbercrOlllbie I- Fitcll Co.O)~J\iJtJ~$:ljitLTl'~o

:ljJ_.

7')L,,-7'tJ~1'.t~, 7)L,,~0)1"'J ~

P-13

[fi.of-r-]

F7:/g

-r1 '":7(1)j'FtJ ,;t~~ll3tJL.-if-'7''J:/i'- 1\:1 F)L"T, 7-(

ofi"'J'":7'tJ~-::>l'Tl'~o

Delaware !1aid I Skinner

-r 1'":7 Ii"} 77 t, ':77 [..- :A 0) 1 .:::/7)L" R.II.L. tJ$I):1J ''J '} -t;:A -::> tdlll.o):A of-r-T, ~
Delaware !1aid (1))(*, &t;:,;t AbercrOlllbie I Fitcll Co.,N.Y.

O))(*tJ$$:ljitLTl'~.

<J!~ t'WO)$;tt;:,;t

1\:1 F)L,,';tL.-if- '7 ''J:/i'

-t;:""-7':71 ~O)~~t:11~i6I..,tU~~o)T, 7)L,,~0)J'i'-'J ~ ofi"'J'":7tJ$-::>l'Tl'~.

P-14
[fi.of-r-]
Delaware Naid I Skillller
7' [..-- F iEiliH;:';t Delaware !1aid,
1\-'":7 -'j :l7"T'":7{ :ljJ- 7")L,,-7'1'.t~, ry;t )L,,-r ''J ':I 1\:1 F)L".
,;t AbercrOlllbie I- Fitch Co.,N.Y. O))(*tJ~/lJj.:,tLTl'~.
P-16-A [~jf-] Delaware !1aid I A Kind of Dagger

&1R~t;:

':77L.-:AtJq ~ ''J7 l)b-I,\,)L"itiT~1l'ut~, md.lTO)tJtuTilIJIll3t;t-r1'":7Ta;~ (KNIVES '8ItD1611~J!(f)

L.-if- '7 ''J:/ i' - 1\:1 F)L"T, 7)L" ~ O)I'\' ''J ~ of i' ''J'":7tJ~1'.t~, ':77 L.-:A l'v <mft1l~'C7" -( '":7 71 U tdf~tl:Ta;
~.

Delaware !1aid 0))(*tJ~7 [..--

P-16-B

[7711-]

r iEiliiO)T~;tt;:/lJj.:,tL Tl' ~o

-*

u tJ)tJl', #-;V;t;:Jt~tJ-r 1'":7 T a;~.

Delaware !1aid I Fighter

7':7 :A0)[]:l7' '17)L" l::)L" ~ tif7 l::)~ ~ 0)1'.tl'tdBlIft0)7 717" -(:I~. -r17

:I F IL"t;: '":7 -( :ljJ- 7")L,,-7tJ~1'.t~, ~~ll3tJ7)L" ~ 0)1'1 ''J ~ of -\- "J'7tJ$1'.tl'Tl'~.

L.-if- '7 ''J :/-\-- 1\

Delaware !1aid O))(*tJ~iE

iiH;:AtJ, &1l!IH;:,;t:/1)7)L,, -r:ll'\'-O) 26 t AberCl'OIIIbie I Fitch Co.,N.Y. O)~J\iJtJ~~.:,tLTl'~o

-r17 7
717' -( :l7"O)t~tho), 7':7 :A0)1'i I) -tJ~~t;:1'.tl'Tl' ~o lBthT ~ <T~ t~if7l::)L" ~ 771 -'j -T a;;S -j.
P-17
[7711-] Delaware!1aidl Fighter
i:tL,;tT''7ry I 7~tUBlIft0)7 717' -( :17" -r1 '":7 T, Delaware !1aid t ."}O) 9 tJlI):1J ''J '}-t;:~':' tL Tl'~.
~IH;t 392?, ~ft 294"').
~t;:';tft~95"')0)7'7 :A0)/'i I) -tJ~1'.tl'T;$ tJ, J\:I F )L,,~;t [..-if- '7 ''J:/ -\- -T, 7'7
:AO)'f'7')L". l::)L" ~ tif7 l::)L" ~ tl'-jj'FtJ t;:tJ-::>Tl'~.
P-18
[/\:11-]
0)7'7:A l::)L"

Delaware !1aid I Hunter

~ tJH~u

l', '":7 -( :ljJ-.

7")L,,-71'.t~,

ry;t)L,,-r,'J'Y 1\:1 F)L,,0)7 717" -(:I~. -r1 '":7.

7/L,, -'j :17" (7'-I\-t;:mi'f ljuTl'tJl') T, -'j :l7".~:1 n;:m:A:1'.t~o 7L.-- nEiliit;:';t, R.~'.Loveless, !1aker,
ClaYl'Cnt, Delaware

P-20

O)[]::ttJ$A.-::>Tl'~o

[1f{ry 1 -r17]

Delaware !1aid I Bowie

#-;V;t;:J~ u

l ''7-7 O)AtL1J~ ute:, T''7ry I 7~t'CO)Mry 1 -r 17T a; ~o iI;V;O) Delaware !1aid CVf{v tJ t;:
LOI/ELESS-N4DEo)'7-7tJ~A't), &1R1H;:t;tlfililtJO) AbercrOlllbie I Fitch Co.,N.Y. t;:1Jn;t, Bowie Kllife t$:lJ:ttLT
l' ~o
'17)L" 7':7:A l::)H, 7 -( :ljJ- 7" )L,,-71'.t~ T, 7 '7ry:l :A -'j ''J 7"0)1\:1 F )L"tJ~1'.tl'tdl~tJ-r17
Ta;~o
I"'J ~ of-\-"J'7t;:l:::"::t--'j- (fI) O)~fiIlitJ$~tLTl'~tJ~, ':77[..-:A~;t~<tJl't:a)tuTl'~.
P-2l

[1f{ry-1' -r-1' 7]

1956~j'F

Delaware !1aid I Bowie

i:0)J; -j t;:~ <~.~O)a; ~-r17 t;t'f -j~ <';t~j'F~tLtJtJ) -::> t~. 79mmO)~7)L" 7'7:A l::
)L" ~ t;:, ry;t IL,,-r ''J 'YO)I\:I F)L".
'":7)L" 7'-1\- -'j :l7"o)~:I F $;tt;:';tm:A:tJ~a; l'Tl'~.
7 [..-- F O)iEiiH;:
,;t Delaware !1aid 0) [] ::ttJ$ A -::> T;$ tJ, 1):1J ''J '}-t;:t;t 1398 O)-r:l 1\ -tJ~ J!':' tL ~ tJl, i: tL~;t~ffl u t~::J I '} ''J '":7'
?(1) l39-Btl,-jilMO)Ii"}Ta;~.
&1R1H;:t;t, Abercrolllbie I Fitch Co.,N.Y.t;:1Jn;t, August 18, 1956 t$:!JitLT
T'':7ry I

l'~.

7~t'Ct;:,

i:0)J; -j t;: -r 17 t;:il~..t~~7'CIiX~Fl B tJ~~.:, tL Tl' ~O)';t#-;V;t;:f$tJ i: t

J-18

Ta;~.

P-22

[1f{,,-{. '1'-{7]

illJl!:B"Jt..:}f;i*c'::"'t1'A'1:'.

1960fFfF North Hollywood! Bowie

':==:::$:ti~tfFi;,ntdGiiTA(~1'1''10)-*.

Hollywood, Calif., No.1 c'::/lJj~IJ15nL~'~o

liillit;:(;t. H.L.''alleck

1'1''1iEiiH:.. lUi. Loveless, I1aker, North

bt-1'-<l)~iiIlil1J>;d'./~~r15nL~'~.

'it.::. J!!:~o)J\'1 ~ -t-",'17't;:(;t Or,''alleck O)~~~c'::. =?0)8i1iMIJ;tnL~'{S.

-?(;L -t1''10)7i;llX;ld.::
7'I,;-FO)1ft;:(;trJ12Imm O)~
~~tfjldi?5"7)1.- t)1.- ~ (;t~tt(})1i

October 29,1960 1:'SI:I. ~1-m;t April 21, 19061:'::t-1'-0)~'_81'S~.

15tZ.77 fi.o)J\I)-il1?~'L~I:I,

~/tlL~~,ry*)1.-1"1'Y(})J\./

~'AiIU&~ti~ 1.; t.!~(})l'fFi;, n L~'~.

~'int.!~(})l'S{S.

F )1.-~j1f"?

i::O)1' l' 7 c'::. ft!!(})=*~ 7 7["At)'IA~l'fi!>J6I\; 1:' ~ ,t.:: c':: ~ {;:m~h'i;,

~(})c'::~77["fi.~~~'1*~=7~*t.!U~1:I1'.1'1'7(})~Wl'~.~l'SI:I.1'1''1~

-t- ./~~~/tlJ; ? c':: 1.; L~'t.:: c':: ~ t.i. -:> t.::.

[.,1't. fi. J'7-~ /? 71' 17-]

P-24~25

Loveless-ParAe! fishier

1$1.;~' Loveless-Parke (})Cl::iiJ 1 tii;, n {S~ 1.;~, 771'

17-.

~1\;(})-qM.-~~1'1'7~-*'/~~~1.;t.!#OOl'.{S.

- ~}1.--7<l)S ~. I,; 'Ij"- '7 '1:';.,.

J\./ "

Fitch Co. ,N.r,(})~iiIl:b~&;l11H~t;:X. '17-,/ ~15

J\-~ ,;t~"'H;:t;t77[" Ac'::;t:JOJfF~,;t

1.; tJilh td)~

7~1'7fi.t~~c'::"'t7t~~~M!>.'14./ff

J1.-1:', 7)1.-"- (})J\ '1 ~ * -l' " 7htH~ 'L ~,{S.

n L~' {S 7[,,- H;t.

~l1'1B"JtJ7'/

AbercrOll1oie I

r -)1.- fi. 171' )1.-tz.j1IJi;,n L~'~.

P-26-A [.,1't. fi.. J'\-~ /1\./11-]

1967if.'l'lfF Loveless-Parke! Hunter
77fi. t)L-t.
t 1'7./ 17./~. li{z.1'1''111\:~(}) 121c'::;t:t;:~fi'if.'(}) 1967(})~"-iJlx.'17-./.!f1.;L.{S.
P-26-B [.,1't.fi.}\-~/rCl11''\./17-] Lovele!>':)-Parke! Dropped Powt Hunter
i:: (})~/tl(}) r Cl '17 ;j'{ l' ./ ~ {;: (;1, Loveless-Parke (}) Cl ::i:b1)..1:), ~/tl{;:t..: -:> t.:: fi. ':I 4 ~)1.- "11' 7(})7 77-. t
)1.- ~ il111t' L ~,{S.
i::(})1' l' 7(})~tZ.':L::' - 'l t.;:(})(;t, " j - t'- fi.0) 7-. "1'1~ J\./ 1')1.-1'. 'l7ry./ fi. "1 '1 ~'~J\
'1

..

-t--l'1:r{;:~~'. 71';y,I}-~fi.-"\-"'t-(;:l;n'{Si::c'::l'S~.

~~~~.~.I:)

P-26-C

~tJ1'1''1(})~.~.-:>t.!.

[.,1't.7-."'\-~/fi.*'1'-]

:Ji;(})'i 'i(}):J'/~:';a'/(})fi.-t--t-.

77["fi.(;t~~7";1./c'::l;Li::(})1'1''1~.f;

i::(})Cl::i1'~~*(})-t1''1~fi'-:>t.!.

1967fF8Flltfi' Loveless-Parke! Skinner

*:JM1.;t.::77fi. t)1.- ~ c'::77fi. )\'1 ~ 71,;- ~(})f1~'t<!. ~l;~'fi'~(})

77[" A 1'1'71'S{S. ~l;~'fi."1'1~(})t 1'7'/' "1./~1'. 1tfi'15nt.::8i'.tb1 August, 1967 c'::~IJ'inL~'{S.

P-28-A ["7/..1 7-. J\-~ /'i! 1::. fi. * 1'- J Loveless-Parke! Semi -Sk inner
Loveless-Parke, Sierra Hatire, C8l1f.(})Cl::i(})A-:>t.::fnIlJl(})fi'tfa.
i::(})tliO)~~t;t, fi.':I4'}')1.- fi.171' )1.-(})~ftll
l;t.!77fi.t~~c'::. 74./ff-~~-7(})S{stF~./1I./.!f(})fi."1~~A./F~1:'a{S.

7/..1-F(}).~

t;tfi.~-'Y

't..:

Va '17' Safari land (})~iltr c':: ";1-7 iJi x. '17- ./.!f15n L~' {SJ~ l; ~'71,; - F1'. fiil)36::$:(})tilj'i:: (})J; ~
Loveless-Parke 0)";1-*./~:b~15 nt.::.
' t<!. V- 7-.(;: ~ +t7 7 I) 7./ F (})Cl::iiJ~t:JIII1.; 15n L~"~.

P-28-B [.,1'/..lfi./I~-~ "./17-] Loveless-Parke! Hunter

["if- '7'1Vl"-' J\./ F)1.-t;:, 7)1.-!O)J", ~ ~1"'/'7(}))\./1I-l'S{S.

I:)

';:=:z.-3-~(})i\lil&7ry ~

Y.(})~iiIlh'i~IH;:J;

F7'

c.(})lI\jftt;:~77["At;t. ~'lfti

:';3'/'7(})7J'i-~Cl./t'-&'14'/'7-(;:*PI/tlL~Q

t.-~. (})li1HIH;:~IJ'in n':.

71' I,; 7-. fJJlln(})T 7 ry J: 7

-1

AbercrOlllbie I Fitch Co., N.

F(})lJI!:~B"J't..:~~-b~~

<M.,

n ' {S t l' 7 tii.:b'i. It:l:l; L J':< {S c':: ~ <(})afO~(}).h1jU. {S 1'1' 71:'.:.

P-30-A,B [.,A'J'//.!f'/, F't'ry A*'1'-J LatIIson-GoodI1lN! Skinner
i::(}) LatIISOf/-Coodnow (})fi.*1'-t;t. 77["fi. fi. ~-I}-(})r:pl'#;'f;tZ.JlJ!'t..:f,l:J1J~iiiiLl{Si::c'::c'::t.t"?ti?. ~7ry
J: 7:J.ii. ry 4 )1.- 4. ./ ~ ./ ,z. 11:1\; 1:'~, t.::~A(}) t:: I} - T:z.;j'{./ iI''; 7 7[" fi. b'itJ'; ., t;:: tJ(})l', "f-J'i-. 17 ./ ~t:.t..:?
L~'{S.

~(})ftif.'1l.

77[" 7-.(;ti::(})7 '/"f4 '17' 1'1'7:b'i;,"f-ri-. "J ./~(})t./

J-19

~ ~1~t.!(})1:'S:.

i::(})J;

-3 II: u -c,

18004'ft,*,lI"tl:ttJ1'F~nt.:: 2:0Yf-J'\-

~ :.:;:t~~'?1" l' 70)7' 1'T'7'hi '771,.; ::U:J; ~lI~u, JlHf"Et;t

T1: < -~tl:if& un' -l>o:n?i!I>-l>.

P-30-C

[:1i':1 ... 7 ''J!J A *1"-] 19704'1'l1'F Lawndale / Gut Hook Skinner

'771,.;:J..O)JJ"J r 7 ''1 !J :J..::fT-~;t*U;b)<!(i1'~j;< (;t1'F'?n-C~'tJ~'.
2:n(;t, 19704'(;:if'F<!nt.::tJO)'{',

r'J ''/ /" "< l' 7J)J., ~0)1' :.:;7)J.,-7 /" J\:':; F )J.,(;:ttl:bh -C~'~, lJJMO) Cl->7'-)J., '{'il? ~.
P-31-A [-T-J'i- 7 -I:':;] Law!/dale / Cappel' Firm

1" l' 7#~ 7O-4aJ

Cl-:.:;-&~fto), 1':':;7&-7FA:':;F&0)~-K-1':':;"EI,.;~FA~--~~!n~,:J..~~:rA:':;

tJJ., r I,.; :J..1:'~O)~QO)mtJ~O)\- F '" ''1 F )~''J " ~ Vn'-l>.

I' )J.,.
P-31-B

[.:1-'T-I 1)'T-I-]

19704'1'lf'F Lawndale / Utility

Cl-:':;T'-~qftlJJMO).:1-'f4~'f-{-1:',.~0)~&". I,.;~FA~--O)A~~:J..~~:rA:':;F~ttl:~
c:t,h-C~'~.

1970fFft(i:f'Fi?nt.::C::C:HJt1" 70-461 C:~'-31"1'7#~bsi5tJj.lfXn~. )\''1 r (1"1'7~1i) O)~

:j};~;tCl-:':;T'- MDR"b>i? 1972fF~i:il(1: u -c~ft vn' -l>.
2:0)1"1' 70) ~ :.:;~(;t$~(l:i~ u ~'7'7:J.. '7 ''1 7' F 'f
-1\- ~:.:;~ C: ~-:::> n ' -l>.
2: n~;t, 'f-)'i - -? :.:;:rO)lIlml~.~O)f&1:'mlC, $~II:;f.O)l6A,;tittH:r1:' il? I'J <!
i?~~~rO).~.~O)l:T~~.ml'J~~O)*x~7J~:.:;:r.I~.u-Ci!l>-l>.

P-31-C

7''J!J A*1"-)

[:1i''J'"

~tJ~v

-:: > ~1"1' 7

C:~ -:: > L J;~' t;!' ~

?!JA::fT-1:'il?-l>.
[Yx:.:;'~

P-32-A

19694'1'l1'F Lawndale / Gut Hook Skinller

-3. '771,.; A iJiJt !}O)t.::~(I:T'if l' :.:; ul'l1'Fu t.::. l: Th1~O)jf,'J

r 7

~~k,=*~~1'Fi?n~tJo)1:',7'7A~~r~7'7~!J"<1'7J~~A:':;/"~.

1"1'7)

19714'1'l1'F Lawlldale I Gellt's Kllife

'77I,.;A~VX:':;~1"1'7(Vx:':;"~~:':;X1"1'7)C:~~, Cl-:':;T'-~O)Cl~O)A~k.7'7~!J~1'
7J)J.,~

J\:':; FJJ.,O) ~)H I,.; A .1"1' 7.

J].Jj.HIHn.;:J'\- F ""''1 /"O)}\:.:; /,,)J., x:.:; F.

1" l' 7&:~ 647-B

P-32-B [/'1'-] Lawfldale / Piker

2: O)Cl-:.:; - )J.,O)!]'<! tJ ~)J.,)o I,.; AO)J'i l' jj-ta. '1:':;' 7 -I :.:;jf - :r)J.,-7'h1i";j"~7'7 ',/!J ~ l' 7J)J., ~ )\:.:;
t )J.,1:'7 I,.; - /" O)iI4I(I:(;t.L. i! 1,.;-::; g :':;bitIJ:tn n'~. }\ ''1 HaH-/" "" ''1 F O)~:j};. 1" l' 7 #!;} 65-3(J
P-32-C [7 71' ~ -] 1970fF~f'F Lawndale / Fighter
2:n'bCl-:':;-)J.,lJJMO)7')J., 7'7A' ~)H0)7 71' ~-. tnMO))\:':; F)J.,~:j};t;:. 7'7A' '7''J7/'" ~:.:;
:t1:'7''7''l!J' ~1'7J)J.,-?0)\:':; /")J.,, l:T(;:*x''J7J 1):.:;:rAIJ.
1"1'7&:~ 70-451
P-34
[i!~ A*1"-]
Lawndale / Settli-Skirmer
~M~U'Cl-:':;-)J.,~ftO)i!c:. A::f1"-. 19684'(I:A.G. '7 ''1 i!)J.,hi '77 I,.; Ah)i?;f.tU,nt.:: 'b0)1:', I):':;,,:,:;,
~ ''/ ~:.:; :/-h"~~IJ~ U, ';.1-7"' $-:':; )\:.:; nJ.,O)l:O)~tIJ'b1lthi. LJ.:: <t;0)1:'il? -l>.
*~~:H;:lJJ~"O)'7"J x 7'
.x l' F 'E)J.,O)ti:*(;:~i?n~, rrJlti14'~ O)J; O)tJl\:':; l' )J.,O)~:j};'b$W;(c:Jt:l:1:'il?~. 1r71,.;-1" ~JJ':;':':;A 0)
7')J.,- A lK1' )J., Atl: u-C, rr$~el:~p,*il? -l> 'f--;' til C: ~v u~t.;: 1"171:'il? -l>. 2:0)1" l' 7 H1fID u t.::., tn
.~ttc~o)~-T-~i?~~U-:::>k;f..~J;-l>c:,1It~R-:::>L~'-l>~~7'I,.;-F~1"2:u~~kO)~,.~O)~~~'7
7~A~.~.ukC::C:~il?-l>C:0).~~~.

P-36-A

19704'~1'F

[/'\1"1" A *1"-]

Lawndale / Banana Skinner

A::f T-t;:(;t, ~IH' N S 0) ~~ I- tM;j'~, r'J ''1 I" ~ l' 7J)J., ~O) ~ F '7:':; -? :.:;:r(1:
(;r~ft < ttl:hh n'~.
)\1"1"tI:W)ti!7~- Fh1:%MO)Eil*1:'i!I>-li> C: 771,.; A!}h1~lbL~\-l>.

Cl->7'-)J.,~f-\:O)2:o))\1"-t
tJ~ -Cti

IJ,

_<

1"17#~ 70-413

P-36-B

[7 -I

ri:.:;tJjlJ

J.;.

1"1'7]
7..( ~.

c:~'-3h),

19704'~fF

Lawndale / Bread or Filet Kllife

't17c:~\-3o)b), ~\"'9n(;:ULtJ2:O)-t1'

nO

7(;t,

.~'~.o)UJ., I-~.

::1::1;f{O )\:.:;

~')I.>Q)

P-36-C

t F 7,';! 1,';!~ t~, -3f1;l'J 1:'a& i'Ji. ~H.H~;JF~cz.g <C..,A :J.-'T-( I)'T-(_] Lawndale / Lamb Utility

1-171j:~

4L

Q)-:(-~Q)a&'5. ~l;~'C1-,';!7'-)I.>Q)7A

~1Jtt~~-:.>t.:!7v-

nz.lt'1:' Jil: OllhTa&'5.

t)I.> rQ)t\';t>I'J~,
t,';!AJ;~'7'if1 ,';!Q)i-171:'a&'5.

:J.-7-'-I 1)7-'-1-.

7-1J~~iM'1T~'T.

~~'NSQ)jJ

I\,';! FJI.>(;t71n<I)-.
*~(Z./J\~MtJ.
A*'f'-] Lawndale / $ellli-Skiflller
C1-,';!7'-Mi)C1:tQ)/J\~~\t ~ A*1--~;t, N S t)J.,,, iZ.V-7 ;1;-,';!Q)I\,';! F)I.>1Jtft~, t)J.,,, gj!7tQ)J:l"tz.
~;ttl!t I'J JJ:~Q)-I:! v - V '3 ,';!i)tA -:.> T~' '5.
<::. Q)7 -I -)J., r l'itt l; <fj!ffl~ ht.:! 'f' 17 ~;t, 7;:Q)7'OQ)I\,';! 1-iJ) i6, il!
~'~~'Q)1'i: <!llJ LJ 1- 17 ~t, -3-*fI;-:.> Tm:l; ~ \t~-:.>T, ~*'z.~ I'J if!,~n T ~ t.:! t,Q)1' a&~.
I\,';!"$' -~;J: <::'Q)1
1'71:'Q)~~ <(J)J!~~ttlW~t: <::. c~, Wf1*l;t.:!nD~ftH!f l; t: t <::.. El7tQ)1-17iJ~7 -I -)J., Fl'f!I!ffl ~n n' '5
<::. t HU~ <::. b'J'*tlf~tJ77'VA~;J:, jJil.; ~'1-17~-.J ( I'J ~fl1:'lttz.i!-:.>t:(})ti-:.> i'1!.

P-37

C-I:!~

P-38-A

Cn:l'~7' I\,';!"$'-]

Lawndale / Dropped Point HUflter

7'-1\ -Q)ft~' T~'t.t~\, 7)J.,"$',';! ~Q)'f:7')J., 1:' a& I'J, N S Q) t)J., r iZ.:l :::1;t{C1Q)\,';! '" )I.>iJ1ft~ 'T ~,'5.

[rO':1:7-I\,';!"$'-J Lawflliale/ Dropped Point Hunter

F CI '~7' 1\,';!"$'-iZ.(,:I:., N S t)J., " tli::bQ)-:( '~'f,';!~Jil:~'71 r 77" ,';!Q)A"$' ,~~
iJ~ft~, ifjlJ; I'JpV,lIi:mz.'fx ''JjJ I) ,';!~i)i~IJn n'~.
P-38-C [-I:!~ - A*'f'-J Lawndale / Setlli-Skillner
pl.;ft~Q)NS t)J.,t, ~ 1)-Af!!Q)A"$"'J~' I\,';! F)"tZ.~;J:v':J r A""-if-i)i~nT~\'5, ~1.;~\/J\~Q)C1,';!7'-)"Q)t'l A *1--. ::f.~UitJ<::' ti;: <::'Q)1- 1'7 iZ.';t, N SQ)I"'J r * T''J 71J~it't i6n T~\~iJ:!, <::. Q)~i"t
tz. 7 7 v A ,;t <::. Q)J; -3 tJ<::' t t;J:~ l; T l; tJiJ) -:.> k, <::. n t;!r.oit~ \tJ <mtiJ)iJl~iJ) i6'f.ti1m.it t: t,Q)1' a&~.
P-38-B

<::'Q)Jj\~Q)C1->T-)I,(})

P-40~41

[.::l.-'T-( I)'T-(-J

Lawfldale / Utility

;t{7Q)K-~1-~:J.-AtI.;TfI;6nt:,:J.-'T-I~7-'-I-I\,';!"$'-l',~-.~-AQ)~7",';!A"$'~~~f!I!-:.>

k t F 7,';!"$' ,';!~liz.tJ-:.> T~' '5.

I'J ~l'tJ~'IDEOO:z. Bad Bob 's

(!!~''f;t{7Q)t,Q

tQ)~-~

iJ1A -:.> T~'~.

C7 Y l' ~- J Lawflliale / fighter

71,...- FQ)j!jIJ I'J 1H;J:'7,';! F-)I,Q) /'Iodel 5 t<:1J;}-e;13I'J, 'f'1' 7Q)fI;l'J t;J:7'7";r. 7 X l' nz.~iU-~, 7)'" 7
'7 A t)f., HZ.JltlQ) 1\ ,';! '" )f." 7;: l; T7)" ~Q)I'i"'J r * T ':17 t~, -3, C1->T'-)";JJlUIQ)tjQQ)7 711-. ~.
tJ.1-17 t1!ll-3 <::. ttn~~.
P-42-B C/t'f''f'' A*'f'-J Lawntiale / Banana Skiflller
t r 7,';! 1 ,';!~1', "j-. 1:- AQ)A -$' ''J ~ I\,';! ~. )f.,Q)*~iZ.:m."Q)C1-y.T'-)"Q)f!;.r.,. It ''J Hi:.';t~ 7",';!
A -$' ''J~ti~~\, .:r.,';! l"iZ./J\~t.t::1 ,';!/'i Ai;H'~i6lt'ttT~'~.
N S t)J., HUijtfjI.;T~ I'J, 71,...- n;t8i_t;:~~,.
P-42-A

P-44-A

[1"11',:7'I\,';!~-J

Lawndale/ Dropped Point Hunter

r CI ''J 7' +)f-1 ,';! l- I\,';! 1-. <::. (}) Lawndale Q)1l:t,;t, <::'Q)lItti't l;i;)'57v A ';tAn T~'t.t
'f'171j:.!ji}';J: 216-/(/(1', 7-f;t{I)-~1jJ)[;-$'Q)1,';!7)J.,-7r I\,';!F)". DtAfttlH;J: 198''',,1:', El7tQ)

*JJ~T'f.ii:.Ant:
~'.

:::1v~V'3,';!tl;T~=*Q)1--f71'a&1.

P-44-B,C C:7o

~1':7'

'f'1'7J

Lawndale / Proto-Type Knife

C1-,';!~-~mlUlQ)7'or-$'17'1','77vA~tr7,';!-$',';!~Q)fI;Vnti~~~'5~~~Ufl;l;~.~B~W~
~nk~J:'~iz.!~ I.; ~ ,t,Q).

fj";gtJ Knives Q).:r.7-" -I "j-Q)'T,';!

VQ)llil ,1t~ ~Jil: <~ ~"$' ./P'Q)[ll]fl~,

'7-1--1J~-~II")fifj" I.; n'~<::.

f!!'<tJ~lJJ!~~-.J.~,tliJtii~.:,n~.

J-l1

c t,a& '5.

.:r.~*

P-44-D

[-e~.

;(4-t-]

*~ tJ[1- ;t"1-Jt-Q)-I! ~

Lawndale' Settti-Skinner

A 4' T-Q)I\;t I" M;I:, ~l;

;tnJ.,Cl;Lftr_il~?L~'-5.

T1'7:l1i~iI~

<11'77 )t-ttl",7 ,0- . m-;t-e,

l' ;t:1)"-7 It J\

1415Q), ~l;~'T1'7.

[;( ~ v- ~ J\;t5'-]
1973F1lf'F Lawndale' Stl'aigllt Hunter
El,H;:c? LlJJ~LQ)'77 v A T l' 7 c~' ,:>, ~~IJQ)~,,*t:f,}?T1' 7. 7 1'~ I) - -:( l' 11)k'JQ)1' Y7J"-7
r J\Y ~')"t>B~Q)l.i!!lc;tt~;:, ~MI< tJ?L~n'-5. 1973F(;: 188'5i.1!'f-r;:Ant;:.'f'JJ1!, T1' 7.z:~';I: 235-{({(
P-46-A
[7'}l7';{"::r:7~ ';{4T-]
1970F1lf'F Lawndale' Up-Swept Skinner
NSI::)Hc, }~-7:r:'J" ""':""Y~Q)A-$I':l1"J\Yr)t-t:f,}?
T1'7:l1i''''H;I: 70-520
P-46-B [7 '}I 7- ;{"::r: 7 ~ ;( 4T-]
Lawndale' Up-Swept Skinner
ii){:;EtMJtl; t.::11- I) X -7')'vQ)1\ Y F Jl,(;:, 1!;ijQ) 1::)" ~ tMt~, fI~'i"-J'i- -$I;t~. T17 .~(;I: 376
P-46-C
[~)"'}I~ It ;(41'"-]
Lawndale' Crooked Skinner
<::"5 <? b'c~;tktJ~l; ~,1'" 17Q)-:$:. T 17 .z:~k;l:, :l!t){*Q) I(l{)-){*iI~A? i:~'~. N SQ) 1::)" ~ b1i1:t'
J; t)~ G[t <, '} Y-'f m-,"ru~ 1'7bt A? n'TJ~'. 1ft) .tl:~bt, -$I ;t1'Q)'M'Q) 1::)" Hi~:71(;::~IJ n L~'-5.
P-45

P-47-A

[;(4-t-]

Lawndale' Skifmer

Canadian Russell Q)::t-?1-1!Ilf'Fl;t", -:$:l;b)tJ~'~G~,[1-;t"1-)'vQ)A41'"-.

iltf--t~,

"'b?~'}Y~'

m-)"

., )"T'']'' J\;t ~ J"1!, 7 v-It Q)1fr;:(;I:-!f.l. -I! v-'V g;t OIl') .tl:~) iit~IJn n'~.
P-41-B
[;{ 41'"-]
Lawndale' Skinner
i:Q)~~IJIlQ)[1- ;t"1-)"Q)A 4'T-(;I:, :1 :1;1;[1. J\Y It )"Q)I:: r? Y -$I Y~ ttt?i:t:i."
.~, N SQ)Jt,'J ~ hi
ft~, n ' -5.
ti~, C4Sf Q)1'" 17 t::1 t:: - l; t.::8Il:7}b1Jt<? n -5.
'77 v A (;I: i: Q)1'" 17 Q) J; "H;:, .l>:I V'Q)l:Q) 1::)"
~ Q)]j1H;:, rnt:An<?n-5 J; ':> tJT 9 1 )'vt:f'F -5 i: c t:~ <N'ltl; L~' -5.
1'"1 '1.~k;l: 389
P-48

[FO''J7' J\Y5'-]

Lawndale' {)ropped faint Hunter

~~I').b?~7v-F~::r:1':1t:l;~[1-Y"1-~Q)r[1~7J\Y-$I-.

NSI::~~~A-$I~~'J\YF)k

T-J'i - -$I Y1"Q)/IllaH;:l~U~Q)A ~ I) ''J7t:~~, J\ Y r '''Q)1:. T(;:(;I:'11' ;tjf- -I! v-'V 9 YblM!i~n i:~'-5.
1'" 17 .~Q) 504 Q)17*iI~, ~ili.iilt.liH' c5"':> (3: <::*~T.t 1::)" "Q)ili.ij6j c~' ,:>, :$:~r;:~ l;~' c i:;I) (;::~IJ n Lt:i 1'),
i:Q)J; ':> ~filir;:-:(-7 ~n L~' -5Q)(;l:Jtt.:: i:. cbt 1!tn'. AT l' -7' V' 3. Y'j ;tb~, I~-eili!=!lil~td'BJJQ)~(;:, "7
7vA~.~:1v~Y~l;~X-,}T~T17.

P-50-A

[-:;A' ::1-i"-I I)T-I-J

Lawflliale' Lamb Utility

.Ill <-:( ':IT l; t.:: A -$I ''J1''ilt v ''J F A""--!f-Q)!J;:ft~, t;:.,

iffiij6j(;:, 'Vg-' "71~"1"'J';JQ),l:'-:lTY~b1~nLL'-5.

~ l;

<IJ'~ ~Q)'7.l. :l-T 1'1) T l' - .

7 v- rQ)

T1'1i1\:~ 2/1-f({(

[.:1-T-( 1)7"-I-J Lawndale' Utiltty

i:.(J)"t 1 '1 (;I:, :l:.li:';;' <"~.B':J~~"*T'77'vAiJ!fbt;:.t>Q)T<!i);I) ':>.
.::: ''J'r)'"
A -$I ':I.!f J\ Y I" )".~~IH;l:IitQ)<bQ)b)::fBJlti!b1, -JM~JQ)T 171! -5.
P-52-A
[.:1-i"-II)7"-I-]
Lawflliale' Utility

P-50-S

:i:<7't;fiX~ntz:o-Y"1-)"I!'itt;Q)1'

Y7'''-7r J\Y F)"Q)T1' '1.

7'7':17' -:(111)"5"

TJ'71-$1-(J)"1t.'-'J 1<'. AT~-)"b1, iHJJQ)':::.2-3-7 ~3.-T'f-C;:~'nt.::t>Q).

P-52-B

[-e~. ;(~1'"-]

~)J.,/'-Q)I::)H cTI''J

J\~

H;:,

F)".

1'"17:l1i-l't 181

Lawndale' Sell/i-Skinner

I:: r?;t -$I Y1'T*,i-jtfiL, t;:. 7'''7 A(J) I:: '" "(t, 7

l' Y jf- ~ )"-7'(J)f'.t~' t.:: 0- Y"1-J"mIlJl(J)~ l; L'f'FJl..

J-22

'fj;g

P-52-C [*",,'::;7'. -t-(7] Lawndale / Calffp Knife

N S tJI" ~ C: !l:flQ)/\'/ r' JI,,1:', l; '?iI) I) l; t.:: 7C1;i{-V 3 ,/Q)t}Jllit)(Q)C1- >T-}I.-~f-\:Q)'" "",/7' -t-( 71:'th
~.
6_35m1lQ)~~)M"..til)i',f'ri"'h, tfiiQ){,Q)J; I) *~ T-H-~l[bk -7 >?"t:t;hTL'~.
P-53-A [~ ~ )...- ~ 1\'::;9-] Lawndale / Straight Nunter
~Q)~mQ)t:hkC1-,/-~Q)~~)"'-~/\'/-7-~75~t~~~~~F~-(~~91:'th~.
~

0/6 1:', tJI"

P-53-B

-t-(7.~

(;:jlI <7)...- I' a)ff';:;~b tz, $-:t';:~h '? tz t:;::" ,;:~-'" '/7'~h TL'~.

r~~ ~*-t-]

Lawndale / Seitti-Skinner

;::Q)*~~C1-,/-~Q)~~.~"'-t-~, ~~17"~Q)~17Q)m~.~~~'?~75~t~~~, ~~*C1'

J\,/ F'I.-O)t Fry,/

9,/71:'th~.
lH1i:iJ~_<, 7[.;- FQ)i(iflH;:t;t Safariland a):%llIJt:C1:tiJ1Ji':'h~.
P-53-C [Y';17' ~~::r.7'~ ~*-t-] Lawndale / Up-Swept SkllJller
19704t1:lJJRnQ)C1-'/-JI,,1:'Q)f'rirf'o. NStJI,,~, ~~~C1J\'/FJI.-1:', 711.-9,/7". T1'7.~ 27
P-54-A [t;1JlIIf'Ji.lll-t1' 7] 19704~f'ri Lawl/dale / Amputation Knife
C1~ 7 >t! ,I.- ~:f:fJEa)<j:lIE~ F 'J -7-Q)~Z;:~f'ri l; t.::, tJJrtJi"F~i)fjQ)$-:tt;:nl; ~ 'T1'71:', ilnJtJt1:'~ ~ J:? I;:::t
-Jl"il!l:(;: t.hT~ ,~.
{,., --'!UliQ) -71' 7Q)!h ~;:: t: Mtil) '? TSI), ~li/lC' 4*Q)!Jl:ff:illliijj,8~h T~'~.
P-54-B [:1-""1' 1).".1'-] 1970441f'ri Lawndale / Utiltty

~JJlIJlQ)C1- ,/-JI"f'riJ1C',
J:~.

7 5

C1:tQ)~-"''/7'Q)m!l:e;t7

5,/ 1'-11.-

t,I.- H;:;y, IJ " V:z. ~hk ~ 9 ',7" i\,/ I' 11". ~~IH;tC1,/' ~ '" "" "7"~t;:
[.; - I' Q)'FJi"J: I) T1iC'ii-:tQ)fll!l:t: (;t$-:t:;:~h '? n'~. T 1'7Q)rlIJ1)1'it;t

~91' JI.-Q)~.iJS~1>Ji':'h~.

P-5Er-57 r7'-'Y -t1'7] 19694UfF Lawndale / Boot Knife

N S til" r I;:, 1::,,7*-'/' V-7.
5,/,..- F *-11.- (lH1i:)

(;:t~tJtth~.

T1'7.1lJ 384

P-58-A [.,',r/"7VA7lt-JI,.T1')I~] fIood-Loveless/ Foldil/!:

'77 [.; ~Q)if l' '::;(;:J: ~, J\ I) - ~ "J f Q)~fFl; 12, S S 7 [.; -J.t;:~ -7 ',7'" J\'::; F JI"Q)!~l; ~'T-( 7C'th~.
1\,/ r'JI.-Q)p;jil~l;:t;t, VI}YJI.- T,/)\-Q) 1101 Q)ft*t: First Production hodell1ark 4 Q))(*tJi~IJ:thT~'~.
P-SS-B [.,',r/"7')",~7lt-JI,.T1''/~] lrlood-Loveless/ Folding
~-7,/7[';-J.~~-7~7"/\,/F~.

J\'/F~Q)p;j~~~C1-~~~Q)&~~Ji"'h~.

P-GO-A [.", r /"7')...~. 7lt-)\"71' )I~] flood-Loveless / Folding

~~-7'/J\'/F~Q)"~F/57[,;~C',J\,/F~~~~-'/~1'~~-7. 77[.;~t:~~F~Iii~l;kt:
;::", ~.:, t;tfiil)37*l;tJ)7:t -JV7' 1 ,/ ~~fF l;Tt't..:~'. ~i',(;tf!!q tJJ\,/ r M~"H:f~h T s t), 12*t;t~ -7'::;
C', 7 it.. ~ iI~ 2 *, ~ I) iJi A. T'/ [.; ~ J\,/ F )1" C' th ~
p-60-a [.", r /"7'J.;~. 7lt-)\"::r1' )17"] flood-loveless I folding
"''J F/57[.; ~Q)7*-JI.-"f1 '/7'C', S S7 [';-J.(':~J[,-'/ (;tU~) Q)~1'~JI,,9 )\'::; FJl"iJ~-:J~'T;t:)I'J,
;:: h'h~ElJi"t;:(: '? T tHHJJ 0)" " F / 57 [.; ~ 1!, 57 [.; ~ ~jj l; T::t-9"-l; t.:: {'Q)1!th ~. it)( l; TtJ)i',~~ 'rol'l~
k~h~iJS,M~~~Ft:Q).~~;::hC'Rh'?~t:~'?"F~t:~~;::Q)T1'7~~ffQ'?~.

l' T J. t: t..: ~ ;:: t: (;tfl,~jI~ ,tJiI) '? t.::.

-7 C17'ii I) Q)75f',,~ xtl. '? t.:: t;: -r ~t..:~ '.

J-23

;::h~~[.;1-7-Y

P-61-A

["':"'''/''.77L-A7'''-)I-T1'./~]

It'ood-Loveless/ folding

l!'.i!IlbTf~u~'-t171:'ilil-3.
e~IJ:Hl. T:l3IJ,

P-61-B

7'I-~ 7 v-1.t;:"'1--./ "171'1-"1' J\./ ~"I-O)pglllIH;:, /Iood Loveless !1ark 4

7 ,I- ~ O)J\./ F'I-0)-If./7"'I-e u T-*ti(tlYfJ;~n t.: tbo)1:'ilil-3.

[" ''I I" /".771" A 7". -)I-T l' ./~]

/,'ootf-Loveless / folding

#'-~t;:'illUt-*1:' ilil-3.

'f "1 ./ 7 v -1. t;:r7 ':I F " 171 ,I- "1 J\./ ~')I-.
pq1JllH;:, /Iood-Loveless, !1ark 4,
Titaniu/ll, Satllple, 1001 0)CiJ1A-:>T~'-3.
-t17t;:<:0)J;-:'>t.to:iO)An/H;L
rJ':I ~'iJ1mluti<:e1:'
'lfJA 77' v ::Z(;l:7' v - FO)l!'.i!IlbTTO)(l-:'> t;: o:i(;I: Ant.th
P-62-A

,,1)_.

[It--./. A ~ 1)_ ~ -t17]

Riverside / Hom street Knife

<:0)1j'~1J0)-t

P-62-B

17(;1:, N S '71 F ;t;'I-::Z "1-t;:::Z "1 ':1'1'1:', B*1:'A~O)ilil-3'f::l.-7 :/-::Z(;:A-:>T~'-!'.

[Fa"J':1')\./1/-] Riverside/ Dropped Point Hunter

v1' t:7':'/')I;I;1IlHIJut.:NSt'I-~t;:, lll:<"':I'fut.:::Z"1''J'fJ\./~''h

-t17*-'% 642
P-63-A ['::'::I.-g-~. ::Z"":/~)I-] 1972iFlYfJ; Riverside / New York Special
<:0):1 v7:/ 3 ./0)tf:11:',

~tb'illUt-t 17 0)--*1:' ilil 'i

W..::;:z -3-7 ::{\'Y-rJJ-.~

-:'>.

<: 0) I) J,--If 1 F

eD'l'(n, I 972iFt;: 7*1YfJ;~nt.:.

"-~0)'Ht!<D7-')

II~'N S717-(;:~I)-./

-t 17~;!:

::f-to./I'::Z "171

~"1o)A'/F~1:',M~:/-::Z~M~~ilillJ,::z-~O)pqif(~~~~&Ilb-3~Ilb~,~~<,~fflO)M.O)m~~U~

uT:l3IJ, :/_ ::zt;:j"'Htt.:* ''17 e-t 17 0)'\'/ ~"I-O).lIIH;:1"H' tc.* ''1 7 iJ1fi{1lb i? n -3 J; -:'> tU.t -:> T~' -3.
P-63-8 [1\ 1 f' 7" ~] Riverside / Hide-Out

iii IJ g~ 'J\./ F 'I-O)~ u ~ '7'if 1 ./O)-t 171:'ilil-!'.

~0't.t~' ':7',1-1:',

" 1 71 ,I- "1 iJ1ft ~ 'T ~ , -3

P-64~65

.~, N

*-'% 8J8

S 71 7-(;:, ~ I) -./ ::f -to./ J,::Z

-t 1 7 ~-'% 027

[-c''J ~ -t17]

Norill American 8ig Game Set Knife

77 v::Z(;!:, e ~ c ~ 4*iJ) i? 6 *~1i:0), 7'E~t;:" ':I 'f u t.:::Z "1 ''1 70)1t~' td~ ''1 ~ -t 17 ~fJ; -!, <: e iJ1 ilil-!'.
'71 F ;t;)I-::Z "1-t;: 7"I--::Z :/ 3 -t;: J; IJ, ~t7.x I) 710) 1::: ''1 ~ Jj-1. e DlJ'(n -3lb~iJ1/!Jj IJ O)ii',' "1 ''1 'f1:'/!Jj~IJ
iJ1~n T~'-3.

P-66-A

M8'ki")(0)7"1' ::Z7"v-' ;t;''J7 ::z t;:(;!:""'1-"" ''1

[:10' J\./1/-]
Riverside / Pro-Hunter

~ iJ)~iJ)n T~'-3.

j;lItii? u~,-t?''J

1:'ilil-3.

*~~-t~0)~A--If1FO)7"OJ\'/"1-1:',7'v-F~7~~71./F~n,"~-./"171~"10)J\-7

"1 ./7T ilil-3

<: n(;I:~tJl(J)-*1:',

t;:.~, "::Z"1-~~<

t~

e~'

-:> t.: -*0)1&:0)* I) ::i'-t ,1-1:' ilil-3,

uTu :n', <:0):1 v7

-:'> (J)(;!: 7 7 v::Z (;!: <:O)-t 17 ~1Y1'F u

"1-iJ)i?<:0)-t17~1ii'1J 71'/~ ~

vr u i -:> td.: 0)1:' ilil-':5 -t 17-1:-'% A8

P-66-8 [:10' J\./1/-]
Riverside / Pro-Hunter
7,I- 771'./ F0), ~ u ~'aH~,:7")I-O)7'o ,\./ "1-~;!:, SSt ,I-

v-::Z U,

<:0)~(;!:7'if1./~

u@

'./1::*-:/ 3'./1:'ilil-3.

* I) ~-t)I-0)7'o J\./ "1-(;!:,

(;:iJ)t.tlJli~'7'-J';- "1'/7t;::fl:':rT~'-3.

P-68-A

[f'a''J7" ,1\./1/-]

'\-7

t;:, 77 ''1 7 "171'1-"1 ,\./ F ,1-0):1

"1'./7't;:uT~1!:1tuTilil-3iJ1,

<:h(;!:'tO)tl;)JIJ

"-7(;!: R./t'.Loveiess (J)-If1'./O)O:i.

Riverside / Dropped Point Hunter

c~i?~e~-:,>e,WJAJ;IJ~~IlbO)Fa~7'J\'./"1-~~::Z"1./-FO)~A--If1Fa:i~I~'f./~~nT

:l31J, NSt)I-~t;:~<"''J'fut:.:.::Z''1''J7'J\'./F'I-iJ11t'ti?nT~'-3.
-t17-1:-'% 697
P-68-8 [1"0''1:1, J\./"1-] Riverside / Dropped Point Hunter
::z "1 ./ -7 - ~ t.t F a ''17' if( 1 ./ ~ J\./ "1 -1:', WJA 0) I) A - -If 1 F 0) a :iiJ1A -:> T ~ , -3.
/!Jj~IJ

u 1:.: N So) t,I-

t;:, v

''I ~'

v 1 t: 7 ': ./ ') I iJ1

71-t-H'JIluti!.', lll: <" ''J'f u t.:::Z "1 ''17 ,\./ F 'I-iJ11t~'T~'-!'.

J-24

P-68-C [Fa',7 J\;;5'-] Riverside / IJropped Poiflt HUflter

:A 5' ;;1"'- FtJif -1' ::n::fttifl', N s t)H, V" F :A"'-if-t;:, Ii!: <X" 'f Ld.:! 7 -1' ~ 7'7 r'J ;;(J):A 5' " -'f
)\;; F )).,iJ1f1~\"[~\~. Ho// ifield ::1 v? V.3 ;;tU.:! t.i-*t.:!'~:tJf.~tL l~\t.:! ';'(J)1:', W~t;:Jj'~tJa::t1:' i5~.
P-69-A [-1' >7'-'f"7'''. J\;;5'-] Riverside / Ifltegral Hunter
'7 -1' F it I).,:A )1- :A711).,(J) -1' ;; 7' Jj '7))., -r -1' 7. 19791'f-(J)'f))" F V :1 -n]J~ll1fi' ~tL t.:!.;, (J)1:', ;t()).,
:A 5' -<7JjiIijjlij(;:(;t v;t -r))" F v -1' ;f<r'J .-( " ''JiJ1 fi'ic iffi~' 7' 7:A 'f ,,? fi:~ffl U l#:~t;:#!foJ"Fa'JtJT"f' -1' ;;(J)jJOI U l
~,~.
12:tfIFGtLt.:! -3~(J)-:t1'i5~.
P-69-B ['i!~. :A'f-t-] Riverside / Setlli-Skiflner
~ U ~\-r -1' 7.
N S (J)'7 -1' F t))., ~ t;:, ft::tiiJ1J;. <X''j 'f U t.:!:A 5' ',Jj' 1\;; F))"c v " F :A"'-if-iJ1f1~'l
~,~.
if -1' ;J(J)[J ::t(;tJl:Il' i5 ~, fli}@liJ) U iJ)~ffl U l~\tJ ~'u, ~m(;t~-J -:::>.;, l') iJi~~' c 77' v:A (;t~":J l~'~.
P-70-A [?,,,,,? f' :A'f-t-] Riverside / CrooAed SAiflfler
:A 5' ;;'f'- t" tJ I) "-if -1' t" (J)x-? iJ1iEjlij(;:A l'), li~tJx - I" x-? iJ1}~J';ffP.Jj(;:.r. " 'f ;;Jj'~tL n'~, #:~,;:
3=-?~a::t(J)-r-1'71'i5~.
NSt~~, :A5'~-'fI\;;F~.
-r-1'7.~ m
P-70-B [*:A';7',~ ] Riverside / Ne:"'SI1IIJk
c:: (J) I) 1\-if-1' F ~tt(J)t,:A x ''j? (;t~ U l A'jj\(J)i5 ~'f;7")).,njtJ~'iJ1, #:~t;:Ji:l~\7 -1' ;; ~ U n'~. N S t))"
~ ,;:, 1"'-? x)).,-;;(J)I\;; F)).,.
-r-1'7.~ 849

P-72~73

[if:?'!::'" ~ ~r'J -1']

19571'f-~fIF

IJelaware / Sub-Hilt Bowie

tF~;;)1;;~7-1';t(Y-x-1'~~5'J\;;F&.
"-~1' c:: tLt.i~:t1:'I.~450gi5~.

t, -1. 7v -

~9~m~(J)'7-1'F!::~~cM~~~:A5'-Y;;-'fV~

(j28K (J)~fi'i~1:', 7' v - I" (J)"'t;:(j~89mm(J)~~(J)J'PJ -b1~~

~~1'i5~ ~1:'.ft~~Mc~~(J)~M~7"7r'JI7fflr'J.-(~~;;~;;(J)77;;V:A'f;~ff;;~J;.~.

~ii';'f~u

P-74-A

<,

~u~'77'v:A'

[7'-''J -t -1' 7]

mD~

-r-1'71'i5l'), iltiJ1t]J~lUfIFut.:!7- ~ -r-1'71:'i5~.

Riverside / Boot Kflife

~~~l')~lJ~~":Jlui":Jl~'~E:t~~(J)-:tCUl~GtLkiJi';'(J)1:',~~~(J)NS(J)'f'7'~t~~~r'J*~

-r', ~(J)I\;; F)).,iJ1f1~'t.:!, t F~;J. )1;JJj'(J)IH;;'j':tJ-r-1'71'i5~.

P-74-B ['i!~. :A'f-t-] Riverside / Setlli-Sk.iflfler

-r-1'7.~ 115-

C::(J)-r-1'7(j A.G. 7,,'i!)).,(J)-r-1'7::1 v? 5'-A' ?77'(J)t.:!~t;:fFGtLt.:!-t-1'71:', -r-1'7.~ 01 C?77'

x-? iJ111fP.1H;:.r. ''j 'f ;;Jj~tL It)l'), 1\;; F )).,(j::1 -7))" Ol!llllJl) x -1' ~)).,)1 t;: N S t))., ~ ttJ:3f.
P-74-C [Fa':!7 J\;;5'-] Riverside / IJropped Poiflt HUflter
.~(J)t~~~7'7~?x-1'~~)1(J)YK-if-1'F(J)Fa~7'I\;;)1-.

-r-1'7~~m

[ya',7 J\;;5'-] Riverside / IJropped Poiflt HUflter

tt~B'J':l;tJ l 'if -1' ;J(J)a ::tiJ1 A ":J l t)lJ, N S t))., ~ t;: I) Jj-r 1. " -1' 5' J\;J F'J).,(J)AilIfF.
-r -1' 7.~ 744
P-76-B [f'a':l7 J\;;5'-] Riverside / IJropped Poiflt HUflter
:A)1 ;;'f'- I" if-1' A, N S '7 -1' F ;t()).,:A )1-, 7'7 ,,? x -1' ~))., )1(J)~ u ~\-r -1' 7. -r-1' 7.~ 330
P-76-C [ya',7 J\;;5'-] Riverside / IJropped Poiflt Hunter
N S t)v ~, 7'7 ,,? x -1' ~)).,)1 (J)~1JB'JtJ:A 'f;-))" -r -1' 7.
t))., ~ (J)~ ("m::s (J) 5' ;;-'f(J)J:.t;:, -1' V y MIJ
(J)7'7 :A(J)t, -1. 7v - ~ iJ1-1' ;J v -1' ~tL "[l'~.
-r17.~ 641
P-76-D [3-7".-( IJ7".-(_] Riverside / Utility
-r-1'7.~ UB ;/f:f;f-:::>, 1\-7' )1 ;;Jj'(J)Jj'IJ-;;. x-1'~)).,)1 1\;; 1")).,.
1}J'i-if-1' I" (J)a::t.
P-76-A

J-25

P-77-A

[II' 0':1:1 1\:/ ~-]

Riverside / Dropped Point Hunter

I) )'1-if-1' F<D F [J '1:1 J\:/ 'i-I!, N S I::)H ~;:, I.; '1 F 7. "'-if-A t) <D7. ~ '1'f 1\:/ II' )).,.
;;f--j--<D-1' ':::'V ",)).,jJ1 I) :h '1 'J-~;:A -:>-n'~. -t-1' 7~~ 983
J.i~tJ

P-77-B [~.:::.. "1')).,*~]

.:::. '1 Jr))., V)).,J"-<D1"'7)).,
:fjJ1I '17 :/'fi!n L~'~.

P-78-A

[I:: ':1:1.

~~<DJ\:/
~,'J,.

:7i;<D

Riverside / f1ini-~lilderness
1::))"

I, (;:, :1:1if([J<DJ\:/ F))"<Di:<D-t-1' 7 (;:(;L

f@;l;~' R.~!.Loveless

<Dif-1' :/<DO

1t~IY:J.iili:o:WI'.ft,I!~~.

~Jr ':I ~ -

1\:/ ~-]

Riverside / Hip'Pocket Hunter

F))., (;:, N S I::)H jJ1f'1"~, -'f<D-t ('je:JIoi<D71.; - F <Dt!'~;:(;L if t) !I:~<Dif 1. 'i! I.; -V::I :/iJftl];/;n L

1::)).,H~;S<D"1"-J'i-F

1:/'f'<D1:.:;:(;L

l!~<D-t-1.7-1.;-~jJ1(;t~j6;/;nL~'~.

-t-1'7#~

GH

P-78-B [I:: ':1:1. ~Jr':I ~ I\:/~-] 19711f~f'F Riverside / Hip-Pocket Hunter

i: n<tJfDl 1Jf'F t) I! N S I::)H iJ1N~, 7.1-1 'f' J\:; F ))., I! , if 1. 'i! I.; -V::I :/jJ1tl];/;n L~'~. -t -1' 7~~ RL-2
P-78-C [r 0':1:1- I\:/~-] 19791f~f'F Riverside / Dropped Point Hunter
'J\~<DJ\-7 1>'/, 7-1';t{I)-. "7-1':h))"11!71':/jJ- 'f')).,-7ft~.
-t-1'7#.Jf 2016
P'80-A

[/\-7 ~:/'f. I\:/~-]

Riverside / Half-Tang Hunter

'771.; 7.~,tJ <- 6~7*~f'Fl;t"e:~'3, I::JH 1.;7.1!71' :/ji-

:/ F))" (;t ., '1 F "7 -1' :h ))., 11! ~ ~ -t -1' 7~.f;J AG
P-80-B

[11'0':1:1 I\:/~-]

~~ti~,

P'80-(

1))'I-if-1' 1-".

NS

['i!~. ~""-t-]

nt",-t -1' 71!, N S

1:/'f -t-1'71!, J\

Riverside / Dropped Point Hunter

1::))" ~ ~;:7.1'1'f,

:7i;<D;;f--t-<D-1' ':::'V",)).,iJ1.oo(;:J!~n~.

-t-1'7~~

1098

Riverside / Selli-Skinner

~~IH!;Z<DI)"'-if-1' F<Dt~ 7.::f-t-I!, -j--1'7~~(;t

t,,~(;:f'F i?

'f)).,-7<D~~J\-7

1::))" ~

100.

A.G.'7-1'i!))"<D-t-1'7 :11.;'f1-fi. 'f'77<D

(;::1 -'7))" "7 -1':h )).,1<DJ\:; F J).,I! ~ 'J,.

P-82'A [3 ':I ~"7:/7:. -t-f 7] Riverside / YaclltSlllan's Knife

i: <D-t -1' 7<D1!~ t" Ell.*~;: -:J~'L(i, UfllitJe: i: ;S<D~ ~-*I! ~~.
BR-L <D*.f;J~~-:J-.ft,~<D i: <D-t -1' 7 (i,
NS I::J)., ~ ~;:'f'I)-:/ "7-1':hJ).,1 J\:; F)).,I!, *"l;~,,),,'-if-1' F<Dif-1' :/<D[J:fb1I'1'f:;'f'i!nL~''J,. '77
0

I.; 7. jJ1::1.-"1" l' I) "1" l' -Hlih L~' ~1ij~;:$li;M: l; L, 3 '1 ~ "7:/7: -t -1' 7 e: l; L~IJ t) i!i l; t" e:~iJ) ~ M~'L~'~.
P-82-B [:1-7'1' 1)7'1'-] Riverside / Utility
NS 1::))" ~ e:, 7-1';t{')- "7-1':h)).,1H~-:J, I)J"-if-1' F<D::1.-7' l' 1)"1"1'-. J\:/1-.
1::))" ~ ~;:ili:~'$?t<D

1 :/'f<Dt!'(;:, -1' .:::.v",)).,HHIJ-t~ -t-1. 7-1.;- ~ iJ1-1' :/ I.; -1' i!n L~' 'J,.
P-82-C ['i!~. ~""-t-] Riverside / Semi-Skinner
~K-if-1'F[J:tI!-t-1'7*~~

-t-1' 7*~(;t 642

II~D<Di:<D-t-1'7~, NSI::~~~:7i;<D;;f--t-~~l;~.,*~-t~~I\:/

F )).,jJ1-:J~'L~'~. "7 '1 7 l; t"1i**,,J:I.<D-c '1 ~ -t-1' 7 ti -:> t,,<Dt;!:iJ~, 9j~tJjJ1 ~~Wft~ l; L l;;/; -:> L~' 'J,.
P-82-D [71'-/).,F&~ ~ Ij-1.] Riverside / Field J Streafll
f1DL<D"7-'f jJ1A t), N S 1::))" ~ ~;:7'7 '1 'f "7 -1' :h))" 1 <DJ\:; F )).,jJ1f'1"~'L~'~.
8*A<DDljlTe:~<D*~ i! ~;:ir
tJttL, Natrix-AlO4 <Dt,,~~;:"1"'tf'-1' :/i!nt,,':'TJ).,.
i:<D'J\i!tJ-t-1'7(;t#;t)f'F~nL~'tJ~'.
P-84-A [7'7 -f ~-] Riverside / Fignter
I):; ~ :; "7 '1Jr :;::i'-<DmmA t) I!, 1"7))" N S 1::))" ~, 'fl)-:/ ""'" :/J'\7. "7 -1' :h)).,1<D~ l; ~,-t-1' 7.

J-26

P-84-B ['i!~ - A::t-i"-J

Riverside I SeIIi-Skitlfler
Giuseppi forte O)~~IJO)A.-:>t.::j'
:) !,-+t1 fo){n, :A::t-i"-..

fj'1)-/.

;,R-)I" (ijiA) ibt::/~1!!t~'f'FI)1JSElIz:? ..

P-85-A
[f.-O':.>.,-- )\/1-J Riverside / Dropped Poitlt Hutlter
H.H _7 "7/? /)1J1j}~lll; t.::.!!Ui()) \::)1" " l::, 1::' ':I ?';,R- / )\ / F )I"O')~ l; ~'I) )\'-tt 1
-7'-()):lff1i!TtlgIJO)[l:tiJ1~1j in -n'~.

P-85-B

[1!-]

7'17-&:"5 003.

.:())~!!(;t Ktlives

'82

"'?1::!J)1,,1' J\/ t:')l"t;:'j/fj'

~'O)

F [l ':1"-'

J\ /

1-.

;;t

())~$lt1i:6iIi? n'~.

Riverside / Dagger

:A'f-{-'1"

'.1'1')1". SS\::)I" H;:, 7'''7':I?' "'?1'::!J)1,,1()))\/ FJI", tit

J)/i:!1iJ1~IJl;t.::,

m1i:~-{771'l;~%U())J\/F~1i:M?~,~l;<~~~l;~'~1~7'17Ta~.

'} - l:: ~'"511fi.iJl iE>ntJ~ '1ililt;:A.. ? T ~,~.

P-86-A
[A71' ':.>7' $-/J Riverside / Stiff Hom
a())x- f' "'?-?b1iEOOC;:, 'tlTlllllj(;:t;t&:t1[ti)!())x- F'

~8~o:t~,.ru())~::!J~

",?-?bt::r..':l7'/fj'8h-n'~.

)\/ F )1"t;!:v':I

'" iJ ~ F ~-/ (1:j:.1t())~OOHltiil&\JC;:~~IlJJTJIj) I), 1ft < ~~t.:: ~())) ,;:, N S()) \::)1"
~
)v;{ 1-())"f0)1lHH;:t;t, :1.:::" -? ~fi1ff-mm())if I) Il:~0)7' I: ':I::!J I) Y.'jbt , "7'1' [" :A 1Jt~gIJ';:fl;" 1t t.::~;VJ;tt;~ilU:
!l1i:~ -:> T~ljin -n' ~o
P-86-B [A71' '')7' $-YJ
1985fstf'F Riverside / Stiff Horn
NS())'71 F ~)1,,:A1-';:' ~b)~'fim())A1':lfj'. V-:Ai;l:V-:AT, ,:ni;l:~IIliE>l;~')'i':I'T-iJT~
"b1ft4t iE>n -n'~.

.:())~~t;!:"7'1'v:A~iJI::A;,R-/~7*-~1'/~m~"-vi:!/"l;~lf1/T,'th1i:.f"7'1'v:A~V

:A'

7'1'7l::l;Ttll:C;:tl:ll;t.::~()).

l' 7 J

~t;t!3#())lf1'YTal)tJ1J1iE>. ;,R-/';:*~1i:~l; rffil).~tJ~';,R-/.

7'

()).tl~T,

P-88~89

:A T -{ ':I 7 ;,R- / l::1IiJ'A.-T~' ~o

[~,';/~ ..I'\7J
Riverside / Big Bear

7' l' 7 fi"5 115-B ()).:()) ~ ':I ~t' -"'7 t;t1i:.$:lIlJ1iz ':I " 7' 17 ())-:.$:l:: l; Tf'F':' ht'::1J1, Ji.~tJiJ1 iE> iz -:I " t;tti~
l; T l; -:> t.::.
N S())tt'1' \::)1" H'.t! ())'.17)1" \::)1" H;:, 1!)"i:b1"77 v :A!;:iJf l; k ry * )1,,7' ':I "()))\ / F M~1Jt
ft~'T~'~.
1 /~t;:t;t. 1':::"V t> )1,,1i:JIj)~ t.::~())'1'''7 A())1' / v l' b1i;t~iAlI:n T ~,~o
P-90-A [A7-::t- 7'1'7J RiverSide / Steak Knife
::!J>,O?"';:i;tJliE>n~~"))'i-+t1 F()):A'f-::t- 7'17.
-JjC;tti"IJ~. ~?-JjCUI:'fIJ!fflT, WJjC;:t;t'1'v
n;: iz v -v :I / (flH) bi A..l), ffllJjC;: i;t A.. -:> T ~ ,tJ~'. C''5 iE>~, WfJU;It C;: :A 1':1 ?,b1ft~' t.:: l' /'f~l"7 )1".
P-90-B [i"1' 7 /7 :t-~ - 'i!'';/ J 1919f1tf'F Riverside I Knife and fork Set
J\/~' M~btWfRqt;IH:ft~'n'~, '71 F 'it~)VA 1-())1' ~7?"7)1".
"77[" :AW!~~ :A"f-" 7'1'7 iz"
1
~ t;l:stf'Fl;n'~iJ~, 7'17, 7*-?())iz':I" t;tfl!!C;:Jlt.::':l::b tJh
P-90-C
[iz~. A::t-7'-J
Riverside I Setlfi-SA'lllfler
I) )\-tt l' F ())o::tb1 A.. -:> t~, .: ())ftd)())iz ~ :A::t- 7'-(;: t;t, \::)1"" ())t\:h I) C;:?~;f;C;:~~' N S ())::!J "7-ij1f::t~ 'Tg
I), 7"7':I? ",?1::!J)1,,1()))\Y F )1,,())"f())$#C;:i;t ~t,n -( /1!-' ~)I,,-'1'b'lm'n'~o
1/fj'i;t.#';f;t;:7W
<, Ij'itJlJltJ7' l' 7C;:ttl:.bhT~'~.
P-92-A [ry l' JI, -* A] Riverside / Iii Iderness
7' l' 71\:"5 27.. N S t)l-/- l::, I'll] ~ iAlI:nt.:::A )7 ':I?" J\ / f'JI,()), IJ\J;I) tJry.( )1,,'.1 -*:A. .:())~gIJ())7'1' 7 ,;:
i;t, 7v- F())jiljiii;:'J\8tJI))'i'-tt1 F())O:rb'fA.. -:>T~'~. "77[" :At;t, i!)(()):Iff~T1<'fgU())[l:t1i:A..n~,: l::

~a~b'f, ~())OOil1Jht.::~M<'fgIJ())o:t~A..ht<! I)j"~.

J-27

[V:t- ~ 7-{'1] Riverside /

P-92-B

7 l' 'J.~ 80S. 71..-- F 1J1:B' ;;- t

:7'711.-0) N S t)1.- ~ (;: A)7 ''J~' J\;; t

~.

Crote Kllife

'::'TJI.-J; I:J 24.Smft~~',

J~to~, I} J'i--lJ' 1 ~'o)V:t - ~ - 7-{'11!~

}1.-1J1'"?~'L'~'~.

:;f I) V -r }1.-(;1J\( ~ -r ,Mt$O)Iij{;:C I AO)rnRlfi Harry Archer 'I)11'{'7 V:t - HlT .!::tilaH;:tfffl't ~t.!lltJ, '77'1..- A
l1atrix-AID4 (;:1i~~nL't:it), 1\;; F)I.-(;1tJ,'J F '7;(1'j])l-)71!iS;,~0

t;::;f-:7'-tot.::~o)1!~t),

[Jf-tJ -f 7 -f"}]

P-93

Riverside / Bowie

#.m{;:*l! <, A

'771..- A~;1, I} )\--lJ' 1 n;:~-J L'tl) G~B it1!~tJ 1 71 'J~;1 <::'.0)-* totl)RfF to L'~\t.t~,.
,;; I..- AO)7)1.- t)l.- t (;::1 :17t(rlO))\;; F )l-1! is;, ~o
['77'I..-A/y:g;;'}:/~.'! A~7-]

P-94-A

I..- l' \::::''7'::'7 :!: 'Y I

-~'

O)IIl3~IJO)A ""

1976lfRfF Loveless-johnstJn / Setlli-Sliinl1er

t.:: N S t)1.- ~ (;:, 1i::ti0)'7;( ''J '1- lJ.::~ to ~'A)7 ''J~' }\;; F )l.-b~1!~ 'fi!, A)7;;

-If 1 AO)t~ A'f-r-('. 1976lf(D"?'f-+tA'rH'7 A (,O),\,'}i.- F V

P-94-B.C ['77v:A/Y:g;;'j;;'Jr-J'i-]

t.t-Ji,_OJ. '771..-:A/V:g;;~;;0)~-K-o
~11.--'Jb'1!~ ,t.::)\;;

F}[,o

t), l1ilIJO))\;; I" )1.-(;:(;17)7"1. 'J 7;; X -jJ-O)A fJ

P-96-B

NS i:;:J[,

['57'v:A/V:g:/'j:/' jJ-]

~,

I}

-1,

-r l' 'J.~ 786

['77 v :A/V :g:/ 'j:/ F [1 ':1:1- J\:/ 9-]

'771..-:Ac S.R. V3;;'J;;OAt1'!'.

Capel'

71~~--'7;(1''j]~'0t~~I..-AL, ry;;'J~;;ff-

~)[, ~ t;:(;1I1l3~IJb1A "" L't:i

V g-(', \::::"'JfJ;f;-;;' v-'J'O)lifjb)m;~IJn1 n'~.

P-96-A

g-(;:tI:lJi,~nt.2~O).

19761f'RfF Loveless-johnson/

Loveless-jol/nson / Dropped Point Hunter

T'7''JlJ' '7;(1''j]I[,)7.

-r;;I\'-~;1

746-B

Loveless-jolmson/ Dag,r:er

FOJ!f;O)/\;; F 1[,(;:. )7"7'J[' 7 '7 :A t}1.- t .!:: 7''7 ''J lJ '7;(1' jJ}l.-)7 )\;; F }[,O)-Ji,~.
r '771..
:A/:J 9 / 'j / J 0)'7;(- 'J A 'J ~ -t' 1 'J ~;1jiiJ*RfF~nt.:: b)Tilb)Lt;l:t,t <, '77[", A El <4O::t:i;:i~t.:: t.t~, c13~'v':3 ;;'j
;;(;l:t.J IOO::t:ftltc13""n' ~b', liiJn(;: L L' -t,~('l:c~ <tJ <:1 [... 'J:/ 9 /O)iafifl!M1H~('.:v,;;,.
)'\ -

"

' " ''j

['77v:A/Y:3;;'j;;' ::J..-'f-{ IJ'f-{-l

P-96-C

51 ;;'1-0)'771..- A/V 3
~' 1\;;

P-98-A

r }[,L,

-lJ'1 :AO)jI;lp) (;:(;l:~ <ftJ::iJh L'~'~.

['77'v:A/Y:g;;~:/

Loveless-./ollll!>'Of], Riversilie.
'ij~ ~ 1S'::
~ 'L't:i

P-98-B

c ire ~;,so

I:J , ttL.'

P-99

'" [1 ':1:1, 1\:/9-]

.::tt:;:(;l:

0020)-t'1'J.

x I) 'j]ml::i!l(;:Jlt"9 ~ I) 'f-t' 1. 1\1)7 c ~'? lit;t:(i) 1\ :;; r M.ftMt

t)[, ~ O)it'S c;: (;l:7'7 :Ao),t -1. :11..- - ~ b"'(;l:/tJJl! itn L'~' ~o

t I..- -:; 9

:;;~~IJ;f

L'~'~.

g;;~

;;(;l:, N S i:;:}1.-

Loveless-jol!nson / Dropped Point Hunter

~ (;:~*l0)}\:;; 1",[,"(.',

t II.- I- 0)"9 ('~'SO)7 ;;7(;:e;1, 7'7 :A0)t. -1. 71..- - t

[3

(';:A 1 ;;7JI,,-7

Loveless-johnson/ Dropped Point Hunter

(.a I. 0)[1::ih'A""t;;.<::'.0)-t'1'J(;tt.::""t.2,::=:*t2'~:tfFGn,

['77'v:A/Vg;;'j:/ ~'[1':I:1'\:/9-]

J; C) tJO::i(;l:J1!: to ~ '0

-t'1 'J .~(;l: 772

N S tJ[, H;:, '77- ,:: 7

.:: O)I~ G~' '77 (.;:A V

~,~.

Loveless-johnson / Utility

'J / :J. -7- ~ I) 7- ,1 - )\;;)7 -71, tJ ''J I' '7;( 1 'j])[' ,0) ti[,

~ tJ:hC;: ooR;1tr~t;:rhL'

5J1J4~-t'-{'1]

to it

'::>

7' I..- - F 0)~(;:-lJ' 1. t I..--V g

bi~;l:d.lJl! itn n'~.

;;bf~Jith L'

-t'1 'J .~(;t003 L, <::'.0)

L'~'~.

Riverside / Tile 35ill4fllliversal'Y Kllife

.::O)-t' -1 'J ~;t, '771..- :A0)-t'1 'J x -~ ;;~35mJlf~a~i;:1-,~8IH;:7"if 1 ;; ~nt.:: ~o)L.:v ~o

I..-if- ry ':I V 1'-

)\;; F }[,t;: 7 J[' ~O))\''J t 'f l' ''J:1b1j!~'t;;., is;,o)'T'7tJ I 7' x 11"~ I) 'J 71 ;; to t;;. ~0)1!iS;,"5.
<::'.OJ-t'1 'J(;t
35mJij:(;:!t;:lJj, 35*fFGn<::'.0)-t'1'J0).~t;1 10 ('is;,~0 ~L':;:.~b1~GnL'iS;,t), 01 c 35 (;1 9,OOO'I' :/;;
~l}l.- 'T-{ :J''J

I-

t13hn~-flj.~O)

2b)G 9.0)1'1 'JC;l: 5.000 f 'h

J-28

10 b)G 34 (;1 3,500 f 'I1!:reGntzbl , Ht;:'J'

1..-~7i1t-::>~'-n''5.

i ti!.,

OJ ';Hln~'O)

352/;:t,:t~tfF Gnte:

'77VA<D~(<:.a; ~,

I1atrix-AID4 t<:.a;~ .~n;t7Xl}jJ<D::tI..-:7~-0) J.II. T';J ~';Jilt~"?T~''5.

\: ~ (<:.t,h T~' '5 hI, ~~(<:.(;t1' ';J J\-<D)..':' n ,t.;:~,t> C) -2/;:h~:tffj' '5.
\: n(;t6ft.;:t:)

;1'(7 ~Jfil'~.::t-;I<:A<D2/;:~<Dx.:c I} 7 II- 1'17 ~t.hn' '5.

P-IOO-A [~' 0':.>7, J\';J ~- J Riverside I Dropped Point Hunter

1::11- ~ <Dt\':tJ I:H<:., #'im<:'~~'N S<DjJ'7-ilW!H'Ta; 9, Pu1l{tJ"? t.d ';J7)I--7' r

.::.n T~'t.;:~' F 0':.>7, )\';J ~-"('a; '5.

P-100- B [ r o,~ 7 . J\ ';J ~ - ] Ri verside I

1k~~<

t;tf!;

Dropped Point Hunter

jjmJ:~t>a;<I)jJ1')-ii:fliute:J~U'1'17.

J\';J FJI-~~''!)<D~;t,

. J\';J rw(',

x-r'?-:7"(,, NSI::)I-~,
A l' ';J5"-I"t.t::t';Jl:::*-V;1./"('<If;'5. 1'17fi~ 435

P-IOO-C [V::t-~ '-;--f7] liiversidel ChIlt.eKnife

* I} ~1' ,I-<DV::z. - I- 1'17 (;tdi!f<D!1I5;tii:-'i', (;:'.i'ilb Ta; '5O)tiil~,

1..-':.>FA""-if-(<:'A~'1:7'

;:n(;t:7t:<D*-1'-0)~gIJi.t:)(,,(,7-'I-btft~'

.it - F ?-:7, N S <D5"'7')1- I::JH, t"1 1" A""-if-(<:'A ~ 'y:7'.

P-I01-A ['3A' -ft~. ::A*-;--] liiverside I tub Set!i-Skinner
1::)1- ~ <Dt\':tJ ~ (;:'., N S <D" ~'jJ '7-b~H~, J5l: < tr::tIb~J5l: < ? '1-r u ti!::A ~ ':'>:7' )\./ F''''<D1' 17 "(,, '77' I..- A (I:
J: '5 ~ t.::. -::> te:::='2/;:t2'(tfF -::> ti!. .:c7'JI-C<D\: ~ ti.

P-IOI-B [-ft~. A*1'-] liiverside I Setiti-Skinner

L.<D#~(<:'~ u ~'1? ~ A ~1'-<DN S ;l'(J'" A ~ -(<:.(;t ~ JJI.)'" ::t I) ';J:A(<:.J: ~)lJj~IJb~~n T:tH), J~-7 r.:7 ~
? '1-r<DA l' '1 'f, )\';J F )i.-htft~, .it -~' ?-:7 btI. '1-r ;:":7'~ n T~' '5. l' 17fi~ 727
P-102-A [rO':.>7 1\./ ~-]
liiverside I Dropped Point Hunter
T~' '5I~ u ~ '1'17 "('<If; '5.

A~./5"'-F<D1'17J:~l,j>ua;~<DNSI::~~~~7./~Iol:::-<D~D~)..a.71*~-<DJ\';JF~~~~~

l:::-<D~~J:'5l:::~:7'*-./V-7<DnO)A:7~-kV3-~~nTL''5, x-I"?-:7<D1"0~7J\./~-"('a;

ii1t*-k 71..-- H:t;t:!l!;iiiibifftJn'5~;:."5, 28'Z<If;'5~&<D7v- HIS 1::)1- I-<Dfi."5

'5.
I} jJ '1 ')-(<:.t;t, 'f;<D*-1'-<D1':: V '\> )I-bi~IJ i n T~''5.

P-102-B [rO,y7' J\';J~- J 1976~gf!; liiverside I Dropped POint Hunter

lj~7;t Wx - F "7-:7 ~ (Naked Lady Logo)iltm~Tt!!(<:'1ilte:1976fF<D~rJi.- t' V;1 -"(,, '77' v AiI).::.~tt~~A
hti!., ~u~' 1"0':.>7' )\./ ~-.
v 1 l:::'7.:c';J'Yr.<D~~lj ute: N S 1::,1- HZ., ~u ~q ~ '1:7" )\./ r )I-iltft~,
ifk' i!v-V3'/iliA~, 7''7A<D*-k' "'v-1-iI1t;t~~ihn''5.
P-104~5 [-ft~. ::A*-;--J
Riverside I Setiti-Skinner
'11 F ;I'()1- A l' -O)~t~,;t, 0./' A '\> '1:7' A ~<:. J: '5:1-)1- F <D11J~b5, 1I~<::';t A:7 0- )I-ilt)lJjjIJ~h T~' 9.
ry;tli.-1"1'Y J\./ t')1.-"(', ~i"('Jltdl~t>~u~''77'L-A 1'17<D-2/;:"('a;'5. 1'1"fi~ 004
'5.

:7t:<Dil)(:E<Df6~"(',

t;:e;t~~i n T~'

P106-A

[-ft~. A~1'-]

1986fFIOj'j128gfF

Riverside I Set/li-Skillner

'77 v A 13 .Jl<Dte:&J<D1' 17"(' a; '5PO) 1i.It'.L. <D1'17 3:~<DA "? te:i! ~ A ~1'-"(', I 986fF IOFli 28 ~<:.gf!;~h
te: t><D"(' a;;,s.
A I) - t: - A O'J A ~ '1:7" J\./ F JI-"(', :7 '7 ry;; A ~ '1 :7'<DJ, '1 ~ ~ '\> ':I"'iJtH~'te: I:: F '7./
~';J:7'<D1'FIJ"('a;'5.

P-I06-B [::A-7'1' ':.>7' *-;;]

liiverside I Stiff Horn

.it - F ?-:7 <DI. ''1-r ./:7'iJS~htd ;;7':7''7)1- A =j-( '17' it.-./. *JI-A ~-~<:.e;t, v *1' Ji"f' L-1~ry
l' '1'YiJt:1-Ji.- F ~~~t.tJiF~'7'7 A7' l' ''1:7 ii:~~', t!1fiiJ~Q1t;;:7"::t v-V g'/ii: vn' '5.
"'2/;:gfF~hti!.

J-29

P-I(16-C [.:1-i".( lJi".(_]

Riverside I Utility

x - r x-7Q)1-;j'~'t:, ~~(;:1:::.db1:'JJ'J; I) t,.:<::(o-t1 '7 ,;:~;t, 1::)[' ~ Q)~tJ I) (;: N SQ)jJ"7-'bt foltMt L~ I), J\
,/ F )[,(;t'J. I) -!:: - 'J.Q) 'J. -$' ';I ~1:', )X ';I H;:~;t7 '7')'/ 'J. -$' ';I ~'b'lflitJn L ~'1&. 'J. -$' ';I Jj' )\,/ 1" )[,(;:~;t.iJ}1b
tiEtt1:'t,.: C 1:::.'b) Ib 'b!:: ,/1JtfT '? L <1& I), .!::: L 'bJa~ '-t 1:J t;:i1:::.bh L~' 1&.
P-I07-A [-{ ;;i"~")'"

1"0'17, }\'/-$'-]

Riverside I Intesral Dropped Poillt Hunter

-*Q)~U1:'~~~l)ili~ht:-{'/~~"7~-t1:J.

'J.-$'~~J\;;F~1:',M~'J.-$'-.~~~~BQ)7-{MY

-'x-{jJ~-$'~~~~~h, 'O~0~~7:J~-~F~~'?L~M~~~hL~'1& M~m~I)~.1&<::.!:::

.!:::1fiffl!Q)~~.!:::lil-)~El::J'b}Ib, 'b -) -{ ,/7,'f'7)J., -t 1:J (;tfFlb t,.:~'.!::: l; L~'1&.
1 '/7""'7 )['fj?-*fF1&Q)r.'n;:, 'if
jjeJ)-t -{ 7 t,.: i':.:::.*(;tfF1& <::.!::: b~1:'~ 1& .!:::lil'? n ' 1&. 1 '/7'" '7)[, -t -{ :J0* <(;I: B *(1):1 1.-7 -$' -Q)'f(;:V1b L
l; H', ~*tc!',t, ~~6*ti't7 x I) jJ1:'1tii':.ht:. ~., ~lJJQ)fil!i~(;t l,750 fll1:'1ti':;'ht;:.. -t1 :J.-lj- 28
P-I07-B [-{ '/"f~""" -I!~ ::<*1'-] Riverside I Intesral Setlli-Sklnner
1\'/iJ' L. t,.: 1 '/"fJj''7)J., 1'1:J. ~ l;~' 'J. -$' ';! Jj' 1\'/ r' )[,1:', ;: Q)-t 1:J <tJM)J., 'J. -$'-.(;: 71 M I) - x 1 jJ
)[,-$'b1\;td.l~~ h, :JO I) ( 1) ,;! 7 :J ~ -)[,1" (;:~ '?L~~IJb'l~~h L~'1&.
-t1 :J3:-i5' 25
P-I08
[9::r:'/ ~",'X.::,rX'. -I!'1~] 1985i'Fl'ifF Riverside I Gentllflen's Set
1::';1 ~ -t 17.!::: vL'M'~lli;:7'tf1' ,/ ~ht;:.::cor )J.,:;t'b\ I) 1:', -lfIl;b\UfF~ntJb) '? t;:.. 71 M I] - 1\,/ F)J.,.
P-llO-A [1"0'17 J\,/-$'-J 1978if2FlJ.'lfF Riverside I Dropped Point Hunter
~1FSSM~'J.-$'-,JjY-'/x-{jJ&-$'J\'/r~Q)<::Q)-t1:J~,'77~'J.~.~7YV-tQ)V::r::J7-

)'\-7:' '}f,/iJ'1

P-llO-B

[-I!~'

r 1\'/7 ~,/~. 'J.7-)J.,"\.AJs<:r:pjl'$l;n't;:.'bQ)1:'<01&.

::<*1'-] Riverside I SetIIi-Skillfler

.~x-rx-7,.~~~.fil;Q)x-rx-7~A'?t:.d.l01::~'J.*-t-.

NS01::~r~~y-'/

*~'/~'J.x1jJ~JQ)J\'/r~.

P-112-A [.:1-"f.(IJ"f.(_] Riverside I Utility

x - r . x-70A'? t;:., ~ v~,-t 17. ~~IJ~ht;:. N S l::)J., r i;:, Ja <ti::ti0t1ih t;:. :;:;-7 ;j;-,/ J\,/ FJJ.,iJ!
f-;j'~, l::)J., ~ Q)~~1J0 -$' '/""01:::.(;:(;t R.~'.Loveless .!::: ~i':. ht~ N SQ),* -L. " ~ - r iJ'l(;td.l~1v 1:'<1& 1&.
P-112-B [*,\+,/7 1'-{:JJ 1986ifUfF Riverside I Setlli-Skinner
.~~x-rx-7,&~~~~.fil;0x-rx-7~AI), NSl::"'~, 'J.-$'~JjJ\'/r~.

[-{ '/~~"/[, I\;;~-] Riverside I Intesral HUllter

IJ\~tJx - r . x-7 tMt~, :JO,/ ~ ~~ '(JI,/ F n;/J., 'J. -$'-Q)ft~'t<: ~? tJ7"V 1 ;;1:'<0.Q.
'71 r 7'7')
,/Q)~ l; ~''J. J ';I"" J\,/ F)[' 1:', ~, '} ;;.,.' ;J\- )J.,b~J!l!.~1:' <01&.
6 *ti'tfF '" ht: -5 't;>Q)It.tJ-*1:' <01&.
P-l14
[:JY-{~-]
Riverside / Skeletonized Fighter
~','f;t;:J~l;~'70 ~ -$'17'Q)-t1:J.
x-f' x-'7. <::Q)!I!k~"tQ)~-)tJ~tJHtQ)-t1:J~;t, ff~t.litB7"
V1' f'-Q)iK7 7'/~::r: OQ)"fV -( ,/(;:~ 1&'bQ)1:', 'J. -t';! 71:':/-'J. t;:~Il::'t' 1& ~ -5 i;:t.t,? L~' 1&. '77~ 'J.b1f1!!
P-113

AQ)~V1~1:'-t1:Jfj?fF'?kQ)~<::0-@MI)T<01&.

7:

(IHt~I!U')

P-116

l; t: ~ -) i;:.",1tL <01&.

["1-I,\-/:J.(;;]

~-~~'~0'J.~~r;;~;;r~~,i1:::.~7-t1

~'-rht;:1t~, ~1:'~;t <::n'!:::fDJ u-t17 fj?fI!!Q)~ -jJ-iJ'lfF-:> n ' 1&.

Riverside I Caper-Fillll

<::0#1'i!i1ll0ii!ii~'-t1:JtW:,

x-F x-7bSAt),

rr'J.)-~ .!:::1r-)~jj,j01~~-:/g,/71MI)-0B*

J.'lQ)"1 jJ )J.,J (x 171)[, "J (;t*[:li] ' ) I 'J. =f ;;Jj' 1\ ')'J.r0~&iii.) (;:W,t",J\'/ F M1b~~tJn n ' 1&.

J-30

~Jt,1aJ

!JQ)x-lt -;>-? htjjlijliiH;::::r. '~7 ;;~~n T'S IJ,

1\;;

3Q)~tn-~;;~t;til!H;:-::$:vh)t.n'.

t ti?, '77v:A!;t3Q)

FJ[,.ft~t:=Ltt~htJ~'t~-:>ti!.

P-I17-A [":1v:A/ .){Ihl ~ -( .::tT~")I, -e ~ A*-t-J Loveless-Herritt I Iniegr81 Se1Ii-Skinner

1Ib'':=':;$:ti':t Ld}':fftf\.; t.t~', 77 v:A/;< l),~ r -;>-? Q)3Q)-f ;;::r 'f '7 )[, 7 FJ. AI] IJ n<bfl!!Q)<bQ)t~tJ
IJ. ;JF:W;(;:~<ftJ::iJhn\.~ti!3/)(;:ii.MIC ?7V,~?t.t:A~-fJ[,Q)3Q)7-(7i;:t;L tT<b~\';~'7-f r .~;;
Q):A ~ ':1 ~bt1t':ti;,n T~'T, I} J'\-"tf-( FQ)77 v :AQ)Imb' i;,tfl:t;::lti?.<b~ \.; ~'7-( 7 Q)-:;$:'l:' 0 ~.
P-117-B [,,:1 .... :A/ x I),~ r .,.( -)I," &A r I) -AJ I.oveless-Herritt I Field I StreaJII
B::$:Q) Natrix-AID.4 Q)ti!3/)t;::;if -f ;;~nti!, f7 l' -)[, I" &:A r I} -AJ tlll]it;fn~I!j1JB3t.t':7' )[,.
8::$:"\.t;t
x-F-;>-?t:A~;;-r-;>-?'l:'~i;,nti!ffi, 3nt;t~aQ)K-r7-1:'0~. YA';<~7rQ)ti!3/)~~~n

ti? ;tQ)'l:'. 7;< I) JJtc:. 6:;$:0 ~ 3 tlM}b) -:> T~'~.

P-118-A [::tf-/'i-' ::tf-J Garber I !Jagger

Natl';x-.4ID.4 (<:;t-:;$:lii;,n T~'~.

'77v:Affi7'if-f;;Gk,ff-7'1'7;;tlll]i~n~8"tf-f~Q)ff-K-ti-;>fi.707-(7.

:;$:-I!':1 r b; '" tJ IJ. '77 v fi.Q)"tf -f ;; t, tliQ)7'-tJ'-f ;;(<:.1; ~ ;tQ)'l:' 0

P-118-B [jJ -J'i- ., :t-jJ,.:;t.( ;t~J Garber I Folder

7 -( 7~i'} 587
~~~Q)I\;;FfoQ)':='

3 t7f;"t-;>-? ht[5J lJ mH;:A -:> n'~.

"7v:Affi7'if-f;;Gti!,ff-K-~Q)7*-fo7'1';;~'l:',70;;~tiQ)~fo:A~-Q).~~t;t77v:AQ)"tf-f;;ffi
~~I]~nT~'~.

3Q)7-f 7t;t2000::$:~>?nti? 1!>Q) 1843''l:', 70 ;;~Q)7 v-A~, 7x'~ 'J6HilQ)A -:>ti!:t AQ)
J\;; I" )[,t:t;t~i6Adir;tQ)'l:' 0~. ~II <ii~'7-f 7'l:'0~. ~0'gt;f?tJ'tt~'J:iiJfji;t ~iJf, jjJ'i-iJf 77vfi.Q)
;tI)Y7)[,' 7'if-( ;;(;:#:;V;t;:3tih-:>T~'~Q)t;ttJb)~.
P-120-A [V::1 .... - t t

0'~:1

I'.::t ~-]

Schrade I !Jropped Point H/Jnter

'7Jv:AQ)7'if -f ;;'l:'V:J. v- FiJfti~ Gt". .W;t 154-G1 :bf~Jij~n Tg IJ, V::1 v- F:bf7:1v:AQ).~raM
'1' x ,~? Q)ti! 3/):;:i'/s-:> t" ;tQ)'l:', V I} 7 )[, 7;; J'i -t;tA -:J T~' t.t~ '. 1\;; f )[,;;t-;>)[,- ;;~Q)7')[, I} ;;&lJli'l:', 1:;)[,

r Q)t\:tJ IJ (;:,

l:iiflQ)JJ'7-bfN~'T~'~.

P-I20-B [V::1 .... -

t F'0'~7' )\;;~-J

Schrade I Dropped Po;nt H/Jnter

'77 v :AQ)7'if -f ;;'l:', 154-eM t:1i!!Jij \.; TV:J. v- Fhf~~ Gti?7 -f 7. .~'j!i;iitQ)JJ '7-(<:, -;> )[,-;; 11'7
Q)J\;;FJ[,!;t"J'J[,');;&lJli, -f ;;7',[,-71" J\;;F)[,(<:ttJ::WT~~. VI} 7)[' -t;;J'i-!;t 09221:'~~.
P-121-A [V ::1 .... - i' i' 0'~7' 1\;; ~-] Schrade I !Jropped Poil/t H/Jnter
1Ili:t ~7 x I) 11;; 7 v- n Q) 150j::jjc~Q)19771f:(<:~", nti! >bQ). J\;; r )[,~;t7 -f ~ I} - 11 '7-Q)7')[' I};;&I
Jli~1:', 7'7:AQ).~'11'7-bflt~'T~'~.

VI}7)[,' 7;;J'i-~;taJ45;,

P-121-B [V::1v-f" rO':17'J\;t~-] Schrade I Dropped Point H/Jnter

3Q)7 -f 7;t[5J lJ~tib~, 't'Q)P']Q) 150:;$:iJi Iti'l:' ~ :AiJfji ?b;~ilIH;:~'? TO:tt:lj(t9jQlj(;: ~\n T
3(D~h IJfI(;t-:(-?Q)1il.il:t;t;f3iJ' \.; ~'bH~ \.; <, 1979j::Q)-)[' r' V 3-'l:''l'C~nt2 <bQ).

\.;;

-:>f1! ~Q).

P-122
[.J'\ .... ,~~. to'~7' 1\;t1>-J Beretta I !Jropped Point /llJnter
'77 v :Abf 7"if -f ;; v, 8::$:1:'~ >? n, 7 x I} 11Q).J'\ v ,~ ~biDi~ Gt" r 0 ':17, I\.::t ~-1:' ~ N S 1:;)[, Hz v ':'/ i'
'7 -f 7-, :A ~ ,~~. J\;; ". )[,t~, 1:1t1itQ)7 -f 7. V I} 7)[' 7 ;; J'i-~;t> 02&lt t.t-:>T~'~.
P-124~5 [-( ;;T~")I,. 1\;;1>-]
Riverside I Integral H/Jnter
-:;$:\.; b;:gtf L tJ~" J\;; V)[,Q):A ~,~ 'fQ)-;> '~'f<b7i:;3l.:tJ. '7 -f F ~)[, fi. 1>-Q)-f ;;::r~f'7)[, 7 -( 7. x-V
-;>-? Mtfiltl!~'7v- FQ)Bii9fRIH<::r. ':1'1' ;;Jf~n n'~O)~;t:;$:~(Zn\.; ~'.

J-31

:t~'1Lf.fQ) .ftb)",~~~nti!;tQ)

1:', ~HJlOJftMOJIt.t;l: 3,6kg<8'" -, t<: <8O)JJ1, ffh) 224g O)'t' 1'7 C<:ttl::,JJh L~'~. -'fO)ft"~fii'Ji;JJ l1 t<: G, IH'
t<:J1.~'7'v
~ t<:(;I:, -*GvYfftEG7';t~'.ll~O) ONE OF A KIN[)'" )l.- /'. -C?-'J, -'fGL't'{7.a1:~(JJ 2011 O):x:.,,JJ~
:.r_')-T:;;'J~tt" ~,/;..

P-126-A [1Y-"1 o J''Y-;'''. 771'Y-] 1957f-8F!20El~tt Oelaware l1aid I Bowie Pattei'll figllter
2:0);t(':71"A'Y1'J\'(})771'-r{';I.>j''t'1'7(j, ",0) Delawarel1aid O)!tiMtmk '1"":7':7xl'fli'Jv1''f::':d
1:'1957f-8F!20Bt<:~tt~nt<:.
,,~n-T':.:1

"~nt<:

IJ9-BfiN!JllG, .J'fO)Y7)\,7":7AI:::JI.-H<:, 1'';1

I1W;l::Jx'}'17'UO)

vif- '1'') V i'- J\ /

F )I.-t~, -:i-!l:JiX;:;:t,t-:J L~\~.

J'\-

F -1'>,'1 F 'Y l' 'J'OJI')I.- 'to)

K7".i'77~.OJ~ttTa~.

P-126-B [/"0':17 0 J\;"''Y-] Proto Type I Oropped Poil/t HUI/ter

<::'0)-* GV)tJ~'.:l::-'J tJ70 I- 'Y l' 'J'(})J\;'" '1-(;1:, A '1 ,')/}' J\';I '" JI-T, I' J!':'i 7 v -b.OJ}\/ '" JI.-';:m
fii;JJ l1, 7' v-/' Vl~ Gi6,{, 1:'a ~ t'::',t 1:', 7' v - F ijM~' L<8 t,t~ \ G, JJ<8ft~ \ n 'tJl'. ":77' v A (;I:, 2: OJ't' 1'7
fi7't;Jil~ft $100 1:'1i:l~-:><8l11:'~lt<:h1, ~ttfil;i?t~O)fiJ11'h, 1976f-(J)Y":7AO):\'JI.-F V3-T, 2:OJiiO)tt'A1
T~f.bL G i -,'kOJti.
P-126-C ['Y'11-] Riverside I {)agger
":77'vAO)'t'1'7~-.';I:t0)~-T'~fiW~G'k,K":7-T'4';17vAUO)'k1'h~~ttG'k~*0)7o"'11'7(})1

~O)-*.

NSI:::~"~, NSK~I-.i'~~J\';IF~~.>j'~-/~1'~~'1O)I:::F~/'1/.>j'.

K~~'

i"'J 7(})1:::' /HI-t' t, 2:(})'t'1'7i;l:7't;~'z.?}M1:'~~.

P-128
[11':1 r 7''I''J' A*-t-] Lawl/dale I Gut Hook Skillner
2:O)'J'O r '11''J'O)'Jh ~ 'J ''J'J' A.'t'-t;t, fJj1'h+Tb. VA r O)-TX
';I r)I, t GLT'if l' / ~nt<:.
",~":77' v

''J~I)//}fi~IJ,{,ti1'

G JJ) G, "tnt;t1i:lM<:1'htZ.tt <?nt<:o)Tt;ttJ <-

A 0):.:1 v 'J:/::1 /(})J; ? 'z.Hl1'h<?n L~ ,t<:.

U~

J0<8Htt ,:, n

/'J)I.--7''''' J\

2: t <8tJ <-

ft~'

"to)m-T'-If l' / (<:Ilt!ll:h1JJo;t <? n, l' /7)1,-7 F J\/ '" )I-t

GL,.(})~'10.>j'~.~t'~<::.t~7';t-,~0)1:''''~.

2:OJ Liv ing on the Edge (})WIi&C;:"'t.:! l1, B *~O)J'{ fi:ft?tJJo;t ~ <::.
flIl~:i'to)~~ '{'C':::'L'V) <? t)fLfi: $ v J:.?fi 1'.

to)T~

t<: <::. t fi

1992f-llF!
Natri.,-A IDA
t~

J-32

EE iii if